New Jersey indie collective BARD presents 'Dread Not The Ferryman', a funk rock sonic tale heralding debut album

"This is masterful stuff... cohesive sounds that seem to typify American music, that mercurial blend of home-grown genres – a funky groove, a rock drive, scintillating soulfulness, and timeless and nostalgic blues runs – that seems quintessentially and identifiably from that place" ~ Big Takeover Magazine

"With a rich melodic and soulful quality, laced with infectious rhythms and laid-back vibes, this music makes for a captivating listening experience - the kind of track that makes you want to close your eyes, turn up the volume, and let the music wash over you" ~ Amplify Music Magazine

"A slight, purposeful, nostalgic touch that makes the music feel like a forgotten gem from that era... Reflecting the spirit of Lynyrd Skynyrd is a clinic in classic rock guitar technique, recalling of the genre’s great solos from the 1970s" ~ Skylight Webzine


New Jersey groovy rock-blues outfit BARD  (a.k.a. The BARD Band) release their new single 'Dread Not The Ferryman', taking listeners on a dark funkadelic journey through mythical realms and eerie encounters, showcasing BARD's versatility in storytelling and musical depth.

With its haunting narrative, dark themes and long jams, it portrays a world where mythical creatures like the demon fairy lurk, stealing teeth in the night. The eerie atmosphere intensifies as the story unfolds, from a diner scene with a mysterious figure to a tense encounter over stolen teeth. The repeated chorus, urging not to fear the ferryman, underscores a sense of impending doom and supernatural intrigue that sets this song apart from the album's other tracks.

This is the second taste of their debut album 'Angels Got His Back', out October 4 via the dynamic indie Montclair imprint Magic Door Records, following up the soulful title track 'Angels Got His Back'. Recorded, mixed & mastered at the state-of-the-art studio Magic Door Recording by Ray Ketchem (Guided by Voices, Elk City, Luna, Gramercy Arms), who has dubbed this "New Classic Rock:.

BARD was formed in 2017 by college friends Jamie Pagliaro (acoustic guitar, lead vocals) and Michael Schreiber (keyboard, organ, vocals), who had lost touch for two decades. The lineup grew to include Dave Menez (bass guitar, vocals), Mike Potenza(electric guitar, vocals) and David Kolk (drums, percussion, vocals), each bringing his own unique musical sensibilities. This fusion resulted in a rich texture of sounds, enhanced by a cohesive approach to dynamics, tone, and articulate sound mix.

"‘Dread Not the Ferryman’ delves into a haunting narrative where mythical creatures and eerie encounters blur the lines between reality and the supernatural. Through its chilling lyrics, the song explores themes of fate and the unseen forces that shape our destinies, inviting listeners into a world where every silver dollar carries a weight of secrets, and every encounter holds a hint of otherworldly danger," says Jamie Pagliaro.

A tribute to enduring love and hope that lights up even the darkest moments, this funky dark-themed track tenderly imagines a departed child now in the care of angels, playing and exploring in a heavenly realm. Surrounded by beauty and joy, he roams through eternal spring, safe and enlightened.

With a soulful groove-rock sound, BARD craft uplifting music that inspires and unites through a contagious rhythm. Initially drawing inspiration from Shakespeare, BARD's vision of setting poems to music quickly expanded to include works from poets like Robert Browning, Langston Hughes, in addition to original poems by Jamie Pagliaro. A product of their collaborative process, each member makes their own unique contribution to the structure and composition of each song.

BARD's music is as much inspired by soulful singers like Marvin Gaye and Van Morrison, the funky sounds of the Doobie Brothers and Grover Washington's jazz as they are by classic rock influences like Neil Young and The Band, the Allman Brothers' southern rock and the jam band style of the Grateful Dead, not to mention a touch of country sensibility.

In contrast to their 2002 debut EP 'Come Back Often', which leans on their indie-folk roots with elements of country and rock, BARD's new album represents an evolutionary step forward, highlighting the incorporation of funk and soul elements, while also allowing space for more improvisation and textured percussive elements.

From their inception to their evolving sound and dedicated live performances, BARD continues to build a dedicated following and make their mark in the music scene. Thriving on live performances, delighting diverse audiences at festivals, community events, breweries and coffee shops, they are known for their engaging shows, energizing audiences with positive vibes.

As of September 4, 'Dread Not the Ferryman' is available as a Bandcamp exclusive and, on September 10, will be released everywhere else (including Spotify and Apple Music), where the title track 'Angels Got His Back' can also be found. BARD's debut album is now available for pre-order via Bandcamp. The band's next performance is in Asbury, NJ on September 7 at Ironbound Farm.

ALBUM CREDITS
Written by Jamie Pagliaro
Recorded, mixed & mastered by Ray Ketchem
at Magic Door Studios, Montclair, NJ
Jamie Pagliaro - acoustic guitar, lead vocals
Michael Schreiber - keyboard, organ, vocals
Dave Menez - bass guitar, vocals
Mike Potenza - electric guitar, vocals
David Kolk - drums, percussion, vocals
Album artwork by Nourhan Sandouk
Publicity by Shameless Promotion PR 


LIVE SHOWS
Sept 7   Asbury, NJ - Ironbound Farm
Dec 14  Denville, NJ - Diamond Spring Brewery
Dec 28  Montclair, NJ - Bard For The Holidays


Keep up with BARD
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Spotify | Apple Music | BandsInTown | Press contact

Keep up with Magic Door Record Label
Facebook | Twitter | Instagram  | Soundcloud | YouTube | Pres s contact

Keep up with Shameless Promotion PR

Website | Facebook Twitter Instagram | Soundcloud | Link edIn | Email

THE HYPOTHESIS release video for second single from upcoming album "Evolve"; Set to drop October 18 on Noble Demon! ​

Finnish progressive metal outfit THE HYPOTHESIS is gearing up to release their new album "Evolve" on October 18th via Noble Demon. The band has just unleashed the second single "Here I Stand", along with an official music video that can be viewed below.

"'Here I Stand' narrates the story of a ruler who, despite warnings, builds an empire only to see it crumble under the weight of his own greed and selfishness," the band reveals. "As his kingdom collapses, he is left to face the consequences of his actions, surrounded by destruction and plagued by an unending torment. In the end, he stands alone, confronting the inevitability of his demise and the perpetual suffering it brings."

Hailing from the darkened realm of Kouvola, Finland, THE HYPOTHESIS was founded in 2009 as a melodic metal entity driven by the desire to break free from genre constraints and evolve with each musical endeavor. With former members now playing in renowned bands such as Opeth and Stratovarius, THE HYPOTHESIS is a powerhouse quartet with a relentless drive for musical excellence.

Emerging on the scene with their debut album "Origin" in 2016, followed by successful single releases in 2018, THE HYPOTHESIS signed with Noble Demon in 2024, marking a significant milestone in their musical journey. With the album "Evolve" just around the corner, fans of bands like Gojira, Textures, and Tesseract can anticipate a captivating sonic experience that pushes the boundaries of progressive metal.

"Evolve" will be coming out on October 18 via Noble Demon and is available for pre-save at THIS LOCATION 

THE HYPOTHESIS are:
Juuso Turkki - Vocals, Guitar
Asko Sartanen - Guitar, Backing Vocals
Markku Ruuskanen - Bass, Backing vocals
Otso Tiilama - Drums

For More Information Please Visit:

THE HYPOTHESIS Online:

Instagram

Instagram

Facebook

YouTube

Noble Demon Online:

https://linktr.ee/nobledemon

Alt Pop Duo Loyals Share "She Hates Me" — LISTEN // Announce EP

Alt pop duo LOYALS Dane Allen and Andrew Gomez — have announced their new EP, titled Love Me Bad. It arrives on October 18 via Tooth & Nail Records. Pre-order it here.

Today, the pair has shared the visualizer for new single "She Hates Me." Watch it below.

"I remember having the idea for 'She Hates Me' while I was doing dishes a few years ago," says Allen." It was one of those ideas that just popped into my head out of nowhere. I was in a particularly dry season of song ideas, and it was the first idea I had in a long time. When I presented it to Gomey and Cameron, everyone's creativity just popped off in the studio and it flowed effortlessly. It's very different than anything we've done so far in Loyals. Everything from the chord progression to the vocal just feels different for us. It's a unique vibe."

LOYALS released their self-titled debut in 2018, followed by two singles in 2019, and then COVID-19 shut the world down. Indeed, "Up All Night" serves as a comeback single, introducing an evolution in the band's sound, while also leaning into the deep-rooted foundations of who LOYALS are. The track is structurally built around a singular guitar riff, before exploding into a kinetic chorus filled with the pop-centric melodies and hooks the pair is known for.

"Look, we just write pop songs that make us feel things," says Allen, explaining the motive behind his alternative/pop group. "We aren't congealed with this big message. Obviously, we can change our minds down the road, but that's not who we are now."

The band's lack of pretense is as refreshing as it is uncommon, its self-assuredness a most likely side effect of the years they've spent playing together. "We met when we were teenagers," explains Allen of fellow bandmate Gomez. "We've stuck with each other ever since." 

Their nearly two-decade-long friendship not only earned LOYALS their moniker, but through practice and experimentation, aided in the cultivation of a pop group that contributes mightily to the genre.

CRIPPLED BLACK PHOENIX Release Haunting Cover of "Self Control"

" A voice for the voiceless with their distinct and unique sound" - Echoes and Dust

"Pity the fool who tries to tell Crippled Black Phoenix that the album is dead" - Drowned in Sound

"One of the best post-rock bands I've discovered upon my travels" -
Toilet Ov Hell

Profoundly heavy and truly mesmerizing" -
Metal Hammer

Since banding together in 2004, Crippled Black Phoenix have stood as a voice for big city dreamers and creatures of the forest. This year, Justin Greaves (ex Iron Monkey and Electric Wizard), long-time vocalist Belinda Kordic and their many collaborators are celebrating 20 years of shedding light on our troubled existence by releasing a new, two-part compilation. 

The Wolf Changes Its Fut But Not Its Nature collects reworked versions of the UK band's early signature songs, including the darker, gloomier "Goodnight, Europe (Pt2)". Horrific Honorifics Number Two (2)continues their tradition of haunting homages with covers that range from Fugazi to NoMeansNo, Deep Purple and Built to Spill.

Today, CBP are releasing their haunting cover of Laura Branigan's "Self Control", which peaked at #4 on the Billboard Hot 100 back in 1984.   

Hear Crippled Black Phoenix cover "Self Control" below.

The Wolf Changes Its Fur But Not Its Nature and Horrific Honorifics Number Two (2) come out November 29 on Season of Mist.

Pre-order & Pre-save


https://orcd.co/cbpwolf

https://orcd.co/cbphonorifics

With their version of "Self Control", Crippled Black Phoenix extract the same eerie sense of longing that Laura Branigan hit on with her 1984 recording. Belinda Kordic's ever-captivating croon gives voice to a shared darkness, breathing new life into a song that still resonates with the tortured souls of our modern age.

