New Jersey's ELK CITY releases 'Above The Water' LP featuring members of Versus, Luna and Psychedelic Furs side-project Feed

"Elk City’s cool and elegant sound draws on 1980s “dream pop” and bits of 1960s folk-rock" ~ The New York Times

"This music is sophisticated – vivacious, harmonious and memorable due to many factors, not least of all is the remarkable vocal timbre and convincing delivery of vocalist Renée LoBue, recalling Eddie Brickell at times and Jefferson Airplane’s Grace Slick at others" ~ Music-News.com

"A formidable offering... it comes as no surprise Elk City sounds so animated, brazen and effervescent. LoBue’s commanding vocals are the icing on the cake, making for a highly infectious track" ~ The Spill Magazine

"White-hot, catchy and propels the listener ahead in forward motion... with a vocal timbre somewhere in the midst of Chrissie Hynde, Blondie and Patti Smith" ~ The Record Stache


Art pop band Elk City has released their new album 'Above the Water'. A new chapter in the Montclair, New Jersey band’s evolutionary story, this album is vibrant, raw-edged and bold, showcasing a new guitar-rich lineup featuring members of Versus, Luna and the Psychedelic Furs side-project Feed.

The ‘Above the Water’ LP is being released via the newly-launched Magic Door Record Label, founded by Guided by Voices drummer Kevin March with Ketchem and LoBue with a simple mission to release music created by the rich community of artists who surround them.

Revolving around its founders, artist/ vocalist Renée LoBue and producer/drummer Ray Ketchem, the band is rounded out by guitarists Sean Eden (Luna) and Chris Robertson (Feed, Punch Havana) and bass guitarist Richard Baluyut (Versus).

Since their formation in 1999, Elk City has released 5 albums, 3 EPs and numerous singles. Pursuing a glimmering rock thread, Elk City makes potent atmospheric pop with psychedelic undertones and overtones.

Revealing the band’s North Jersey roots and lineage with The Feelies, Yo La Tengo (with whom they share a former label, Bar/None) and Luna (with whom they share a guitarist), this album asks the old New Jersey question, but this time with elegance and elocution - Have you got a problem with that?

‘Above the Water’ was recorded, mixed and mastered at Ketchem’s Magic Door Recording, opened in 2017 as an acoustically lush refuge for musical expression and experimentation. Ketchem, whose production credits include Guided By Voices, Luna and Gramercy Arms, partnered with legendary studio designer George Augspurger to transform a cavernous warehouse into a freeform studio where vintage microphones, modern studio gear, and bespoke sound tuning elevate and inspire.

Earlier, Elk City released the single 'That Someone', which explores the dual nature of self and other, excitement and dismay and the more laid-back and philosophical 'Your Time Doesn't Exist'.

The 'Above The Water' album is now available through all fine digital outlets, including Apple Music, Tidal, Qobuz and Spotify, as well as Bandcamp.

CREDITS
Renée LoBue - lead vocals
Chris Robertson - guitars, backing vocals
Ray Ketchem - drums, backing vocals
Sean Eden - guitars
Richard Baluyut - bass, backing vocals
Recorded, Mixed & Mastered by Ray Ketchem at Magic Door Recording, Montclair, NJ
Song written and performed by Elk City.
© 2022 sound is crazy music (BMI)
Single cover artwork by Ray Ketchem. Album artwork by Ray Ketchem & Renée LoBue

LIVE SHOWS
Nov 18 BROOKLYN - Union Pool (with SAVAK and Continuals)
Dec 17 BOSTON (Jamaica Plain) - The Midway (with Sleepyhead)


Keep up with Elk City
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Magic Door Record Label:
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New Jersey's ROB MUNK releases new single 'Youth' ahead of new 'Phased Out' LP

"Sassy power-pop... the same blend of jaunt and joyfulness and slightly downbeat and world-weariness running through their music as, say, The Lemonheads or The Dandy Warhols. Not to mention no small amount of early R.E.M. wonky majesty" ~ Big Takeover Magazine

"Enjoyable, danceable, moshable – timeless in the same way as Pixies and Throwing Muses will never seem old. But Munk’s music itself is perhaps closer to Sebadoh, Sparklehorse, The Shins, Fastball, Weezer or Presidents of the USA" ~ Amplify Music Magazine

"Munk’s an idealistic singer/songwriter with great guitar and vocal chops, not to mention stellar songwriting skills" ~ Popular Culture Beat


American indie rocker Rob Munk presents his new single 'Youth', a sonic love letter to misspent youth, a misty-eyed celebration of juvenile delinquency and bad decisions made in that magical time before consequences, regret and civic responsibility took their rightful place as guiding principles.

Following the upbeat environmentally-conscious lead track 'Amazon', this track previews his 'Phased Out' LP, slated for release on November 18 via the Magic Door Label. This grassroots imprint was founded by Guided by Voices drummer Kevin March, together with producer Ray Ketchem and artist-vocalist Renée LoBue.

"When we’re young, mistakes and triumphs are often indistinguishable but at least it’s all exciting. We could probably all write this song, and extend it for a thousand verses," says Rob Munk.

"I wanted to try something simple, where the verse and chorus had the same chord progression. I always liked songs that were able to pull that off. Producer Ray Ketchem referenced Love and Rockets when we tracked this, which felt perfect because Seventh Dream of Teenage Heaven was one of my favorite records during peak adolescence."

An ambitious modern rock album, this 12-track collection is, in Munk's own words, "a little poppy, a little sloppy and entirely honest". 'Phased Out' is a record that somehow comes out of nowhere from an artist that has been almost everywhere. This is modern rock that respects people's emotional intelligence. With elements of 1990’s and 2000's indie rock and traces of 1970’s AM pop, this is music that respects people's emotional intelligence.

For Rob Munk, music was never the plan. An actor from the age of three, he and his brothers would commute into NYC from New Jersey for gigs to help support life with a single Mom. After several years of filming commercials (including Jello pudding with Bill Cosby), Rob was cast as young Woody Allen in 'Stardust Memories', his brother having played the same role in the Oscar-winning 'Annie Hall'. He left acting at 14, enrolled in boarding school and formed a band, soon learning that music felt more natural and was far more fun than acting. He was hooked.

Upon moving to Boston, Rob’s new band Thudpucker became a staple on the Boston rock scene in the early 90’s as many local bands were starting to explode. Between several singles, local gigs and touring, they opened for everyone from Pavement and Hole to the Afghan Whigs and Juliana Hatfield. After relocating to Chapel Hill, NC, Rob formed the indie rock band Tinsel, having opened for Polvo, Guided By Voices, Pipe and Come, while also playing in cover bands with members of Firehose and Superchunk. After some touring and a few singles, they put out two records before imploding of natural rock and roll causes.

After stints in a few more NYC bands, Munk was once again doing commercials and TV shows, including scenes with Tina Fey, Tony Hale, John Goodman and Paul Giammatti. After moving to LA for a pilot season but getting no traction there, Rob launched the now-defunct blog 'LoserActor', creatively chronicling his daily humiliation. With his writing brought to the attention of the creative directors at famed ad agency Wieden + Kennedy, Rob returned to New York - only this time as a copywriter and creative director, writing huge campaigns for ESPN, Delta Airlines and AT&T.

20 years on, Rob has again returned to music with better and more personal songs that mean a great deal to him. During the pandemic, he reocrded this album with his good friend, actor-writer Daniel London (Old Joy, Minority Report, Manhattan)and Tinsel drummer and writer-director Joe Ventura. The first releases from this were the singles 'Heavy Shoes (to kill the blues)' and 'Ghosts of San Francisco'.

Mixed by Oakland composer-producer Chuck Johnson at Cirrus Oxide, this album was produced, recorded, mastered and partially mixed at Magic Door Recordingby Ray Ketchem, whose production credits include Guided By Voices, Gramercy Arms, Luna and Elk City.

As of November 2, 'Youth' is available everywhere digitally, including Apple Music and Spotify. The full 'Phased Out' album, which is out on November 18, can also be pre-ordered via Bandcamp.

'PHASED OUT' ALBUM CREDITS:
Written by Rob Munk
Rob Munk - vocals, guitar
Daniel London - lead guitar
Joe Ventura - drums
Scott Anthony - bass
Megan Reilly - vocals
Peter Gallagher - vocals
Maple Munk - vocals
George Munk - keyboards
Ray Ketchem - drums, keyboards, synths
Chuck Johnson - guitar, pedal steel, synths
Recorded and mastered by Ray Ketchem at Magic Door Recording
Mixed by Chuck Johnson at Cirrus Oxide in Oakland
Cover artwork by Ron Liberti

Keep up with Rob Munk
Website | Bandcamp | TikTok | Instagram | Twitter | YouTube | Apple Music | Spotify| Press contact

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Swedish Heavy Metallers, The Riven, Share Final Single from Sophomore Studio Album 'Peace and Conflict'

Swedish retro-influenced heavy metal group, The Riven, launch "Peace and Conflict” the fifth and final single, as well as the title track, of their second studio album. The track is mixed and mastered by Ola Ersfjord, who is known for his work with Tribulation, Lucifer, and Imperial State Electric, to name a few.

"Peace and Conflict" moves around psychedelic soundscapes, with front woman Charlotta’s vocals in the spotlight, culminating into a powerful, energetic finale centered around electrifying guitar arrangements.

 

The Riven’s second studio album 'Peace and Conflict' will be released on vinyl, CD, and digital formats on the 25th of November.

The album will be released on The Sign Records and can be pre-ordered now on The Riven’s Bandcamp.

Hard hitting, sharp shooting power rock influenced by the great sounds of the 1970s and 80s, The Riven plays honest Rock & Roll that makes you wanna shake your fist and bang your head! Their music and lyrics will take you on a sonic journey.

The Riven is an electrifying powerhouse, Classic Rock for the 21st Century".

The Riven are currently releasing their second full length studio album 'Peace and Conflict'. The album consists of eight hard hitting tracks that will be available on Vinyl, CD and digital platforms.

New on this album, is the guitarist Joakim Sandegård who, together with Arnau Diaz, creates a twin guitar sound, new to The Riven. Also on this album is Jussi Kalla behind the drums who made his debut with the band with the 12inch "Windbreaker/Movin On" released in May of 2020.

 “Make no mistake this band is going to blow up in stratospheric proportions”- The Sludgelord

 

The Riven recorded their nine track, self-titled debut album in Madrid, Spain with Producer Ola Ersfjord (Lucifer, Tribulation, Dead Lord) at Holy Cuervo Studios. It was later released on the first of March 2019 on The Sign Records with a worldwide distribution.  

