Mark & Maggie O'Connor Set to Release New Album 'Life After Life' 4/26 via ONErpm

Global music company ONErpm is proud to announce the release of Life After Life, the latest album from GRAMMY Award-winning Americana and bluegrass artists Mark and Maggie O’Connor, which will be distributed on all platforms next Friday, April 26.

A seven-time CMA Award winner, Mark O’Connor is a legendary multi-instrumentalist famous for his work on fiddle, guitar and mandolin. On Life After Life, Mark not only brings these talents to bear but is also the principal songwriter and harmony singer, in addition to producing the album. Maggie, a talented artist in her own right who won a GRAMMY for playing and singing bluegrass with her husband Mark in the O’Connor Band, debuts as the lead singer as well as an instrumentalist.

• Pre-save the album HERE

• Watch the album trailer HERE

• Watch official music videos from the album below.

 The compelling theme flowing throughout Life After Life is the idea that while our common experiences can turn into challenges—even hardships—we still seek optimism and hope. As Mark explains, “Our new songs are about learning to fall in love with life again after being utterly frightened by it,” as this collection took shape during the pandemic.
 
The title track, written by Mark and folk singer/wordsmith Joe Henry, references poet Denise Levertov, who writes of a particular woman whose “life after life after life goes by without poetry, without seemliness, without love.” The songwriters wanted to build on the idea but with some surety.
 
As Henry explains, “For me, it speaks quite simply to the way life continues to tumble toward us: not in neat, compartmentalized chapters but in overlapping, cross-fading––confounding, misleading, wondrous and glorious––concurrently racing episodes we are nonetheless invited to embrace…even when they mystify us. Maybe even especially when they do.” Mark agrees, saying, “Joe’s words truly embody why this song is the perfect title track as the lyrics so genuinely describe the lives Maggie and I lead together.”

Mark’s original songs on Life After Life range from taking a leap of faith together in “We Just Happened to Fly” to testing faith in “All We Will Be,” both of which he co-wrote with Henry. “Ride Towards Home,” a song Mark wrote with Maggie, talks about horses and what they have meant to mankind, while “Spice of Life,” written with Jim Parker, is about remembering to enjoy the little things. Mark wrote the current single being offered to Americana radio stations, “One Sunray At A Time,” about raising his daughter, Autumn.
 
Each of the album’s songs showcase intricate interludes featuring a wide range of acoustic instruments. Mark says he “drew upon years of experience interpreting vocal songs instrumentally, while also reflecting on my work with some of the great popular songwriters of our time, such as James Taylor, Paul Simon and Bob Dylan.” O’Connor adds that after sitting in a recording studio next to Dylan as he noodled on his guitar between takes, “It raised my curiosity about him purely as a musician. So I designed the solo sections for these songs by imagining what it would sound like if Dylan fully articulated his own music as a guitar soloist.” 
 
Along this same vein, Mark’s arranging skills and Maggie’s storytelling vocals offer new interpretations of three covers for the album: “Love’s in Need of Love Today” by Stevie Wonder; “Something to Love” by Jason Isbell; and the timeless “Wildflowers” by Dolly Parton.
 

“Dear Mark, I got the wonderful cut of “Wildflowers.” I was very, very proud of both you and Maggie. It always touches my heart when somebody likes one of my songs well enough to do it, especially someone as great as you. I’ve always admired you and respected your talent. And Maggie, you sound awfully sweet. Just wanted you to know that I received it and I love it.
Love, Dolly.”

 
Wonder’s “Love’s in Need of Love Today” likewise offers a message as relevant now as it was in the 1970s, notes Maggie, adding further that “Isbell’s song has great advice on finding something you enjoy to get you through the tough times. We picked these three songs to cover,” she explains, “because they gave voice to our own feelings, given how recent history has changed our landscape.” 

The recording of Life After Life is an all-acoustic Americana sound garden, with the authoritative upright bass of Dennis Crouch, an old-fashioned drum set masterfully played by veteran John Gardner and the O’Connors using practically every acoustic instrument in their collection. You will hear a Civil War–era Martin guitar, a hundred-year-old Gibson mandocello and a string quartet consisting of two violins, a viola and cello commissioned by Daniel Pearl’s family (for the Wall Street Journal writer killed in Pakistan at the outset of the Iraq War). The Pearl family loans these beautiful instruments to students of the O’Connor Method String Camp each year as a message of fighting hatred.

Life After Life concludes with a heartaching piece. Mark and Maggie return to the violin duo setting their musical relationship began with 10 years ago, but this time in a way even more deeply felt. Mark composed a violin duo reminiscent of his own “Appalachia Waltz” that he recorded with internationally renowned cellist Yo-Yo Ma but based on the old Ukrainian folk song “Verbovaya Doschechka” (the willow board). The couple learned the traditional melody line while performing with string players from the Kyiv Symphony Orchestra in an online violin choir recorded in March 2022 while orchestra members were in basements-turned-bunkers taking shelter from Russian missiles.
 
“It is an honor to team up with the O’Connors to showcase their many talents and musical creativity,” says Tim Wipperman, managing director of ONErpm’s Nashville office.

Photo Credit: Maia Rosenfeld

In addition to the album, you can catch the O’Connors on tour this spring for a series of album-release showcases, including performances in Nashville at Ford Theater at Country Music Hall of Fame and Museum on April 28 at 1pm CT and The Vinyl Lounge at 6pm CT.
 
Mark & Maggie O’Connor Tour Dates
 
April 28 // Nashville, TN // Ford Theater, Country Music Hall of Fame and Museum 
April 29 // Nashville, TN // The Vinyl Lounge
May 3 // Charlotte, NC // Cain Center for the Arts (Cornelius)
May 9 // Minneapolis, MN // Hopkins Center for the Arts 
May 15 // Boston, MA // Club Passim
May 17 // New York, NY // The Iridium
May 24 // Richmond, VA // The Tin Pan
May 26 // Floyd, VA // The Floyd Country Store
May 28 // Annapolis, MD // Rams Head on Stage
May 30 // Sellersville, PA // Sellersville Theater 
June 1 // Chicago, IL // Old Town School of Folk Music 
June 2 // Madison, WI // The Bur Oak
 
For more information on the shows, visit MarkAndMaggieOConnor.com. For more on Mark O’Connor’s illustrious career, check out his recently released memoir, Crossing Bridges: My Journey from Child Prodigy to Fiddler Who Dared the World, available now on Amazon and featured on NPR’s Morning Edition.
 