In true CRIPPLED BLACK PHOENIX fashion, the Lucy Marshall-created Banefyre cover leaves plenty to the imagination, depicting four animals seated at a table — interacting and dressed like human beings. “It’s sort of like Planet of the Apes showing what animals could do to humans,” says Greaves. “The cover was specially commissioned and is unique to the album. It’s incorporating all the classic CRIPPLED BLACK PHOENIX elements with the love for animals and twisting the narrative around.”

 

CRIPPLED BLACK PHOENIX’s reputation was built on the back of their studio albums and live shows. The pandemic prevented the band from supporting Ellengæst, but it did provide them additional time to bring in new members to their live configuration.

 

“We’ve done one show since 2019,” says Greaves. “We are going to do something in Europe this year. Hopefully, we can get back on track. We’re also going to do something in the States — that’s not just talk, we’re actually going to do it. It’s well overdue. The live band is fucking amazing. We have the five of us and now we have Jordi [Farré] on drums, Paco [Fleischfresser] on synth and a really good friend of mine, Matt Crawford on bass.

 

“We did the Leipzig show and even though the rehearsals were better than the show itself, that lineup, our live band, is so good. Because we haven’t been under pressure to put a live band together since 2019 and spent so long talking to people, we’ve got a better band from those results. Out of disaster, we’ve got quite a good, positive thing.”

The Wolf Changes Its Fur But Not Its Nature & Horrific Honorifics Number Two(2) are a double album celebrating the 20 year existence of CRIPPLED BLACK PHOENIX.

Original Credits:
All tracks on Horrific Honorifics Number Two(2) are covers of various artists.

Vengeance
Originally recorded by New Model Army, Written by: Sullivan/Morrow

Self Control
Originally recorded by Laura Branigan, Written by: Giancarlo Bigazzi, Raffaele Riefoli, Steve Piccolo

Blueprint
Originally recorded by Fugazi, Written by: Canty, Lilly, MacKaye, Picciotto

And That’s Sad
Originally recorded by NoMeansNo, Written by: NoMeansNo

Hammer Song
Originally recorded by Sensational Alex Harvey Band, Written by Alex Harvey

When A Blind Man Cries
Originally recorded by Deep Purple, Written by: Gillan, Glover, Blackmore, Lord, Paice

My Pal
Originally recorded by God, Written by: God, Joel Silbersher)

Goin’ Against Your Mind
Originally recorded by Built To Spill, Written by: Doug Martsch, Jim Roth, Brett Nelson, Scott Plouf

Lineup:

Vengeance
Ryan Patterson - Vocals
Justin Greaves - Drums, Guitars, Backing Vocals
Belinda Kordic - Backing Vocals
Wesley J. Wasly - Bass

Self Control
Belinda Kordic - Vocals
Justin Greaves - Drums, Guitars
Andy Taylor - Baritone Guitar
Helen Stanley - Synth
Wesley J. Wasley - Bass

Blueprint
Ryan Patterson - Vocals
Justin Greaves - Drums, Guitars
Helen Stanley - Piano
Wesley J. Wasley - Bass

And That's Sad
Justin Greaves - Drums, Guitars, Vocals
Wesley Wasley - Bass, Vocals

Hammer Song
Belinda Kordic - Vocals
Justin Greaves - Drums, Guitars
Andy Taylor - Guitar, Acoustic guitar
Helen Stanley - Synth, Hammond
Wesley J. Wasley - Bass

When A Blind Man Cries
Belinda Kordic - Vocals
Justin Greaves, Drums, Guitars
Andy Taylor - Guitars
Helen Stanley - Piano
Kostas Panagiotou - Hammond
Wesley J. Wasley - Bass

My Pal
Belinda Kordic - Vocals
Justin Greaves - Drums, Guitars, Backing Vocals
Wesley J. Wasley - Bass

Goin' Against Your Mind
Justin Storms - Vocals
Justin Greaves - Drums, Guitars
Andy Taylor - Guitar
Wesley J. Wasley - Bass

Recorded in 2023 at:
Chapel Studios, Lincolnshire
Engineered by Pieter Rietkerk

Additional Vocal Sessions at:
Kapsylen Studio, Stockholm
Engineered by Jörgen Jugglo Wall.
House Of Foto, Louisville, KY
Engineered by Ryan Patterson

Additional Production Credits:
Mixed by Pieter Rietkerk
Mastered by Magnus Lindberg
Produced by Justin Greaves

Cover Art:
Erebus Art (Thanasis Stratidakis)

Pre-save & Pre-order 'The Wolf Changes Its Fur But Not Its Nature': https://orcd.co/cbpwolf

Pre-save & Pre-order 'Horrific Honorifics Number Two(2)': https://orcd.co/cbphonorifics

Follow Crippled Black Phoenix:
Official Website: https://www.crippledblackphoenix.net/
Bandcamp: https://crippledblackphoenixsom.bandcamp.com
Facebook: https://www.facebook.com/CBP444/
Instagram: https://www.instagram.com/cbp_444/
Twitter (X): https://x.com/cbp_official/
Spotify: https://open.spotify.com/artist/6WEyPcf9ezhNLm1xOBjbwH
Apple Music: https://music.apple.com/artist/crippled-black-phoenix/251718934
Deezer: https://www.deezer.com/artist/391823
TIDAL: https://tidal.com/browse/artist/3607159

SEVEN HOURS AFTER VIOLET Drop New Single/Music Video - "Alive"

Seven Hours After Violet, the groundbreaking heavy metal band fronted by Shavo Odadjian of System of a Down, has just dropped their electrifying new single, “Alive.” The track, which continues to showcase the band’s unique blend of heavy music and melodic sensibility, is available now on all major streaming platforms, accompanied by a stunning music video. Stream "Alive" HERE. Watch the official music video Below. Pre-Order the debut album, 'Seven Hours After Violet' HERE.

Alive” is the latest offering from the band’s highly anticipated self-titled debut album, set to release on October 11th, 2024, through 1336 Records, Shavo’s joint label venture with Sumerian Music Group. They exploded into existence back in June with the release of their debut single 'Paradise' garnering much praise and excitement from both fans and critics alike. "Paradise" was followed by second single, the gloriously ethereal "Radiance" last month, which showcased a different side of the band's arsenal and gave a glimpse of the incredible dynamism featured on their upcoming debut full-length. "Alive" furthers the unique sonic world building of Seven Hours After Violet.

Speaking on the project's third single, Shavo shares:

"Alive" dives deep into the duality of pain and vitality, where suffering becomes a twisted reminder of existence. It’s about the dark thrill of feeling alive through intense emotions, even when they blur the line between ecstasy and despair. A haunting space where agony and empowerment collide.”

Seven Hours After Violet is an alternative metal supergroup assembled by Shavo, featuring Taylor Barber (vocalist of Left to Suffer), Morgoth (multi-platinum producer and guitarist of Winds of Plague), Alejandro Aranda (Scarypoolparty and American Idol), and Josh Johnson (drummer of Winds of Plague). The band emerged from a chance encounter between Shavo and Morgoth in early 2022 and rapidly became an unstoppable force of creativity and experimentation that evolved from a potential solo project into a full-fledged band. Their upcoming self-titled debut album is the result of some of the best, most talented minds in heavy music coming together to create something limitless and exceptional.

A variety of pre-order merch bundles for Seven Hours After Violet's self-titled debut are available now by clicking HERE

Seven Hours After Violet will play their first ever live show at this year's recently announced Mayhem Fest, taking place at the Glen Helen Amphitheatre in San Bernardino on October 12th. For tickets and further information, head to mayhemfest.com

Stay tuned for more from Seven Hours After Violet as they continue to push the boundaries of heavy music.

About Seven Hours After Violet

When the universe aligns, magic happens. This was certainly the case when Shavo Odadjian, the legendary bass player of System of a Down, crossed paths with platinum-selling producer, songwriter and guitarist, Morgoth at a party on 2.22.22. Their initial sessions were a spontaneous combustion of creativity, transforming from a potential solo venture into a full-fledged band. “We wrote a song right away. It wasn’t like any writing session I had been part of before, riffs were just flowing out of me without me even having to try. Every time I felt like I couldn't write anything. Morgoth would hand me a guitar and say, “go, go, go”. I needed that, you know? I needed someone to push me when I wasn't pushing myself. ” Shavo recalls. As music continued to pour out in torrents, with Shavo writing and performing all the guitar and bass parts and Morgoth producing and providing the beats, atmospherics and FX, Morgoth suggested they turn it into a Shavo solo project. However, with his eye now firmly set on the live arena, Shavo decided to create a full band.

Finding the right vocal talent to compliment the musical landscape created by Shavo and Morgoth was crucial. Morgoth’s recommendation of Taylor Barber from Left to Suffer was a game-changer. Shavo was blown away: “He was singing in falsetto one minute and growling the next—it was ridiculous. He became the singer because he knocked every song out of the park.” With Shavo on bass and Morgoth on guitar, the band also brought in Morthgoth’s Winds Of Plague band mate, Josh Johnson on drums and Alejandro Aranda, known for his solo project Scarypoolparty and as runner-up on American Idol, as lead guitarist and backing vocalist.

Once the new music was complete, mixed by Zach Jones and mastered by Maor Applebaum, Shavo partnered with Ash Avildsen,founder and CEO of Sumerian Music Group to create the brand new joint label venture 1336 Records, with Seven Hours After Violet being the first singing.

Seven Hours After Violet Are

Taylor Barber - Vocals

Morgoth - Guitar & Production

Shavo Odadjian - Bass

Alejandro Aranda - Guitar/Backing Vocals

Josh Johnson - Drums

Iodine Recordings to Release 20th Anniversary Deluxe Edition of Further Seems Forever's Classic "Hide Nothing"

HIDE NOTHING, the classic emo x indie-rock album from Florida's Further Seems Forever, is back in print for the first time in 20 years. Get it here.

Featuring the late Jon Bunch on vocals, this beloved album was released by the equally beloved band in 2004.

It has been repackaged with updated artwork and remastered with a deluxe gatefold jacket and a retrospective essay by writer Jonah Bayer about the making of the album. It includes input from the band itself and other friends, such as Dashboard Confessional's Chris Carrabba, Tom Mullen, and James Wisner.

It will be available on vinyl from Iodine Recordings at select indie retailers. Since the album has been out of print on vinyl since the original release, it is a highly sought-after and hard-to-find classic that is a "must own" for any collector or fan.

The original was released by Tooth & Nail Records. It has been completely remastered for vinyl by Jack Shirley at The Atomic Garden and it includes three unreleased bonus tracks of acoustic recordings with Bunch.