Glowingly performed and with a clear direction towards future great deeds. You cant ask for more from this fully-fledged debut album” - Sweden Rock Magazine. 

Pre-Order the Album 'Peace and Conflict' HERE

The Riven was formed in 2016 when they were living in West London, where they also recorded their EP ‘Blackbird’ at Buffalo Studios.

The five tracks on 'Blackbird' are short, snappy, and more catchy than airborne Ebola”. - AMG

The self-titled album “The Riven” received great reviews and in the autumn of 2019 the album got a South American release through the Brazilian label Hellion Records. The first album developed the band’s sound from their EP “Blackbird” and gave space to a more progressive and psychedelic side.  

In 2019, The Riven embarked on extensive tours, taking them all over Europe in three separate head-line tours around France, Germany, Spain, Switzerland and Sweden, playing festivals like Muskelrock, Hellgart, Live at Heart and Skövde in Rock. 

In the summer of 2021, The Riven went to a cottage in the south of Sweden, recording their second full-length album. The anticipated sophomore album balances perfectly straight, sharpshooting heavy rock with big choruses with psychedelic moments.

Peace and Conflict” offers twin guitars, roaring vocals and a locked-in rhythm section waiting to take you away. 

Now this is Classic Rock for our time” - Doomed & Stoned 

Today, the band consists of singer Totta Ekebergh, guitarists Arnau Diaz and Joakim Sandegård, bass player Max Ternebring and drummer Jussi Kalla.

LA-based alternative pop artist FAITH MARIE presents 'NVM (Remix)', a dark and lush electronic kick to depression

"Faith Marie is carrying the sound and message of these dark times, conveyed in confessional first-hand narrative... A true gem among young singer-songwriters" ~ The Spill Magazine


LA-based alt-pop artist Faith Marie presents her new single 'NVM (Remix)', an infectious downtempo song about depression and the author's personal struggles to move forward.

This is Faith Marie's first music output since 2020, when she released 'Nobody'.Despite a series of lockdowns and other setbacks, she didn’t stop creating and now is back to once again share her first love (music) with people that have been so supportive over the years.

The new remix re-envisions her original version of 'NVM'. A collaboration with UUin, Inc., a media boutique company/creative agency focused on curating and creating original content, this new offering brings her trademark orchestral pop closer to the electronic realm.

Originally from Provo, Utah, this clever dynamic singer-songwriter began developing her skills at the age of 13, launching a successful YouTube channel that would attract over 100,000 subscribers over the next five years, in addition to millions of listens via Spotify. Her first singles included the moody piano ballad 'Antidote', the orchestrally adorned 'Little Girl' and the electronic-laced 'Devil on My Shoulder', each of dealing with themes of struggle, anxiety, and hope.

From her early years dabbling in music as a family-oriented hobby through to her move to L.A. and release of nearly a dozen singles to date, Faith Marie has always written purely from a subconscious place.

"I wrote this song when I had a very difficult time grasping my mental illness. I felt very alone and as a timid young girl, it felt as though I couldn't talk to anyone about it, and so this song became the first of many expressions of my ongoing struggles with mental health. A producer from London was inspired by the song and he’s responsible for the new musical direction of the remix," says Faith Marie.

Producer and UUin Inc. label head Amyn Bhai elucidates on how this collaboration came about: "While working at a local label in Los Angeles, I came across a performance video of Faith at a local venue called The Velour, which her dad had posted on YouTube. Soon after, we began working together. She was 13 when we started working together. She traveled back and forth between LA and Utah during her teens while we worked on developing a sound and songwriting. Once we felt confident that we had a song and a direction, we recorded and posted a performance video of her cover of Bring Me The Horizon 'Drown'. That got a lot of visibility. We followed that up with 'Antidote', an original she wrote and produced."

The long hibernation is over, and there's years of music that needs to be heard. Pandora's Box will be opening - Be ready for more. Soon enough, Faith Marie will be unveiling new music with her 'More Than I Am' EP, the lead track of which will be released before the end of 2022.

As of October 28, Faith Marie's 'NVM (Remix)' is available from fine digital music outlets across the net, including Apple Music, Spotify and also Bandcamp.

CREDITS
Executive produced by Amyn Bhai and Catherine Cunning
Remixed by ELL
Lyrics written by Faith Marie
Mixed by Steve Phillips
Mastered by Eric Boulanger
Music produced in London, Vocals recorded in Los Angeles
Video created by Ryan McKinnon
Produced by Amyn Bhai
Edited and Colored by Paul Tuft


Keep up with Faith Marie
Website | Facebook | Twitter | Instagram | Bandcamp | YouTube | Spotify | Apple Music | Press contact

Keep up with UUin, Inc.

Website | Facebook | Instagram | YouTube

NYC-French postpunk duo Frenchy and the Punk present seventh full-length album 'Zen Ghost'

"Explosive, subdued, confrontational, soothing, spikey, and accessible, an incredible blend of alt-rock shade and alt-folk light" ~ Big Takeover Magazine

"Vibrant and danceable. Who says dark can’t also be fun? Zen Ghost, which may be among the year’s best albums to date, is a highly recommended listen" ~ The Spill Magazine

"Penetrating psych-soaked post-punk... Brimming with their signature cinematic drama and that unforgettable voice" ~ Global Texan Chronicles

"Bombastic... a happy medium between the sonic atmosphere and thoughtful melancholy of post-punk music and the unmistakable drama of cabaret... as beautifully manic as some of the finest artists on America's early punk' scene" ~ Amplify Music Magazine

"An inspiriting slice of post punk hued, new wave nurtured rock ‘n’ roll... under the skin and hungrily stirring the imagination in a flash" ~ Ringmaster Review

NYC-based postpunk duo Frenchy and the Punk present their new 'Zen Ghost'album. Their seventh long-player record, released via the EA Recordings, follows the high energy lead track 'Mon Souvenir' and Siouxsie-esque single 'Come In and Play'.

Dark times make for dark songs. On 'Zen Ghost', the duo's shadowy sound takes an even darker turn. An inward spin, into the pair’s previously unexplored personal planes and interpretations of the insanity of our increasingly tumultuous age. But despite its more pronounced moodiness, like the rest of the band’s oeuvre, 'Zen Ghost' offers plenty of opportunities to dance in the darkness.

Frenchy and the Punk is vocalist, percussionist and lyricist Samantha Stephensonand guitarist-composer Scott Helland, who was co-founder and bassist of Outpatients and also Deep Wound (along with Dinosaur Jr. founders J Mascisand Lou Barlow). Influenced by The Cure, Siouxsie and the Banshees, Blondie, Concrete Blonde and The B52’s, the duo thrive in their trademark blend of post-punk and dark folk music.

"We started writing Zen Ghost at the end of 2020 and have a few tracks that were written as recently as Spring 2022. It highlights the darker tones of what we do and is influenced by the environment in which we all live in at the moment," says Samantha Stephens.

"The core theme to the album is ‘mind phantoms,’ the ghosts of our past that reside in our minds and can influence our present. The theme of breaking the chains of life choices that don’t align with one’s true authentic self has been rampant in the lyrics throughout the years. This record delves into the remnants of the voices and experiences that can still haunt us. This is the album we've always wanted to make."

Tapped as one of the Top 25 duos in the US by Yahoo! Music, the freewheeling pair has released numerous recordings, including the acclaimed albums 'Happy Madness' (2010), 'Hey Hey Cabaret' (2012), 'Elephant Uproar' (2013), 'Cartwheels' (2014), 'Bonjour Batfrog' (2014), and 'Hooray Beret' (2019).

French-born, but raised in the UK and USA, Stephenson’s study of piano and dance ignited her eventual rejection of corporate conformity and fueled a quest to lead a truly autonomous life through art and music. A son of jazz-loving teachers, Helland grew up in Western Massachusetts and was a vital player on the region’s fertile early hardcore punk scene.

Helland and Stephenson met in NYC in 1998, when Stephenson spontaneously jumped on stage to accompany Helland during his solo guitar performance. The artistic union was immediate, powerful and undeniable. The two began to tour with fevered zeal, turning heads with their striking aesthetic, steadily building fervent fans on the mystical-folk/steampunk festival, coffeehouse, convention, and club circuits with their boisterous, revival-like live shows.

Over the years, they've performed live with Dead Can Dance's Peter Ulrich and Dresden Dolls' Brian Viglione, and opened for Thomas Dolby, Dinosaur Jr., The World Inferno Friendship Society, Rasputina, Cruxshadows, Hurray For The Riff Raff and The Young Dubliners.

As of October 28, the 'Zen Ghost' LP can be found across fine digital outlets, including Apple Music, Spotify and Bandcamp. It is also available on CD via the band's website.

CREDITS
All songs written by Samantha Stephenson and Scott Helland
Samantha Stephenson - lyrics, lead vocal, percussion, keyboard
Scott Helland - guitar, bass, drums, backing vocals
Jason Sarubbi - upright bass on 'Church of Sound'
Braxton Bellew - additional electric bass on 'Church of Sound'
Recorded & mixed by Jason Sarubbi at Split Rock Studios, New Paltz, NY
Mastered at The Cage, Coventry UK by Martin Bowes
Cover photo by Alice Teeple
Pen and ink drawings by Scott Helland
Album cover design by Scott Helland and Samantha Stephenson

TOUR DATES
Dec 2 Camden/London - Black Heart (with Before Victoria & Flesh Tetris)
Dec 6 Edinburgh, UK - The Wee Red Bar
Dec 10 Exeter, UK - Yule Ball (with Professor Elemental)
Feb 4/5 Manchester, CT - Stupid Cupid Steampunk Festival
Feb 18/19 Gettsyburg, PA - MythiCon Festival
April 01 Galveston, TX - Galveston Steampunk Festival
April 8-9 Baltimore, MD - Between The Worlds
April 15/16 Chicago, IL - Chicago Steampunk Expo
April 22/23 Apex, NC - Festival of Legends


Keep up with Frenchy and the Punk
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Soundcloud | Apple Music | Spotify

Opry NextStage Artist Nate Smith's Exclusive Performance of Chart-Topping Hit "Whiskey On You"

Last month, the Grand Ole Opry announced the final member of the NextStage Class of 2022, Arista Nashville/Sony Music Nashville artist, Nate Smith. His newest single “Whiskey On You” is currently Top 15 and climbing on the country radio charts and has sat in the Top 20 on Billboard’s well sought-after Hot Country Songs chart over the past month. Watch Smith’s exclusive 60 second NextStage acoustic performance of “Whiskey On You” below.