About ONErpm 
ONErpm is a leading next-generation music company and record label operating globally in 43 locations powered by a staff of 600. At its core, ONErpm offers label services to artists seeking to elevate their careers and operates one of the world’s largest music distribution platforms and YouTube Multi-Channel Networks. Offering a full suite of services that includes marketing support, supply chain tools, SAAS, business intelligence, publishing, accounting and global payment solutions, ONErpm provides the infrastructure needed to help creators and content owners succeed. As a trusted partner, ONErpm emphasizes transparency in everything it does, from executing a marketing campaign to making payments.
 
About Mark and Maggie O’Connor
Mark O’Connor, a three-time Grammy winner and seven-time CMA Musician of the Year, is a legendary multi-instrumentalist famous for his work on fiddle, guitar and mandolin. He is also a ground-breaking American classical composer known for pieces like “Appalachia Waltz” and “The Fiddle Concerto.” Georgia native Maggie O’Connor, also a Grammy winner, earned a master’s degree in classical violin performance from the famed Peabody Conservatory in Baltimore before returning to her own Americana music roots and joining the O’Connor Band.

Replacire Release Brain Busting New Single

"A band on their way to the top" - Angry Metal Guy 
"Leave you with a smile on your face and the horns in the air" - Metal Injection
"Mixes the pummeling intensity of Dying Fetus with the proggy eccentricity of Leprous" - No Clean Singing
"Engrossing brutality and neck-breaking charm. Truly the best of both worlds" - Dead Rhetoric

No one can outsmart Replacire. Not only does the band hold several degrees from Berklee College of Music. Even their name is something of a puzzle. But for their long-awaited third album, they weren't interested in pumping out just another set of rigorously technical death metal. As their new single so finely demonstrates, they wanted to flex both their brains and brawn.  

Listen to "A Fine Manipulation" below.

The Center That Cannot Hold comes out June 21, 2024 on Season of Mist. 

Order & Stream: https://orcd.co/replacirethecenterthatcannotholdpresave

Metalheads of all shapes and sizes have come to count on Replacire for a dizzying mental workout. The Center That Cannot Hold keeps those synapses firing. On "A Fine Manipulation", drummer Joey Ferretti and bassist Zak Baskin hardly break a sweat as they run you through a gauntlet of stomach-turning tempo shifts. Before the song is halfway through its compact four-minute runtime, Poh Hock has already lapped the field with a solo that hurdles through the air like a sprinter. 

"A Fine Manipulation" will twist even the brainiest tech-death scholar into a pretzel, but the band's new single works out all your core headbanging muscles. After warming up with some curls of melodic dissonance and a few short but clenched bursts of nervy shredding, Hock gets a spot from rhythm guitarist Eric Alper as the two lock into the kind of steadily pulverizing downhill chug that's bound for the mosh pit.

"During our last tour, we noticed that fans really responded to the parts of our set that are heavier and more crushing", says Alper, who when he's not cranking out records at Ugly Duck Studios is competing as a body builder. "When writing our new album, we tried to come up with more songs like this one. 'A Fine Manipulation' retains that technical density that metal fans love, but it's also more straightforward and hard-hitting in a way that makes people move around". 

Of course, it wasn't so easy for Replacire to stick to that relatively simple blueprint. Like their current label mates and former tour mates Gorguts and Beyond Creation,  this band has always taken their time when it comes to the heavy lifting of writing a new album. But between the global pandemic, countless Zoom calls, bouts with writer's block, depression, anxiety, sleep paralysis and one near trip to the hospital, their new album is seven long years in the making.

But despite what the title might suggest, The Center That Cannot Hold holds strong and steady. Like any song that's worth its weight in heavy metal, "A Fine Manipulation" channels that chaotic shit storm into a concentrated, empowering force. James Dorton is so imposing that even his cleans thunder like Zeus, but his growls have never struck more fear.

"I am your lord god", he roars, as if throwing the weight of the world off his shoulders, before the rest of the band launches into the album's most muscular breakdown.

On "A Fine Manipulation", Replacire prove they're the full package.

When Replacire started thinking about their third album, they gravitated around a simple idea. Write some caveman riffs to feed the mosh pit the next time they went out on tour. Of course, like any good technical death metal band that’s worth its weight in colored sands, these whiz kids deviated from their initial thought pattern. It wasn’t easy. Heck, they ended up crawling down a seven-year rabbit hole. But on The Center That Cannot Hold, the Boston band flex all their muscles 

"This was a grueling process", says guitarist Eric Alper. "But it was worth it in the end".  

On the surface, Replacire starts and ends with Alper. After all, the band is just his name spelled backward. Alper is a competitive bodybuilder with a mean and lean right rhythm hand, but don't let those beefy credentials fool you. When it comes to the studio, his brain does all the heavy lifting. By day, Alper produces music for other artists, as well as TV and movies. He's a proud alumnus  of Berklee College of Music, which is where he formed Replacire with four classmates back in 2009.   

Using the money that they savvily raised on Kickstarter, Replacire self-released their debut album by the end of 2012. A hybrid of thrash, prog and death metal, The Human Burden punched through the underground like a cyborg's fist. "This is what would have happened if Chuck Schuldiner were still alive today and mixed up with the likes of Obscura and Opeth at the same time", Metal Injection gushed. After tours with Hate Eternal and Beyond Creation and an unintentional private showcase for a certain label rep, Replacire signed with Season of Mist in 2016. The band wasted no time before making a quick first impression. While still head-spinning, their second album landed with the decisive force of a first-round knockout.    

“This group has set the tone for modern, rhythmically-centered death metal”, proclaimed Loudwire, who named them one of the top 5 bands amongst the next generation of death metal. “It’s time to wake up and hop aboard Replacire’s train”.    

Indeed, Replacire were chugging along with a full head of steam. But there's a reason why their new album is called The Center That Cannot Hold. After all, this is extreme metal. Things were bound to go flying off the rails at some point. Before they could even step out on their next headlining tour, the band's lineup completely turned over. While their momentum stalled, Alper went searching for replacements.  