CLASSIC LINEUP:
Jon Bunch | Vocals 
Joshua Colbert | Guitar
Derick Cordoba | Guitar
Chad Neptune | Bass
Steve Kleisath | Drums

FURTHER SEEMS FOREVER LIVE:
10/3 — Birmingham, AL — Furnace Fest
10/23 — Orlando, FL — Will's Pub
10/24 — Tampa, FL — Brass Mug
10/25 — Gainesville, FL — FEST 22

GARFUNKEL & GARFUNKEL RELEASE TOUCHING INTERPRETATION OF “TIME AFTER TIME”

Multiple GRAMMY® winner Art Garfunkel & his son, Art Garfunkel Jr.bring a fresh, heartfelt interpretation to 80's hit "Time After Time." This touching recreation seamlessly blends Art’s signature warmth with his son's youthful energy. The duo's version is both a nod to the original's emotional depth & a testament to their personal connection. Their harmonies & subtle reinterpretation breathe new life into the beloved track, making it a moving tribute to the timelessness of the song & the bond between father and son. The track is the first taste of music from their collaborative studio album – aptly titled Father And Son. Arriving on November 8th, 2024, the album features a selection of personal favorites from the last century. Listen to “Time After Time” and pre-order, pre-add and pre-save Father and Son here

“‘Time After Time’ is one of my all-time favorites from the 80s,” says Garfunkel Jr. about the new, epically orchestrated rendition of the iconic hit, which Lauper first released four decades ago. “It’s a song that fits perfectly on this album, because it also deals with our relationship, this unique bond between my father and me. From one generation to the next, it’s about time passing, about passing on the baton, but here we are working together in the studio and thus begins the next cycle, as my father takes this exciting next step with me,” says the 33-year-old.


“It felt like a dream. It was simply quite wonderful. I love working with him,” adds hit-making veteran Art Garfunkel, who launched his career with Simon & Garfunkel in the late 1950s, referring to their shared time in the studio. “I like to say my son is a better singer than I am. I mean, I’m pretty good, but he is better.” 

Garfunkel & Garfunkel’s Father And Son features a dozen timeless hits and standards spanning almost an entire century. It’s an extremely personal selection, an essential set of longtime favorites they’ve been listening to for as long as they can remember. The result is a beautiful testament to the unique bond between “father and son,” and a lavishly arranged musical journey through different genres, covering much of the 20th century.

“We were going for a real modern orchestral vibe, with lots of strings,” Art Garfunkel and Art Garfunkel Jr. say about the new project’s lush and lavish sound. Incorporating a series of stunning, truly cinematic string arrangements, Garfunkel & Garfunkel bring iconic songs from various eras into the present. In the studio, they enlisted three international greats to capture the unique father-son dynamic: trusted hit producer Felix Gauder (Pet Shop Boys, Jimmy Somerville) was joined by top-notch Italian string arranger Davide Rossi (Coldplay, Alicia Keys) and famed UK studio wizard Ash Howes (Kylie Minogue, Ellie Goulding).

“This one is truly a father-son project, it’s all about this unique connection,” Jr. adds. “We recorded about a dozen of our most cherished songs. I brought more of the 80s influences into the project, and my father brought more of the Great American Songbook – wonderful songs from the 1940s and so on. These two influences came together in a pretty exciting way. Overall, it’s definitely an expression of our bond.” 

About Garfunkel & Garfunkel:
Art Garfunkel, renowned for his work with Simon & Garfunkel and his impressive solo career, is set to release a new collaborative album with his son, Art Garfunkel Jr., on November 8th, 2024. Titled Father And Son, the album features a dozen English-language cover songs spanning nearly a century, blending their unique influences. Art Garfunkel Jr., who has achieved success with two top 10 albums in Germany, brings 80s influences to the project, while his father contributes his expertise in the Great American Songbook. The album showcases their strong father-son bond with lush orchestral arrangements, reflecting their deep connection and diverse musical backgrounds. The collaboration highlights their shared musical journey, with standout tracks including renditions of classics like “Let It Be Me,” “Blue Moon,” and “Blackbird.” Produced by Felix Gauder and featuring arrangements by Davide Rossi and Ash Howes, Father And Son captures the essence of their partnership and musical evolution. The album pays homage to their favorite songs and underscores the personal and artistic synergy between the two, making it a significant addition to their respective legacies.

San Francisco's AURSJOEN unveils 'Nytår', an ethereal Nordic haunt previewing debut album

San Francisco-based artist AURSJOEN presents her debut single 'Nytår', a haunted beauty of a track that is both sensual and mystical. A nod to her Scandinavian ancestry, this reverie-infused music is lush, layered and sweepingly cinematic. Dark and light in equal measure, this dynamic slice of ethereal gothica is complemented by a haunting video, created by filmmaker David Kruschke.

AURSJOEN is the project of Ria Aursjoen, who is vocalist and keyboardist for critically acclaimed post-punk outfit Octavian Winters, who released their debut EP 'The Line or Curve' in 2023, followed by their 2024 'Nebula / Velveteen' single with electronic-industrial legend Mark Pistel (Meat Beat Manifesto, Consolidated). A classically-trained singer and multi-instrumentalist, her musical past is steeped in genres ranging from Celtic and Nordic folk to darkwave and progressive metal.

AURSJOEN's debut 'Strand' EP, slated for release on November 15 via Stratis Capta Records). Produced, recorded, mixed and mastered by William Faith (The Bellwether Syndicate, Faith and the Muse, Mephisto Waltz, Christian Death) at 13 Studio in Chicago, Aursjoen is joined by Octavian Winters bandmate Stephan Bryan Salit, who lends his creative flourish to the mix, contributing dynamic and atmospheric guitars on two songs.

This first single 'Nytår', which means 'New Year' in Danish, was written on New Year’s Eve of 2022. The world was slowly emerging from the pandemic and still seemed half-stopped. Ria Aursjoen nevertheless felt bright hope nested inside that cold night. Set in the gathering gloom of a timeless winter evening, with crystals of ice flying on the dark wind, this song is a meditative lament that captures the cold and dark before the song rises like the sun itself as the singer invokes the return of the light and warmth.

Ria Aursjoen reveals the origins of 'Nytår': "This song started when I was experimenting with a slow-moving string arrangement that captured my imagination and made me think of walking down a dark road in winter, against the wind. The more I saw the image in my mind, the more it reminded me of Denmark, where I spent years as a child. It especially reminded me of how the world looked and felt when I would go out with my ice skates in the winter twilight to skate on the pond near my house at the outskirts of Copenhagen, so I wrote the lyrics in Danish. Midwinter in Denmark is very dark and very cold with short days. You spend time dreaming of the spring returning, waiting for it. My memories of that time as well as the language itself transported me back to those feelings and guided the way the song evolved both lyrically and musically.”

Aursjoen comes from a familial line of musicians, her grandmother Lillian an opera singer and grandfather Morris a singer and self-taught multi-instrumentalist. Having taught herself to play piano by ear at age three, she considers it her instrument of choice for songwriting; “I have been playing for as long as I remember, so piano feels like an extension of myself, a native language if you like”.

Nevertheless, singing unlocked something even more powerful within her, even to the extent that she was frequently in trouble at school for disturbing other students by constantly singing to herself during class. She shares, “The neighbours would complain about me singing loudly outside their windows while I waited for the school bus. They told my mother they didn’t know what I could possibly have to sing about that early in the morning. Fortunately, my mother never took the complaints seriously and never tried to discourage me. She has been my biggest supporter, and a great friend, and I wouldn’t be here today as an artist if not for her.”

As someone who has synesthesia, a rare neurodiverse condition in which senses overlap, Aursjoen experiences sound as visual structures, colours and textures. As a child, she wrote her musical ideas down in a unique system of notation she created, based around her visual perceptions of music. She admits, “I avoided regular music notation as much as I could. I coaxed my mother (a great sight reader) into playing my piano homework. Then I’d listen and learn it by ear – eventually my piano teacher discovered I had been faking note reading and I had to buckle down and really learn it… I am glad I did, but I still find it clunky and unintuitive, and still write music in my personal system of notation.”

Aside from music, Ria Aursjoen is a published writer and visual artist, having won two national art competitions by the age of eight and illustrated a children’s book. She creates much of Octavian Winters’ artwork and currently works with inks and parchment velum to create palimpsest-style art.
 
As of September 11, 'Nytår' is available everywhere digitally, including Bandcamp. The full 'Strand' album, out November 15 via Stratis Capta Records, is already available for pre-order.

CREDITS
All songs written & performed by Ria Aursjoen
Arranged by Ria Aursjoen and William Faith
Guitars on 'Lilypad' & 'Apollo' by Stephan Bryan Salit
Produced, recorded, mixed & mastered by William Faith at 13 Studio in Chicago
Published by Airdaughter Music BMI
Released by Stratis Capta Records
Publicity by Shameless Promotion PR
'Nytår' video by David Kruschke
Cover artwork by Ria Aursjoen


Keep up with AURSJOEN
Website Facebook | Bandcamp | Instagram | Twitter | YouTube | Apple Music | Spotify | Press contact

Keep up with Shameless Promotion PR
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Vicious Rain Share New Single & Video

Swiss act Vicious Rain — vocalist David Häusermann, guitarist and vocalist Mauro Gugerli, guitarist Tristan Meier, bassist Loris De Notaristefano, and drummer Michael Teufelberger — have just released their brand new single, "Hysteria," featuring Half Me.

This fresh track from the Swiss rock band continues to build their emerging presence in the music industry. The release is perfectly timed with the eagerly awaited announcement of their debut album, There Is Beauty In Letting Go, set to drop on October 11 via Arising Empire.

"Hysteria" explores the chaos and emotional turbulence within a relationship where both individuals are deeply in love, yet they recognize their incompatibility. This powerful track conveys the intensity of facing the difficult truth and the emotional roller coaster that comes with choosing to let go. It poignantly highlights how love, even when it leads to separation, leaves an indelible bond between the individuals involved.

Watch the video below.

Stream the song and pre-order the album here.

Formed in late 2022, Vicious Rain are an alternative metalcore band hailing from Baden, Switzerland. The members bring several years of professional recording and live show experience to the mix. Combining influences as intertwined singing/screaming vocals — with a pinch of hope-infused singalongs, screaming melodic leads topped with crushing breakdowns — embracing everything from the heavy side of the genre all the way to the more intimate and melodic side. The band's spirit is marked by their shared belief in the importance of solidarity and the role of the individual accomplishment of a common vision. Lyrically, the band expresses its stance on recent and recurring personal matters, without mincing their words while believing that self-reflection is the key to growth.
 
VICIOUS RAIN ARE:
David Häusermann — Vocals
Mauro Gugerli — Guitar + Vocals
Tristan Meier — Guitar
Loris De Notaristefano — Bass
Michael Teufelberger — Drums

HELGA Winners of The John Lennon Songwriting Contest

Already, on their debut album, HELGA weaved together a dark and enchanting assortment. Wrapped in Mist shifts from progressive, Ennio Morricone-inspired folk to abrasive black metal and booming post-rock. "Simply put, this is an incredibly strong debut from a very talented group of musicians" New Noise wrote in a 4-star review. 

Today, the UK band are proud to announce that they've received another strong accolade. Their song "Burden" won the grand prize in the Rock category during the first session of this year's John Lennon Songwriting Contest.

"'Burden' is a song that was born out of friendship", HELGA says. "We never thought of it as something that could win a songwriting contest. We are utterly surprised, moved and honored to have won the grand prize. Thank you, JLSC, for believing in our music".

