Bill Leeb (Front Line Assembly, Delerium) releases 'Demons', a sinister foreshadowing of debut 'Model Kollapse' album

"A frenzy-filled dose of sonic adrenaline that is infectious and, paradoxically, suitable for the dancefloor... Is dystopian bliss a thing? They could be on to something big here" ~ The Spill Magazine

"You are getting Leeb’s classic vocals and lyrics, and some FLA style programming... some of the specific textures and bits of production feel different than anything in recent memory from the venerable artist" ~ I Die: You Die

"Instantly recognizable... still sounds like something unmistakably new... sinister synthetic soundscape" ~ Rock and Roll Fables


Hard-edged electronic music maverick Bill Leeb presents 'Demons', a song rooted in the inherent darkness and malevolence we see around us, where humans constantly deal with adversity while seeking purpose, joy and creativity. Reflecting on the omnipresence of technology and the internal battles we wage, this is ultimately a defiant anthem of perseverance.

This is the second taste of Leeb's debut solo album 'Model Kollapse', out on September 13 via iconic alternative music label Metropolis Records.

Based in Vancouver, Bill Leeb is the mastermind behind highly influential electro-industrial scene mainstays Front Line Assembly and ambient-pop duo Delerium, having gotten his start with Skinny Puppy. He is also a key member of other occasional recording projects, including Noise Unit, Intermix and Cyberaktif. Almost four decades on, his new album was recorded and produced in Vancouver, Toronto and Los Angeles with assistance from Vancouver/Toronto-based production duo Dream Bullet and long-term FLA/Delerium cohort Rhys Fulber, plus regular mixing engineer Greg Reely.

"The song is inspired by how much darkness and evil exist in the world. How we have to carefully navigate ourselves through all of this on a day-to-day basis and still try and find a reason to get up, be happy to be alive, and try to be creative. Technologies are here to stay. Demons exist everywhere in our minds, in our hearts, and every aspect, so we have to fight," says Bill Leeb.

An instant industrial-EDM classic, 'Demons' plunges listeners into a menacing, synthetic underworld. With a career spanning back to the early 1980s, Leeb's signature blend of creeping electronic darkness and high-octane energy once again delivers an adrenaline-fueled sonic assault.

Not long ago, Leeb shared the first single - ‘Terror Forms’ featuring Shannon Hemmett of Vancouver post-punk quartet ACTORS (and also LEATHERS), exploring the intricacies of artificial intelligence and the very survival of humanity itself. Quite fitting with the overall theme for this album, which explores the dystopian, nihilistic world we have created in so many different ways, ultimately asking the question "When will the human voice be lost to AI and technology....or will that be what saves us in the end?"

Based in Vancouver, Bill Leeb is the mastermind behind highly influential electro-industrial scene mainstays Front Line Assemblyand ambient-pop duo Delerium, having gotten his start withSkinny Puppy(under the pseudonym Wilhelm Schroeder). He is also a key member of other occasional recording projects, includingNoise Unit, Intermix andCyberaktif.

Four decades on, his new album was recorded and produced in Vancouver, Toronto and Los Angeles with assistance from Vancouver/Toronto-based production duoDream Bulletand long-term FLA/Delerium cohort Rhys Fulber, plus regular mixing engineer Greg Reely. This album also involves contributions by LA-based artist Mimi Page, a long-term Delerium collaborator, andJason Corbett of ACTORSand Jacknife Sound Studio.

‘Model Kollapse’ marks Leeb's first solo venture since the mid-80s days of Front Line Assembly, when he used to make recordings in his bedroom and released them on limited edition cassette format. This record reflects the dystopian, nihilistic world we have created in so many different ways, ultimately asking the question "When will the human voice be lost to AI and technology....or will that be what saves us in the end?"  

Caustic yet melodic, danceable and very much song-oriented rather than soundscape-driven, 'Model Kollapse' carries traces of hard-edged electronic dance music pioneers such as Front 242, DAF, KMFDM and Skinny Puppy.

The term "Model Collapse" refers to a phenomenon in artificial intelligence where trained models, especially those relying on synthetic data or AI-generated data, eventually degrade over time. Leeb posits the notion that “as we forge forward on an unprecedented technological scale, it makes me wonder how much longer we can remain in control of various aspects of our lives. Automation has already taken over many industries. With technology running much of the world, will the entire planet eventually be vulnerable to a Model Kollapse? Chaos would surely ensue.”

Leeb formed Delerium in 1987, exploring dark ethereal ambient trance and pop. Since debuting with the 'Semantic Spaces' album, Delerium has enjoyed two Juno awards and many collaborations, involving Leigh Nash (Sixpence None the Richer), Lisa Gerrard (Dead Can Dance), Kirsty Hawkshaw (Opus III), Emily Haines (Metric), Jacqui Hunt (Single Gun Theory), Matthew Sweet and Kristy Thirsk (Rose Chronicles). Their worldwide hit 'Silence' with Sarah McLachlan reached #1 in numerous countries, its remixes also hailed among the greatest trance songs of all time (the Tiësto remix was voted the 12th-greatest dance track of all time by Mixmag readers).

‘Demons’ is out now everywhere digitally. On September 13, the full ‘Model Kollapse’ album will be released on vinyl and CD, as well as digitally.

CREDITS
Recorded and produced in Vancouver, Toronto, Los Angeles and the Okanagan, British Columbia
Written and produced by Bill Leeb and Dream Bullet
Additional production by Rhys Fulber
Recorded, mixed and mastered by Greg Reely
'Demons' performed by Bill Lee
'Terror Forms' performed by Bill Leeb and Shannon Hemmett
Videos created by Tim Hill
Album artwork by Allen Jaeger
Released by Metropolis Records
Publicity by Shauna McLarnon for Shameless Promotion PR
Artist photos by Bobby Talamine

Keep up with Bill Leeb
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Iconic singer songwriter Gilbert O'Sullivan releases Songbook this September

One of the most revered singer-songwriters of his generation records pared down versions of 12 songs from his outstanding catalogue

Includes the first ever re-recording of his 1971 classic single ‘Alone Again (Naturally)’ and a new song written specifically for the album,
‘A Kiss Is A Kiss’

Watch the video for ‘Alone Again (Naturally)’ Below:

Pre-order: https://gilbertosullivan.lnk.to/SongbookPR

Following the acclaim and success of his last two studio albums – 2018’s Gilbert O’Sullivan and 2022’s Driven (“a songwriting masterclass” – ★★★★Uncut magazine) – on September 27 BMG release Songbook, a newly recorded, stripped-down journey through 12 songs from Gilbert O’Sullivan’s illustrious career.

The idea for Songbook arose after O’Sullivan’s 2022 Barbican show (where The Charlatans’ Tim Burgess duetted with him on ‘Nothing Rhymed’). BMG came up with the idea and suggested O’Sullivan record it in such a way to capture the instrumentation and interplay between him and guitarist Bill Shanley.

After carefully selecting the 12 songs that would be re-recorded, Gilbert insisted the songs should be recorded at a venue with no audience and not in a studio. Thereafter, recording took place over two days in late 2023 at Lafayette, King’s Cross with O’Sullivan on piano, long-time guitarist Bill Shanley and Andy Wright (Simply Red, Jeff Beck, Simple Minds, and Imelda May) and Gavin Goldberg on production duties.

The resulting album is a stripped back journey through the extraordinary songwriting of this master craftsman, one of the most gifted and consistently brilliant songwriters of his generation.

Iconic early O’Sullivan songs ‘Nothing Rhymed’, ‘Alone Again (Naturally)’, ‘We Will’ and ‘Happiness Is You and Me’, are joined by songs from Gilbert’s most recent albums, including 2018’s ‘Dansette Dreams and 45s’ and ‘I’ll Never Love Again’, and 2022’s ‘Blue Anchor Bay’, songs that are equal in their brilliance to his early work.

Songbook’s intimacy exemplifies Gilbert O’Sullivan’s unique blend of melodic craftsmanship, witty wordplay, topical acuity and surrealist humour, which has given him an enduring and endearing career.

O’Sullivan’s songwriting knack has outlived and transcended fashion, global million-sellers and critical acclaim, in a career that has spanned 55 years and Top 10 singles and no. 1’s around the world, including the classic ‘Alone Again (Naturally)’ which topped the US charts for six weeks and earned him three Grammy nominations.

British recognition soon followed with the songs ‘Clair’ and ‘Get Down’ reaching the summit of the UK singles charts and his LP “Back to Front” topping the album charts.

In the same year, at the 18th. Ivor Novello awards, Gilbert was named ‘Song Writer of the Year’ - to date he has won three Ivor Novello awards and in recent times, performed alongside other artists at BBC Proms in the Park; made four appearances at Glastonbury including the main stage and toured extensively throughout the UK, Ireland, Europe, Japan and America.

Gilbert’s Ethan Johns-produced self titled 2018 album was acclaimed upon it’s release by the likes of MOJO magazine and secured his highest chart position for four decades. His 2022 album ‘Driven became his most critically well received album to date, awarded four stars in MOJO’, Uncut and Record Collector, with Shindig! magazine proclaiming it his best ever album.

His legacy and influence has been acknowledged by his diverse range of artists, including Paul Weller, Nina Simone, Neil Diamond, Pet Shops Boys and Elton John, James Murphy (LCD Soundsystem), Paul Heaton, Ron Sexsmith, Mick Hucknall, Boy George, The Lemon Twigs, Cmat, Michael Bublé and Diana Krall.

This year Gilbert received ‘Freedom of Waterford City’ in Ireland, the place of his birth.