Luckily, he didn't have to go any further than his old stomping grounds. Alper linked up with Zak Baskin, who had filled in on bass for parts of Do Not Deviate. Alper then reconnected with Kee Poh Hock, a guitar whiz who'd lived with Baskin when all three were students at Berklee. Even though he graduated a few classes after them, Joey Feretti was so advanced behind the drum kit that he became Alper's roommate. With mighty vocalist James Dorton joining fresh off Black Crown Initiate's breakout, the new-and-improved Replacire were all set to hit Alper's Ugly Duck Studio come March of 2020.  

No one needs to be reminded of what happened next. Replacire  always grind in the studio, taking their sweet time to fine tune every technical detail down to the last seventh string. "It never ceases to amaze me the way other metal bands just churn stuff out", Alper says. "It doesn't come easy for us. So many hours go into so few seconds of music". But when the pandemic shut the world down, writing slowed to a crawl amidst the endless slog of Zoom sessions. With live music shut down for the foreseeable future, suddenly, their well-laid plan for pumping out an album of crowd killers seemed more and more like a flimsy proposition. To stay afloat, Alper sold the band's van and moved out of their rehearsal space.  

"Everything that I had built to support the band was falling apart", Alper says.  

The mounting stress would've left a lesser band bloody-tongued and screaming. But despite being stuck inside this perfect shit storm, Replacire banged their heads together and pushed through. "Living Hell" was inspired by a nasty spell of sleep paralysis that Dorton suffered after witnessing a traumatic event. "In the wake of suicide", he groans, shrouded by eerie pangs of distortion. Alper was battling his own bouts with anxiety and depression that were brought on by a rather severe case of writer's block, but even when all he could stand to do was lay on the couch while humming through a half-finished riff, Poh Hock would pick up his Strandberg and zip past the finish line. "The Helix Unravels" could twist all of Mensa into a pretzel with its interlocked chugs and squealing fret bends. 

The Center That Cannot Hold is crammed full of mind-bending tech-death workouts. Baskin’s unfettered groove serves as the perfect springboard for another transcendent Hock solo halfway through "Hoard the Trauma Like Wealth", though his reverberated bass echoes like a sea of voices trapped at the bottom of a well on "The Ghost in the Mirror". The title track unspools under Feretti's syncopated snare hits and precision blasting, though Alper was the real drill sergeant. "I wanted the vocals to sound like they do on Slipknot's self-titled album, where Corey is gasping for air". Dorton took the inspiration to heart, running through full takes, with no stops, for hours on end. Heck, his vocal chords were so tattered and torn that he narrowly avoided a trip to the hospital.  

"We poured all of our blood, sweat and tears into this album", Alper says. "It took years off my life. There were plenty of times where I wanted to quit. But I'm glad we didn't, because this is our best album. Everything from the overall production down to the lead guitar parts took a step up. The tone is more serious  The songs are still techy buy they're also a lot heavier. I'm proud of us".  

On The Center That Cannot Hold, Replacire stand stronger than ever.   

Line-up
Eric Alper - Guitars
James Dorton - Vocals
Kee Poh Hock - Guitar
Zak Baskin - Bass
Joey Ferretti - Drums

Recording Studio
Ugly Duck Studios

Production Credits
Eric Alper - Producer & Sound Engineer
Jens Bogren - Mixing & Mastering Studio Engineer (Fascination Street Studios)

Cover Art
Andrew Tremblay (@actremblayart)

Biography
Will Yarbrough

Order & Stream: https://orcd.co/replacirethecenterthatcannotholdpresave

Follow Replacire:
Bandcamp: http://replacire.bandcamp.com/
Facebook: https://www.facebook.com/Replacire
Instagram: https://instagram.com/replacire
Soundcloud: http://soundcloud.com/replacire
Twitter: https://twitter.com/Replacire
YouTube: http://www.youtube.com/user/Replacire/videos
Apple Music: https://music.apple.com/us/artist/replacire/576863051
Deezer: https://deezer.page.link/6prhUUWzLoxLRVhK8
Spotify: https://open.spotify.com/artist/0t8nNth1Y9dRxGoiHHSSoa

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black

Poolside At The Flamingo Drop New Track "Hell On Earth"; Announce Run of Headline Shows This Spring

Colorado's grindcore 4-piece, Poolside At The Flamingo have dropped the third single from their upcoming EP, 'Accabadora' out via Blood Blast Distribution on May 22nd. The new track, titled "Seething", can be streamed HERE and the visualizer can be found below.

Speaking on their new release, Poolside At The Flamingo share

"We worked a little more slam into this track. This song is about the evil side that everyone has but rarely lets loose. It's communicated nicely towards the end of the song with some agonizing repetition backed by raw vocals followed by a call out.”

Seething" is the third single from the band's upcoming EP, 'Accabadora'. It follows previous singles "Hell On Earth" and the EP's title track "Accabadora" which heralded the new release and landed with an epic music video featuring some very special guests in the form of the band's kids, watch HERE. The 'Accabadora EP', set to drop on May 22nd, is a bold statement from Poolside At The Flamingo, showcasing their growth as musicians and their commitment to pushing the boundaries of extreme music by blending genres to produce the most brutal and unrelenting tracks possible with a strong focus on having fun and not taking themselves too seriously. Speaking on the upcoming EP release, the band share

"The Accabadora EP is the first release that we're truly proud of and feel embodies the sound that we're looking to achieve. The songs on this EP were written with more care and attention than any other album/ep we've released. To us, it's the perfect blend of erratic grindcore and soul-crushing breakdowns."

Poolside At The Flamingo will be playing a string of headline shows this spring. Full list of shows and tickets are available from poolsideattheflamingo.com

Stay tuned for more from Poolside At The Flamingo soon and get ready for sheer, unbridled brutality on May 22nd when they release the 'Accabadora' EP.

About Poolside At The Flamingo

Poolside at the Flamingo is a 4 piece deathcore/grindcore band based in Colorado, USA. Formed in 2005, Poolside At The Flamingo toured extensively in the "Myspace" days playing with the likes of Through The Eyes of the Dead, The Tony Danza Tap Dance Extravaganza, See You Next Tuesday and MANY more. 

Their debut album "This Will End Badly..." (2006) was recorded live in a residential basement. Their next official album, "The Sound Below" (2017), was produced by Dave Otero at Flatline Audio and more recently they released "Self Titled" (2023).