Having lost everything in the 2018 California Camp Fire, and making his way back to Nashville, Smith has truly risen from the ashes and has carved his own path in the country music genre. The artist recounts his inspiring Grand Ole Opry debut story in this exclusive NextStage interview HERE.

Smith will return to the Grand Ole Opry to make his NextStage artist debut today, Tuesday, Nov. 1. Buy tickets HERE. Smith will also take the stage for Opry NextStage Live In Concert, presented by Geico, alongside other 2022 NextStage artists BRELAND, Restless Road, Elvie Shane and Conner Smith, with special performances by NextStage alumnae Hailey Whitters and Priscilla Block, who will host the event. NextStage Live In Concert will take place on Sunday, Nov. 20 at the Grand Ole Opry House. Tickets for Opry NextStage Live in Concert are available to purchase HERE.

For more information on Opry NextStage, visit opry.com/nextstage.

About Opry NextStage
Developed by Opry Entertainment Group in 2019, Opry NextStage, presented by Geico, invests in the discovery of new artists and highlights one up-and-coming artist per month with featured original content, an Opry performance and support across the brand’s platforms, which include the Opry, Ryman Auditorium, WSM Radio, Ole Red and Circle Network. With a pulse on what is next in the Country music format and a deep commitment to supporting burgeoning talent, NextStage has cemented a strong track record in just three short years. The two previous NextStage classes have featured artists such as Parker McCollum, Lainey Wilson, Riley Green and Tenille Townes who all went on to earn ACM New Male and Female Artist of the Year trophies following their Opry NextStage debuts.

About the Grand Ole Opry
The Grand Ole Opry presents the best in country music live every week from Nashville, Tenn. The Opry can be heard at opry.com and wsmonline.com, Opry and WSM mobile apps, SiriusXM, and its flagship home, 650 AM-WSM. The Grand Ole Opry is owned by Ryman Hospitality Properties (NYSE:RHP). For more information, visit opry.com.

About Nate Smith
Featuring a mix of gritty backwoods soul, rock ‘n’ roll swagger and velvet-thunder vocals, Nate Smith is Sony Music Nashville’s latest signing whose personal journey inspired him to be a beacon of country-music hope, an inspirational mission he puts front-and-center. A California native, former worship leader, and lifelong music lover, Smith approaches that mission with a background as eclectic as it gets. Learning guitar at 13, Garth Brooks, Elvis Presley and Bob Seger were among those informing his powerful, fire-from-within vocals, while Michael Jackson made him crave the spotlight and Nirvana gave his sound a jagged edge. He first chased his neon dreams to Nashville in his early 20s – but it didn’t stick. The disheartened Smith returned home and thought he was “100-percent done” with his artistic journey…until a crucible of change burned away the past.

In 2018, Smith lost everything he owned in the devastating Camp Fire which tore through Paradise, California, now known as the deadliest and most destructive wildfire in the state’s history. Although his family was safe, he struggled to cope and turned back to music, hoping that it would help comfort himself and others. Help it did, inspiring a month-long road trip across the U.S. to Music City, writing music and playing dive bars along the way. Soon after his arrival to Nashville, Nate released his biggest song to date, “Wildfire,” and landed a publishing deal with Sony ATV. Since then, he’s released new music including “Sleeve” and “Under My Skin,” which has amassed over 60 million on-demand streams to date. The singer was named a Spotify Hot Country Artist to Watch for 2021 – an accurate prediction as he rounded out the year with a record deal and two brand new songs: “Raised Up” and the viral TikTok hit “I Don’t Wanna Go To Heaven.” The powerhouse vocalist is now making waves with his latest release, "Whiskey On You," which is currently climbing the country radio charts. Nate is managed by Kevin “Chief” Zaruk and Simon Tikhman with The Core Entertainment.

CABAL Release Music Video For "Like Vultures" Ahead Of The Never Say Die Tour

Ahead of the upcoming Never Say Die tour, Denmark's most visceral deathcore export CABAL have released an earth-shaking new live video for their song 'Like Vultures'. The track is a fierce and confrontational cut from their new album Magno Interitus that was released on October 21st via Nuclear Blast Records.

Singer Andreas Bjulver states:
"We live in a world were people are forced to live in absolutely poverty and misery, starving to death and dying in the streets, while the planet is dying, because of a small number of people in the absolute tops greed. Like Vultures calls out these people, to let them know that we see them and they'll get what's coming to them. We will be heading out on the Never Say Die tour in a few days from now and this video is compiled by a bunch of the footage from last years edition of that tour. We can't wait to get back out on the road for this years edition of the tour."

Watch the video for ‘Like Vultures’ below.

Magno Interitus is available as Digipack [limited edition], Black Single LP, Crystal Clear with Gold + Black Splatter Single LP [limited to 500 units, Mailorder + Wholesale exclusive], Crystal Clear with Red + Black Splatter Single LP [limited to 500 units, USA exclusive], Gold + Black Marble Single LP [limited to 300 units, bandshop exclusives] and on all streaming platforms.

Order Magno Interitus here:
https://cabal.bfan.link/magno-interitus.ema

Recently, CABAL announced an additional EU tour supporting DYING FETUS for February 2023 - find all tour dates below!

CABAL is one of the most brutal and promising heavy acts hailing from Copenhagen, Denmark. The band aims to create a visceral and doom-laden atmosphere throughout both their music and visual expression. The production is crystal clear, whilst the songwriting draws inspiration from everything from black and death metal to djent and hardcore.
Since the release of their debut album "Mark of Rot" in 2018, the young band has managed to make a name for themselves in both Denmark and the rest of the world by playing renowned festivals like Copenhell, Roskilde Festival, Euroblast Festival and Complexity Fest as well as touring in Europe, Japan and North America.
CABAL released the sophomore album "Drag Me Down" in April 2020 - a dark descent into a personal hell brought to life by crushing instrumentals, an oppressive atmosphere and dark personal lyrics delivered with relentless intensity, while still leaving room for experimentation and expansion of CABAL’s signature sound. Add to this guest appearances from metal titans TRIVIUM's Matt Heafy, rising metalcore stars POLARIS’ Jamie Hails and Denmark’s Blackgaze darlings MØL’s Kim Song Sternkopf and there is no doubt that CABAL is a band with friends in every corner of the metal scene.

CABAL is:
Andreas Bjulver Paarup – Vocals
Christian Hammer Mattesen - Guitars
Chris Kreutzfeldt - Guitars
Lui Broch Larsen - Guitars
Dennis Hursid - Bass
Nikolaj Kaae Kirk - Drums

CABAL online
https://www.instagram.com/cabalcph/
www.facebook.com/cabalcph
www.cabalcult.com
www.patreon.com/cabalcult
https://www.youtube.com/channel/UCHWujbw3iYHcXq9ExfRiA4Q
https://www.tiktok.com/@cblde4th

SoCal Metal Mainstays, DEATH DEALER UNION, Featuring Vocalist Lena Scissorhands, Sign Worldwide Contract with Napalm

Formed by scene veterans in 2019, Los Angeles metal mainstays DEATH DEALER UNION are thrilled to take the next step in their exciting careers, signing a worldwide record deal with none other than Austrian rock and metal empire Napalm Records!

 

Founded by drummer CC McKenna and featuring new vocalist Lena Scissorhands (Infected Rain), Infected Rain producer Valentin Voluta and Mesa Boogie/Gibson-Kramer artist Doug Weiand both on guitars, and newly recruited bassist Jonny Heinz, the band has already proven potent with their recent single collaborations together. The blistering new tracks, entitled "Borderlines" and "Beneath The Surface", have collectively garnered over half a million views to date via YouTube alone. Check out both videos below!

 

Drummer and band founder CC McKenna says about the signing:

"So very excited, honored and thankful to be working with a legendary record label that gives its artists the unique ability to express themselves in their own way. Couldn't be happier! Looking forward to giving the fans the very best from all of us!"

 

Vocalist Lena Scissorhands adds:

"Feeling very blessed and grateful for being adopted by Napalm Records after delivering only two singles that re

Stay tuned for more DEATH DEALER UNION news coming soon from Napalm Records!

 

DEATH DEALER UNION is:

Lena Scissorhands - Vocals

Valentin Voluta - Guitars

Doug Weiand - Guitars

Jonathan "Jonny" Heinz - Bass

CC McKenna - Drums

SYLVAINE Announces Signature Tea, "Apples Aligned, Coming Undone"

Norwegian multi-instrumentalist SYLVAINE is now revealing her very own signature tea in collaboration with BrutaliTeas! "Apples Aligned, Coming Undone" is an apple crème brulée loose leaf tea created with ceylon black tea, gunpowder green tea, apple pieces, cinnamon, natural candy apple and crème brulée flavors, rose hips, rose petals, and marigold flowers and comes just in time for the autumn season! The tea can be ordered HERE and is available worldwide.

Additional details for the tea can also be found HERE.

SYLVAINE comments, "Autumn is probably my favorite season, with all its beautiful color changes and all the yummy produce that appears around this time of year. I’ve always had a strong love for warm spices, such as cinnamon, cloves, nutmeg, ginger and so forth, so when I got the opportunity to do this collaboration with Brutaliteas, I really wanted to make a blend that utilized those warm flavor notes. Apples being one of the trademark fruits of fall and also a wonderful partner for all of these spices, became the natural base flavor for my blend, in combination with notes of vanilla and caramel, alluding to the classic French dessert créme brûlée.

"Being a huge fan of everything sweet, I’m super excited to present this black dessert tea to all of you, hoping you will dig it just as much as I do! The best way to enjoy a big cup of this apple créme brûlée tea, is during a cold autumn/winter evening, curled up under a blanket and playing some season appropriate music (did someone say October Rust...?). If you in addition are able to pair it with either a burning fire, moon light or some beautiful nature landscapes, you are all set!"


This December, SYLVAINE will be embarking on a headlining tour across Europe, in which she will make the tea available at her merch table! The full itinerary can be found below!

SYLVAINE is supporting the release of her brand new fourth studio album, 'Nova,' which is out NOW! In addition, the previously sold-out vinyl is now repressed and back in stock in the blueberry marble color! Stream/download/order HERE.