NOTES
Gilbert O’Sullivan’s career has spanned 55 years. His first single proper Nothing Rhymed was released in 1970 and almost overnight it achieved Top 10 status In the UK charts. His debut album Himself was littered with the most perfect examples of his art and craftsmanship. Top 10 singles abounded, including the classic, Alone Again (Naturally). His second album, 1972’s Back To Front, firmly cemented Gilbert amongst the world’s best. This critically acclaimed album topped both the UK and US charts for an astonishing six weeks, earning him not one but three Grammy nominations.

British recognition soon followed with the songs Clair and Get Down reaching the summit of the UK singles charts and his LP Back To Front topping the album charts. In the same year at the 18th Ivor Novello Awards Gilbert was named ‘Song Writer of the Year’. To date he has won three Ivor Novello awards, and in recent times performed alongside artists including Ray Davies. He has also headlined Glastonbury (where he was once joined on stage by Squeeze’s Glenn Tilbrook), BBC Proms In The Park, toured extensively throughout the UK, Ireland, Europe, Japan and Australia.

Gilbert’s Ethan Johns-produced, self-titled 2018 album was acclaimed upon its release by the likes of MOJO magazine, and secured his highest chart position in four decades.

His 2022 album, Driven, became his most critically well received album to date. Awarded four stars in MOJO, Uncut and Record Collector, with Shindig! magazine proclaiming it “his best ever album.”

His legacy and influence has been acknowledged by a diverse range of artists, including: Paul Weller, Nina Simone, Neil Diamond, James Murphy (LCD Soundsystem), Ron Sexsmith, Har Mar Superstar, Mick Hucknall, Gary Barlow, Boy George, Rumer, The Lemon Twigs, Empire Of The Sun, CMAT, Michael Bublé and Diana Krall.

Last year Gilbert received ‘Freedom of Waterford City’ in Ireland, the place of his birth.

FOR MORE INFORMATION VISIT: 
http://www.gilbertosullivan.co.uk

Dose of Adolescence Announce New Album + Drop "Get Back Up" — LISTEN // Band Signed to XOVR, Label Founded by Korn's Brian "Head" Welch

Southern California stalwarts Dose of Adolescence have returned! They just dropped the new song "Get Back Up," which appears on the forthcoming albumZircon Ave., out via XOVR RECORDS on November 15.

It's the first new music from the band in over a decade.

Watch the lyric video and listen to the song below. 

Dose of Adolescence are known for their blend of catchy pop stylings, hip-hop cadences, and grungey, punk rock distortion and "Get Back Up" will not disappoint fans of the band's signature sound. It's a high energy rager about taking the haymakers life throws at you and not giving up! It's powered by thunderous beats and a robust singalong. You'll be adding this track to your favorite gym playlist in no time.

 "I'm so incredibly thankful to be releasing new music," says the band's lead guitarist Timmy Brown. "We did not think we'd ever play a show again, let alone put out a new album. This song epitomizes that idea of thinking you have been knocked down and something is over — and then you get back up again!"

Indeed, "Get Back Up" is your new mantra.

Dose of Adolescence emerged onto the Inland Empire punk scene in 1999, initially a pastime that swiftly transformed into a lifelong dream for the Brown brothers: Jimmy Brown (Lead Vocalist) and Timmy Brown (Lead Guitarist). Over the past 24 years, Dose of Adolescence have left an indelible mark on the pop/punk landscape, gracing numerous stages and sharing the limelight with iconic artists like Brian "Head" Welch of Korn, Lit, P.O.D., A Day To Remember, Anberlin, Switchfoot, Dirty Headz, and Sick Puppies.

Their journey includes notable accolades and performances, such as nominations for the Rebel Music Award and the gnarliest Rock/Hard Rock song at the 11th Annual Independent Music Awards. They triumphed in MTV2's Rallying The Underground, headlined the Wahoos Scion Tour, and unleashed chaos at the 2010 Vans Warped Tour.

XOVR(pronounced "Crossover") is the label owned and operated by Brian "Head" Welch of KORN fame.

LA music maverick Love Ghost and industrial-altrock titan SKOLD sign to Metropolis Records for debut album

Iconic US-based label Metropolis Records is pleased to announce the signing of Love Ghost x SKOLD for their debut eponymous album, scheduled for release on November 22. The first single ‘Nightshade and Cocaine’ will be available to the world on August 28, .

2023 brought the debut single from Love Ghost's collaboration with industrial / alt-rock legend Tim Skold (SKOLD, Shotgun Messiah, KMFDM, Marilyn Manson, Motionless in White) - 'Payback', which is an edgy, soul biting song about revenge and redemption. This creative partnership meshes the raw energy of grunge with the driving rhythms of industrial rock, embellished with pop and gothic sensibilities.

"Metropolis Records is proud to announce the debut collaborative album from Love Ghost and Tim Skold.  Metropolis has had a long-standing relationship with Tim Skold, and it has always been a pleasure to work with this very talented person.  When Tim brought this project to us, there was no doubt in our mind that we wanted to take it on. This is our first time working with Love Ghost. In welcoming him to the Metropolis family, he has been nothing but an absolute joy to work with," says Nina Heckman of Metropolis Records.  

"The Love Ghost x SKOLD collaboration mixes both of their distinct sounds to make a new and unique album, which we are excited to bring to the public."

'Nightshade and Cocaine' pre-save  https://ingrv.es/night-shade-and-coca-rd2-f
Single pre-order  https://loveghostxskold. bandcamp.com/album/nightshade- and-cocaine

Apart from releasing solo music as SKOLD and as half of the duo Not My God (with Nero Bellum), Swedish musician and record producer Tim Skold is perhaps best known for his work with KMFDM, Shotgun Messiah, Marilyn Manson, and Motionless in White.  In addition to being a full-fledged band member of Marilyn Manson for several world tours, Skold produced their #1 Billboard US charting album 'The Golden Age of Grotesque', cover versions of 'Tainted Love', 'Personal Jesus' and the controversial album 'Eat Me, Drink Me'. He later co-produced two Motionless in White albums. As SKOLD, he has released several albums and toured extensively with Front Line Assembly and Motionless in White, among others.

Love Ghost is an enigmatic Los Angeles-based indie rock band, known for their distinctive blend of grunge, alternative rock and post-punk, informed by the Seattle tradition as much as Soundcloud-era fearlessness. Founded by vocalist-guitarist Finnegan Bell, the band quickly garnered attention for their mature lyrics, a multitude of collaborations and raw, energetic sound. They have toured extensively all over the world and have earned plaudits from such publications as Rolling Stone, Alternative Press, American Songwriter and New Noise.

"I met Tim Skold and his wife Erin on Halloween night at the Viper Room in Los Angeles. I was a massive fan of Skold, and I was surprised to see him there. I asked him if I could take a picture with him and was very excited when he said yes. To my surprise, Erin and him reached out about the possibility of us making music together. I was ecstatic about the opportunity. We have an electric synergy together, and Skold’s wisdom and creativity really pushed me to my fullest artistic potential. Creating the album with Skold, was a unique and magical experience," says Finnegan Bell.

Tim Skold adds, "I still remember meeting Finn the first time because of his almost electric energy but it was my wife Erin’s idea that he and I should make music together. I have worked with many different artists by now but this one is still a unique and refreshing experience. We came together with a special chemistry and I really feel that it is well represented in the music. The first single 'Nightshade and Cocaine' shows off an almost schizophrenic diversity that is a thread for the entire album."

As of August 28, the 'Nightshade and Cocaine' single will be available everywhere digitally, including Bandcamp, where it can already be pre-ordered. The full 'Love Ghost and SKOLD' album will be released on November 22.

ALBUM CREDITS
All songs written and performed by Finnegan Seeker Bell & Tim Skold,
Except for ‘Payback’ - Written by Finnegan Seeker Bell, Tim Skold & Daniel Matias Alcala
Produced by Tim Skold
Additional Production by Daniel Matias Alcala - tracks 03, 05, 11
Additional Production by Corin Batchler - all other tracks
Recorded at Seeker Studios (Glendale, CA) & The Una-Bomber Shack (Studio City, CA)
Mastered by Tim Skold
Intro features the voice of Jeff Daniel Phillips
Cover artwork by Tim Skold
Released by Metropolis Records
Artist photos by Jim Louvau 
Publicity by Shameless Promotion PR


Keep up with Love Ghost
Website | Facebook | Instagram | Twitter | YouTube | Spotify | Apple Music | Press contact

Keep up with SKOLD
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Keep up with Metropolis Records
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SÓLSTAFIR Premieres Music Video for Emotional New Song, “Hún andar," Announces Pre-Orders for New Album, “Hin helga kvöl”

Icelandic post-rockers SÓLSTAFIR are pleased to now reveal that their new full-length, 'Hin Helga Kvöl,' will be released on November 8 via Century Media Records, making it their debut to the label! Meaning "The Holy Torment," the new album will take fans on another deeply sentimental journey. In celebration, the band is now unveiling the emotional second single from the offering, "Hún andar," along with a stunning music video. The clip was produced by Nico for Pulse Films and can be found below.

Guitarist/vocalist Aðalbjörn Tryggvason comments: “'Hún andar,' meaning ‘She breathes,’ is an obituary to a living person whom I love very much, but the mind is gone due to mental illness and drug abuse.”

Pre-orders for the album will go live at midnight local time on Friday, August 8 HERE.

Legendary Icelanders SÓLSTAFIR recently announced signing to Century Media Records. They are no strangers to the music world with their 20+ years of performing across the Globe as they consistently amaze audiences with their hearts on their sleeves from the first note. With a full catalog of truly exceptional timeless hits to perform, as well as some much-anticipated new music, the atmospheric Icelandic rock n’ roll sound that is uniquely SÓLSTAFIR always delivers to those who bear witness to their epic sets that take you on a journey through the ice and snow, fire and lava and breathtaking soundscapes of their homeland.