Poolside At The Flamingo Are:

Scotty Bohnen: Vocals

Danny Bohnen: Guitar

Rudy Garcia: Drums

David French: Bass

Gramercy Arms presents fourth album 'The Making Of The Making Of' and live Magic Door session for 'Never Say Anything'

"A fabulous and fresh slice of positivity, wrapped up in a finely-tuned package of upbeat and harmonious pop-rock that will leave you wanting more and checking local concert listings to see if the band is heading your way. Impeccably performed; superbly arranged and produced" ~ The Spill Magazine

"Wistful, bittersweet and soaring power pop... With echoes of the likes of Teenage Fanclub and Dinosaur Junior, as well as the classicism of 80s indie-pop, it’s yearning and hooky in all the right places, a gleaming melodic pick me up" ~ God is in the TV Zine

Made up of members from New York and New Jersey, indie pop-rock collectiveGramercy Armsprese nts their fourth album'The Making Of The Making Of', released via Montclair, NJ-basedMagic Door Record Label, along with a new video for'Never Say Anything (Magic Door Session)'.

Gramercy Arms is a revolving collective of musicians and artists, masterminded byDave Derby (The Dambuilders, Lloyd Cole) and producerRay Ketchem (Guided by Voices, Luna, Elk City). Inspired by the artistic heyday of ‘70s and ‘80s New York, Gramercy Arms makes addictive indie pop - exquisite hook-laden melodies filled with lyrics that will have you floating back in time and remembering your favorite mistake.

With many of the songs recorded during the same sessions for the band’s 2023'Deleted Scenes' album, 'The Making Of …' is decidedly more of a band album with a looser and more raucous approach featuring live in-studio performances and an even wider array of contributors.

Produced, recorded and mixed by Ketchem at Magic Door Recording in Montclair, NJ, this album was mastered by Ketchem and award-winning engineerGreg Calbi (John Lennon, David Bowie, Bruce Springsteen, Talking Heads, Patti Smith, Tom Petty).

Earlier, Gramercy Arms released'Never Say Anything', a gorgeously performed paean to paranoid times featuringLysa Opfer (Aeon Station) andMark Lizotte (Diesel), and'After the After Party',a rueful power pop gem about chances missed and taken, featuring longtime collaboratorsKevin March (Guided by Voices,The Dambuilders,Shudder to Think),Hilken Mancini (Fuzzy, the Monsieurs),Rainy Orteca (Joan As Police Woman, Dead Air)andMike Errico.

Both albums are loaded with talent, involving Doug Gillard (Guided by Voices, Nada Surf, Cobra Verde, Death of Samantha), Sean Eden (Luna), Phoebe Summersquash (Small Factory), Renée LoBue (Elk City, Flowers of America), Kendall Meade (Mascott), Verena Wiesendanger (Semi Gloss), Claudia Chopek (Bright Eyes, The Little River Band, Echo of the Ghost), John Leon (Roky Erickson, Royal Arctic Institute), Rafa Maciejak (Lloyd Cole and the Negatives, Ivy), Jules Verdone, Richard Alwyn-Fisher (King Canutes, The Winter Drinks), Steve Hurley (Gigolo Aunts), Carl Baggaley (Elk City, Royal Arctic Institute), Peter Hess (Phillip Glass Ensemble, Slavic Soul Party) and Gary Burton (Dovedale). 'Deleted Scenes' also involves the legendary Lloyd Cole.

"I initially thought about doing a double album and then decided against it. To me 'Deleted Scenes' and 'The Making Of The Making Of' are companion pieces and part of a larger work. I think of them as two sides of a double album and may release them as a double vinyl album in the future. To me, there is an understated, almost dark horse element to “The Making Of …”  that gives it a special charm. In many ways 'Deleted Scenes' was more of the ‘obvious’ A-tracks, whereas 'The Making Of …' is just more fun. Songs like 'Lux', 'Susan' and 'The Long Game' capture that for me. The fact that the album has 4 different drummers with different feels and approaches has a lot to do with that because it still hangs together," says Dave Derby.

"Even though these songs came from the same sessions, this album was much more of a band record whereas “Deleted Scenes” was more about me and Kevin March building the tracks up together. Many of these songs were live full-band takes. I think that approach shows up in the final versions."

As of April 26, 'The Making Of the Making Of' album is available from fine music platforms, including Apple Music, Spotify and Bandcamp. Their record release party takes place that evening at Berlin NYC, also featuring performances by Hilken Mancini Band and The Gershwin Brothers.

'The Making Of The Making Of' album  https://bit.ly/4cubTrw
Bandcamp  http://gramercyarms1.bandcamp.com/album/the-making-of-the-making-of
Spotify  https://open.spotify.com/artist/4gofSEYW9jDmstAkNZhI5O

Keep up with Gramercy Arms
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Soundcloud  | Apple Music | Spotify | Press contact

Keep up with Magic Door Record Label
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Left to Suffer Announce Forthcoming New Album 'Leap of Death' Out August 16 + Drop New Visualizer "FOREVER" ft. Alejandro Aranda

It's a great day to be a Left to Suffer fan! Today, the nu-deathcore quintet have announced their forthcoming new album, 'Leap of Death' out on Friday, August 16. In celebration of the news, the band shared a new track "FOREVER" featuring Alejandro Aranda and the official visualizer, along with a new side-scroller game dovetailing with the 'Leap of Death' album artwork. Speaking on today's news, the band commented:

“Left to Suffer has taken many sonic gambles when it comes to creating music that describes us as a band. Trial and error, riff after riff, has only led us to molding a sound that is completely ours. Forever, is the culmination of years of risk-taking. Mixed with Alejandro Aranda’s supreme talent, this song is a whirlwind of twists and turns and emotions, lined with simplicity but also tasteful in its journey across genres. This is the most risk we have taken, yet this is the most honest version of Left to Suffer you’ve ever received.”

Prior to today, the band released their banger "LOST IN THE DARK" featuring Marc Zelli of Paleface Swiss which has already clocked up a staggering 1.5 million streams on Spotify alone with 169k views and counting on YouTube. 'Leap of Death'pre-saves will be available starting this Friday, April 19 at the link here, and be sure to play the 'Leap of Death' game and watch the visualizer for "FOREVER" ft. Alejandro Aranda below.