Their prize includes a Taylor AD17e acoustic-electric guitar and other recording gear. Next April, "Burden" will compete head-to-head with the Session II winner in an online vote to determine the overall winner for the Rock category.   

Watch the video for "Burden".

"Burden" recounts a tale of relinquishment and its complexity. Spectral strings and imposing drums converge into a reassuring mélange of emotions, as vocalist Helga Gabriel recognizes having finally found her place in this world.

"'Burden' was the first track that was written for [Wrapped in Mist]", guitarist Cai Sumpton told Knotfest. "I remember hearing the crescendo to the song… I was so blown away by that. I thought the vocals from Helga were stunning and I knew that it was my job to do that section justice. Helga loves post rock stuff, I used to be in a post-rock band. I just knew that was my time to shine".

"It's inspired by me moving away from Sweden to the UK and that sort of melancholy that I felt moving away from home, away from the woods", Helga told Knotfest during the same interview.  But also meeting Cai and Cameron [Gledhill], my bandmates, and the friendship that grew out of this whole thing. I really loved the post rock stuff that Cai and Cameron put into this. I was so happy about it".

Wrapped in Mist is now available on Season of Mist


Order

https://redirect.season-of-mist.com/HelgaWrappedInMist

Stream

https://orcd.co/wrappedinmistpresave

Lineup
Helga Gabriel - Vocals
Cai Sumption - Guitar
Cameron Gledhill - Guitar
Ryan Fairclough - Bass
Sami Javed - Drums

Recording
Guitars and vocals recorded by Tom Peters at Trapdoor Studios
Drums recorded by Bob Cooper at Chairworks Studios 
 
Production
Produced and mixed by Luiz Felipe Netto
Mastered by Brad Boatright at Audiosiege
 
Additional musicians 
Damian Bolotin - Violin on "Skogen mumlar", "Vast and Wild" and "Wrapped in Mist".
Antonio Guerra - Grand piano on "Mountain Song" and "Vast and Wild".
Mafram do Maracanã - Percussion on "Skogen mumlar" and "Wrapped in Mist"
Bruno Migliari - Double bass on “Mountain Song”, “Skogen mumlar” and “Wrapped in Mist”
Luiz Felipe Netto - Acoustic guitar on "If Death Comes Now" & "Wrapped in Mist", as well as additional electric guitars, keyboards and string arrangements. 
Ayran Nicodemo - Violin on "Mountain Song", "Skogen mumlar", "Vast and Wild" and "Wrapped in Mist"
Bruno Serroni - Cello on "Farväl" and "Vast and Wild"
Joe Zeitlin - Cello on "Farväl", "Mountain Song", "Skogen mumlar", "Vast and Wild" & "Wrapped in Mist"

Cover art by David Thiérrée

Album layout by Per Wiberg

Photos by Ester Segarra

Pre-save: https://orcd.co/wrappedinmistpresave

Pre-order: https://redirect.season-of-mist.com/HelgaWrappedInMist

Available formats:
CD Digibook
Digital Download
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold ​- Transparent Clear
12" Coloured Vinyl Gatefold - Black & Yellow "Sunburst"
Merchandise

Links
https://helgamusic.bandcamp.com
https://facebook.com/helgadalarna
https://instagram.com/forestchildhelga

Photo by Ester Segarra

RATT OUT OF THE CELLAR 40th ANNIVERSARY EDITION OUT ON OCTOBER 25th - INCLUDES AN UNRELEASED TRACK FROM THE ORIGINAL SESSIONS

RATT OUT OF THE CELLAR 40th ANNIVERSARY EDITION OUT ON OCTOBER 25th - INCLUDES AN UNRELEASED TRACK FROM THE ORIGINAL SESSIONS!

PRE-ORDER HERE

BMG, in partnership with Rhino Entertainment, announces the release of ‘Out Of The Cellar’ 40th Anniversary, celebrating RATT’s massively successful first studio album with Limited Edition versions which include an UNRELEASED TRACK recorded during the 1983 Out of the Cellar sessions.

Formed in Los Angeles, RATT was featured as an unsigned act on Uncle Joe Benson’s Local Licks Drive Time Show on KLOS-FM.  This was their first time on radio and led to their signing to Atlantic Records.  

Featuring the classic line up of Stephen Pearcy (vocals), Warren DeMartini (guitars), Robbin Crosby (guitars), Juan Croucier (bass/vocals), and Bobby Blotzer (drums), RATT exploded on to the national scene in 1984 with the release of ‘Out Of The Cellar.’

Featuring an undeniable hook and legendary music video, the lead single “Round And Round” hit #12 on the Billboard Hot 100, while ‘Out Of The Cellar’ reached #7 on the Billboard Top 200 and was certified triple platinum. Two more charting singles followed with “Back For More” and “Wanted Man”.

Out of the Cellar became a huge success, and after the album was released, the band went on a world tour, selling out stadiums and arenas worldwide and sharing a stage with acts such as Ozzy Osborne, Iron Maiden, Mötley Crüe, Twisted Sister and more.

This Limited Edition of Out Of The Cellar is being released in red and black splatter vinyl with a lenticular cover and an additional neon orange 7” with the unreleased track ‘Reach for the Sky’, as well as a Limited Edition CD format with lenticular cover and unreleased track.

Also available are brand new Limited Edition color vinyl versions of the albums Reach for the Sky, Invasion Of Your Privacy, Detonator and Dancing Undercover.

OPETH Announces Postponement of New Album, 'The Last Will and Testament,' Due on November 22, 2024

Swedish prog legends OPETH announce that the release of their 14th studio album, 'The Last Will & Testament,' has been postponed to November 22, 2024 due to unforeseen delays in the manufacturing process.

OPETH’s frontman Mikael Åkerfeldt comments: 

"We strive to deliver the highest quality product possible, and to achieve that, we need a bit more time to ensure the final release meets our standards. We understand this may come as a disappointment, but we sincerely appreciate your patience and continued support. We can't wait to share this new music with you, and we are confident it will be worth the wait.

Following the critical acclaim of their first single "§1", the band just released second single "§3" - Listen Below.

 

Pre-Order ‘The Last Will & Testament’: HERE

Opeth's fourteenth album was written by Åkerfeldt, with lyrics conferred with Klara Rönnqvist Fors (The Heard, ex-Crucified Barbara). ‘The Last Will & Testament’ was co-produced by Åkerfeldt and Stefan Boman (Ghost, The Hellacopters), engineered by Boman, Joe Jones (Killing Joke, Robert Plant), and Opeth, with Boman, Åkerfeldt, and the rest of Opeth mixing at Atlantis and Hammerthorpe Studios in Stockholm. The strings on ‘The Last Will & Testament’ were arranged by Åkerfeldt and returning prog friend Dave Stewart (Egg, Khan) and conducted by Stewart at Angel Studios in London. Not one to miss a beat, visual artist Travis Smith returns to the fold, crafting his 11th cover, a haunting "photograph" reminiscent of Stanley Kubrick's infamous "Overlook Hotel" photograph. Miles Showell (ABBA, Queen) also revisits mastering and vinyl lacquer cutting at Abbey Road Studios in London.

Åkerfeldt rolls out the red carpet for storied flautist and Jethro Tull main man Ian Anderson. Not only do Anderson's signature notes fly on "§4" and "§7", he narrates on "§1", "§2", "§4", and "§7". Joining Anderson, Europe's Joey Tempest lends a backing vocal hand on "§2”, while Åkerfeldt's youngest daughter, Mirjam Åkerfeldt, is the disembodied voice in "§1".

‘The Last Will & Testament ‘is gripping from start to finish, jaw-dropping inside and out, representing some of Opeth's finest material to date. Just as Opeth welcomed many into its distressed arms over the years, the Swedes again deliver on the promise that great music always tells a compelling story—this time with growls.

In addition, OPETH will be celebrating the release of 'The Last Will and Testament' with headlining tours in North America, the UK, and Europe! The full itinerary can be found below while tickets are now on sale HERE.

GET TICKETS HERE

OPETH North American Tour Dates (w/ TRIBULATION):

10/11: Milwaukee, WI @ The Rave / Eagles Club

10/12: Cleveland, OH @ Agora Theater & Ballroom

10/14: Toronto, ON @ Queen Elizabeth Theatre

10/15: Montréal, QC @ L’Olympia

10/16: Worcester, MA @ Palladium

10/18: Brooklyn, NY @ Kings Theatre

10/19: Pittsburgh, PA @ Stage AE

10/20: Washington, DC @ Warner Theatre

10/22: Atlanta, GA @ Tabernacle

10/23: New Orleans, LA @ Fillmore New Orleans

10/24: Austin, TX @ Emo’s Austin

10/25: Dallas, TX @ Majestic Theatre

10/27: Denver, CO @ Mission Ballroom

10/29: Phoenix, AZ @ The Van Buren

10/30: Los Angeles, CA @ YouTube Theater

10/31: San Francisco, CA @ The Warfield

Lineup:

Mikael Åkerfeldt – Vocals, guitars

Fredrik Åkesson – Guitars, backing vocals

Martin Mendez – Bass guitar

Waltteri Väyrynen – Drums and percussion

Joakim Svalberg – Keyboards, backing vocals

Special Guests:

Ian Anderson (Jethro Tull) - spoken word (tracks 1, 2, 4, 7) // flute (tracks 4, 7)

Joey Tempest (Europe) - backing vocals (track 2)

Mirjam Åkerfeldt - spoken word (track 1)

 

All Music and Lyrics written by Mikael Åkerfeldt

Lyrical concept by Mikael Åkerfeldt, dramatic consultation by Klara Rönnqvist Fors

 

Produced by Mikael Åkerfeldt

Co-produced by Opeth and Stefan Boman

Engineered by Stefan Boman, Joe Jones and Opeth

Mixing by Stefan Boman and Mikael Åkerfeldt and Opeth at Atlantis and Hammerthorpe, Stockholm, Sweden

Mastering and vinyl lacquer cut by Miles Showell at Abbey Road studios, London, UK

 

Strings conducted by Dave Stewart at Angel Studios, London, UK

Strings arrangement by Mikael Åkerfeldt and Dave Stewart

Drum technicalities by Kit Cunningham

 

Artwork by Travis Smith with directions from Mikael Åkerfeldt

Biography by Dom Lawson

About Reigning Phoenix Music

Founded in 2023, Reigning Phoenix Music is truly the 100% independently owned vision of music industry professional Gerardo Martinez and avionics and tech entrepreneur, Sven Bogner. The blueprint is to continue to help heavy metal, extreme, hard, and heavy music thrive by partnering with an array of well-established acts, new talent, and iconic artists, by offering best services and practices in the industry. But most important is to help the artists amplify their art and talent to a winning formula for success!