Lineup:

Adalbjorn Tryggvason – Vocals, Guitar

Saethor "Gringo" Saethorsson - Guitars

Svavar Traustason - Bass

Hallgrimur "Grimsi" Hallgrimsson - Drums

Recording: Abbey Road Studios, London

Production, Recording: Aðalbjörn Tryggvason, Jóhann Rúnar Þorgeirsson

Co-Production, Mixing: Fredrik Reinedahl

Mastering: Sigurdór Guðmundsson

Links:

Facebook

Instagram

X

Stream // Download

Official Website

Chase Rice Unveils Independent Album 'Go Down Singin'' Set for Sept. 20 Release

Building upon the ironic turn of 2023’s I Hate Cowboys & All Dogs Go To Hell, celebrated by Billboard as “one of 2023’s most unexpected artistic pivots” and one of the best albums of the year across all genres, Diamond-certified songwriter Chase Rice doubles down on the raw introspection of that project with forthcoming independent release Go Down Singin’ arriving September 20. Pre-order/pre-save HERE.
 
Mirroring the cover art of that critically acclaimed I Hate Cowboys album, which features an image of his late father holding two Coors Banquets during the late ‘80s in Wyoming, Rice recreated that photo himself for Go Down Singin’ as he continues to honor the man who not only served as his childhood hero, but who also still shapes his music and the person he is today.
 
Marveling at being a work-in-progress, he considers the 11-song cycle an arrival on the brink of “being the man my father always believed I could be.” Now, after what seems like so many chances, the Florida-born, North Carolina-raised dreamer is making good on what his father told him so many years ago, “Boy, anyone can play guitar, but no one is gonna really listen to you until you start singing.”
 
And writing. Though he co-wrote “Cruise,” arguably one of country’s biggest songs this century, Rice realized he’d only been skimming the surface. A kid when he started, he faced challenges, loss, soul-searching and gained a new appreciation for the art instead of the craft. With Go Down Singin’ Rice emerges as a spirit settling into a more philosophical place, still wildly committed to living wide open in pursuit of his dream and being the best man possible.
 
In a voice sturdy as a retaining wall, Rice confesses, “I’m 38 now, and that’s part of it. I’ve journaled since I was 15 years old, but there’s something about being able to tell other people. I’m a deep person, but I don’t know to show it in real life, so I’m trying to do it in my music. 
 
“For me, Go Down Singin’ is everything about where I am and what I want,” he continues. “I’m starting to see myself as who I want to be, not who I thought I should be. That’s a good start. And I think a lot of men struggle with this stuff, too.”
 
Getting honest, digging down, Rice shifted his approach. Collaborating for a second time with producer Oscar Charles (Boy Named Banjo, Madeline Edwards, Elvie Shane), the pair worked to create a sound that was as honest, as real instrument-grounded as the songs that were emerging. Written largely on guitars and piano, Go Down Singin’ shows a man reckoning with growing up.
 
“For one record, I thought I was Ed Sheeran. For one, I thought I was Florida Georgia Line,” he offers. “I was 22. I got into the party scene, I got lost. I didn’t know. I was very influenced by Eric Church, and wanted to be like him, though mostly, I was just so confused. You fall into things, being in the studio, and you look back…”
 
Now when Rice looks back, it’s for the sake of the songs. As a writing process, Go Down Singin’ also marks a creative – if seemingly unlikely – collaboration with three-time GRAMMY winner Lori McKenna, who is also featured on the album. Known for vulnerable but clear-eyed emotion, the Americana force came to see Rice play in Boston and recognized the wounding and the promise inside him.
 
“I just had Chase Rice over here, who I had not known. His last record has a song called ‘Bench Seat.’ I think it’s like a masterclass in songwriting, and he wrote it by himself,” McKenna shared with Billboard of their first songwriting session together. “I think he’s got this long, beautiful road ahead of him.”
 
“I wanted to bring her a song I had started that was the story of moving to Nashville, getting anything you wanted and losing it all,” Rice recalls of “Oh Tennessee,” one of their four cowrites on the album. “I knew she would understand, and from there, well, we had so much to say.”
 
Across their collaborations and the entire record, the man who’s had three No. 1s, his own sold-out tours and key stadium support slots with Garth Brooks and Kenny Chesney takes stock of where he is, where he’s going and what really matters. 
 
“I’m a fuck up, and I know it,” he admits. “But I’m trying. I mean, my favorite story in the Bible is David, who sends his best friend off to war, so he can be with his friend’s wife… I was a lost kid who lost his Dad. I’m not alone. I know lots of people struggle, too. The last record dealt with that loss, and this one is about taking all that and becoming who you’re meant to be.”
 
For more information, visit ChaseRice.com and follow on Facebook, Twitter/X and TikTok @ChaseRiceMusic and on Instagram @ChaseRice.

Photo Credit: Evan DeStefano

About Chase Rice
With more than 2.6 million albums sold and over 2.8 billion total streams, plus a legion of passionate fans at his high-energy concerts across the globe, Chase Rice has established himself as a powerful force in Nashville and beyond. With new releases “Fireside” and “Go Down Singin’” previewing his forthcoming independent album Go Down Singin’ (Sept. 20) as the follow-up to critically acclaimed album I Hate Cowboys & All Dogs Go To Hell, Rice’s sound continues to evolve to reflect the realities of his life; from emotional reckoning to an admiration of the American West. The recent album, including standout tracks “Oklahoma” and “Bench Seat,” serves as a follow up to his three-part project, The Album, which featured his latest Platinum-certified No. 1 hit, “Drinkin’ Beer. Talkin’ God. Amen.” and the Platinum-certified Top 10 hit “Lonely If You Are.”
 
This is the same gravelly-voiced Chase Rice fans first fell in love with years ago – but better, freer; unbeholden and uninhibited. The new music builds upon the success of his sophomore album, Lambs & Lions, which featured the 3x Platinum, two-week chart topper “Eyes On You” – Rice’s first No. 1 as an artist and the most-streamed song of his career. Lambs & Lions followed Platinum-certified Ignite the Night, which debuted at No. 1 on Billboard’s Top Country Albums and No. 3 on the all-genre chart, producing a pair of Top 5 hits; Platinum-certified “Gonna Wanna Tonight” and Double Platinum “Ready Set Roll.” In addition to guesting on sold-out stadium shows with Kenny Chesney and Garth Brooks, Rice consistently sells out venues on his own headlining tours, including the recent Get Western Tour in support of his new music, and he is currently serving as direct support on Dierks Bentley’s Gravel & Gold Tour.

The Plot In You Announce US Fall Headliner With Currents, Zero 9:36 + Wind Walkers

The Plot In You has announced their Fall US tour kicking off Friday, November 8 with Currents, Zero 9:36 and Wind Walkers as support. Spotify and Knotfest.com pre-sales begin tomorrow, Wednesday, August 7 at 12 pm ET at the link here, ending Thursday, August 8 at 10 pm local time. Tickets go on sale to the general public on Friday, August 9 at 10 am local time. VIP packages will also be available for purchase, and include one (1) general admission ticket per package, as well as sound check viewing, a photo opportunity with the band, a limited edition signed poster, an exclusive VIP laminate with lanyard, tote bag and early entry and access to merch. Please click here for general admission tickets; VIP package information is available here.

Leading up to the US run, the quartet will be embarking on their nearly sold-out UK/EU headliner with Invent Animate and Acres. The US tour kickoff also coincides with the release of the band's new EP 'Vol. 3', available now for pre-saves and vinyl pre-orders (more info here). The Plot In You recently released their latest single "Been Here Before" and the accompanying video which can be found on the upcoming EP. Pre-order 'Vol. 3' here, stream "Been Here Before" at the link here, and watch the music video below.

The Plot In You Fall US Tour Dates:

Nov 8 - Davenport, IA @ Capital Theatre

Nov 9 - Green Bay, WI - Epic Event Center

Nov 10 - Indianapolis, IN @ Delux At Old National Centre

Nov 12 - Des Moines, IA - Val Air Ballroom

Nov 13 - Omaha, NE - The Admiral

Nov 15 - Little Rock, AR - The Hall

Nov 16 - New Orleans, LA - Joy Theatre

Nov 17 - Destin, FL - Club LA

Nov 19 - Knoxville, TN @ The Mill & Mine

Nov 20 - Jacksonville, NC - Hooligans

Nov 21 - Norfolk, VA - The Norva

Nov 23 - Buffalo, NY - Riverworks

Nov 24 - Cincinnati, OH - Bogarts

During 2023, The Plot In You kickstarted a new era with 'Vol. 1' with “Divide”, having generated 16 million Spotify streams and counting followed by “Left Behind”, exploding to the tune of 31 million Spotify streams with no signs of slowing down. Upon the arrival of “Forgotten”, Revolver praised it among the “6 Best New Songs Right Now”. The Plot In You's 'Vol. 2' EP is a powerful showcase of the band's evolution, blending raw emotion with polished musicality, and stands as a testament to the band's growth and artistic maturity, captivating listeners with its intense yet introspective narratives with tracks “Closure”, “Don’t Look Away”, and “All That I Can Give” further solidifying their place as one of the genre's most compelling acts.

The band is set to captivate fans once again with their latest offering, “Been Here Before”. Delving into the emotional turbulence of relationships, the band weaves a narrative of enduring the highs and lows with their signature intensity and profound storytelling. This impactful track is bound to resonate deeply with listeners, highlighting the band’s unparalleled talent for exploring complex emotions through powerful music.