Left to Suffer are set to tear up North America with their incredible live show beginning next week with Waste as support, followed up with dates with Downswing and a special show in Brooklyn, NY supporting Slaughter To Prevail in May. Afterwards, the band will then be heading out with HANABIE. and Outline In Color. For ticket information, please click here.

Upcoming Left to Suffer Tour Dates:

April 25 - Des Moines, IA @ xBK*

April 26 - Wichita, KS @ TempleLive*

April 28 - Morrison, CO @ Red Rocks w/ Sullivan King#

April 30 - Omaha, NE @ Reverb*

May 1 - Iowa City, IA @ Wooly’s*

May 2 - Bloomington, IL @ Nightshop*

May 3 - Henderson, KY @ The Elm*

May 4 - Madison, AL @ Insanity Skatepark

May 14 - Richmond, VA @ The Camel**

May 15 - Brooklyn, NY @ Brooklyn Paramount^

May 16 - Mechanicsburg, PA @ Lovedrafts**

May 17 - New Haven, CT @ Toad’s Place^^

May 18 - Montreal, QC @ Le Studio TD^^

May 19 - Toronto, ON @ The Opera House^^

May 21 - Minneapolis, MN @ Varsity Theater^^

May 23 - Winnipeg, MB @ The Park Theater^^

May 25 - Saskatoon, SK @ Coors Event Center^^

May 26 - Edmonton, AB @ Midway Music Hall^^

May 27 - Calgary, AB @ The Palace^^

May 29 - Seattle, WA @ The Crocodile^^

May 30 - Portland, OR @ Crystal Ballroom^^

May 31 - Sacramento, CA @ Ace of Spades^^

June 3 - Lubbock, TX @ Jake’s

June 4 - Oklahoma City, OK @ 89th Street

*With Waste As Support

# With King Sullivan

^ With Slaughter To Prevail

** With Downswing As Support

^^ With HANABIE. and Outline In Color

Suffering is a constant component of the human condition. The same way that wherever there is sun, there is bound to be rain—wherever joy can be found, there is suffering to be found in equal amounts, if not more. In the same fashion that suffering is a mandatory part of existence, Atlanta-based nu-deathcore outfit Left to Suffer have made themselves a mandatory part of the contemporary heavy music scene. Boldly blending brutalizing deathcore laden with skin-rending blast beats and bombastic breakdowns with catchy, hook-filled and glitchy nu metal, these Georgian heavyweights formed their own niche within the the underground and filled it in record time, providing a nigh-endless stream of new music paired with an incessant touring schedule—there’s almost no way you haven’t suffered at their hands yet.

Formed in 2019, Left to Suffer instantly garnered world-wide attention with the release of their debut single, “Burden.” Before the impact from their initial, explosive track had faded, the group’s debut full length, A Year of Suffering was released just one year later in mid-2020. A Year of Suffering—even though it was released in the throes of a global pandemic that would halt touring and alter many other means of conventional promotion—was met with immense success, skyrocketing Left to Sufferinto relative stardom in the bustling underground of extreme music. Before long, the band’s follow-up EP, On Death, would release in April of the following year. Featuring guest vocal appearance from metal and deathcore titans Tom Barber (Chelsea Grin), Lochie Keogh (Alpha Wolf) and Ryo Kinoshita (formerly of Crystal Lake), On Death was Left to Suffer’s catalyst that would take them from well-known to notorious peddlers of all things groovy and heavy. Never to be caught slacking, later that year the band would release another stand-alone single, “D.N.R.,” featuring Lorna Shore’s Will Ramos and Ov Sulfur’s Ricky Hoover—two more Goliaths in the world of deathcore. 

By the time 2022 rolled around and the world had essentially reopened after an international hiatus from touring, Left to Sufferhad already been across most of the continental United States. Touring with the likes of Bodysnatcher, Boundaries, Lorna Shore and The Last Ten Seconds of Life throughout the second half of 2021, the band’s 2022 would be dominated by their tour with SPITE and Carnifex on the Dead in My Arms fifteen year anniversary tour—as well as the release of their sophomore EP, And Dying Forever. The spiritual successor to On Death, And Dying Forever was produced by Emmure’s Joshua Travisand saw Left to Suffer continue to hone their unique ability to blend flashy, hectic elements of nu metal and groove metal into a ferocious deathcore backbone. Left to Suffer would continue an extensive touring regimen into 2023, punctuated by the release of their sophomore full length record, Feral and a brief follow-up EP, Noah. Feral saw the band dive into their heavier side with a flashy, experimental edge, featuring Fit for An Autopsy’s Joe Badolato and trap-metal superstar Kim Dracula—highlighting the band’s ability to blend industrial elements and trap-tinted undertones while still bringing a peerless and powerfully brutal performance to the table. Noah, on the other hand, was co-produced by Three Days Grace’s Neil Sanderson and Howard Benson, and saw the band incorporating elements of melancholic-yet-anthemic arena metal alongside a stuttering, pummeling progressive metalcore tint to their persistent backbone of bustling deathcore. Noah and Feral see Left to Suffer demonstrating that while they can tackle a variety of sounds and styles, they are always uniquely recognizable, refusing to compromise the core aspect of their immensely energetic sound.

The year is now 2024—and it’s already been a landmark one for Left to Suffer. Fresh off of two nation-wide tours supporting Veil of Maya’s [m]other tour and Gideon’s More Power. More Pain. Tour Part II—and a performance supporting King Sullivan at Colorado’s premiere music venue Red Rocks Amphitheater yet to come. Alongside these performances comes a third full length record, Leap of Death, a stunning collection of some of the band’s most aggressive—and experimental—songs to date. With songs like “Lost in the Dark,” featuring Paleface Swiss’ Marc Zelli showcasing the band’s ruthlessness at its most bleak and devastating juxtaposed against songs like “Forever,” with a catchy, poppy and borderline industrial intro and chorus, there’s no denying that there isn’t much out there like what Left to Suffer are currently crafting. Two colossal tours, one groundbreaking record and a performance at one of the country’s most legendary venues already planned and with over half of 2024 yet to go, it seems that, as with all of life’s constants, the Suffering is bound to continue. - Connor Welsh

Left to Suffer Is:

Taylor Barber - vocals

Jacob Gordon - guitar

Peter Higgs - guitar

Christian Nowatzki - bass

Alex Vavra - drums

SETH Announce Revolting New Album

In an era where the echoes of revolution have dulled to whispers, SETH roars back into the heart of the metal realm with their new album La France des Maudits. Its lead single, "Et Que Vive le Diable !", channels the unrest of spirits that once roamed the revolutionary streets of Paris. The song is a declaration, a spell that rekindles the flames of rebellion and ignites the soul with insurrection's fire.