 

More on RPM:

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Reuniting after 30+ years, NYC-based CRASH HARMONY shares 'Orange Background' from immutable debut album

"A blast of youthful exuberance, raw energy, and unbridled optimism... both nostalgic and fresh. There’s the Replacements’ raw, garage-rock spirit, the Northern Pikes’ innocence and purity, and hooks like a cross between Husker Du and The Go-Betweens, blended into a harmonious concoction that is undeniably their own" ~ The Spill Magazine 


NYC indie rock outfit Crash Harmony presents 'Orange Background', the second taste of the band's debut record 'No One Asked For This'. Slated for release via Magic Door Record Label after a 30+ year hiatus, the quartet are back with a full-length album of 10 songs, for which they worked with celebrated producer Ray Ketchem (Guided by Voices, Elk City, Gramercy Arms, Luna) at Magic Door Recording in Montclair, NJ.  Earlier, the band released the lead track  'Velour Goddess'.

Crash Harmony is made up of Dave Derby (vocals, guitars), Mike Potenza (guitars, keyboards, vocals), Jon Nighswander (bass, vocals), and Nils Nadeau (drums, percussion, vocals). Formed in 1986 at Yale University in New Haven, CT, the band played its last gig in May 1988 and hadn’t played together again until beginning to record this album in 2022.  

"This is one of our earliest songs.  I always thought it had a kind of feeling that is reminiscent and wistful; we tried to evoke that feeling with ebow guitar parts," says Mike Potenza.

Nils Nadeau elaborates, "'Orange Background' is a letter from our college selves to our grown selves and also, in a way, from Generation X to what we have now in the world. It’s also the only one, played back, that might have made me wet-eyed for a minute".

Yale rock - an oxymoron too good to be dismissed, meeting as undergraduates swept up in the current of something more exciting than college – a New Haven music scene that was real. While college was for figuring out what you wanted to be, college rock was for figuring out what you wanted to sound like. Crash Harmony was absorbing everything, and trying it all on for size at house parties, frat houses, and clubs throughout New England.

Dave went on to The Dambuilders (and then Gramercy Arms), Mike served on The Anderson Council, Jon left for Europe, and Nils wandered north. But no matter where they went, Crash Harmony still kind of mattered. Eventually, they had to come back. They had to return to that place so, decades later, Crash Harmony reformed to make a new record of old songs - a rock-and-roll reenactment of the New Haven scene that changed them forever.

Like their name, the record is an orchestrated pileup of long-ago influences that collided in the chambers of their broken young hearts and have again wriggled free from their throats and amps, pop gems humming like cicadas and dancing for the pure joy of being alive again.

"Dave and I initially bonded over anglophilia, including a shared love of The Jam, cockney slang and alcohol. I came out of the New Hampshire punk scene and was a founding member of Five Balls of Power (other members went on to join such bands as Dropkick Murphys, Scissorfight and the Radicts). Dave and Nils both were willing to play around with different styles and a level of musicianship that was a notch above the average college band," says Jon Nighswander.

Dave Derby adds, "Nils and I had been in a successful indie pop band. I wanted to create something that was both heavier and more psychedelic in that 80s college radio Paisley Underground sort of way, but then we recalibrated towards more of a 70s vibe. We tried really early on to align ourselves with the New Haven scene and not just the Yale one."

If you were fortunate enough to ever be part of a vibrant music scene, then you know how intoxicating, how important, how finally cool you felt to live on this newly discovered planet. It was pulsing with energy and possibility, teeming with talent and artists and then, the jaw drop of realizing your planet was actually part of an entire galaxy of scenes vibrating around the country. A truth revealed that rock legends were not just the leather-pantsed strutters on the national stage but dishwashing oddballs strumming in your neighbor's backyard - heroes you could actually meet, try to impress, emulate and maybe one day open for, if dreams could come true. And, for Crash Harmony, they did for a while.

For these musical dreamers, it’s all so clear now – how lucky they were to have been part of a scene and to have met and grown up in ideal conditions to make music that would somehow find a way to live forever... Everybody, kiss your ghost.

As of September 18, 'Orange Background' will be available exclusively via Bandcamp and officially released everywhere else, including Apple Music and Spotify on September 24. The full album 'No One Asked for This' (out October 18 on vinyl or digitally) can already be pre-ordered via Bandcamp.

CREDITS
Dave Derby - vocals, guitars
Mike Potenza - guitars, keyboards, vocals
Jon Nighswander - bass, vocals
Nils Nadeau - drums, percussion, vocals
Guests:
Mike Schreiber - organ
Peter Hess - saxophone
Ray Ketchem - percussion
Produced by Ray Ketchem and Crash Harmony
Recorded by Ray Ketchem at Magic Door Studios in Montclair, NJ
and Dave Derby at Missile Shells Sound Studios in NYC
Mixed & mastered by Ray Ketchem
All songs written by Crash Harmony
except 'Dancing With Joan' written by Dave Derby and Eric Masunaga
All songs ASCAP / BMI
Artist photos and single cover artwork by Jon Drake
Released by Magic Door Record Label
Publicity by Shameless Promotion PR
Video directed & filmed by Dan Karlok at Magic Door Recording


Keep up with Crash Harmony
Website | Bandcamp | Facebook | Instagram | Twitter | Apple Music | Spotify | Press contact

Keep up with Magic Door Record Label
Facebook | Twitter | Instagram  | Soundcloud | YouTube | Press contact

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Defiled Premiere 'Horror Beyond Horror'

For the past three decades, Defiled have kept their blade sharp. Ever since Tokyo's underground lost their minds over the band's grotesque arsenal of finishing moves, Yusuke Sumita and his death metal samurai set off on a war path that's left nothing but inevitable ruin in their raw wake. They've ransacked Milwaukee Metal Festival and joined forces with their fellow legends in Mayhem, Incantation, Morbid Angel and Cannibal Corpse.   

Having now churned out three albums in almost as many years, metalheads can be forgiven for believing that Defiled had already reached the highest level. But the Japanese legends have topped themselves again on their eighth album. Horror Beyond Horror comes out this Friday, September 20, but you can hear all 14 slicing and dicing songs today by listening to the full album stream on Season of Mist's YouTube channel. 

Listen to Horror Beyond Horror below.

Pre-order & Stream

https://orcd.co/defiledhorrorbeyondhorror

After they first took to the stage in 1995, Defiled needed nearly a decade before finally erupting with wrath on their debut album. But ever since the band’s lineup solidified around original member Yusuke Sumita, they haven’t stopped to look back and admire all the ugliness they've revealed. Horror Beyond Horror comes hot on the heels of the album they released just last year, which Metal Injection listed as one of the can’t-miss releases of 2023.

Like a poisonous dart, Defiled come shooting out of the shadows on Horror Beyond Horror. Blast beats pummel at unforeseen angles amidst "Smoke and Mirrors". “Every lie has been revealed”, fearless frontman Shinichiro Hamada shouts, taking aim at perpetual frauds and tyrannical technocrats. The band charges into the pit behind bassist Takachika Nakajima's greasy groove, which is snapping plenty of necks on their current Japanese tour. 

"We wanted this album to be natural and realistic", Sumita told New Noise. "We did not use any editing or artificial techniques in the recording process". 

With 30 years and eight albums under their belt, Defiled know where to stick the blade on Horror Beyond Horror. The album's title track shreds through the corrupted torment of mind control with riffs that are honed from the jagged influence of ’80s thrash and hardcore. “The time has come”, the band spit at their captors with utter disgust. “Death strikes you with derision”

Defiled aren't afraid to crack open people's skulls, either. Horror Beyond Horror descends deeper and deeper into the psychological shadows the further you go down the track list. "Syndicate" conspires around a greasy, pit-dwelling breakdown but drummer Keisuke Hamada never stops chopping up the tempo. “The path to your elimination”, Shinichiro Hamada cries, digging in amidst a flurry of blast beats during the album's final boss "To See Behind the Wall". Whether they’re slicing, dicing or leaping into a furiously fast solo, the band's riffs take no prisoners.

"We still love death metal and are very proud to be recognized as a death metal band", Sumita tells Antichrist Magazine. "At the same time, it's clear from our songs that we do not follow trends. Who would be interested in a Japanese bands that follows Western trends? We have our own perspective, and we have been going our own way for many years now, and we are convinced that we are on the right path".   

On Horror Beyond Horror, Defiled unleash the kind of old-school ass-kicking that only true masters can deliver.

With a sound as raw as exposed nerve endings and as unrefined as a mass grave, Defiled stands defiantly apart from the polished poseurs and shameless sellouts. They don’t peddle in cheap gimmickry or nostalgia; they deal in the currency of pure, unfiltered destruction. As they look out upon the charred landscape of the genre they’ve helped to define, Defiled is not content to rest on their laurels. Horror Beyond Horror sees them, once again, ascending to the blood-soaked throne of death metal sovereignty.


Line-up
Shinichiro Hamada - Vocals, Guitar
Yusuke Sumita - Guitar
Takachika Nakajima - Bass
Keisuke Hamada - Drums

Recording Studio
Studio Zot, Tokyo, Japan

Production Credits
Sound Engineers - Shinichiro Hamada & Keisuke Hamada
Produced by Yusuke Sumita
Mixed & Mastered by Kenji Kikuchi at Studio Nest, Chiba, Japan

Biography
Defiled, with edits by Sébastien Gamez

Cover Art
Wes Benscoter

Photographer
Shigenori Ishikawa

Booking Contact:
Yusuke Sumita - info@defiled.info

Stream & Order: https://orcd.co/defiledhorrorbeyondhorror

Available formats
Digital Download
CD Digipack
12" Vinyl Colored (Crystal Clear & Transparent Green)

Follow Defiled
Website : http://www.defiled.info/
Facebook : https://www.facebook.com/defiled
Instagram : https://www.instagram.com/defiledjapan
Bandcamp : https://defiledjapan.bandcamp.com
Soundcloud : https://soundcloud.com/defiled
Youtube: https://www.youtube.com/@defiled
Spotify: https://open.spotify.com/artist/6KDc0SB4ero6zAgrafjVrt
Apple Music: https://music.apple.com/us/artist/defiled/72867298
Amazon: https://www.amazon.com/music/player/artists/B001GJ407S/defiled

Ashton Nyte shares The Awakening's new single 'Mirror Midnight' (from 12th album) ahead of EU-UK tour

Gothic Rock / Darkwave act The Awakening shares their new single 'Mirror Midnight', which underscores historical tendency towards self-obsession and the media's recurring manipulation of self-perception. This is the first taste of their self-titled album (their 12th to date), which will be released on October 18 via Intervention Arts.

Now based in the USA, The Awakening is a dark musical project formed in Johannesburg, South Africa in the late ’90s as the creative expression of vocalist, multi-instrumentalist and songwriter Ashton Nyte, who was anointed as "Johannesburg's Bowie" for his widely varying musical styles and theatrical performances. Having morphed over the years, The Awakening's sound incorporates numerous genres, including gothic rock, darkwave, post-punk, electronic rock, folk noir, new wave and more.

Also an author, actor and Renaissance man of sorts, Ashton Nyte created the 'Mirror Midnight' video, shot in his preferred black-and-white format, with a gothic noir film treatment.