To speak to Sylvaine, the one-woman multi-instrumentalist, bandleader, and composer born Kathrine Shepard, is to speak to some spirit that exists beyond the veil of convention and stereotypes. This is not a woman playing to the vogue dark melodic folklorist trope that has become so prevalent in the metal scene but rather, this is a woman who is a serious and classically trained composer and arranger whose songs, that originate on unplugged electric guitars in lavender and black bedrooms, end up exploding against the unlimited conventions of what modern music can accomplish. 

For some time, Kathrine Shepard has been seen as the petite pixie of the Norwegian black gaze scene but her small eleven features and lightheartedness belie the woman warrior behind Nova, her complex and personal fourth release. Following her 2018 Atoms Aligned Coming Undone release, Sylvaine (a play on the name of one of her beloved French poets, Paul Verlaine) gives us Nova, an album that is both a musical and personal reawakening of a singer/composer finding her way in this world.  

The Lord of the Rings type choir arrangement heralds in the opening of her latest release as we the entranced listeners follow her to the realm of Lothlorien. The creation of this ambitious release began in 2019, before the world changed before all of our eyes. Experiencing a personal loss in a time the world was suffering a collective loss, Sylvaine composed on her guitar and wrote in her notebooks, eventually leading her into the small rooms of Drudenhaus in early 2021. Sequestered away in the countryside of France, the Norwegian native and her musical cohorts would all contract Covid. Asthmatic since birth, our heroine isolated herself in a small room to score out the different soprano and alto melodies of an actual choir to make her vision for the opening track “Nova,” come to life. Sung in an imagined language, the syllables of NO-VA continued to emerge, suggesting to the singer something linguistically symbolic and important. 

“I’ve been wanting to write a choir piece since my 'Wistful' days,” she says, “Just a purely vocal piece. I love harmonies and the most personal instrument you have is yourself, your voice. I wanted to really show who I am this time around.” 

Naked on the cover, which may raise some eyebrows, Sylvaine insists to her fans that this is a symbol of her own vulnerability and personal rebirth that transpired over these years of creating Nova. “Nova" in terms of language is connected to words such as nuova (Italian) or nueva (Spanish), meaning ‘new’ and speaks to a rebirth, to loss, the temporality of life, grieving as nothing lasting forever, but looking forward as new doors are forever opening.  

Album tracks “Mono No Aware” and “Fortapt” are compositions in the 10-minute range, showing the progressive skills of the multi-instrumentalist’s musical mastery and magic. Taking the loud and quiet back-and-forth of the ‘90s a step farther, she manages to haunt every note with primal sincerity. “Fortapt” is a particularly unique track, paying homage to Sylvaine’s Norwegian roots. And while critics may want to pin a song like “Nowhere, Still Somewhere” in the shoegaze or dreampop category, her mysterious resonance adds something to the composition that makes Sylvaine’s work defy categorization.  

Much like Joan of Arc, Sylvaine is not a one-woman army without her legionaries. Instead of enlisting members of the folk metal glitterati, she has been a bit more selective about her surprise guests on her album, choosing Scottish violinist Lambert Segura of SAOR and cellist Nostarion aka Patrik Urban, whom she met while performing a very special acoustic show in Belgium in 2019. For Sylvaine, it felt emotionally appropriate to weave classically trained instrumentalists into her work, demonstrated on the last track on the album, "Everything Must Come to an End." 

Unlike so many of the pixie dream girls haunting the American metal landscape right now, Sylvaine sings but also screams from the very depths. There is absolutely no one in the metal game right now who can match her vocal range, which traverses from the elvish sounds of Enya and Lisa Gerard to the black metal Ericthro screeches of her kvlt counterparts of the land of ice and snow. 

In the U.S., we have a tendency to clarify bedroom pop as music that is composed in the feminine space of one’s bedroom confines. Although orchestral and incredibly composed, Sylvaine does not shy away from admitting her songs always start bare bones—almost all of her compositions begin with an unplugged electric guitar. “A melody and a chord progression should be able to stand on its own without any effects whatsoever. The song will go on to manifest itself in different ways but that main guitar part has to be solid enough to emotionally work just by itself, “ she says.  

But to this lover of Verlaine and the French Romantic poets (as well as a diehard Type O Negative fan), the written word is still paramount to her heart. After all, she explains, “Music is an attempt to avoid the words we can’t always express in life.” 

Links:
https://www.facebook.com/sylvainemusic/
https://www.instagram.com/sylvainemusic/
https://sylvainemusic.bandcamp.com/
https://www.youtube.com/c/sylvainemusic/
https://soundcloud.com/sylvainemusic
https://twitter.com/sylvainemusic
https://www.sylvainemusic.com/

Recording Lineup:
Sylvaine – vocals/guitars/bass/synths/arrangements
Dorian Mansiaux – session drums

Current Lineup:
Sylvaine

Live line-up:
Sylvaine - Main vocals/guitar
Dorian Mansiaux - Drums
Florian Ehrenberg - Guitar/backing vocals
Maxime Mouquet - Bass/background vocals

Guest Musicians:
- Lambert Segura (SAOR) - violins on “Everything Must Come To An End”
- Patrick Urban - cellos on “Everything Must Come To An End”

Recording Studio: Drudenhaus Studio, Issé, France

Producer, mixer, sound engineer: Benoît Roux

Mastering Studio + engineer: Karl Daniel Lidén at Karl Daniel Lidén Productions

Cover Art: Photo by Andy Julia, post-production/digital illustration by Daria Endrese

Biography: Veronika Lee

Pre-sales: https://redirect.season-of-mist.com/SylvaineNova

Album formats:
CD Digipak
Digital
Vinyl in various colours

LYDIA CAN'T BREATHE Announce 'The Sky High Tour' with Special Guest Scream At the Sky!

Lydia Can't Breathe is a high energy, multi genre band who is setting back out on the road this November with Scream at the Sky for 'The Sky High Tour'!! Lead singer, Kyle Bolduc, is fresh off his debut wrestling match against Micro Wrestling madman, The Little Warrior, which took place at the recent Backyard Smokeout Festival. 'The Sky High Tour' plans on breaking 2 world records on this run. The 1st is to smoke more joints in 3 weeks than anyone has before! The 2nd is to make and feed the most peanut butter and jelly sandwiches to people in a 24 hour period. Make sure to check out the dates below for the craziest tour hitting the streets this fall!

Lydia Can't Breathe's music can be streamed/downloaded at

https://lydiacantbreathe.com/get-connected/

https://open.spotify.com/artist/3DTJ5CxS5lUNsKI1T12Bvi

Sky High Tour Dates with Scream At the Sky:

Nov 3 Riffhouse Pub – Chesapeake,VA

Nov 4 Bad Habits Bar and Grill – Martinsburg,WV

Nov 5 Sub Alpine Society – Turtle Creek,PA

Nov 6 Cheers pub – South Bend, IN

Nov 7 Lefty's Live Music – Des Moines, IA

Nov 9 Kiss Bar and Grill – Springfield,MO

Nov 11 Anthem School Of Music – San Antonio,TX

Nov 12 Acadia bar and grill – Houston, TX

Nov 13 Wonder Lounge – Laredo,TX

Nov 14 Boozers – Corpus Christi, TX

Nov 16 The Battlefield Bar – Chalmette, LA

Nov 17 The Warrior – Tallahassee,FL

Nov 18 The Brass Mug – Tampa,FL

Nov 19 Haven Lounge – Winter park, FL

For More Information Please visit:

Official Website

Facebook

Instagram

Twitter

YouTube

LCB Merch Store

MINISTRY Announces Final Show Of The Year With Full Band, Livestream Concert November 20; Tickets On Sale Now

Ministry

Announces FINAL Show Of The Year

Full Band, Livestream Concert Set For

November 20 At 3 PM PT/5 PM CT/6 PM ET/10 PM GMT

Tickets On Sale Now Only At HITKOR.com

Industrial Juggernauts Fresh Off Appearances

With NIN In Cleveland & Louder Than Life Festival

To Offer Set List of Classic Hits & New Tracks From

Latest Album Moral Hygiene

Ministry has one more surprise planned for fans this year, announcing the act’s first-ever livestream to be hosted on streaming platform HITKOR. Featuring the full band and possible special guests, the show will take place November 20 at 3 pm PT/5 pm CT/6 pm ET/10 pm GMT and will feature classic hits from the band’s 40-year history as well as new tracks from the latest album, Moral Hygiene, out now on Nuclear Blast Records.

The special streaming event will be available in more than 30 countries and was planned with European Ministry fans in mind after the band had to regrettably cancel a multi-country tour this fall due to unforeseen circumstances.

Frontman and creator of Ministry Al Jourgensen says, “We never intended for Cleveland with NIN to be our last show this year. Due to circumstances beyond our control we had to cancel Europe but we didn’t want to end 2022 without one last show, and this will be one for the books.”

Tickets are on sale now and available only at HITKOR.com. LIVE tickets are

$17.99 (to both stream live and watch on demand). ALL ACCESS passes are $19.99 and include the stream plus bonus, behind-the-scenes content prior to the main show, as well as an exclusive interview with Ministry.

Purchase tickets at: https://www.hitkor.com/shows/ministry-industrial-strength

Ministry is fresh off the road, appearing with Nine Inch Nails and Nitzer Ebb for a once-in-a-lifetime show in Cleveland as well as Louder Than Life festival in September. In April, the industrial stalwarts wrapped up the much-anticipated Industrial Strength Tour that celebrated the 30th anniversary of landmark album The Mind Is A Terrible Thing To Taste, receiving some of the best reviews of their career.

“The Industrial Strength Tour … was nothing less than extraordinary, complete with an ode to their early tours” –Outburn

“It’s shows like this that restore faith in unadulterated music” —The Vinyl District

“Out of all the incarnations of Ministry throughout the years, this could be the tightest unit musically in the band’s illustrious career” —Splice Magazine

“This was a show as unique as its frontman, shrugging off many conventions in favor of a performance that truly fit Ministry’s legacy. …The hunger for this tour was evident, and made this unforgettable headlining set even stronger” —Bravewords

“As someone who’s seen Ministry many, many times in his life, I’ll say this show was different. The classic tracks had a renewed feel and sound and worked really well. From the audience reaction, this was a good combination” —In The Loop

“Ending with new material, it was clear the band hasn't lost its touch. The chugging, siren-sounding guitars, machinelike drumbeats, electronic noises and Jourgensen's raspy talk-box vocals seemed to embody the state of the world today as accurately as they did during the ’90s” —San Antonio Current

“These guys aren’t going anywhere, and the music world’s a better place because of it” —Glide Magazine

In addition to creator and founder Al Jourgensen, Ministry’s full band will appear in the livestream show, including drummer Roy Mayorga (Stone Sour, Soulfly, Nausea), guitarists Cesar Soto (Man The Mute) and Monte Pittman (Madonna, Prong), bassist Paul D’Amour (Tool, Feersum Ennjin), and keyboardist John Bechdel (Killing Joke, Fear Factory).