Keith Buckley's New Band MANY EYES Announces New Album + Pre-Orders, Shares New Single, '"Harbinger"

Emerging metallic hardcore outfit MANY EYES (fronted by ex-Every Time I Die vocalist Keith Buckley) will be releasing their debut album, 'The Light Age,' on September 6 via Perseverance Media Group! In celebration, the newcomers are now unleashing the latest single, "Harbinger," along with a lyric video! The clip can be found below.

Buckley comments, "'Harbinger' feels like the end of the world is suddenly happening, so that's what the lyrics are about."

In addition, MANY EYES has previously revealed a run of headlining performances in conjunction with their upcoming tour in support of Sum 41 as well as three very special album release shows for the band's highly anticipated debut full-length, for which info will soon be revealed! The updated itinerary can be found below!

Pre-orders for 'The Light Age' are now live HERE.

Many Eyes began in the winter of 2022 when Keith Buckley (Ex-Every Time I Die, The Damned Things) connected with brothers Nick (Producer/ Owner of Dexter's Lab Recording) and Charlie Bellmore (Corpsegrinder/ Toxic Holocaust) through their mutual friend, Jamey Jasta, frontman for metal legends Hatebreed. The Light Age was written and recorded over a few weeks in both Buffalo, NY, and Milford, CT, where the members reside.Taking cues from the Grunge Rock and Hardcore of the 1990s that was so influential to them growing up, the members of Many Eyes skillfully blend chaos with melody.

Many Eyes’ live performances, including their tour with post-hardcore icons THURSDAY, have demonstrated their ability to deliver high-energy shows with precision and emotion. With Craig Vittorio now on guitar and Sean Vallie on bass, alongside Nick Bellmore’s powerful drumming and Keith Buckley’s commanding vocals, the band remains focused on pushing forward and exploring new creative horizons.

As they embark on the next phase of their journey, Many Eyes remains committed to their core ethos—creating music that resonates deeply with listeners, blending raw power with melodic depth, and continually evolving as artists. The future looks bright as they continue to chart their path forward.

Recording Lineup:

Vocals/ Lyrics/ Songwriter - Keith Buckley

Producer/ Songwriter/ Guitar/ Drums/ Bass - Nick Bellmore

Guitar/ Songwriter/ Bass/ Keys - Charlie Bellmore

Live Lineup:

Vocals - Keith Buckley

Drums - Nick Bellmore

Bass - Sean Vallie

Guitar - Craig Vittori

Recorded and mixed by Nick Bellmore at Dexters Lab Recording in Milford, CT

Assistant Engineer William Hayes

Mastered by Randy Merrill at Sterling Sound

Additional vocals recorded by Anthony Potenza

All songs written by Keith Buckley, Nick Bellmore and Charlie Bellmore.

Art Direction & Design by Nick Steinhardt & Ryan Sanders for 23in

Produced by Nick Bellmore

Executive Producer Jamey Jasta

Pre-orders: https://dthw.sh/thelightage

Links:

Official Website

Facebook

X

Instagram

YouTube

Apple Music

Spotify

The cover artwork for 'The Light Age' was directed and designed by Nick Steinhardt & Ryan Sanders for 23in

1349 Unleashes Haunting Music Video for New Single, "The God Devourer"

True Norwegian black metal horde 1349 will be releasing their eighth full-length, 'The Wolf and the King,' on October 4, 2024 via Season of Mist! The Norwegian horde is now unleashing the third offering from the record, "The God Devourer," along with a music video! The clip was directed by Claudio Marino and produced by Artax Film; it can be found below.

1349 frontman Ravn comments, “'The God Devourer.' Opening track of 'The Wolf and the King.' It tears a hole in the universe and set the atmosphere for the album as a whole. It strangely also resonates perfectly with the ominous apocalyptic mood of the world today.”

The forthcoming offering was mastered by Jarrett Pritchard and produced and mixed by Prichard & 1349 frontman Ravn at NEW CONSTELLATION R.M.P.

Pre-order for 'The Wolf and the King' are now live HERE.

1349 is not like other bands. It’s not a group of friends who decided to make music together. 1349 is a band formed with a unified vision and specific purpose: To maintain the legacy of black metal. 

“I didn’t like the direction that black metal took in the mid part of the ’90s,” 1349 vocalist and mastermind Ravn recalls. “It started losing everything that I liked about black metal—the grimness, the eeriness, the primal emotions that captivated me and brought me into that sphere. You had all these synthesizer-based bands dressing up in pirate shirts and looking like goths. It ruined something that I truly hold close to my heart.” 

In 1997, Ravn formed 1349 and recruited bassist Seidemann and, now former, guitarist Tjalve to help him pursue the vision of recapturing the original spirit of black metal. The longstanding lineup of Ravn, Seidemann, guitarist Archaon, and drummer Frost (also of Satyricon) has been in place since 2001. “I found people that felt the same way as me,” Ravn says of his bandmates. “We wanted to bring back the trademark of Norwegian black metal, as it was presented in the early 90s. Every time we release an album, that’s the inspiration and the backdrop.” 

The Wolf and the King is the latest sortie in that crusade.1349’s eighth album sees the Oslo-based band harnessing the primordial energy of black metal’s decade-defining second wave and channeling it through ancient mysteries and the relentless global chaos of the 2020s. 

The album title comes from a classic alchemical allegory: A wolf devours a king. Then the wolf is devoured by flames, and a new king rises from the ashes. “When I first heard about alchemy when I was young, it was people turning metal into gold,” Ravn says. “Further down the road, through various literatures and magical practices, I realized that what you’re turning into gold is metaphorical. It’s about personal development, basically. You want to be the best you can be, and that’s what we try to do as well. We try to top ourselves, to kill our egos in order to grow as persons. If you don’t do that, you will die. You will not rise from the ashes.” 

Lead single “Ash of Ages” combines thrash with extreme metal flourishes and a proper doomsday theme. “The song is based on a story I read about a layer of ash that covered the Earth 12,000 years ago,” Ravn explains. “This layer of ash comes from a meteorite that struck the Earth during the Ice Age. It melted a lot of the ice, which is where the Great Flood came from. The Great Flood is in the Bible, but it was written about in every ancient culture. The theory is that it washed away a lot of other ancient cultures that held a higher intelligence level than those that were found after the flood. So, it possibly set human civilization back many thousands of years.” 

Released as a one-sided maxi-12” with a flipside etching by Jordan Barlow—who did all the artwork for The Wolf and the King (as well as the band’s 2019 album, The Infernal Pathway)—“Ash of Ages” is also a warning to check your ego. “To think that you’re important, that you’re anything but an ant down there, is futile,” Ravn points out. “In the end, everything will be washed away, and nothing will be left.” 

“Shadow Point” comes complete with a video and revisits the sonic domain of The Infernal Pathway with a classic headbanger groove. “This one references the Star of Algol, or ‘the Demon Star,’” Ravn offers. “It’s actually two stars that revolve around each other, and the small one is devouring the big one. Human beings have seen this star from early ages, and it has had many names over the years. It’s a known part of the magical world, so I wanted to include it in a song.” 

Shot through with menace and a snaky groove, album opener “The God Devourer” will also have a video. “The lyrics are based on the alchemical principle of devouring all that you feel is in your way of becoming a better human,” Ravn says. “It sets the ominous tone for the whole album.” 

Recorded at Amper Tone in Oslo, Norway, and New Constellation R.M.P. in Orlando, Florida, The Wolf and the King was produced and mixed by Ravn and Jarrett Pritchard (Eulogy, Pulchra Morte), the band’s long-standing sonic wizard who also worked on their previous two albums. The lyrics were written by the band’s longtime wordsmith, Svartalv, who has been working with 1349 for twenty years.

Jordan Barlow’s elaborate artwork for The Wolf and the King reflects the album’s chronological position in 1349’s discography. “This is our eighth album, and the artwork and lyrics are filled with references to this number of infinity,” Ravn explains. “You can basically go on a quest finding references to the number in the artwork.” 

All told, The Wolf and the King is the exalted output of the joint force that is 1349. “We all work together to make the best black metal possible every time we release an album,” Ravn says. “This is our common goal. We’re a band on a mission.” 

The cover artwork for 'The Wolf and The King' was created by Jordan Barlow

1349 Lineup:

Archaon - Guitars

Frost - Drums

Ravn - Vocals

Seidemann - Bass

Recording Studio:

Amper Tone (Oslo, Norway) & NEW CONSTELLATION R.M.P. (Orlando, USA)

Production Credits:

Produced by Jarrett Pritchard & Ravn

Mixed by Jarrett Pritchard & Ravn at NEW CONSTELLATION R.M.P.

Mastered by Jarrett Pritchard at NEW CONSTELLATION R.M.P.

Cover Art: Jordan Barlow

Bio: J. Bennett

Pre-Order // Stream: https://orcd.co/1349thewolfandtheking

Links:

Official Website

Facebook

Instagram

X

Apple Music

Spotify

To The Grave Drop Music Video For Brand New Track "BURN YOUR LOCAL BUTCHER"

Australian deathcore powerhouse and ardent animal rights activists, To The Grave have dropped brand new track, "Burn Your Local Butcher" today, along with an accompanying music video. An obnoxiously heavy display of the ferocious, no-punches-pulled, modern deathcore the band are rapidly becoming famed for, "Burn Your Local Butcher" is the second track to be released from the band's upcoming new album, 'Everyone's A Murderer,' scheduled for release on August 30th via Unique Leader Records. Pre-Save HERE

Stream “Burn Your Local Butcher” HERE and watch the official music video Below. 