"Mirror Midnight is about the obsession of the self, as guided and fed and manipulated by mass media, social media and the endless flood of information and disinformation we all deal with constantly. It's the juxtaposition of succumbing to insidious and divisive marketing while the world goes up in flames. And how that cycle feeds itself. It's a story almost as old as time, like the fairy tale it alludes to," says Ashton Nyte.

'The Awakening' album follows Nyte's second book and eighth solo album 'Autumn's Children', which was selected as one of American Songwriter's Top 17 Albums of 2023. This new album is a celebration of the band's roots and influences. "Essentially, I fell in love all over again with the bands and albums that made me want to create this sort of art in the first place. It was a true joy to create this work," says Ashton Nyte.

"The last two Awakening albums were departures for me. 'This Alchemy' (2021) explored the more electronic side of my musical personality, and 'The Passage Remains' (2022) effectively cleared out the vaults of unreleased heavier material. It feels like it's time to come home."

A core contributor to LA-based supergroup Beauty In Chaos, having been involved with every album released to date, Nyte has collaborated with members of The Cure, The Mission, Tricky, All About Eve, as well as Peter Murphy's band. 2024 also saw Nyte involved in the latest Beauty In Chaos album 'Dancing With Angels'.

Having toured extensively and headlined music festivals in the USA, Europe, and South Africa to upwards of 30,000 people, Nyte has also written and performed in theatrical productions and hosted philanthropic events, including his “Rock Against Rape” concert series. He has also presented a lecture series at US universities focusing on tolerance and acceptance.

With a catalogue of over 300 released original songs, Ashton Nyte and The Awakening have enjoyed airplay and chart success on radio stations worldwide, with songs also featured in popular television shows, such as 'Pretty Little Liars: Original Sin' and 'The Purge'. Nyte has contributed to several scores, working with composer Ethan Gold for the movie 'Don't Let Go' (premiering at the Sundance Film Festival) and for the movie 'Pale Horse', directed by the late Pearry Teo.

As of September 4, 'Mirror Midnight' can be downloaded from fine music platforms. 'The Awakening' album, now available for pre-order, will be released on vinyl, CD, digitally and various limited-edition formats.

From the end of September, EU and UK fans can hear the new material live in a career-spanning solo acoustic tour later this year. This will be Nyte's first post-Covid tour, following a 36-date EU tour with The Mission's Wayne Hussey in 2019. Tickets are available via The Awakening's official site.

SINGLE CREDITS
All music and lyrics by Ashton Nyte
Published by Intervention Arts / ASCAP (2024)
Recorded, mixed & produced by Ashton Nyte at Intervention Studios (USA)
Cover artwork & artist photos by Ashton Nyte
Publicity by Shameless Promotion PR
Video created by Ashton Nyte

Keep up with The Awakening
Website | Store | Facebook | Instagram | YouTube | Apple Music | Tidal | Spotify | Press contact

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Singer/Songwriter Julie Williams Releases "reckless road"; 'Tennessee Moon' EP Set for 10/17

CMT Next Women of Country artist Julie Williams, known for her soulful lyrics and authentic storytelling, is continuing to draw in listeners with her deep connection to nature and emotion. Her latest release, “reckless road,” perfectly timed with today’s Full Corn Moon, follows recent release ‘just friends?”, which dropped on the rare Sturgeon Blue Moon last month. Both songs align with the full moon phases, as outlined by the Farmers' Almanac. Fitting as she continues to build momentum to the release of her new EP, Tennessee Moon, available Oct. 17, 2024 on the Hunter's Moon.  
 
Produced by Jonathan Smalt and written by Williams with Melody Walker, the uptempo “reckless road” is the second release from her upcoming EP. Listen to “reckless road” Below and pre-save Tennessee Moon HERE.  
 
“I wrote this song about falling for someone who was always looking over their shoulder. Someone who could never stay still for too long and always had their mind on the highway. I wanted to join them on their journey, but they could never quite let me in,” shares Williams. “The more I tried, the farther they ran. Inspired by the 90s country songs I grew up listening to, I wanted a song that I could blast out the window driving down a two-lane mountain highway with my friends and scream so loud that I'd forget that ex who did me wrong.”
 
The 90s-country inspired tune finds Williams reflecting on a lover who is constantly running and chasing something they will never find. A dancing banjo, acoustic guitar, pedal steel and classic-country style drums combine for a song that could be found on either country, Americana, or indie folk playlists. 

Williams is also set to return to AmericanaFest this week with an Official AmericanaFest Showcase on Sept. 21, as well as participating in A Tribute to the Songs of 1974 on Sept. 20. For more information visit americanamusic.org. Her Tennessee Moon Tour in support of the upcoming indie folk project will trek across the Midwest and East Coast with stops in New York, Columbus, Chicago, Philadelphia, Nashville, and more. Tickets for the tour are available now at thisisjuliewilliams.com
 
No stranger to the road, Williams has built her career there playing over 120 shows in 26 states in the past two years and captivated audiences at festivals such as Newport Folk Festival, CMA Fest, Tortuga Music Fest, High Water Festival, Cayamo, and AmericanaFest. She has also shared the stage with acts across genres, including Jason Isbell, Allison Russell, Mt. Joy, Devon Gilfillian, Brittney Spencer and Will Hoge.
 
Williams carries her mixed-race heritage and queerness as proudly as she carries her music. Raised in Florida, the singer/songwriter has been turning heads in Nashville’s country and Americana music scenes with her compelling mix of storytelling, soft-yet-powerful vocals, and indie folk production. That creative path is on full display with “just friends?” available now.  The song, a blend of both classic country storytelling and queer reflection, was the first taste of new music from her new EP. The video for the track, which just made its world premiere in Times Square last week via CMT, is a nostalgic, queer story that captures both the sadness and innocence of what romantic feelings for an old friend might have looked like. Watch the video for “just friends?” HERE, listen to “just friends?” HERE
 
Music has always been a part of Williams’ life - honing her singing talent in church and beach bars and belting national anthems before packed stadiums. She grew up listening to everyone and everything from The Chicks and James Taylor to Gladys Knight and Michael Jackson. Even though she was drawn to the storytelling of country music, she never quite found the sound that spoke to everything she was: Black, white, Southern, a woman, hopeful, truthful. So naturally, it was up to Williams to make this sound. “My music is mixed like me,” is how she describes it, “I want to tell the stories that need to be told.”

Tennessee Moon Tour Dates
Oct. 5         Durham, NC                 Music on Main
Oct. 10       Oxford, MS                  SarahFest
Oct. 11       Alpharetta, GA             Wire & Wood Songwriters Festival 
Nov. 7        Nashville, TN               Blue Room
Nov. 8        Columbus, OH             Natalie’s Grandview 
Nov. 9        Chicago, IL                  Judson & Moore 
Nov. 10      Cincinnati, OH             Live on Orchard Lane
Nov. 16      New York, NY             Cafe Wha?
Nov. 21      Vienna, VA                  Jammin Java
Nov. 22      Charlottesville, VA      Front Porch
Nov. 23      Easton, MD                  Stoltz Listening Room
Nov. 24      Philadelphia, PA           Milkboy 
 
For the latest news and tour dates, visit thisisjuliewilliams.com and follow along on social media @juliewilliamsmusic on InstagramTikTok and Facebook and @j_w_music on X.

For Tennessee Moon Williams was inspired by some of her favorite singer/songwriters like Boy Genius, Kacey Musgraves, Allison Krauss, Emmylou Harris and Taylor Swift to create a story-driven sonic journey that was both dreamy and moody while seamlessly blending country, 90s folk and indie production elements.
 
“Tennessee Moon was inspired by a picture that I took of one of my exes as they kayaked at Percy Priest Lake under a stunning Tennessee sunset,” shares Williams. “I watched this person - and our relationship - float farther and farther away from me, just as the sky was fading from orange and red to blue and gray. With that picture, and with this EP, I wanted to capture that wistful feeling - of trying to hold onto a beautiful, golden moment that you know in your heart is not going to last. This EP is an ode to my mid-20s - all the golden days, the dark nights, the flowers, and the dirt.”
 
The Florida native started sharing those stories, and people listened. A student at Duke University, she was signed to Small Town Records whose alumni include Mike Posner and Delta Rae and sang as a vocalist for the Duke Jazz Ensemble. After graduating with a public policy degree in 2019, she moved to Nashville and found her musical home in the Black country and Americana scene. She was named in Rissi Palmer’s Color Me Country Class of 2021 and she was featured in a “PBS NewsHour” special on Black women in country music. In 2022, Julie joined the Black Opry, a collective of Black artists in country, blues, folk, and Americana music. Julie was named a CMT Equal Access artist in 2023, joining the mTheory backed program to support marginalized voices in country music.
 
“People want to hear black voices, black stories,” Williams says. “I was nervous about how my songs would be received by Nashville - but people want honesty. They want honest songs about real life, and for the artists they follow to take a stand.”
 
Tennessee Moon follows her self-titled EP, Julie Williams, with American Songwriter praising her “success through the power of her own voice” and the Tennessean noting she “discovers joy, maturation” on the project. 
 
An activist at heart, Williams launched Green Room Conversations in March 2023, a series of performances and speaking on college campuses to raise awareness of sexual harassment in the music industry and her own experience with sexual violence. Williams hopes to empower the next generation of artists and industry changemakers and has already visited MTSU, University of Texas-Austin, and Duke with more campus visits planned for later this year.
 
“I’m writing my songs for the girl who cries in the shower as she tries to detangle her hair and is afraid to look in the mirror because she hates what she sees; for the 17-year-old who is just now learning to love herself; for the 20-or 30-something who is just trying to figure it out," shares Williams. "That’s who my songs are for.”

Thy Catafalque Feast on New Single "Mindenevő"

"...yet another testament to the musical genius of Tamás Kátai" - No Clean Singing

"Few musicians have as long and varied a career as Tamás Kátai of Thy Catafalque" - Angry Metal Guy

"Thy Catafalque are a one of a kind experiment that have never played by traditional rules or boundaries" - New Noise

"A monstrously entertaining, tightly diverse band" - Everying Is Noise

"...will delight metlaheads of all stripes" - Echoes and Dust

Even during its initial gestation period, Thy Catafalque had already expanded beyond the perceived limits of extreme metal. With each album, Tamás Kátai and his band of collaborators have taken another step beyond the genre's boundaries, bringing the world's most vile art form into conversation with the avant-garde.

There's still a light at the end of Thy Catafalque's upcoming twelfth album. But as Kátai winds through its introspective journey into the night, XII: A gyönyörű álmok ezután jönnek revisits the all-consuming heaviness that courses back through the project's 20-year history. While garnished with plenty of classical flourishes, its meaty new single "Mindenevő" growls like the belly of a metallic beast. 

Feast your eyes on the video for  "Mindenevő" Below.

XII: A gyönyörű álmok ezután jönnek comes out November 15, 2024 on Season of Mist.  