Watch the video for "Et Que Vive le Diable !" Below;

La France des Maudits is out July 14, on Bastille Day, through Season of Mist.

Pre-order & pre-save: https://orcd.co/sethlafrancesdesmaudits

Standing as titans amidst the cobblestones soaked in the lexicon of the damned, Seth wields La France des Maudits as a weapon against the sacrosanct silence that has befallen the music landscape. Each note is a march, each lyric a cry in the dark – this is black metal not as it was, but as it should be: unapologetic, unforgiving, and unyieldingly innovative.

In "Et Que Vive le Diable !", Seth crafts a grandiose narrative interlacing tales of divine defiance and liberation, draped over the backdrop of atmospheric black metal at its most artful and insurrectionist. Seth re-emerges, not just to reign but to revolutionize, not just to echo but to speak truths into the void of divine oppression.

Recorded in the venerable Sainte Marte studio under the watchful gaze of Francis Caste, La France des Maudits boasts a lineage of musicians whose names are etched into the pillars of the genre. Accompanied by the ghostly artistic visage captured by photographer Andy Julia and brought to life by director & producer Claudio Marino at Artax Film, "Et Que Vive le Diable !" is accompanied by a masterful visual production depicting Seth's macabre take of the French revolution.

In the solemn shadows of a lyrically resurrected Paris, where the whispers of revolution still haunt the cobblestones and the phantom caress of the guillotine's blade lingers in the air, stands a band – not merely of musicians, but of modern Marats, Robespierres in leather and lace, anointed with the spirit of insurrection. SETH, the harbingers of a dark yet fervidly awaited dawn, are poised once more to unleash a tempest upon the sanctified silence of the contemporary music scene with their newest auditory uprising, La France des Maudits.

The history of black metal formation SETH and Season of Mist spans back to the early days of the French metal scene. The band’s debut Les Blessures de L’Ame (1998) was one of the first releases on the label. This album is now regarded as a cornerstone in French black metal, pioneering the usage of their native tongue on a black metal record.

The release of Les Blessures de L’Ame quickly gained international attention and SETH built a solid fanbase. The French blasphemers signed a two-release deal with Osmose Productions and participated on the MAYHEM cult tribute album Originators of the Northern Darkness alongside IMMORTAL and BEHEMOTH. The second full-length The Excellence came out in 2000 and featured a contribution from none other than Fenriz (DARKTHRONE), who wrote the lyrics for the song Let Me Be The Salt In Your Wound.

Shortly after, the group recorded their third album Divine-X (2002) at the Excess Studios in Rotterdam (EPICA, AFTER FOREVER, SINISTER). This record demonstrated the ability of the band to mix gloomy and violent atmospheres and received extensive coverage from the international metal press at the time.

Returning to the Netherlands to record the fourth album Era-Decay(2004), two new members joined the ranks of SETH: vocalist Black Messiah and guitarist Cyriex. Afterwards, the band was invited to play at the prestigious Inferno festival in Norway in 2005.

A long hiatus followed, until the band returned in 2011 to play an exclusive show in Germany with the German cult act BETHLEHEM. The band re-joined the ranks of Season of Mist, eventually releasing The Howling Spirit (2013) and embarking on a European tour with PESTILENCE. Several appearances at major festivals followed, including Hellfest and Graspop Metal Meeting, concluded by a Canadian headliner tour with new vocalist Saint Vincent (BLACKLODGE).

Celebrating the 20th anniversary of Les Blessures de L’Ame in 2018, SETH exclusively performed the entire album at festivals in Switzerland, Canada (Messe de Morts) and Belgium (Thronefest). The French label Les Acteurs de l’Ombre productions released a live recording of these shows, called 20 ans de Blasphème. The band’s new line-up features members of LOUDBLAST, ARKHON INFAUSTUS and MELTED SPACE.

In the twilight year of 2021, within Paris' shadow-ridden crypt, Studio Sainte Marthe, an album was birthed from SETH's tumultuous revelation, christened, La Morsure du Christ. Earning plaudits of wonder, it was no mere collection of hymns, but a solitary harbinger of deconstruction, a cataclysm of unseen proportions. Inspiration seeped from Notre-Dame de Paris—her skeletal frame ablaze in a 2019's firestorm—an emblem of decaying faith for a godforsaken era. As heavy as the iron heart of a guillotine, La Morsure du Christechoed through the chambers of 2021, reigning supreme in a multitude of international & French metal charts, as well as its inclusion on premier streaming platform playlists. Bold symphonies interwoven with razor-sharp lyricism and a sophisticated conceptual resonance that dared to envision black metal through a revolutionary lens.

Rooted deeply in the soil that once drank deeply of royal and commoner blood alike during the tumultuous fervour of the French Revolution, SETH presents their latest opus - a black metal gospel according to the damned and the outcast. An intricate tapestry of shadows and defiance emerges from the darkness of history's recesses, swirling with the mists of apocalyptic visions and the ashes of fallen angels. La France des Maudits is a declaration of war, a call to arms for the souls still smouldering beneath the veneer of a world too long gripped in the cold hands of a moribund orthodoxy.

With the fractured bones of dead gods beneath their boots, SETHvoyages through the forbidden and the occult, tracing the lines of ancient prophecies and the decadent whispers of La Grande Catin Écarlate, the scarlet woman of the apocalypse. Their songs, from Paris des Maléfices to Insurrection, resonate with the echoes of a Paris besieged not by armies, but by souls clamouring for liberation - a city where each stone tells a tale of defiance, where every shadow harbours the spirit of revolt.

Lyrically, La France des Maudits is dripping with the wine of condemned men and the blood of saints, narrating the epic saga of rebellion from the ashes of a fallen Notre-Dame. This is not the Paris of light, but of enlightening darkness, where the façades of grandeur crumble to reveal the raw flesh of true humanity, writhing in its eternal struggle against divine oppression. Here, in the very heart of darkness, SETH finds its muse among the cacophony of broken chains and shattered dogmas.