As well as classic hits, some of the night’s set list will include material from Moral Hygiene, Ministry’s 15th studio album that features some of the project’s strongest and most inspired material to date. It’s the creative masterwork of founder and creator Jourgensen who spent the pandemic pause ruminating on the new world we as a society have found ourselves in – while pondering just what we are going to do about it.

The 10 tracks are a societal manifesto and plea for civilization to get back to a set of standards that lives up to and embraces our humanity. Previous singles have included "Alert Level" (sounding the alarm on the state society is in), "Good Trouble" (a rallying cry to fight for human rights in homage to Civil Rights leader John Lewis), “Disinformation” (the dangers of consuming mass media without critical thinking) and "Search And Destroy" (the unique take on The Stooges classic). The latter features guitar virtuoso Billy Morrison (Billy Idol/Royal Machines) who is also heavily featured on a number of songs on the album.

Moral Hygiene is available now through Nuclear Blast Records in CD, vinyl and digital download formats at the following links:

Record label store: https://label.nuclearblast.com/ministry-moralhygiene

Stream Moral Hygiene here: http://nblast.de/MinistryMoralHygiene

ABOUT MINISTRY

Born in 1981 in Chicago, Ministry has been the lifetime passion project of founder Al Jourgensen, considered to be the pioneer of industrial music. In its early days, Ministry was identifiable by its heavy synth-pop material in line with the new sounds and technology that were being developed in the ‘80s. Ministry’s output began with four 12” singles on Wax Trax! Records in 1981 before the first LP With Sympathy in 1983 via Arista Records. As time progressed however, so did Ministry, quickly developing a harsher, and more stylized sound that the band soon became infamous for on seminal albums Twitch (1986), The Land of Rape and Honey (1988), and The Mind Is A Terrible Thing To Taste (1989). With the release of Psalm 69: The Way to Succeed and The Way to Suck Eggs (1992), Ministry hit an all-time high in the mainstream musical realm and received its first Grammy nomination. In total, Ministry has been nominated for a Grammy award six times. Eight more albums would follow before an indefinite break in 2013, only to be unearthed again in 2018 with AmeriKKKant, continuing to reflect Jourgensen’s views on the frightening state of society and politics. The band’s latest effort, Moral Hygiene, came out October 1, 2021 on Nuclear Blast Records, ahead of upcoming tours planned for 2022.

Find Ministry Online

Website: www.ministryband.com

Facebook: www.Facebook.com/WeAreMinistry

Twitter: www.Twitter.com/WeAreMinistry

Instagram: www.Instagram.com/WeAreMinistry

About HITKOR

HITKOR, a division of Online Events, LLC, is a premium online LIVE entertainment event and production company based in Los Angeles. Its proprietary technology delivers premium music, comedy and more to a global audience. “HITKOR, Your Experience” offers viewers a completely new and customizable event experience featuring their favorite artists across multiple genres. Follow @officialHITKOR and visitwww.hitkor.com for more information including the upcoming show schedule.

NOVA KOLOSO Release Official Music Video for "Hallucinate Your Faith"!

Baltimore based, Alternative Rock trio NOVA KOLOSOhas released the official music video for "Hallucinate Your Faith." The title single off of their upcoming, sophomore album, set to release 11/8/2022 via BIG CURVE MUSIC, "Hallucinate Your Faith" was directed by Mark Colegrove and features footage from the public domain film “The Arrival,” a 1980 promotional film for the UFO cult, Church of Unarius.

"With Hallucinate Your Faith, we were interested in creating a wall of intricate sounds, textures, and deep heavy grooves. I think the growth from our first album just a year ago is immense, and everything we’re striving for as a band really shines thru on this album.” – MARK COLEGROVE

Pre-Order 'Hallucinate Your Faith' Online NOW!

Nova Koloso was born during the pandemic and released their first self-titled album in early 2021. While brothers Mark and Tom Colegrove were able to play together on a handful of tracks, the remainder of the album was finished by Mark alone as the pandemic waned on.

“Hallucinate Your Faith” is the celebration of the two being able to play together in person once again, along with a few new collaborators including Ken Moore handling the majority of bass duties, along with guest appearances from Jenny Rae Mettee (Fun Never Starts) and Fiona Crowley (Handapple).

The album was mixed and mastered by Steve Wright at Wright Way Studios in Baltimore.
The new album: ‘Hallucinate Your Faith’ includes 8 brand new tracks. The CD includes a bonus track: a cover of Black Sabbath’s ‘Supernaut”

Catch NOVA KOLOSO LIVE:
11/05 @ 49 West – Annapolis, MD w/ Swampcandy, The Shit, Daphnie Eckman
11/20 @ Hank Dietles – Rockville, MD w/ American Jetset, The Neuro Farm

George Strait Adds Second Nashville Show with Chris Stapleton Due to Overwhelming Demand

Appearing with Strait and Stapleton is GRAMMY Award-Winning Band Little Big Town

July 28 Nissan Stadium Date Joins Shows in Phoenix, Seattle, Denver, Milwaukee & Tampa Set for May Thru August

Tickets On Sale Friday, Nov. 4 at 10 a.m. Local Time via
GeorgeStrait.com

Following the news earlier this week that George Strait will team up with Chris Stapleton to perform one-off stadium dates in Phoenix, Seattle, Denver, Milwaukee, Nashville and Tampa, a second Nissan Stadium date has been added due to overwhelming demand. Joining the King of Country and Stapleton for all dates are GRAMMY Award-winning special guests, Little Big Town.

The second Nissan Stadium show will take place on Friday, July 28, joining the initial date of Saturday, July 29. Tickets to all shows go on sale next Friday, Nov. 4 at 10 a.m. local time at GeorgeStrait.com. American Express® Card Members can purchase tickets to the newly added date before the general public beginning today, Oct. 27 at 10 a.m. local time through Thursday, Nov. 3 at 10 p.m. local time.

“When I walk through those curtains and see those smiling faces, my feet don’t touch the ground again ‘til I walk back out and get on that bus that got me there. That’s from a song I wrote called ‘I’ll Always Remember You.’ It’s a true statement,” Strait shared exclusively with Billboard of the initial announcement. “When we talked about doing these six shows next year with Chris, it was a no brainer for me. I was all in.”

“I love doing these shows with George about as much as I like doing anything. There’s nothing to compare it to,” added Stapleton. “So many of his songs are in the ethos of what country music is. Playing these shows together is a great experience all the way around.”

George Strait w/ Chris Stapleton and special guests Little Big Town 2023 Stadium Shows
May 6 Glendale, Ariz. || State Farm Stadium
June 3 Milwaukee, Wisc. || American Family Field
June 17 Seattle, Wash. || Lumen Field
June 24 Denver, Colo. || Empower Field at Mile High Stadium
July 28 Nashville, Tenn. || Nissan Stadium
July 29 Nashville, Tenn. || Nissan Stadium
Aug. 5 Tampa, Fla. || Raymond James Stadium

About George Strait
With an unmatched 60 singles hitting the top of the charts—more than any other artist in any genre—during the span of his 30+ year career, Strait has collected 33 Platinum or multi-Platinum-selling albums, more than any other Country artist and ranking third across all genres behind The Beatles and Elvis Presley. The Texas troubadour is the only artist or act in history to have a Top 10 hit every year for over three decades and recently earned his 100th entry on the Billboard Country Airplay chart with his latest single, “The Weight of the Badge.” He has sold nearly 70 million albums and earned more than 60 major entertainment industry awards, including induction in the Country Music Hall of Fame in 2006.

Since his record-breaking Cowboy Rides Away Tour wrapped in 2014, Strait has performed for limited engagements, including appearances in 2021 headlining both weekends of the Austin City Limits Music Festival as well as Atlanta’s Mercedes-Benz Stadium and Minneapolis’ U.S. Bank Stadium. He also extended his Strait to Vegas series at T-Mobile Arena earlier this year along with headlining shows at Little Rock’s Simmons Bank Arena and Kansas City’s GEHA Field at Arrowhead Stadium in addition to returning to the Houston Livestock Show and Rodeo for his 31st performance at the event and headlining back-to-back nights in Austin for the Moody Center’s grand opening celebration.

As previously announced, Strait will also perform in his home state of Texas this fall for a two-night stand at Fort Worth’s Dickies Arena on Friday, November 18 and Saturday, November 19, 2022. The two shows sold out within just hours of going on sale to the public this spring. In addition, he will return to Las Vegas for his Strait to Vegas series once again, gracing the stage at his T-Mobile Arena home away from home for the 35th and 36th times on Friday, December 2 and Saturday, December 3.

About Chris Stapleton
Kentucky-born Chris Stapleton is an 8x Grammy, 14x CMA and 10x ACM Award-winner and one of the country’s most respected and beloved musicians. His most recent album, 2020’s acclaimed Starting Over, recently won three awards at the 67th Annual GRAMMYs: Best Country Album, Best Country Solo Performance (“You Should Probably Leave”) and Best Country Song (“Cold”) in addition to earning Album of the Year honors at both the 54th Annual CMA Awards and 56th ACM Awards. The new album follows Stapleton’s pair of Platinum-certified releases from 2017, From A Room: Volume 1 and From A Room: Volume 2, as well as his x6 Platinum breakthrough solo debut album, Traveller, which includes the Diamond-certified “Tennessee Whiskey.” Stapleton will wrap-up his extensive 2022 “All-American Road Show” tour next weekend with shows at Fort Worth’s Dickies Arena and Houston’s Cynthia Woods Pavilion before ending his year with a special show at Atlanta’s Mercedes-Benz Stadium with Miranda Lambert, Dwight Yoakam and Katie Pruitt on November 12. In addition to his work as a musician, Stapleton and his wife, Morgane, are founders of the Outlaw State of Kind charitable fund, which supports a variety of causes that are close to their heart.