Pre-order & Pre-save

https://orcd.co/thycatafalquexiiagyonyorualmokezutanjonnek

A gyönyörű álmok ezután jönnek is still guided by the dreaminess that fans in and outside of Hungary have come to admire about Thy Catafalque. After all, in English, the album's title translates to 'The Beautiful Dreams Are Yet to Come'. "I imagined these songs as a journey into the night", Kátai says. Finding his way along this path required him to head in a different direction - at least, as far as the production goes. The dark waves of synth that streak through the album's title track and lead single glow with the faint but familiar reassurance of the dawn.      

Still, journeying through A gyönyörű álmok ezután jönnek can be a rocky road. While the latest single opens with a plucking oud, "Mindenevő" is a full bore feast for bloodthirsty metalheads. The insatiable blast beats and tongue-flicking tremolo picking are cooked over the same blackened fires as Thy Catafalque's 1999 debut. "Our last album, Alföld, was very bleak", Kátai explains. "Adding classical and acoustic instruments helped add a sprig of color to these new songs, but XII still has plenty of metal". 

Even the progressive flourishes feed the song's sickening theme. A fretless bass waltzes into the room just as the video's dinner party succumbs to their insatiable appetite for destruction. "Blood and fat shall course through every vein", chants a doomy operatic chorus. "We devour everything around us", Kátai says when asked about the philosophical musings that greased the wheels of "Mindenevő" (which means "Omnivore"). "It's absurd. The way we consume everything in our path only leads us closer to our demise".

In the end, the engorged death metal riffs finally eat their fill. Yet as the beastly "Mindenevő" lays to rest amidst a thick delirium of clarinet and French horn, the feeling that's left churning in the pit of your stomach is pure, unfiltered dread. 

"Human beings do have an animal side", Kátai says. "Even though some of us strive for purity, in the end, we have to recognize and accept the morbidity of nature".  

The video for "Mindenevő" was created by G13 Film.

New fans and long-time appreciators can now rediscover just how much Thy Catafalque has grown since their humble beginnings as a duo. This year, Season of Mist re-issued Thy Catafalque's first seven albums.

These reissues include first-edition pressings, limited color vinyls, UV-prints, 3D etchings and new artwork, plus bonus tracks.  


Order:https://redirect.season-of-mist.com/ThyCatafalqueReissues

Thy Catafalque's twelfth album looks back longingly at the past, Tamás Kátai isn't stopping to smell the roses. With A gyönyörű álmok ezután jönnek, he shows that the beautiful dreams are yet to come.

Recording Lineup
Tamás Kátai – guitar, bass, vocals, keyboards, programming

Guest musicians
Martina Veronika Horváth – vocals on Track 1, 6
Ivett Dudás – vocals on Track 8
Helga Kreiter – vocals on Track 4, 10
Gábor Dudás – vocals on Track 2, 5, 6, 10
Bálint Bokodi – vocals on Track 2, 4, 9
Gábor Veres – vocals on Track 3, 8
Attila Bakos – vocals on Track 1
Zoltán Kónya – vocals on Track 3
András Vörös – vocals on Track 4
Breno Machado – lead guitar on Track 2
Zoltán Vigh – lead guitar on Track 3
Krisztián Varga – lead guitar on Track 4
Daniele Belli – acoustic guitar on Track 2
Miguel Velasquez Matija – fretless bass on Track 2, 6
Edu Giró – oud, bouzouki, baglama on Track 2,7
Grigoris Mitropoulos – bouzouki, mpaglamas on Track 7
Sanja Smileska – violin on Track 3
Jo Quail – electric cello on Track 8
Issar Shulman – contrabass on Track 2
Cal Rustad – French horn on Track 2, 8
Manuel Domenech – cor anglais on Track 8
Khachatrian Lernik – clarinet on Track 2
Gergő Bille – flugelhorn, trumpet on Track 7
Joakim Toftgaard – trombone, trumpet on Track 7
Fabian Hernandez – saxophone on Track 5
Viktória Varga – narration on Track 3
Annamari Sánta – narration on Track 7, 8

Recording
Recorded in various countries: Hungary, United Kingdom, Romania, Ukraine, Italy, Spain, Greece, North Macedonia, Israel, U.S.A., Colombia, Brazil.

Producer & Sound Engineer
Tamás Kátai, Gábor Vári

Mixing & Mastering
Miracle Sound Szeged, Hungary. Mixed and mastered by Gábor Vári.

Artwork
Front cover by Dániel Szécsényi and Tamás Kátai
Illustrations by Orsolya Pintér.

Follow Thy Catafalque
https://thy-catafalque.hu
https://www.facebook.com/thycatafalque
https://www.instagram.com/thy_catafalque
https://www.youtube.com/user/kataitamas
https://thycatafalque.bandcamp.com/
https://open.spotify.com/artist/4sgTqbA7htxYkRRJBPZIom
https://music.apple.com/us/artist/thy-catafalque/372164196

Booking contact:  info@thy-catafalque.hu

Industrial music icon PIG / Raymond Watts presents 'Fallout', previewing 'Feast of Agony' EP

Industrial music legend Raymond Watts a.k.a. PIG has shared his new single 'Fallout', undoubtedly the most catchy among the six coruscating tracks found on his new 'Feast of Agony' EP, out on September 27 via Metropolis Records.

This EP arrives on the trail of the remastered reissue of PIG's landmark 1995 ‘Sinsation’ album (originally released via Trent Reznor's Nothing Records) and his latest studio album ‘Red Room’, released earlier this year - both albums released via Metropolis.

Raymond Watts aka PIG has enjoyed a stellar career since starting out as a pioneering member of the mid-1980s industrial rock scene. As well as releasing fourteen albums as PIG, he has toured with KMFDM (he was a member of the band in their early days), Nine Inch Nails and Einstürzende Neubauten, written music for fashion and film (for Chloe, Marios Schwab, Halston and The Row), created exhibition sound design for the Metropolitan Museum of Art in New York, and collaborated with the late fashion icon Alexander McQueen.

'Feast of Agony' is the sound of PIG crushing the grinding wheel of grief with the seed of hope and relief. Watts’ anger burns and binds as he cooks up more kick-ass music, begging you to march to the drumbeat of hope with these encounters with the Lord of Lard, in which he brings word to wordless and truth to the truthless.

The EP kicks off with the monstrous 'Heroin for the Damned', screaming like a demon officiating at his own funeral while trying to stem the wounds of reality with the joy juice of depravity, which was co-written with Watts’ collaborator-in-chief Jim Davies, a longtime member of Pitchshifter, but best known for his acidic and acerbic guitar lines on many chart hits by The Prodigy,

The remaining tracks are a cure that’s kind… and a call to the deserts of desperation from the promised land of truth.

Watts will continue his oration against hopelessness, hypocrisy and the ever creeping tide of despair on PIG's ‘Heroin For The Damned’ tour across North America, kicking off on September 28. Joined by Curse Mackey and Unitcode : Machine, this 40-date itinerary follows PIG's headlining set at Cold Waves XII in Chicago.

As of September 27, the 'Feast of Agony' EP is available everywhere, including Apple Music, Spotify and Bandcamp, along with the 'Red Room' and 'Sinsation (Remastered)' albums. The vinyl edition of 'Feast of Agony' is only available on the tour. Tickets can be ordered at https://linktr.ee/ pigtour2024

CREDITS
All songs written by Watts, except 'Heroin for the Damned' (Raymond Watts/ Jim Davies)
and 'The Ratchet Effect' (Raymond Watts/ Mike Watts)
Music performed by Raymond Watts
Jim Davies - additional guitars & remix
Michelle Martinez - backing vocals on 'Baptise Bless & Bleed'
Produced & mixed by Raymond Watts
Additional production by Jim Davies
Recorded & mixed at Ranch Apocalypse and Otherwise Studios
Mastering by Tom Hall at Abbey Road
Artwork by Vlad McNeally
Photography by E Gabriel Edvy / Blackswitch Labs
Audio visual consultant - Mark Alan Griffiths
Released via Metropolis Records
Publicity by Shauna McLarnon at Shameless Promotion PR
'Fallout' video directed by Melody Myers

PIG

'Fallout' from 'Feast of Agony' EP

EP released on Metropolis Records. 'Heroin For The Damned' Tour starts Sept. 28

27 September 2024

View Page

Industrial music icon PIG / Raymond Watts presents 'Fallout', previewing 'Feast of Agony' EP

FOR SHARING
'Fallout' video  https://youtu.be/7kEzKqwGbAc
'Feast of Agony' EP order  https://ingrv.es/feast-of-agony-gpp-g
Bandcamp  https://pigindustries.bandcamp.com/album/feast-of-agony
'Sinsation (Remastered)' album
  https://pigindustries. bandcamp.com/album/sinsation- remastered
'Painiac' video  https://youtu.be/3XmSj11f8wc
'Red Room' album  https://pigindustries. bandcamp.com/album/red-room
'Dum Dum Bullet' video  https://youtu.be/ eA5y9tiF0Fs
'Crumbs, Chaos and Lies' feat. Alexis Mincolla of 3Teeth  https://youtu.be/ HDpuAq9ONKU
Spotify  https://open.spotify.com/artist/5riS4sDqcjVAwvC37jxTP0
TOUR TICKETS  https://linktr.ee/ pigtour2024

FOR REVIEW & AIRPLAY 
Online press kit
  https://haulix.promo/5ugk  
Download via Google Drive  https://bit.ly/3ye7oSG


Industrial music legend Raymond Watts a.k.a. PIG has shared his new single 'Fallout', undoubtedly the most catchy among the six coruscating tracks found on his new 'Feast of Agony' EP, out on September 27 via Metropolis Records.

This EP arrives on the trail of the remastered reissue of PIG's landmark 1995 ‘Sinsation’ album (originally released via Trent Reznor's Nothing Records) and his latest studio album ‘Red Room’, released earlier this year - both albums released via Metropolis.

Raymond Watts aka PIG has enjoyed a stellar career since starting out as a pioneering member of the mid-1980s industrial rock scene. As well as releasing fourteen albums as PIG, he has toured with KMFDM (he was a member of the band in their early days), Nine Inch Nails and Einstürzende Neubauten, written music for fashion and film (for Chloe, Marios Schwab, Halston and The Row), created exhibition sound design for the Metropolitan Museum of Art in New York, and collaborated with the late fashion icon Alexander McQueen.

'Feast of Agony' is the sound of PIG crushing the grinding wheel of grief with the seed of hope and relief. Watts’ anger burns and binds as he cooks up more kick-ass music, begging you to march to the drumbeat of hope with these encounters with the Lord of Lard, in which he brings word to wordless and truth to the truthless.

The EP kicks off with the monstrous 'Heroin for the Damned', screaming like a demon officiating at his own funeral while trying to stem the wounds of reality with the joy juice of depravity, which was co-written with Watts’ collaborator-in-chief Jim Davies, a longtime member of Pitchshifter, but best known for his acidic and acerbic guitar lines on many chart hits by The Prodigy,

The remaining tracks are a cure that’s kind… and a call to the deserts of desperation from the promised land of truth.