Prepare to march beneath the banner unfurled bySETH, in the grand tradition of those unyielding souls who once stormed the Bastille and dared to dream of a world remade.La France des Mauditsbeckons - not to the gallows, but to glory.

Line-up
Saint Vincent - Vocals (Blacklodge)
Heimoth - Guitar (Sinsaenum)
Drakhian - Guitar (ex-Loudblast, Griffar)
Pierre Le Pape - Keys (Melted Space)
EsX - Bass (Arkhon Infaustus, ex-Merrimack)
Alsvid - Drums (ex-Enthroned, ex-Ad Patres)

Recording Studio
Sainte Marthe Studio

Production Credits
Mixed, produced & mastered by Francis Caste

Biography
Sébastien Gamez

Cover Art
Andy Julia (Photography)

Stream & Order: 
https://orcd.co/sethlafrancesdesmaudits

Links/Follow Artist
Official Website:https://www.innomineseth.fr/
Facebook:http://www.facebook.com/innomineseth
Instagram:https://instagram.com/sethblackmetal
Bandcamp:http://innomineseth.bandcamp.com/
Spotify:https://open.spotify.com/artist/0mZohnzbCiVv54VIEA6Wb7
Deezer:https://www.deezer.com/us/artist/56150
Apple Music:https://music.apple.com/us/artist/seth/1643927366
YouTube:http://www.youtube.com/user/InNomineSethOfficial
ReverbNation:https://www.reverbnation.com/innomineseth

Booking Contacts
Laszlo@redback-promotion.com(EU)
philippe@ragetour.fr(FR)

Available Formats
Digital Download
CD Digipak
Limited CD Clamshell Box
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Gold
12" Coloured Vinyl Gatefold - Blue & Black Marbled
12" Coloured Vinyl Gatefold - Red, White & Black Marbled
12" Coloured Vinyl Gatefold - Crystal Clear
12" Liquid-Filled Vinyl Gatefold - Bood Red Liquid
Cassette

Necrofier Announce Custom Effect Pedal

One of the ways Necrofier are making a mark on American black metal is their guitar tone. After all, the band do hail from Houston, Texas, where the unforgiving heat causes their tremolo picking to burn with more fire than other keepers of the black flame. 

Now, axe men can conjure the wickedly distorted riffs and eerie, melodic dissonance that Necrofier harnessed on their most recent album, Burning Shadows in the Southern Night. Idiot Box Effects has blessed the band with their very own custom guitar pedal.

"The new Echo Drive is a collaboration between me and the KILLER black metal band Necrofier", says Atarimatt, who's been making effects and noiseboxes full time under the name IdiotBox since 2011. "Plug this sucker in and bring on TOTAL SOUTHERN DARKNESS!!!"  

The Necrofier Echo drive is a tube screamer-style overdrive pedal. It runs into two separate echo circuits. The left switch is for echoes, while the right switch does overdrive. Each knob is named after a different raw ingredient in the band's evil alchemy: Reflection (echo 1), Chaos (echo 2), Alchemy (echo signal mix), Flame (overdrive volume), Strike (overdrive intensity) and Darkness (tone).

"We are blessed to announce this unholy alliance with Idiot Box effects", says Necrofier frontman Christian "Bakka" Larson. "The grit of the overdrive and the space of the echo helps create a dark and menacing effect".  

A limited run of first-edition, autographed Necrofier Echo Drive pedals are available on Bandcamp while supplies last. The pedal can also be purchased through the IdiotBox Effects webstore.    

Necrofier Bandcamp

https://necrofier.bandcamp.com/merch/necrofier-echo-drive

Idiotbox webstore

https://www.idiotboxeffects.com/product/necrofier-echo-drive

Necrofier burned hot and fast on an especially Satanic 20th edition of the Decibel Magazine Tour. This summer, the band are pouring more fuel on their fire when they join the legendary Obituary for two swampy shows in Dallas and Baton Rouge.   

"It's an honor to play a couple shows with these legends", Bakka says. "Surely, everyone will be chopped in half!"

Necrofier 2024 US Dates Supporting Obituary
May 31 - Dallas, TX @ Trees [TICKETS]
June 1 - Baton Rouge, LA @ Chelsea's Live [TICKETS]

Necrofier are also bringing total southern darkness to this summer's festival circuit. Before they turn crowds inside out with Obituary, they'll raise hell at Milwaukee Metal Fest with fellow SOM American black metal co-conspirators Profanatica. Come September, as temperatures start to drop, they'll cast their all-seeing shadow over Full Terror Assault. 

Get tickets for Milwaukee Metal Fest

https://www.milwaukeemetalfestival.com/

Get tickets for Full Terror Assault 

https://fullterrorassault.com/

Deep within the scorching cauldron of Texas, the alchemists of Necrofier have brewed another potent dose of American black metal with their sophomore full-length, ‘Burning Shadows in the Southern Night.’ The Houston four-piece honors the time-tested virtues of traditional black and heavy metal, even taking an organic sonic approach, tapping seven-time Grammy-nominated producer and engineer Joel Hamilton (Unsane, Tom Waits, Tyler Bryant & The Shakedown, etc.) to lend his magic touch for a natural sound. 

“The goal going into the new record was to start setting ourselves apart from our contemporaries,” explains Necrofier drummer Dobber Beverly. “One of those ways was changing what the record sounded like. Moving away from the clinical and sterile nature that most productions suffer from and back into a real room with real instruments and performances. Our friend and esteemed producer/engineer Joel Hamilton had expressed interest in venturing back into the metal world and offered to make the record with us at his facility, Studio G Brooklyn. The results will speak for themselves hopefully, as this record breathes and spits fire wherever it’s played.” 

“Dobber and Joel have become good friends since they recorded the last Oceans of Slumber album with him, adds Necrofier guitarist and vocalist Bakka. "After that, Joel wanted to record something heavy, so we made the trip to New York City to record in his legendary studio. It was an amazing experience in a great studio; besides having all the gear, he also created an environment where we challenged ourselves and brought everything up to the next level.” 