To The Grave vocalist, Dane Evans explains

"For this you'll need:

A glass bottle

Any flammable (or combustible) liquid (alcoholic drinks with a higher percentage of alcohol can also work)

A rug or a towel

First, take the glass bottle and pour your flammable liquid there.

Take the towel, twist it to the size that fits into the bottle, then put it into the bottle, making sure the larger part of the towel is outside the bottle, not inside, otherwise you risk activating it instantly when you burn the towel.

(optional) put some of the flammable liquid on the towel

Now, when you want to use it, light the towel on fire, and try throwing the molotov cocktail as soon as possible after that."

‘Everyone's A Murderer’, the band's upcoming third full-length album, promises to be To The Grave's heaviest and most evolved offering yet, both sonically and thematically. The album attacks societal and environmental themes with the relentless intensity the band are known for, giving voice to the voiceless via their unique, signature blend of brutally impactful deathcore.

Providing further insight on the new album, Evans shares

"For this record my aim was to speak through the faceless activists that fight for animals, for those living in vystopia feeling alone and helpless in a world that will fight tooth and nail to defend the animal holocaust. Due to it being illegal to rescue farmed animals from abuse these activists must stay silent about it to avoid having their own freedom taken.

It wasn't an easy task, it's never going to do justice to the horrors animals go through every day by the millions in cold, dark sheds around the world or to those that have witnessed it and are doing everything they can to put an end to it. There's no words, no lyrics and no music that can describe the violence or bring back the lives stolen by human hands so this is for them.

Our idea for this album evolved so much before it started but we knew we wanted something that sounded classic, like it was from a different decade entirely. It had to have all the elements that brought us all towards deathcore all those years ago combined with all the modern touches you'd find in the recent TTG material, all whilst trying to do something new and step outside our comfort zone in the process.

It was cool to work with the new lineup on the gritty details like production, tones and getting the energy of the drums down. Once the album was in a listenable state these guys really gave it all personality and brought everything to the table to shape this new sound.

We're very critical of ourselves as artists and have made music in the past that for whatever reason we haven't loved. With that in mind I think the overall goal with this record was to make something that regardless of what anyone else thought, we were proud of and I'm happy that we all had that shared vision in mind.

We probably had the most fun making this record that we've ever had and it felt liberating to be able to make something that we liked. It felt like starting the band from new again and only having the pressure of wanting to write cool shit.

The singles are tough as fuck and I think do a good job of representing the blunt force approach on the album leaving a tonne of surprises in the sharps bin for when people pick it up on release day. That should make sense when it drops."

To The Grave

Upcoming Tour Dates

2024

USA

Main Support To OCEANO

09/05 Thurs - Detroit, MI

09/06 Fri - Cleveland, OH

09/07 Sat - Erie, PA

09/08 Sun - Brooklyn, NY

09/10 Tues - Baltimore, MD

09/11 Wed - Greensboro, NC

09/12 Thurs - Columbia, SC

09/13 Fri - West Palm Beach, FL

09/14 Sat - Orlando, FL

09/15 Sun - Atlanta, GA

09/17 Tues - Houston, TX

09/18 Wed - San Antonio, TX

09/19 Thurs - Dallas, TX

09/20 Fri - El Paso, TX

09/21 Sat - Albuquerque, NM

09/22 Sun - Phoenix, AZ

09/24 Tues - Anaheim, CA

09/25 Wed - Fresno, CA

09/26 Thurs - Sacramento, CA

09/27 Fri - Portland, OR

09/28 Sat - Seattle, WA

09/29 Sun - Spokane, WA

10/01 Tues - Salt Lake City, UT

10/02 Wed - Denver, CO

10/03 Thurs - Omaha, NE

10/04 Fri - Chicago, IL

ABOUT TO THE GRAVE

One of Australia’s most uncompromising bands, To The Grave garnered international success with their 2019 debut album 'Global Warning'. The caustic five piece have continued to collect international success, with 2021’s follow-up 'Epilogue', a re-issue of 'Global Warning' with bonus tracks, their 2023 album, 'Director's Cuts' along with it's subsequent Deluxe release, which featured a new collection of tracks on the 'Offcuts' EP solidifying their position as “one of the country's heaviest exports.” (Revolver).

To The Grave have steadily built an audience in the underground, accumulating more than 11 million Spotify streams, racking up over 5.4 million YouTube views, all whilst decimating live audiences alongside Parkway Drive, Polaris, Cattle Decapitation, Thy Art Is Murder, Shadow of Intent, Angelmaker, Enterprise Earth, Vulvodynia and Alpha Wolf.

Now, following a sold-out national headline tour in 2022, global critical acclaim for the release of 'Director's Cuts' and it's Deluxe release, featuring the 'Offcuts' EP and plenty of upcoming tours, the band are more focused than ever.

To The Grave lyrically expose a societal and environmental hell on earth whilst pushing the boundaries of accessible extremity, full of barbed hooks, thick with atmosphere and drenched in groove. Razor-sharp guitars played with an exploratory approach - blending everything from whammy pedal squeaks and chiming cleans to death metal chainsaw tones - are entwined with live drums to give a level of dynamism that musically sets this band apart from the extreme metal pack, yet they maintain the weight of the heaviest bands today. Vocalist Dane Evans commands a multifaceted performance, bursting with vocal energy from throat-ripping dissonant screeches to low end gutturals. 

To The Grave are

Dane Evans - Vocals

Jack Simioni - Guitars, Programming

Matt Clarke - Bass, Vocals

Nic Webb - Guitars, Vocals

Rangi Barnes - Drums

Blue Grape Signs Bike Routes, To Release "Rush of Energy" EP 10/4, Shares "You Want It You Got It" Video

Blue Grape Music is thrilled to announce the signing of Bike Routes.

The artist will release his Rush of Energy EP on October 4. The EP is available on vinyl in several colorways. Pre-order it here.

Today, Bike Routes has shared the video for the single "You Want It You Got It."  Watch it below. 

"'You Want It You Got It' is an ode to long, late night drives home and the thoughts that come with them," Bike Routes says. "It leans into hyper specific moments from my life, but they're moments that anyone listening can relate to. From the intrusive thoughts that go hand in hand with the hardships of forward progress — 'Drive away with my heart on the dashboard, don’t you hate when you get what you asked for?' — to all too human existential qualms — 'If nature is healing, then I think these might be the end times' — this song ushers in a new era of Bike Routes. You want it? You got it."

Bike Routes is David Lawrence Osterhout.

Deeply intimate, earnest, and heartfelt expressions of anxiety, heartbreak, and acceptance lie within deceptively sugary melodies and hooks. David’s acoustic guitar is the anchor, inviting listeners into a notebook full of emotion and authenticity. 

The Garden State gave the world Bruce Springsteen, The Misfits, Lifetime, and The Gaslight Anthem. There's perhaps a bit of the essence of each of those trailblazers within the Bike Routes sound. While the South Jersey singer/songwriter conjures the spirit of the iconic troubadours of indie rock, classic emo, and postmodern pop-punk, he distinctively carves a singularly unique identity all his own. 

Osterhout teamed up with producer Zach Tuch (Touché Amoré, Silverstein, Movements), looking to expand the Bike Routes sound. The resulting collection is the Rush of Energy EP — the first Bike Routes release via Blue Grape Music. 

Bike Routes excels in the live environment, as evidenced on a Spring 2024 tour with Hawthorne Heights. More touring is expected for later this year. 

PHOTO CREDIT: Ivy MacLeod

ABOUT BLUE GRAPE MUSIC:
In 2022, industry veterans David Rath and Cees Wessels formed Blue Grape Music.  The name will be familiar to rock music fans, as it was the merchandise company also launched by Wessels, who founded the venerable and esteemed record label Roadrunner Records in the ‘80s. Roadrunner earned a reputation as an iconic label that turned hard rock and metal acts into household names for several decades under Wessels’ tutelage. Rath spent 21 years in the A&R department at Roadrunner, working on albums by a variety of RIAA-certified and culturally important acts, including but not limited to Slipknot, Korn, Turnstile, Gojira, Coheed and Cambria, White Reaper, Slash, Trivium, Dream Theater, and more. When the label changed management and ownership, Rath guided the company and oversaw the signings of bands like Young the Giant and Vance Joy.  Ultimately, the Blue Grape executive team is powered by experience and a roll-up-your-sleeves-and-get-your-hands-dirty, by-any-means-necessary work ethic. Blue Grape's inaugural signing was the two-time Grammy nominee Code Orange and since then, the label has gone on to sign San Francisco punks Spiritual Cramp, hardcore heavyweights GEL, and Baltimore sludge slingers GASKET, with several new signing announcements expected to be announced this year.  Blue Grape is distributed globally by The Orchard.

NAILS Releases New Single 'Lacking The Ability To Process Empathy'

Anticipation continues as California masters of brutal aggression NAILS reveal the latest single, ‘Lacking The Ability To Process Empathy’, from the band’s long-awaited, 4th full-length album, Every Bridge Burning, due out August 30th from Nuclear Blast Records.

Following the catastrophic tracks ‘Give Me The Painkiller’ and ‘Imposing Will’, NAILS unleashes a 2+ minute, groove-laden song that seethes with contempt and disdain.  

Every Bridge Burning was produced by Kurt Ballou at God City Studio and is adorned with aptly diabolic artwork by Jef Whitehead. Their first record in 8 years features 10 tracks of unyielding,  violence that can only be described as the sound of NAILS.