About Little Big Town
GRAMMY, ACM, CMA, AMA and Emmy Award-winning group, Little Big Town – consisting of members Karen Fairchild, Phillip Sweet, Kimberly Schlapman and Jimi Westbrook – first entered the music scene over 20 years ago with hit songs “Boondocks,” “Bring It On Home,” “Good As Gone” and the GRAMMY-nominated “Little White Church.” The band’s breakthrough albums Tornado and Pain Killer produced multiple No. 1 singles, including “Pontoon,” “Tornado” and “Day Drinking,” as well as the history-making, best-selling country single of the year (2015) “Girl Crush.” 2017’s The Breaker debuted at No. 1 on the Billboard Country charts and Top 10 (No. 4) on the Billboard 200 to critical acclaim. The album features their GRAMMY-winning, multi-week No. 1 single, “Better Man,” as well as the 2019 GRAMMY-nominated, “When Someone Stops Loving You.” The band’s self-produced ninth studio album Nightfall was released January 2020 and hit the top of the Billboard Country charts. The record included critically-acclaimed and GRAMMY-nominated “The Daughters,” “Over Drinking” and “Wine, Beer, Whiskey” – the latter of which has reached more than 380 million global streams. In April 2022, they released their new single “Hell Yeah,” which has amassed more than 60 million global streams to date. Little Big Town has earned more than 45 award show nominations and has taken home nearly 20 awards, including multiple GRAMMY, AMA, People’s Choice, CMA and ACM Awards, in addition to an Emmy award. Their highly anticipated 10th studio album Mr. Sun was released on September 16, 2022.

Dalton Dover Signs with Universal Music Group Nashville

Photo Credit: Chris Hollo

Country newcomer Dalton Dover signs with Universal Music Group Nashville. Dover, who has earned praise as a “master country talent,” will release his highly anticipated new music via Mercury Nashville.

“All of us at UMG have been fans of Dalton for a long time,” says Mike Dungan, chairman and CEO of Universal Music Group Nashville. “For months our staff has filled the rooms at almost every one of his live performances in Nashville. As we worked our way through the legal process, our four label promotion teams were fighting over which label he would go to and who got to work with him. We are thrilled that he chose to be a member of our family and anxious to release the first taste of music with the Mercury logo on it.”

“I’m so excited to join the Mercury and UMG Nashville family,” shares Dover. “I wouldn’t be here without the support from my wonderful wife and family, my team, and the fans who have listened to and shared the songs we’ve released so far. This is just the beginning, and we can’t wait to show you what we’ve been working on!"

Dover first achieved prominence after appearing on Season 16 of “The Voice,” where he earned a chair turn from legendary country artist Blake Shelton. Two years later, Dover has continued to build his fan base on TikTok, garnering millions of views with his popular #CatchMeOffGuard series of cover song mashups. The series has earned the praise of country artists including Jimmie Allen, Luke Combs, Kidd G and Kameron Marlowe. Dover’s songs “You Got A Small Town” and “Baby I Am” helped the 23-year-old earn a place on Spotify’s Hot Country 2022 Artists to Watch, along with a spotlight as Billboard’s February Country Rookie of the Month and a nod for MusicRow’s 2022 Discovery Artist of the Year. His TikTok track “Baby I Am” had nearly 500k streams and 1.1k downloads in its first week.

About Dalton Dover
Lauded by MusicRow as a “master country talent,” twenty-three-year-old Dalton Dover first started singing at church as a kid, winning his fifth-grade school talent show performing Justin Bieber’s “Baby.” In that moment Dover’s love of performing was born. By the age of 16 he had picked up a guitar and started teaching himself to play, yet it was his grandfather who turned him on to country music and artists such as Keith Whitley, Rhett Akins, Joe Diffie and Steve Wariner. Enamored with the honesty and storytelling found in country music, Whitley’s “Don’t Close Your Eyes” was the first song Dover taught himself to play on guitar. Performances at local bars soon followed along with sharing covers of some of his favorite songs on TikTok. It was there he caught the ear of producer Matt McV and A&R veteran and founder of Droptine Recordings, Jim Catino, who quickly signed Dover.

Dover is married to his high school sweetheart, Faith, and the two have lived in the same small rural Georgia town, population 1,200, all their lives. The Dovers hope to give their two young children, Taylor and Alyiah, the same idyllic childhood they had growing up — the life one finds in a small town. And it is that pace and familiarity he enjoys so much that he sings about on his debut track “You Got a Small Town.” Produced by McV, “You Got A Small Town” quickly garnered critical acclaim from Billboard, MusicRow, Country Now and Wide Open Country.With his debut and his follow-up “Baby I Am” earning notable playlisting, Dover was named a Spotify Hot Country 2022 Artist to Watch. Dover’s latest single “Damn Good Life” is available now.

After opening for Luke Comb’s Mercedes-Benz Stadium show in Atlanta, Ga. this summer, Dover set out on a seven-date run of his own headlining shows, performing across multiple locations of Blake Shelton’s Ole Red. Dover is currently on the road with his captivating live set on Priscilla Block’s Welcome to the Block Party Tour which runs through the fall. For the latest follow along on Instagram, TikTok, Twitter and Facebook.

MICHAEL MONROE Releases Spine Chilling Video for "Derelict Palace"

'I LIVE TOO FAST TO DIE YOUNG'

OUT NOW

NEW LIVE DATES ANNOUNCED

Today, on All Hallows’ Eve, Michael Monroe releases his video for the majestically dark single, “Derelict Palace”, taken from the album, 'I Live Too Fast To Die Young', out now via Silver Lining Music.

 

“'Derelict Palace' is about watching someone that you care about disappear into drug addiction," guitarist Rich Jones explains. Musically, the track takes on a melodic, somber tone. “I had been listening to a lot of post-punk when I wrote it - Echo & The Bunnymen, Psychedelic Furs, The Church - and I wanted to see if we could push the band in that kind of musical direction” adds Jones.

The single is aptly accompanied with an eerie, yet mesmerizing, video showing the band performing in a desolate, gothic, manor house, including scenes of Monroe flicking a switchblade knife gifted to him recently in Milan by none other than Alice Cooper himself.

 

Michael Monroe adds, “the song was written about people who get a little too into drugs and before you know it, they kind of disappear from all of the people and things that they used to love. Of course, that’s sad, but that said, there’s something cool about being an outcast and not fitting in… This is one of my favorite songs off the 'I Live Too Fast To Die Young' album and it adds a nice new dimension to my band’s sound and style. Plus, we found the perfect place to film the video for it!”

Watch the Video for "Derelict Palace"

Get the Album HERE

At a time when it seems increasingly hard to remain positive, 'I Live Too Fast To Die Young' encompasses eleven lean, mean, raw slices of rock ‘n’ roll joy.  Even when the key goes minor, Monroe’s music always seems to retain at the very least a hopeful edge, something he ascribes to a specific Finnish quality.

 

Finnish people are experts in melancholia,Monroe affirms, “and a lot of that melancholia - certain chords and sounds, even though they’re minor keys - is not necessarily sad. It’s just kind of a melancholic feeling that feels good in the end.

 

Michael Monroe and gang will be joining Black Star Riders on their 2023 UK tour along with Motörhead’s Phil Campbell and the Bastard Sons. The tour will kick-off on February 13 at Nottingham’s Rock City and conclude at London’s 02 Shepherds Bush Empire on February 26.

For tickets and more information please visit: www.michaelmonroe.com  

'I Live Too Fast To Die Young' is available now on:

=> CD Digipak

=>12” Red Vinyl

=>Digital Download

=> Streaming and special D2C bundles at HERE

 

Listen to the recently released ‘Murder The Summer Of Love’, ‘Can’t Stop Falling Apart’ and ‘Everybody’s NobodyHERE

Band Line-Up:

Michael Monroe - lead vocals, harmonica

Steve Conte - guitars, vocals

Rich Jones - guitars, vocals

Karl Rockfist - drums

Sami Yaffa - bass, vocals

 

Recorded and mixed by Erno “Error” Laitinen at Inkfish Studios, Helsinki, Finland

Produced by Erno “Error” Laitinen, Michael Monroe, Rich Jones, Sami Yaffa, Steve Conte & Karl Rockfist

Mastered by Svante Forsbäck at Chartmakers

 

Additional musicians:

Slash - guitar solo & additional guitars on “I Live Too Fast To Die Young”

Lenni-Kalle Taipale - Piano on “Antisocialite” & “Can’t Stop Falling Apart”

Suvi Aalto & Astrid Nicole - Additional backing vocals on “Can’t Stop Falling Apart” & “Murder The Summer Of Love”

Neil Leyton - Additional backing vocals on “Everybody’s Nobody”, “Murder the Summer of Love” & “All Fighter”

HOST Release GOST Remix Of Debut Single "Tomorrow's Sky"

Emerging dark wave project HOST, launched by Nick Holmes and Greg Mackintosh of PARADISE LOST, have revealed a remix of their debut single 'Tomorrow's Sky' by US synthwave producer GOST. The release follows the recent announcement of their debut album IX, out on 24th February, and signing to Nuclear Blast Records.

The remix is an amped up version of the duo's track that surges with a brooding, yet irresistibly danceable energy.

GOST comments "After listening to the original track I knew the vocals and overall vibe would fit well with the Gost sound. The vocals sat effortlessly into my mix and the guitar solo’s are super smooth. Stoked to work with Host on this and I cannot wait to share the remix with my fans."

Stream 'Tomorrow's Sky (Gost Remix)' on all platforms now at: https://HOST.bfan.link/TS-gost-remix.ema

Pre-order IX on various formats now from: https://bfan.link/host-ix.ema

About HOST

The origins of HOST do not trace back to the 1999 PARADISE LOST album bearing the same name but instead to the West Yorkshire music clubs of the mid-to-late 1980s. WhileHolmes and Mackintosh were already certified heavy metal fanatics (“metal thrashing mad” as Holmes equates), they were equally drawn to the New Wave and Goth music scenes. The pounding rhythms, sublime melodies and undercurrent of darkness drew them in, creating immediate earworms and a desire to delve further.

Mackintosh finally put plans into motion during the pandemic for a venture that would merge his penchant for sound design with the moods and atmosphere of 1980s dance-pop and Goth. The project was originally a solo pursuit until he asked Holmes, his longtime PARADISE LOST songwriting partner, to join. 'HOST' was selected as the name as a tip of the hat to the aforementioned album that found PARADISE LOST in an unprecedented period of experimentation that eschewed their metal roots and also challenged their fanbase in ways like never before.