Watts will continue his oration against hopelessness, hypocrisy and the ever creeping tide of despair on PIG's ‘Heroin For The Damned’ tour across North America, kicking off on September 28. Joined by Curse Mackey and Unitcode : Machine, this 40-date itinerary follows PIG's headlining set at Cold Waves XII in Chicago.

As of September 27, the 'Feast of Agony' EP is available everywhere, including Apple Music, Spotify and Bandcamp, along with the 'Red Room' and 'Sinsation (Remastered)' albums. The vinyl edition of 'Feast of Agony' is only available on the tour. Tickets can be ordered at https://linktr.ee/ pigtour2024

CREDITS
All songs written by Watts, except 'Heroin for the Damned' (Raymond Watts/ Jim Davies)
and 'The Ratchet Effect' (Raymond Watts/ Mike Watts)
Music performed by Raymond Watts
Jim Davies - additional guitars & remix
Michelle Martinez - backing vocals on 'Baptise Bless & Bleed'
Produced & mixed by Raymond Watts
Additional production by Jim Davies
Recorded & mixed at Ranch Apocalypse and Otherwise Studios
Mastering by Tom Hall at Abbey Road
Artwork by Vlad McNeally
Photography by E Gabriel Edvy / Blackswitch Labs
Audio visual consultant - Mark Alan Griffiths
Released via Metropolis Records
Publicity by Shauna McLarnon at Shameless Promotion PR
'Fallout' video directed by Melody Myers

TRACK LIST
1  Heroin for the Damned
2  Fallout
3  Comedown
4  Hand of Mercy (Make The Cut)
5  The Ratchet Effect
6  Baptise Bless & Bleed (Red Line Remix by Jim Davies)

TOUR DATES 'Heroin For The Damned' Tour 
9/28/24: Chicago, IL, @ Metro
9/ 29/24: Minneapolis, MN @ Cabooze *
9/30/24: Des Moines, IA @ Lefty’s Live Music *
10/2/24: Milwaukee, WI @ X-Ray Arcade *
10/3/24: Davenport, IA @ Raccoon Motel *
10/4/24: Lawrence, KS @ The Bottleneck *
10/5/24: Denver, CO Kulture Music Hall *
10/6/24: SLC, UT @ Quarters *
10/7/24: Boise, ID @ Visual Arts Collective *
10/9/24: Eugene, OR @ John Henry’s *
10/10/24: Seattle, WA @ El Corazon  ^^
10/13/24: Portland, OR @ Dante’s ^^
10/15/24: Sacramento, CA @ Starlit Room ^^
10/16/24: SF, CA @ DNA ^^
10/17/24: San Diego, CA @ Whistle Stop ^^
10/18/24: Las Vegas, NV @ Sinwave ^^
10/19/24: Los Angeles, CA @ Catch One ^^
10/20/24: Scottsdale, AZ @ Pub Rock ^^
10/21/24: Albuquerque, NM @ Launchpad ^^
10/23/24: OK City @ Beer City ^^
10/24/24: Dallas, TX @ Three Links ^^
10/25/24 - Houston TX @ Secret Group *
10/26/24: Austin, TX @ Elysium *
10/27/24: New Orleans, LA @ Santos *
10/29/24: Pensacola, FL @ Handlebar *
10/30/24: Orlando, Fl @ Handlebar *
11/1/24: West Palm Beach, FL @ Respectable Street *
11/2/24: Jacksonville, FL @ Underbelly *
11/3/24: Greenville, SC @ Radio Room *
11/5/24: Atlanta, GA @ Star Bar *
11/6/24: Richmond, VA @ Fallout *
11/7/24: Baltimore, MD @ Metro Baltimore *
11/8/24: New York, NY @ STIMULATE *
11/9/24 - Wilmington DE @ Bar 13 *
11/10/24: Millersville, PA @ Phantom Power *
11/12/24: Cambridge, MA @ Middle East *
11/13/24: Quebec City, QC @ L’anti Bar *
11/14/24: Montreal, QC @ Cabaret Fous *
11/15/24: Toronto, ON @ Lee’s Palace *
11/16/24: Detroit, MI @ Smalls *
11/17/24: Cleveland, OH @ Beachland Tavern *

*  dates with Unitcode : Machine
^^  dates with Curse Mackey and Unitcode : Machine

Keep up with PIG
Website | Store | BandcampFacebook | InstagramTwitter | SoundCloud | YouTu be | Apple Music | Spotify | Tour tickets | Press contact

Keep up with Metropolis Records
Website | Bandcamp | Facebook  | Twitter | Instagram | YouTub e

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Funeral Usher You into their Unyielding Embrace on New Single

"...set such a high bar for doom metal" - Angry Metal Guy

Few bands tread the line between despair and catharsis as poignantly as FUNERAL. Today, the Norwegian titans of sorrow are unveiling the latest single off their upcoming seventh album Gospel of Bones. "Procession of Misery" ushers you into the raw and unyielding embrace of doom metal.

Listen to "Procession of Misery" below.

Gospel of Bones is out October 18th on Season of Mist.

Pre-order & Pre-save

https://orcd.co/funeralgospelofbones

Hailing from the desolate climates of Norway, Funeral have built their legacy on crafting epic, melancholic soundscapes. The band are stalwart guardians of funeral doom with tones that are weighted as the bowed boughs of winter.

"Procession of Misery" carries forward their legacy, leading listeners through a morose symphony of sorrow. Their new single is a dirge, a solemn march into the abyss that doesn't shy away from staring into the void but rather finds a haunting beauty within it. Punctuated by relentless funeral drums and melodies that etch sorrow into the night sky, it embodies the soul-crushing bleakness that's fuels Funeral's 20-year legacy.  

Line-up
Anders Eek - Drums
Eirik Krokfjord - Vocals
Ingvild Johannesen - Violin
Rune Gandrud - Bass
Stian Kråbøl - Guitars
Morten Søbyskogen - Guitars

Recording Studio
Toproom Studio & Studio 42

Production Credits
Produced by Børge Finstad
Sound Engineered by Anders Langberg
Mixed & Mastered at Toproom Studio by Børge Finstad

Guest Musicians
Øyvind Rauset
Espen Ingjerd
Vilde Kråbøl
Anders Langberg

Cover Art
Tristan Diaz Bastie

Photography
Guilherme Henriques

Pre-order & Pre-save: https://orcd.co/funeralgospelofbones

Follow Funeral:
Facebook: https://www.facebook.com/funeralnorway/
Instagram: https://instagram.com/funeralnorway
YouTube: https://www.youtube.com/@DirgeofMourning
Bandcamp: https://funeraldoom.bandcamp.com/
Spotify: https://open.spotify.com/artist/0q3guqlmd8oVaz5v2Fqy3q
Apple Music: https://music.apple.com/artist/funeral/208973684
Deezer: https://www.deezer.com/artist/194130
TIDAL: https://tidal.com/browse/artist/23777

Singer/Songwriter Angie K Releases Bilingual "Stay" for Hispanic Heritage Month; Announces New EP Coming 10/25

Rising country singer/songwriter and Holler “Artist You Need to Know,” Angie K is bringing her penchant for authentic storytelling,  powerful vocals, and unwavering pride in her Latin heritage to latest release, “Stay.” Available today, the sultry and bilingual new track, released in honor of Hispanic Heritage Month, effortlessly weaves together heartfelt lyrics with melodies that evoke both traditional country sounds and the rhythms of Latin music, showcasing her versatility as an artist. 
 
"Stay" is the latest new music from Angie K and will be featured on her forthcoming self-titled EP, Angie K. Produced by acclaimed writer/producer and BMI Songwriter of the Year, Stephony Smith, the EP is set for release independently on October 25, 2024. Listen to “Stay” Below.
 
“I wrote ‘Stay’ about my relationship of nine years. That may not seem long in the scope of things, but it’s long enough to have truly had to give each other the space to change and grow,” shares Angie K. “There’s such a depth that comes with that. We’ve seen so many sides of each other, both given each other reasons to give in when it gets tough, but every day we show up for each other. We learn to be better for each other. Over and over again. It’s beautiful.” 
 
Written by Angie K along with David Borys, Tom Pino and Jason Haag, the independently released track finds her pleading with a partner in both English and Spanish to stay and fight for their love. 

The queer country artist first made her mark on Music City with bilingual track, “Real Talk,” catapulting her onto the country scene as a “Highway Find” on SiriusXM’s The Highway. The new music follows the  powerhouse vocalist’s recent releases "Death of Me" and “Red Dirt on Mars," which left Billboard praising her "disarming vulnerability." She also recently explained the influence Smith had on her when it came to releasing "Death of Me" in a "Holler Nashville Session" sharing, "It's a very vulnerable song, and I almost didn't put in on the record, but I'm glad I did - just because of the stories I've heard of people relating to it." Listen to “Red Dirt on Mars” HERE and listen to "Death of Me" HERE

The 2023 CMT Next Women of Country artist has been in the studio working on the forthcoming EP with Smith, who penned the smash hit “It’s Your Love” for Tim McGraw/Faith Hill and has received cuts from some of music’s biggest stars including The Chicks, Shania Twain, Barbara Streisand, Kenny Chesney, Terri Clark, Reba McEntire and more. 

Named a 2024 CMT LISTEN UP artist with CMT also calling her an “up-and-coming female artist to watch," this year is certainly shaping up to be a breakout year for Angie K. Born and raised in El Salvador till age 11 and raised in Georgia, her love for country music was nurtured from a young age. Her mother’s dedication, saving up to bring her to Nashville to the Grand Ole Opry, came full circle with her making her Opry debut last month, fulfilling a lifelong dream.

American Songwriter was on hand for the emotional evening sharing, “Her voice rang strong and clear through the Grand Ole Opry House, compelling fans to raise their phones on the last song and fill the darkened theater with light—a moving display of acceptance and adoration for a woman who has dreamed of standing in the hallowed circle since before her feet touched North American soil.”

For the latest news and tour dates, visit officialangiek.com and follow @officialangiek on InstagramTikTok, and Facebook.  

About Angie K
A member of CMT’s 2023 Next Women of Country class, Angie K was named earlier this year to CMT’s 2024 LISTEN UP Class and named an “Artist You Need to Know” by Holler. With a nod to Angie K’s Latin roots, her first bilingual single “Real Talk” catapulted her onto the country scene as a “Highway Find” on SiriusXM’s The Highway. And as an out and independent artist she has accumulated over 20 million+ streams, 500k+ followers and even played on the Nissan Stadium stage during the 2022 CMA Fest. Angie has also shared the stage with Tanya Tucker, Trace Adkins, Melissa Etheridge and more.
 
With CMT calling her an “up-and-coming female artist to watch"  this year, 2024 is certainly shaping up to be a break out year for Angie K. She made her Grand Ole Opry debut in August, and took the main stage  at Nashville Pride and the Reverb Stage at CMA Fest this year. She will release her self-titled EP, Angie K, on Oct. 25. For upcoming tour dates and more information, visit officialangiek.com/ and follow along @officialangiek on InstagramTikTok, and Facebook