Pre-order Every Bridge Burning: https://nails.bfan.link/every-bridge-burning

Stream ‘Lacking The Ability To Process Empathy’: https://nails.bfan.link/lacking-the-ability-to-process-empathy

‘LACKING THE ABILITY TO PROCESS EMPATHY’ VISUALIZER BELOW:

NAILS Tour Dates:

W/200 Stab Wounds, Mammoth Grinder & Tribal Gaze

Sept 11 - Montreal, QC - Theatre Fairmount

Sept 12 - Toronto, ON - The Axis Club Theatre

Sept 13 - Detroit, MI - Tangent Gallery

Sept 14 - Chicago, IL - Avondale Music Hall

Sept 15 - St. Louis, MO - Off Broadway

Sept 16 - Nashville, TN - Exit/In

Sept 17 - Atlanta, GA - The Masquerade

Sept 18 - Greensboro, NC - Hangar 1819

Sept 19 - Baltimore, MD - Baltimore Soundstage

Sept 20 - Brooklyn, NY - The Brooklyn Monarch (w/special guest Stabbed)

Sept 21 - Worcester, MA - New England Metal & Hardcore Festival @ The Palladium

Nov 2 - Manchester, UK - Damnation Festival

w/Xibalba, World Peace, Deadbody & Auditory Anguish

Nov 14 - Berkeley, CA - Cornerstone

Nov 15 - Los Angeles, CA - The Belasco (w/special guest Entry)

Nov 16 - San Diego, CA - Brick By Brick (no Xibalba)

About NAILS:

For the first time in over 8 years, the blistering assault on our nervous system that can only be described as the sound of NAILS, has reemerged. With Carlos Cruz on drums, Andrew Solis on Bass, Shelby Lermo on Guitars, and Todd Jones on guitar & vocals, the upcoming studio album, EVERY BRIDGE BURNING, will be revealed August 30th, 2024 via Nuclear Blast Records.

The album artwork, a creation by Jef Whitehead, serves as a visual prelude to the auditory chaos—a stark representation of the aural brutality that NAILS delivers.

Recording for the album commenced in Massachusetts at God City Studio with Kurt Ballou (of CONVERGE), whose contribution is integral to the NAILS sound, as elucidated by Jones: “we’ve recorded every album with Kurt. He’s such an important ingredient as to how we present our music. When our fans want to hear NAILS, they want to hear something that is through the filter of Kurt’s engineering.” 

EVERY BRIDGE BURNING was born out of unwavering dedication to NAILS fans and the underground music scene. It echoes their commitment to authenticity and raw power. NAILS remains a beacon of rebellion and resilience in a world hungry for genuine expression. With no shortage of effort or meticulous song arrangement, the time has arrived to become engulfed in the ferocity of NAILS once again as EVERY BRIDGE BURNING unveils a new, but familiar chapter in extreme music.          

“This band was modeled after some of my favorite bands; the type of bands where, when they put out an album, you know what it’s going to sound like,” describes Jones, “it’s the delivery of the expectation.” The sensory destroying musical onslaught that we’ve all been missing is back. NAILS is Todd Jones, Carlos Cruz, Andrew Solis, and Shelby Lermo.

Follow NAILS:

https://www.instagram.com/nailstyranny

https://www.facebook.com/NAILSoxnard

https://www.youtube.com/@nailstyranny

http://nailsmerch.com/

Miss May I Share 15th Anniversary Version of "Architect" Feat. Currents

SOLID STATE RECORDS recently signed Ohio metalcore favorites MISS MAY Ito its global roster.

The band announced the awesomely ambitious 15th anniversary edition of its classic, beloved album APOLOGIES ARE FOR THE WEAK (RE-RECORDED 15TH ANNIVERSARY EDITION).The album arrives August 23. Pre-order it here.

The anniversary edition has been entirely re-recorded and features cameos on every single song, ranging from Jake Luhrs of August Burns Red, Brandan Schieppati of Bleeding Through, Scott Lewis of Carnifex, and many others. See the full track listing below.

Today, the band has shared the anniversary version of "Architect," featuring Currents. Listen below.

"This was one of the first songs we ever wrote as a band and it's very special to us," states MMI. "It predates this album and can be found on our first demos. Having [singer] Brian [Wille] on this record is very special because we feel like Currents are our little brothers having taken them out on some of their first tours around the world and watching them grow into the juggernauts they are today. Brian specifically requested to do this track as it was one of his favorites when it was originally released. We are so happy to have him put his spin on it and join us for this celebration."

The band also created a throwback website in conjunction with the release.

Send your Friend Request here.

The sound and fury of Miss May I is deeply embedded in the hearts and minds of a legion of fans. The MMI faithful are from different backgrounds, of different ages, with diverse life experience, who all come together and connect with Miss May I's combination of brutal proficiency and impassioned delivery. The four-piece powerhouse, from the fertile metalcore grounds of America's heartland, have become an integral part of the worldwide heavy music community, transcending boundaries and limitations, galvanizing crowds, and energizing each person they encounter. Miss May I celebrate 15 years of savage metalcore and soaring melodic refrains, newly revitalized, and poised for an insurgent career renaissance; armed with unmistakable power, road hardened experience, a steadily building catalog, and unrelenting spirit, supported by a diehard community.

APOLOGIES ARE FOR THE WEAK (RE-RECORDED 15TH ANNIVERSARY EDITION):
"A Dance With Aera Cura" (Feat. Garrett Russell from Silent Planet)
"Architect" (Feat. Brian Wille from Currents)
"Not Our Tomorrow" (Feat. Brandan Schieppati from Bleeding Through)
"Arms Of A Messiah" (Feat. Scott Lewis From Carnifex)
"Apologies Are For The Weak" (Feat. Anthony Notarmaso from After the Burial)
"Harlots Breath" (Feat. Brook Reeves from Impending Doom)
"Tides" (Feat.Jake Luhrs from August Burns Red)
"Blessing With A Curse" (Feat. Trevor Wentwoth from Our Last Night)
"Porcelain Wings" (Feat. Telle Smith From The World Alive)
"Forgive And Forget" (Feat. Ryan Kirby + Ryan "Tuck" O'Leary from Fit for a King)

Miss May I will hit the road on a headline tour this fall, during which they will play Apologies Are for the Weak in full. All dates are below. The band has announced the first annual Relentless Fest, set for November 3 in Covington, Kentucky, during which they will play Apologies Are For the Weak in full.

MISS MAY I ON TOUR:
10/2 — Lakewood, OH — The Roxy
10/3 — Lansing, MI — Grewal Hall
10/4 — Chicago, IL — Bottom Lounge
10/5 — Des Moines, IA — Wooly's
10/6 — St. Paul, MN — Amsterdam Bar & Grill
10/8 — Denver, CO — The Oriental Theatre
10/9 — Salt Lake City, UT — Metro Music Hall
10/11 — Seattle, WA — El Corazon
10/12 — Portland, OR — Hawthorne Theatre
10/14 — Roseville, CA — Goldfields
10/15 — Pomona, CA — Glasshouse
10/16 — San Diego, CA — Brick By Brick
10/17 — Mesa, AZ — Nile Theatre
10/19 — Dallas, TX — Trees
10/20 — Austin, TX — Come And Take It Live
10/21 — Houston, TX — Warehouse
10/23 — Atlanta, GA — Masquerade
10/24 — Tampa, FL — Orpheum
10/25 — Charleston, NC — Music Farm
10/26 — Greensboro, NC — Hangar 1819
10/27 — Richmond, VA — The Canal Club
10/29 — Brooklyn, NY — Brooklyn Monarch
10/30 — Worcester, MA — Palladium
11/1 — Mechanicsburg, PA — Lovedraft's Brewing Co.
11/2 — Pittsburgh, PA  — Mr. Smalls
11/3 — Covington, KY — Relentless Fest*
*Festival Date

Teen Metal Band Chained Saint Share "Stronger Than Stone (Blindside)"

TEEN METAL BAND WITH MAJOR CHOPS TO RELEASE WILLIAM DUVALL-PRODUCED DEBUT ALBUM BLINDSIDE ON AUGUST 23
 

Born in a South Florida garage back in the summer of 2022, Chained Saint's forthcoming debut album, Blindside, combines the raw, organic riffery of the best old-school '80s thrash metal with a dash of modern-day brutality befitting the many challenges confronting the youth of 2024. The past and present collide, resulting in modern, metallic maelstrom made by a bunch of kids who play with fire in their veins — and their hands!

Comprised of four high school students — Ethan Kahn (17, guitar), Sebastian De Avila (18, bass), Cameron Cottrell (19, drums) and Sean Sterling (18, vocals) — Chained Saint represent the latest generation pushing back with justifiable fury against the harsh realities of an unforgiving world. 

Today, they share the new single "Stronger Than Stone (Blinside)."

Listen Below.

"What we wanted with 'Stronger Than Stone (Blindside)' was a good lyric for people to mosh, stagedive, dogpile, and just have a healthy, bonding good time," the band explains. "It's about the crazy times we're living in and it's about our band, like many others, having to rebuild itself after being blindsided having to face some adversity early on."

The band emerged with its debut single and video "Animosity," which premiered over at Chorus.FM. Watch it here and here.

Blindside, produced by William DuVall of Alice In Chains, focuses that fury into a powerfully concise, eight-song LP. The album was recorded and mixed to analog tape with no computers involved whatsoever in the recording sessions. No AI. No studio trickery. No bullshit. Just real riffs made by real players. 

The end result is a ferocious set of performances that maintain the essential "tight-but-loose" naturalness of four musicians bashing it out in the same room together — a quality too often lacking in today’s digitally-driven musical landscape. 

Blindside arrives on August 26 via Patriark Records. 

Get to know Chained Saint now — so you can say you were there from Day One.