“We always stood by 'Host' as an album,” says Mackintosh. “This project is not totally connected to that album, but some of the ideas are extrapolated. We’re taking the basic premise and trying it out now. And, really, it was something fun and interesting for us to do. We’ve been doing PARADISE LOST for a long time and got an itch to try something different from where PL is now. I could take PL down this route again. Who knows? It may happen if we live long enough, but I thought, ‘Why not now?’ I had the time to do it.”

HOST is:
Nick Holmes - Vocals
Greg Mackintosh - Guitars, Synths & Programming

Follow HOST:
https://www.facebook.com/officialhostuk
https://www.instagram.com/officialhostuk/
https://twitter.com/officialhostuk

JOHN ENTWISTLE’S “BOGEY MAN,” FEATURING KEITH MOON ON DRUMS, GETS NEW LYRIC VIDEO

RARITIES OXHUMED--VOLUME ONE, WITH PREVIOUSLY UNRELEASED AND REMASTERED STUDIO TRACKS, DEMOS, AND LIVE RECORDINGS IS OUT NOW.

PHILADELPHIA, PA–October 31, 2022--John ‍Entwistle is best known as the legendary bassist ‍for the Who. Nicknamed the Ox and Thunderfingers, Entwistle's music career spanned over four decades. Entwistle was inducted into the Rock and Roll Hall of Fame as a member of the Who in 1990. Renowned for his musical prowess, Bass Player magazine named the bassist at number seven. Entwistle was voted as the greatest bassist ‍of all time in a 2011 Rolling Stone magazine readers' poll and in its special "100 Greatest Bass Players" issue in 2017.

Rarities Oxhumed--Volume One dropped on October 21. It is the first in a series of posthumous releases coming from John Entwistle as part of a new partnership with Deko Entertainment and longtime friend and collaborator Steve Luongo. There are 13 tracks in total. Included are the demos for the Who’s “Where Ya Going Now” and “Life Goes On”; the unreleased studio track “I Wouldn’t Sleep With You”; and live tracks “Trick of the Light” and “Under a Raging Moon,” recorded during the John Entwistle Band’s final tour in 2001. All are packaged in a 6-panel digipak with artwork conceived by Chris Entwistle--John’s son--and Steve Luongo. There is also a limited edition expanded booklet with never-before-seen photos and a track-by-track description giving details of each of the 13 tracks included in this release.

Listen to album here: https://smarturl.it/RaritiesOxhumed

“Bogey Man” was originally recorded in the 70’s with Keith Moon of the Who on drums. As explained in the expanded booklet, the resurrection of this song was kismet. Entwistle began his quest with just a demo cassette of a rhythm track with Entwistle’s vocal and horns. When Steve Luongo identified Keith Moon on drums, Entwistle futilely made an exhaustive search for the multi-track tape, so he could add the missing tracks and complete the song. As he was giving up, “…a bloody loud bang from behind scarred me half to death.” It was the “Bogey Man” multi-track tape. Entwistle described the event as “spooky!”

Pick up Rarities Oxhumed--Volume One and special limited bundles via https://bit.ly/john-entwistle

Product Includes:
- One (1) Rarities Oxhumed--Volume One CD
- One (1) Rarities Oxhumed--Volume One 12-page Expanded Booklet with Exclusive Photos, Recording Info, and Unreleased Photos
- One (1) Entwistle Crest--Necklace or Keychain

Watch for music previews, lyric videos, and more on Spotify and YouTube.
For more information, visit
www.johnentwistle.com
www.dekoentertainment.com

Deko Entertainment–Where Art Has Value

Melodic Death Metal Act SWANSONG Signs to Noble Demon; To Re-Release "Winter Maiden" EP!

Swansong have announced their worldwide signing with German label Noble Demon for the release of the band’s upcoming debut album. Founded in 2020 in Kuopio, Finland and combining melodic death, heavy and folk metal - just to name a few -, Swansong are bringing their very own blend and something new to the metal scene. Powerful melodies with hard-hitting riffs revive the 80s and 90s and at the same time the old school elements get a fresh & modern twist with female death growls and screams!

Swansong comments:
"We are honored and excited to announce, that we have started to work on our first full-length album with Noble Demon Records! This is HUGE for us! The recordings for the album have already begun."

"We want to THANK YOU ALL, this is all for you! Thank you for listening to our music and supporting us! Thank you Noble Demon for seeing our potential. We are grateful to join the impressive Noble Demon roster with many awesome bands (Dawn Of Solace, Mercury Circle, Night Crowned, Gomorra, Kaunis Kuolematon, Zornheym, Oceanhoarse, Humavoid and more) that we respect! Along with these amazing partners Noble Demon & Heavy Metal Heart Agency we continue the Swansong journey. NOW LET'S MAKE A KILLER ALBUM!!"

Furthermore, to celebrate the signing in glorious style, Swansong and Noble Demon announced the re-release of the band's 2022 -debut EP Winter Maiden, which was produced by Mathias "Vreth" Lillmåns (Finntroll, ...And Oceans, Dispyt) and has already received great response from listeners all around the globe.

Listen to the full EP at THIS LOCATION or watch the band's latest video for "Lovely Bones"

So let the cold wind howl and dive into the Swansong world of powerful stories with midnight warriors and strong maidens!

Swansong are:**

Vocals: Jemiina
Guitar: Topi Pitkänen
Guitar: Tuomas Leskinen
Drums: Markus Tikkanen

For Swansong online:

Facebook

Instagram

Find NOBLE DEMON online:

Official Website

Facebook

BandCamp

Twitter

YouTube

TikTok

Spotify

CRIPPLED BLACK PHOENIX Premieres Haunting New Music Video, "Bonefire"

The veil is thin and progressive rock collective CRIPPLED BLACK PHOENIXhave a treat for you today! The band is now sharing the haunting new music video for the song "Bonefire," which is taken from the band's brand new album, 'Banefyre,' out now! The video, which was directed by Guilherme Henriques, can be found below.

The band comments, "We gift to you a musical curse on the miserable ruling class politicians! Again, working with Guilherme was a total pleasure and a complete win. He got the vibe and the intensity spot on. Plus, he raised the bar a whole lot with production value, so what we have is basically a little cult horror film, telling the story of Bonefire. The ruling class getting some just karma in the flames."

'Banefyre' is out NOW and can be streamed, ordered, and downloaded HERE.

The thread that binds CRIPPLED BLACK PHOENIX’s bold and towering discography — a dozen studio albums, a half-dozen mini-albums, a handful of compilations and swaths of bootlegs — could not be more apropos circa 2022. Since its 2004 creation by multi-instrumentalist and songwriter Justin Greaves, CRIPPLED BLACK PHOENIX has served as the voice for the voiceless, whether it be animals, the unequal and the different. Greaves and longstanding vocalist and lyricist Belinda Kordic have often proffered that these beings cannot fend for themselves. Henceforth, CRIPPLED BLACK PHOENIX’s mission has been to shed light on the human condition and the inequalities that befall humankind and its creatures. Their battle marches on with their latest studio album, Banefyre.

Banefyre follows 2020’s Ellengæst — an effort that found CRIPPLED BLACK PHOENIX employ a series of notable guest vocalists alongside Kordic, prompting Metal Hammer to describe it as their “most cohesive and emotionally devastating record.” Kordic is now paired with Swedish vocalist Joel Segerstedt, who made his CRIPPLED BLACK PHOENIX debut last year via the “Painful Reminder/Dead is Dead” single. Piano, synth and trumpet player Helen Stanley and additional guitarist Andy Taylor complete the lineup. Greaves says Stanley and Taylor “fit so well creatively,” which has made CRIPPLED BLACK PHOENIX feel like a band when making plans and decisions.

Also central to this is Segerstedt. According to Kordic, the vocalist and lyricist lives a mere five minutes from her in Sweden and has quickly integrated himself into the band. “What I like about Joel is that he’s a good person,” she says. “There’s no fakeness with him; he has cajones. He’s not a bitch-talker, either. I can’t handle people who don’t have a backbone, but Joel is real and can speak his mind.”

“I like how Joel has come in and spoke for himself,” adds Greaves. “He’s in the band for the right reasons. I see him the same way as Belinda — she took an interest in the whole artistic thing behind CRIPPLED BLACK PHOENIX, like the vocals, lyrics, artwork and aesthetic. It’s the same with Joel. He has taken an interest in all of those things. In the past, we had people who didn’t contribute artistically and only cared about what they got out of the band. But Joel is really proactive and takes the initiative.”

Greaves assembled 13 songs (including “No Regrets,” a bonus track for his new project with Kordic, Johnny the Boy) imbued with the depth and introspection that will reinforce CRIPPLED BLACK PHOENIX’s standing as a band that defies genre. The album was tracked at Chapel Studios in South Thoresby, Lincolnshire, with vocals cut at Monolith Studio and Kapsylen Studio in Stockholm, Sweden. Kurt Ballou handled mixing in GodCity Studios in Salem, Massachusetts — a pivotal move in determining the album’s overall sound.

“I love the album so much because it was a different approach with the production,” says Greaves. “For my part, it was a little bit of a reaction. I didn’t want to do the same warm, safe CRIPPLED BLACK PHOENIX album. I’m aware that when we did [2012’s] I, Vigilante, everyone wanted I, Vigilante again. As it so often happens with this band, people complain about the next one, then grow into it. Ellengæst is like I, Vigilante. It’s a shorter album. It hit the mark and was done really well, but everyone will expect another Ellengæst. I feared that, but I care enough not to make another Ellengæst. It’s the right thing to do. That’s why we got Kurt to mix it — we wanted that analog, raw power. Even though the album has mellow moments, those are edgy as well. We just didn’t want to do the same album twice. We’re never going to be a band that people can rely on.”

Greaves’ summation of his band notwithstanding, his distinctive guitar playing and enduring knack for immersive songwriting is the propellent behind the haunting, chant-laden “Ghostland,” pensive “The Reckoning” and forlorn “Everything is Beautiful but Us,” the band’s spot-on analysis of the retreat of humankind indoors during the pandemic that revealed nature’s priceless beauty. The album is also stocked with no less than four ten-minute-plus cuts (“Rose of Jericho,” “Down the Rabbit Hole,” “I’m Okay, Just Not Alright” and “The Scene is a False Prophet”) that are intermixed with drama and melancholy.

It all ties into Banefyre’s central theme of the persecution of people who are deemed “different” by society. The album title is a play on the song “Bonefire” that Kordic named and wrote lyrics for. In classic CRIPPLED BLACK PHOENIX fashion, Greaves turned it into the Olde English translation to represent the bonfires that engulfed witches and politicians through the 15th and 18th centuries, hence, the name Banefyre.