The Plot In You Announce New EP 'Vol. 3' Out November 8 + Release New Track "Been Here Before" via Fearless Records

The Plot In You have announced their forthcoming EP 'Vol. 3' set for release on Friday, November 8. In celebration of the announcement, the band has dropped their poignant lead single "Been Here Before" and the official video (via Fearless Records). The track takes listeners on a journey of the highs and lows in relationships by masterfully blending raw, intense vocals, heavy instrumentation, and fast-paced drums with an ending of ethereal clarity. Speaking about "Been Here Before", vocalist Landon Tewersshared:

"This song was the first Plot tune where I took influence from some pop-punk artists, speaking on relationship themes and the push and pull that comes with being with someone through hard times."

Prior to today, the band released their 'Vol. 2' EP which includes tracks "Closure", "Don't Look Away", and "All That I Can Give". Altogether, the tracks have amassed an impressive 14 million streams on Spotify alone and over 1.2 million views and counting on YouTube. Stream "Been Here Before" here and watch the video below.

The band will be hitting the stage at Rocklahoma 2024 before kicking off their UK/EU headlining run with Invent Animate beginning in September, and across Latin America with Bring Me The Horizon in December. For tour information, please click here and be sure to stay tuned for more The Plot In You news coming soon.

During 2023, The Plot In You kickstarted a new era with 'Vol. 1' with “Divide”, having generated 16 million Spotify streams and counting followed by “Left Behind”, exploding to the tune of 31 million Spotify streams with no signs of slowing down. Upon the arrival of “Forgotten”, Revolver praised it among the “6 Best New Songs Right Now”. The Plot In You's 'Vol. 2' EP is a powerful showcase of the band's evolution, blending raw emotion with polished musicality, and stands as a testament to the band's growth and artistic maturity, captivating listeners with its intense yet introspective narratives with tracks “Closure”, “Don’t Look Away”, and “All That I Can Give”further solidifying their place as one of the genre's most compelling acts.

The band is set to captivate fans once again with their latest offering, “Been Here Before”. Delving into the emotional turbulence of relationships, the band weaves a narrative of enduring the highs and lows with their signature intensity and profound storytelling.  This impactful track is bound to resonate deeply with listeners, highlighting the band’s unparalleled talent for exploring complex emotions through powerful music.

LAINEY WILSON RELEASES “GOOD HORSES” FEATURING MIRANDA LAMBERT FROM NEW ALBUM WHIRLWIND COMING AUGUST 23

Today, GRAMMY® award-winning, multi-PLATINUM artist, Lainey Wilsonreleases her new song “Good Horses - featuring Miranda Lambert” from her forthcoming and highly anticipated new album, Whirlwind, via BBR Music Group/BMG Nashville. Listen to “Good Horses (feat. Miranda Lambert)” and pre-order/pre-save/pre-add Whirlwind HERE. 

“Good Horses,” the latest glimpse into Whirlwind, was co-written by Wilson, Lambert, and Luke Dick and produced by GRAMMY® award-winning producer, Jay Joyce.  

“I am so excited for everyone to finally be able to have their hands on this song. Writing with Miranda and Luke feels like home, and I will forever cherish the day we wrote this song,” said Wilson. “‘Good Horses’ is all about finding your way back home, no matter where you are.”

Lambert adds, “’Good Horses’ is about all the people that love the comfort of home, but also need to be free. Lainey and I wrote this song at my farm with Luke Dick. Lainey is a genuine and authentic human. I love watching her dreams come true right in front of our eyes, and it’s so cool to be a little part of it.” 

Already this year, Wilson has won a GRAMMY® for Best Country Album, a People’s Choice Award for Female Country Artist of The Year, a CMT Music Award for Female Video of The Year, three ACM Awards, including the coveted Entertainer of The Year, and became an official member of the Grand Ole Opry. With no signs of slowing down as “Hang Tight Honey” heads towards the top 10 at country radio, fans can catch Wilson on her headlining 2024 “Country’s Cool Again” North American Tour throughout the year. For a full list of tour dates and more information, please visit laineywilson.com. 

ABOUT LAINEY WILSON:

GRAMMY® award winning, prolific singer-songwriter, Lainey Wilson has earned the enthusiasm and praise of the industry. Critically acclaimed and touted as ‘Entertainer of the Year,’ the Louisiana native who has often been described as a “bona fide storyteller at work,” has made a name for herself as a next generation icon. Constantly defying the traditional norms and conventions of the Country music genre, Wilson’s “rulebreaking” achievements have led her to numerous accolades and a diehard fanbase. 

Nearly 10 years to the day after leaving her small farming community in a camper trailer to chase her dreams in Nashville, she earned her first PLATINUM certified song, with “Things A Man Oughta Know,” and won over legions of fans across the globe with her signature sound and aesthetic, blending traditional Country with a modern yet retro flare. Thus far, her music has taken her worldwide with headlining shows in Europe, the UK, Australia, and more. With seven No.1 songs to date, Wilson has become the lead female artist with the most No.1’s this decade along with two GRAMMY® nominations, nine ACM awards, seven CMA awards, and becoming an official member of the Grand Ole Opry. 

Making her acting debut in Season 5 of Paramount’s smash hit series Yellowstone, Wilson has become a triple-threat in the industry, claiming the roles of singer, songwriter, and actress. Fans can also catch Wilson on her “Country’s Cool Again” headlining North American tour this year and pre-order/pre-save/pre-add her forthcoming studio album, Whirlwind, now. For more information, please visit laineywilson.com. 

Photo Credit: Erick Frost

KEEP UP WITH LAINEY WILSON

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THE DEAD DAISIES NEW SINGLE “I’M GONNA RIDE”, PRE ORDER LIGHT ‘EM UP ALBUM AHEAD OF UK & EU TOURS

The Dead Daisies are back with their brand of solid straight-ahead rock that is leaving fans eager with anticipation for the new album and tour dates!! The band recently lit up the US on the first leg of the ‘Light ‘Em Up’ Tour to rave reviews from both fans and media alike.

“I’m Gonna Ride” is the second single from the band’s upcoming album and hits the airwaves today. Recorded by Marti Fredericksen in Nashville, this exhilarating track is sure to get you pumped on your next road trip.

“I’m Gonna Ride is a song about leaving your worries, and everyday stresses behind, getting on your Harley and cranking it up. It’s an anthem of the open roads and our next single from the “Light ‘Em Up” album. See you on our UK Tour in September!! Love you guys” – John Corabi

Accompanying this rockin’ track is a video to inspire a feeling of freedom.


“Light ‘Em Up” – the album, is available to pre-order now ahead of the UK and European Tours in early September and November. https://thedeaddaisies.com/light-em-up-album/

ROCK IS INDEED ALIVE & WELL!

www.thedeaddaisies.com

Rolo Tomassi to Release New Album -Live at the Electric Ballroom- on Sept 27

UK Progressive metal band Rolo Tomassi announce a new live album, Live at The Electric Ballroom, to be released on September 27, 2024, via MNRK Heavy.  The 15-track project was recorded from a headlining show on February 15, 2023, at London’s Electric Ballroom.  The set showcases Rolo Tomassi at their most dynamic and mesmerizing.     

The first single, "Aftermath," is out today. Originally released on 2018’s Time Will Die and Love Will Bury It, this live version intensifies the melodic and sweeping soundscape.  

Vocalist/keyboardist James Spence says, “Since its release, this song has been an audience favourite along with a rare opportunity for a sing-along. It remains an outlier in our material, but in the context of a full set, it always feels like an elevated moment. Our band has always been about stark contrasts, and this is a perfect example of that.”

Rolo Tomassi have spent 17 years leading the pack rather than following, and on their recent album, Where Myth Becomes Memory, they've led with more poise and determination than ever before. The album served as the final part in an unintended trilogy that began with 2015’s Grievances and continued with 2018’s Time Will Die And Love Will Bury It.

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Barbarians of California (Feat. AWOLNATION, Tinfed) Share "Bazooka" Video + Announce Album + First Show

The West Coast's contribution to hardcore punk is undeniable. That tradition of aggression, passion, and scrappy melodicism continues with The Barbarians Of California, an engaging new manifestation of iconoclastic spirit and true bombast. Featuring Aaron Bruno of AWOLNATION and Eric Stenman of Tinfed, as well as being a noted producer, TBOC are equal opportunity iconoclasts, gleefully thrashing the left and the right in the hardcore-punk tradition of nonconformity and raw fury. The band isn't "political," because they aren't advocating for anyone's platform. The central message is defiance. 

Today, the band has announced its debut album And Now I'm Just Gnashing My Teeth. It arrives October 4 via ONErpm. Pre-order it here.
 

The band also announced its first show on October 19 at the Troubadour in L.A., with Strife, Will Haven, and Berthold City also to appear. Get tickets here.

"This album is the culmination of many, many hours spent chasing down a sound that we weren't, currently, hearing out in the world," says Stenman. "Personally, I almost felt guilty getting to make it... like we were putting our real lives on hold to pursue a pure passion project. I hope that the amount of fun that we had making it, comes through to the listener."
 

As for the gnarly and gritty new track "Bazooka," he continues, "I was psyched when Aaron gravitated towards this piece of music. It's a bit of a departure from a lot of what we're doing... but, it's definitely a sound I think we'll pursue more in the future."

The video also nods to an adjacent aspect of the hardcore scene's culture, as it's comprised of some incredible skateboarding footage. Stenman says, "Putting this video together was also a blast. I first became passionate about music when I began to learn about bands in the back of Thrasher magazine. The fact that Aaron's cousin happens to be Mike Mo Capaldi, one of the coolest skaters ever, is just amazing. Mike and his friends had all this extra footage lying around and we were more than happy to make use of it. Lastly, the simple fact that we have a song titled 'Bazooka' makes this whole project worth doing!"

So, who, exactly, are The Barbarians of California? Let's find out, shall we?
 
Eric Stenman and Aaron Bruno first collided in the California hardcore scene of the early '90s. Stenman cut his teeth in the same Sacramento community that eventually launched diverse and disparate acts like Deftones, Far, Will Haven, Team Sleep, Hella, Dance Gavin Dance, Death Grips, and Trash Talk. Bruno was born and raised just north of L.A. and nicknamed "AWOL" by his high school friends.  Eric played guitar for cutting-edge, electro-infused rockers Tinfed. Commercial success eluded them despite a cult following, a deal with a major label, and an appearance on the M:I 2 soundtrack. 
 
Bruno co-founded the hardcore band Insurgence as a teenager. His next band, Home Town Hero, toured with Weezer and Stone Temple Pilots and released a major label album, but combusted in 2004. Next came Under The Influence Of Giants, who, despite critical acclaim, disbanded in 2008. Stenman became one of the most sought-after producers of alternative rock. His discography as a producer, mixer, and engineer includes important releases from 7 Seconds, Senses Fail, ††† (Crosses), and AWOLNATION. AWOLNATION, of course, is the multi-platinum act Bruno formed in 2009. 
 
The spirit of the underground and the personal catharsis delivered through metallic hardcore never left either of them. So, when Aaron learned that Eric crafted a batch of throwback bangers combining impassioned angst with modern sensibilities, he wanted in immediately. The Barbarians were born. 
 
The apparent "full circle" moment isn't lost on either of them. "It's a funny time in our lives to go back and make the most aggressive music we've ever created," Stenman laughs. “Both of us have always had a love for this world. If given the opportunity, why not try to give back to it?"

OPETH Announces New Album 'The Last Will & Testament,', Shares First Single, "§1"

Swedish prog legends OPETH are now pleased to reveal that their 14th studio album, 'The Last Will & Testament’, is set for release on October 11, 2024 via via Reigning Phoenix Music / Moderbolaget! In celebration, the band is now sharing the first single from the offering, "§1" available on all DSPs HERE. Prior to today's worldwide announcement, the album was teased yesterday, exclusively for attendees at Wacken Open Air 2024 in conjunction with the band's performance at the illustrious festival.

In addition to OPETH's previously announced North American headlining tour, which will take place in October 2024, the band is also now revealing an extensive European run for February 2025! OPETH is offering a special bundle for fans who pre-order 'The Last Will & Testament'. Starting today, August 2 at 10:00 A.M. CEST, fans who pre-order the album will receive a special ticket pre-sale code for advanced tickets to the European tour! The offer will end on Tuesday, August 6 at 15:00 CEST, so don't sleep on this limited opportunity!

General sales will start on Friday, August 9 at 10:00 A.M. local time.

Pre-order the album HERE to get access to the pre-sale for the EU tour

Tickets for North America are now available HERE 

Opeth vocalist/guitarist Mikael Åkerfeldt admits: "I love this record. I have to say it (write it). Maybe I’m proud even? There are some familiar ingredients in there I suppose. Most of our music has sprung from the same source, so I guess it’s not much of a shocker if it’s going to sound like 'us’. I’m a bit in awe of what we did with “The Last Will and Testament”. It feels like a dream. There is some 'coherence' and 'songwriting skills' I hope, but what do I know? I tend to favour the 'strange' over the 'obvious,' but I feel like I’m in the minority, and that’s fine. So…fair warning! Don’t expect an instant rush (as per usual), but if you do “get it” (have you got it yet?) right away, that’s ok too!"

'The Last Will & Testament' is a concept album set in the post-World War I era, unfolding the story of a wealthy, conservative patriarch whose last will and testament reveals shocking family secrets. The narrative weaves through the patriarch's confessions, the reactions of his twin children, and the mysterious presence of a polio-ridden girl who the family have taken care of. The album begins with the reading of the father's will in his mansion. Among those in attendance is a young girl, who, despite being an orphan and polio-ridden, has been raised by the family. Her presence at the will reading raises suspicions and questions among the twins.

Regarding the record's creation, Åkerfeldt adds: "This is the first record with Walt on drums. Seeing and hearing him record his bits was otherworldly and what went through my head was something like: How can a human being play this stuff? The older cats (myself, Mendez, Fred and Jocke) did our bits in due time. We did them well (I like to think) and the alcohol concentration in our blood was mostly quite low as the red light was on. We’re professionals, you see! Rockfield Studios treated us well and we love that place! Stefan Boman recorded and mixed it all (CAPTURED it on TAPE… kind of…). Miles Showell did the master at Abbey Road Studios and then we (myself and Stefan) took him for a curry in Covent Garden. Travis Smith has done this odd-masterpiece-artwork that put 'clothes' on the music. All in all, we hope we’ve put together a nice little morsel of information for you to nibble on when it’s raining out. Thank you for your time. Thank you for reading. Thank you for listening. Thank you for giving us a respectable past. I’ll thank you for our future in the actual future, OK?"

Pre-Order ‘The Last Will & Testament’: HERE

Opeth's fourteenth album was written by Åkerfeldt, with lyrics conferred with Klara Rönnqvist Fors (The Heard, ex-Crucified Barbara). ‘The Last Will & Testament’ was co-produced by Åkerfeldt and Stefan Boman (Ghost, The Hellacopters), engineered by Boman, Joe Jones (Killing Joke, Robert Plant), and Opeth, with Boman, Åkerfeldt, and the rest of Opeth mixing at Atlantis and Hammerthorpe Studios in Stockholm. The strings on ‘The Last Will & Testament’ were arranged by Åkerfeldt and returning prog friend Dave Stewart (Egg, Khan) and conducted by Stewart at Angel Studios in London. Not one to miss a beat, visual artist Travis Smith returns to the fold, crafting his 11th cover, a haunting "photograph" reminiscent of Stanley Kubrick's infamous "Overlook Hotel" photograph. Miles Showell (ABBA, Queen) also revisits mastering and vinyl lacquer cutting at Abbey Road Studios in London.

Åkerfeldt rolls out the red carpet for storied flautist and Jethro Tull main man Ian Anderson. Not only do Anderson's signature notes fly on "§4" and "§7", he narrates on "§1", "§2", "§4", and "§7". Joining Anderson, Europe's Joey Tempest lends a backing vocal hand on "§2”, while Åkerfeldt's youngest daughter, Mirjam Åkerfeldt, is the disembodied voice in "§1".

‘The Last Will & Testament ‘is gripping from start to finish, jaw-dropping inside and out, representing some of Opeth's finest material to date. Just as Opeth welcomed many into its distressed arms over the years, the Swedes again deliver on the promise that great music always tells a compelling story—this time with growls.

GET TICKETS HERE

OPETH North American Tour Dates (w/ TRIBULATION):

10/11: Milwaukee, WI @ The Rave / Eagles Club

10/12: Cleveland, OH @ Agora Theater & Ballroom

10/14: Toronto, ON @ Queen Elizabeth Theatre

10/15: Montréal, QC @ L’Olympia

10/16: Worcester, MA @ Palladium

10/18: Brooklyn, NY @ Kings Theatre

10/19: Pittsburgh, PA @ Stage AE

10/20: Washington, DC @ Warner Theatre

10/22: Atlanta, GA @ Tabernacle

10/23: New Orleans, LA @ Fillmore New Orleans

10/24: Austin, TX @ Emo’s Austin

10/25: Dallas, TX @ Majestic Theatre

10/27: Denver, CO @ Mission Ballroom

10/29: Phoenix, AZ @ The Van Buren

10/30: Los Angeles, CA @ YouTube Theater

10/31: San Francisco, CA @ The Warfield

Lineup:

Mikael Åkerfeldt – Vocals, guitars

Fredrik Åkesson – Guitars, backing vocals

Martin Mendez – Bass guitar

Waltteri Väyrynen – Drums and percussion

Joakim Svalberg – Keyboards, backing vocals

Special Guests:

Ian Anderson (Jethro Tull) - spoken word (tracks 1, 2, 4, 7) // flute (tracks 4, 7)

Joey Tempest (Europe) - backing vocals (track 2)

Mirjam Åkerfeldt - spoken word (track 1)

All Music and Lyrics written by Mikael Åkerfeldt

Lyrical concept by Mikael Åkerfeldt, dramatic consultation by Klara Rönnqvist Fors

Produced by Mikael Åkerfeldt

Co-produced by Opeth and Stefan Boman

Engineered by Stefan Boman, Joe Jones and Opeth

Mixing by Stefan Boman and Mikael Åkerfeldt and Opeth at Atlantis and Hammerthorpe, Stockholm, Sweden

Mastering and vinyl lacquer cut by Miles Showell at Abbey Road studios, London, UK

Strings conducted by Dave Stewart at Angel Studios, London, UK

Strings arrangement by Mikael Åkerfeldt and Dave Stewart

Drum technicalities by Kit Cunningham

Artwork by Travis Smith with directions from Mikael Åkerfeldt

Biography by Dom Lawson

About Reigning Phoenix Music

Founded in 2023, Reigning Phoenix Music is truly the 100% independently owned vision of music industry professional Gerardo Martinez and avionics and tech entrepreneur, Sven Bogner. The blueprint is to continue to help heavy metal, extreme, hard, and heavy music thrive by partnering with an array of well-established acts, new talent, and iconic artists, by offering best services and practices in the industry. But most important is to help the artists amplify their art and talent to a winning formula for success!

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