The album begins with “Incantation for the Different,” which was written and orated by Chicago-based witch, artist, author and occultist Shane Bugbee, who, according to Greaves, “brought us some positive, dark energy.” Banefyre then delves into the Salem Witch Trials (“Wyches and Basterdz”), fox hunting in Great Britain (“The Reckoning”), politicians of an unscrupulous and dishonest kind (“Bonefire”) and the New York City Blackout of 1977 (“Blackout77”).

Greaves says Banefyre’s topics may have a decidedly negative and pessimistic tone, but a glimmer of hope and joy remains. “There’s always the random bits, but overall, Banefyre is about the people who have suffered because they are different. The album covers inequality and oppression, like ‘Incantation for the Different,’ which is about overcoming when you’re put down because you’re not like everyone else.”

In true CRIPPLED BLACK PHOENIX fashion, the Lucy Marshall-created Banefyre cover leaves plenty to the imagination, depicting four animals seated at a table — interacting and dressed like human beings. “It’s sort of like Planet of the Apes showing what animals could do to humans,” says Greaves. “The cover was specially commissioned and is unique to the album. It’s incorporating all the classic CRIPPLED BLACK PHOENIX elements with the love for animals and twisting the narrative around.”

CRIPPLED BLACK PHOENIX’s reputation was built on the back of their studio albums and live shows. The pandemic prevented the band from supporting Ellengæst, but it did provide them additional time to bring in new members to their live configuration.

“We’ve done one show since 2019,” says Greaves. “We are going to do something in Europe this year. Hopefully, we can get back on track. We’re also going to do something in the States — that’s not just talk, we’re actually going to do it. It’s well overdue. The live band is fucking amazing. We have the five of us and now we have Jordi [Farré] on drums, Paco [Fleischfresser] on synth and a really good friend of mine, Matt Crawford on bass.

“We did the Leipzig show and even though the rehearsals were better than the show itself, that lineup, our live band, is so good. Because we haven’t been under pressure to put a live band together since 2019 and spent so long talking to people, we’ve got a better band from those results. Out of disaster, we’ve got quite a good, positive thing.”

Line-up
Justin Greaves : Guitars, Drums, Bass, Samples, Saw
Belinda Kordic : Vocals, Percussions
Helen Stanley : Grand Piano, Synthesisers, Monochord, Trumpet
Andy Taylor : Guitar, Baritone Guitar, 12 String Guitar
Joel Segerstedt: Vocals, Guitar

www.facebook.com/CBP444
www.instagram.com/cbp_444
www.crippledblackphoenix.net
https://evilgreed.net/collections/crippled-black-phoenix
https://crippledblackphoenixsom.bandcamp.com
https://riseupandfight.bandcamp.com

Recording:
Recorded at Chapel Studio, Lincolnshire, November 2020 & April 2021.
Engineered by Pieter Rietkerk
Additional vocal sessions recorded at:
Kapsylen Studio, Stockholm - Engineered by Jörgen Jugglo Wall.
Monolith Studio - Engineered by Tomas Asklund
Churchstreet Studio, Bergen - Engineered by Rene Misje
Mixed live by Kurt Ballou at God City Studio
Mastered by Magnus Lindberg
Produced by Justin Greaves

Artwork: Original paintings created for this album by Lucy Marshall
Layout master: Benedikt Demmer

Pre-Save link: https://orcd.co/cbp-banefyre
Pre-sale link: https://redirect.season-of-mist.com/CBP-Banefyre

THE ABBEY Signs to Season of Mist, Unveils First Single + Music Video

Season of Mist is proud to announce the signing of THE ABBEY, the emerging progressive doom metal band ft. Natalie Koskinen (SHAPE OF DESPAIR), Jesse Heikkinen (HENGET, ITERUM NATA, etc), Vesa Ranta (SENTENCED, THE MAN-EATING TREE), and Janne Markus (THE MAN-EATING TREE)! In conjunction with the announcement, the band is now revealing their bewitching first single, "A Thousand Dead Witches," along with a chilling music video that will certainly get you in the spirit of Samhain! The clip, which was directed by Ranta, can be seen been

THE ABBEY comments on the signing, " We feel honored and privileged to get to write a new chapter in the history of Season of Mist - a distinguished label that has the courage and vision to do something extraordinary. We do believe that the collaboration between Season of Mist and The Abbey is going to lead us to great things."

Regarding the single, the band adds, "Our first single has all the basic The Abbey elements: big vocals, dissonant harmonies, hauntingly beautiful melodies and tempo changes. This is The Abbey’s ode against oppression and tyranny."

"A Thousand Dead Witches" is taken from THE ABBEY's upcoming debut album, 'Word of Sin,' which will be released next year via Season of Mist! The cover artwork can be found below while more information will be revealed soon!

In the meantime, pre-save the album across all streaming services HERE.

Aleister Crowley’s Abbey of Thelema was located in Sicily, Italy, and functioned as ground zero for many of the occultist’s most complex and groundbreaking hedonistic pursuits. Here, Crowley codified his ritual practices and took his concept of “Magick” to new, unforeseen levels. He rebranded the temple as “Collegium ad Spiritum Sanctum,” translating to “A college towards the Holy Spirit.” But the Abbey of Thelema was not without its controversy: A young disciple died in 1922 after contracting typhoid fever from the drinking water. And a year later, Crowley was evicted by Italian dictator Benito Mussolini’s regime, yet the mystery and intrigue behind the Abbey of Thelema remain.

It was only appropriate, then, that Jesse Heikkinen, a veteran of the Finnish music scene and a solo artist under the Iterum Nata banner, branded his newest musical pursuit as The Abbey. Drawing lyrical inspiration from esoteric organizations, their beliefs and his own practices, Heikkinen and co-lead vocalist Natalie Koskinen (Shape of Despair) weaved ritualistic tales from the darkest corners of themselves to pair with music that is a provocative, alluring kaleidoscope of dark, heavy rock. The result is the mystical Word of Sin, The Abbey’s nine-song debut long-player.

The Abbey tale began when Heikkinen generated the sudden urge to try his hand at singing in a doom metal band after laying down guest vocals for fellow countrymen Fuzzifer. His idea was to form a doom metal band with “big vocals” — a project for fun’s sake that would thrive off writing from the heart and improvisation. Those plans involved former Sentenced and The Man-Eating Tree drummer Vesa Ranta — the first name that came to Heikkinen’s mind for the project.

Ranta, now a professional photographer and filmmaker, provided the steady backbone behind Sentenced’s groundbreaking career that was brought to its conclusion in 2005. According to Heikkinen, Ranta plays “like a battalion of marching giants,” a not-so-subtle nod to the drummer’s mastery of the quarter-note. Ranta quickly took to Heikkinen’s early demos and suggested they add a female singer. Enter Koskinen. Koskinen knew Ranta from a video shoot where she was serving as a makeup artist. Reluctant to try a new band considering her Shape of Despair and career obligations, Koskinen listened to Heikkinen’s first demo and decided to give the project a go. Janne Markus (guitar, also of The Man-Eating Tree) and Henri Arvola (bass) were soon tapped to complete the band’s lineup.

Word of Sin was recorded between April and November 2021 in several locations across Finland. Drums, bass and Markus’s guitars were tracked at Kratio Studio in Oulu by Kyösti Rautio. Rautio also served as co-producer and mixed the album, becoming the unofficial sixth member of The Abbey. Heikkinen, who recorded most of his vocals and guitars in his stepdaughter’s room, surrounded by My Little Ponies, Disney figurines and a pile of esoteric literature, is careful to point out that The Abbey fails to drop into any neat, little subgenre.

“The album was made purely for self-expressive reasons,” he says. “My music is the channel where I can be as true and authentic as possible. It is also a somewhat safe way to explore and express the dark side of myself and the collective consciousness. Word of Sin may seem like a tremendously dark piece as a rock album, but it’s pretty lightweight for a doom metal album! The material proved so strong that it was obvious that it wasn’t going to be another side project. I think using the means of improvisation made the music sound more like its creator instead of it being forced to be this or that — and that seemed to work really well for us!”

Regardless of where Word of Sin falls between the vast channels of doom and heavy rock, the vocal interplay between Heikkinen and Koskinen is undeniable. Each has songs where they take the lead, but their harmonies and trade-offs carry songs like “Rat King” and “Desert Temple” to the fore, creating a restless, captivating atmosphere resembling vintage rock from the 1970s. And, for his first go at singing lead in a band, Heikkinen proves to be quite the capable vocalist, carrying a smooth, almost airy delivery on “Crystallion” and “Widow’s Will.”

“I didn’t think of it that much — my vocals all came naturally,” he says. “I still think I’m more of a guitarist than a vocalist, really. During the writing and recording, I listened to King Crimson’s Red quite a lot, so I’m sure I got some influences from John Wetton’s singing on that album. The vocal harmonies were heavily inspired by bands like E.L.O, Queen and Yes.”

Heikkinen and Koskinen didn’t know each other before the formation of The Abbey. Heikkinen met Koskinen for the first time when she tracked vocals at his home studio, but their partnership generated immediate results. “Nowadays, I usually record my vocals at home, but in this case, as I had yet to meet Jesse in person, I wanted to record my parts at his place,” says Koskinen. “It’s very important to see what kind of energy is between the musicians I’m going to work with in the long run. It turns out that we are a perfect match musically. Later on, I traveled to Oulu to meet the rest of the guys [Janne and Henri] and I must say that we had a very strong bond from the beginning. Sometimes things just happen even when you don’t plan them.”

“The right lines for each were found really easily,” adds Heikkinen. “There already were dozens of vocal tracks in some of my demos, but every time Natalie found her place in the song, she added something new into it.”

The creative process behind Word of Sin proved so fruitful that the members of The Abbey are already thinking about a follow-up. It’s a testament to the material’s inherent strength and the immediate bond between all five musicians.

“The Abbey will most definitely be an active and serious project for me - I do hope it will turn out fun as well,” wraps Heikkinen. And closes Koskinen: “I do have a feeling this band will make a long trip together.”

Links:
https://www.facebook.com/abbeyceremonial
https://www.instagram.com/theabbeyceremonial/

Lineup:
Jesse Heikkinen – Guitar, keyboard, percussions, vocals
Natalie Koskinen – Vocals
Janne Markus – Guitar

Vesa Ranta – Drums
Henri Arvola – Bass

Cover Art: Alexander Reisfar

Bio: David E. Gehlke

Pre-save: https://orcd.co/theabbeysin