‘Burning Shadows in the Southern Night’ doesn’t just simply pick off where Necrofier’s debut album left off, but displays a conscientious effort to double down on the elements that made ‘Prophecies of Eternal Darkness’ successful. The solos are more plentiful and intricate, the hooks are more anthemic, and the overall musicianship is bolder and more daring. Speaking of the band’s evolution, Bakka explains, “I think this collection of songs represents us very well. We have grown together as a band and it shows in the new songs. Also, for this record we flew to NYC and recorded all day long for 10 days straight. I love recording this way because it captures a certain magic. The whole band is immersed in the process and it's all we would think, do, live and breathe during the process.” 

Another core facet of Necrofier’s allure is being a black metal band from Texas. “Where you live always helps shape someone,” says Bakka. “It helps shape our style and tone in ways, it’s hot most of the year, so as we burn, it gives us warmer tones and more of a heavy metal influence than when compared to our brothers from the North."

To that avail, Necrofier isn’t your typical black metal band, and so this isn’t your typical black metal record as there’s a healthy amount of traditional metal influences, particularly within the guitar work. While conceptually, the band doesn’t heavily rely on Satanic themes, exploring deeper human philosophies and the occult like burning for your dreams or spiraling out on a psychedelic trip and exploring the beyond. “While there isn’t overt satanic worship in the lyrics, I would still say that he is a friend of ours,” Bakka cheekily says. “There are Occult themes on this record, but at the same time, it does take a philosophical approach.” 

Further illustrating the influence of their environment, Necrofier also heavily explores one of Southern America’s most fabled myths. “The new record touches on selling your soul at the crossroads,” adds Bakka. “I like to take a different approach and touch on the elements of the esoteric world and dive into the forbidden or hidden that surrounds us in our lives every day.” 

As the Texan black metal outlaws saddle up for record two, they are leading the charge as one of the contemporary purveyors of black metal revivalism. ‘Burning Shadows in the Southern Night’ is certain to elicit a sense of nostalgia for those who dare to lay ears on this vicious new offering.  

Lineup:
Bakka – Vocals, Guitar
Semir Ozerkan – Guitars
Dobber Beverly – Drums
Mat Valentine - Bass

Guest Musicians:
Cammie Beverly (Oceans of Slumber) – Vocals on “The All Seeing Shadows” and “The Fall From Heaven”

Links:
https://www.facebook.com/Necrofier 
https://twitter.com/necrofier 
https://www.instagram.com/necrofier/ 
https://necrofier.bandcamp.com

Producer/Sound Engineer/Mixing: Joel Hamilton at Studio G, Brooklyn, NY, USA

Mastering: Maor Appelbaum at Maor Appelbaum Mastering

Cover Art: Burney

Presskit: https://presskit.season-of-mist.com/Necrofier 
Username: presskit 
Password: Presskitofmist 

Stream: https://orcd.co/necrofierbsitsn

Order: https://redirect.season-of-mist.com/NecrofierBSitSN

Edinburgh's Boulder Fields presents 'Measures' from debut album, blurring boundaries between Indie Rock, Scottish Folk & Americana

“Combines Scottish folk with Americana and indie, creating an engaging, stirring musical blend… gorgeous, timeless music that comes highly recommended” ~ Americana UK

"Upbeat and infectious with a feel-good vibe. A catchy melody, constructed at the crossroads of folk, rock and pop, this is an earworm to leave you grinning as you grab a pint or the hand of your partner for a hearty dance" ~ The Spill Magazine


Edinburgh-based troubadour Boulder Fields presents his new folktastic single 'Measures', a catchy and uptempo taste of his debut album ‘With All The Other Ghosts’, released via Scottish indie imprint Let There Be Numbers.

“We measure the distance, we measure how far still to go…”

Boulder Fields revolves around Scottish singer-songwriter Cam Fraser, formerly of Borrowed Books and 80s punk legends The Cateran, who joined Nirvana on the 1989 UK tour that broke the band, as well as touring or sharing the stage with The Proclaimers, Tad and Grant Hart (Husker Du),

This long-play record features eleven thoughtful tracks with beautiful, stripped-down arrangements. Mainly played on acoustic instruments, these songs are enveloped with sonorous harmonies and delivered with fierce intensity, recalling these artists' collective punk history.

"Is it too simplistic to say that sometimes it’s hard to keep going? Then sometimes, at least for some, it just gets too hard. Resilience is all very well, but the unexpected shitstorm can overwhelm even the strongest, and then it’s all too easy to sink below," says Cam Fraser about the deeper meaning of 'Measures'.

“Boulder Fields had already played a few shows prior to heading into the studio. There was something magical happening with just these acoustic instruments and the vocals, and it felt like this was what we should try to capture on the album. Listening to it now, I think that’s pretty much what we pulled off. It sounds just like when we play together; nothing fake or contrived or prettied up with technology… just us. I’m proud of this collection of songs and I’m proud of how we play them together.”

On ‘With All The Other Ghosts’, Cam (vocals, guitar) forms the core three-piece with his long-time collaborator Aly Barr (bass, vocals) and the talented Suzy Cargill (drums, vocals). Since their debut performance as a collective at 2022's Belladrum Festival, they have played several very well-received shows around Edinburgh, some as a three-piece and some with the extended line-up.

This album also features Jamie Watson, a hugely respected figure in the Scottish music scene. Perhaps best known as a producer for the likes of Snow Patrol and The Vaselines, or former owner of Chamber Studio, Watson was also a member of such influential Scottish bands as The Monos, The Solos and The Persian Rugs. Jamie and Cam first worked together back in the 1980s, when Cam’s band rehearsed and recorded at Jamie’s studio. On acoustic guitar for several tracks, he contributes some impressive finger-style guitar, in addition to tapping his vast experience in helping create the final mix.

Fraser adds, "The album owes a lot to the very lovely guy who sat behind the mixing desk, Richie Werner at B&B Studios. As well as fretting about all the technical stuff and making sure he got the best possible sound out of all the instruments, Richie also fired up his studio’s old Hammond organ and played on a couple of songs."

As of April 16, 'Measures' will be available from fine digital outlets, including Apple Music and Bandcamp. The album 'All the Other Ghosts' will be released on June 14 and is already available for pre-order.

ALBUM CREDITS
Music and lyrics written by James Andrew Cameron Fraser (PRS / BMI)
Cam Fraser - vocals, acoustic guitar
Aly Barr - acoustic bass, vocals, piano
Suzy Cargill - drums, percussion, mandolin, vocals
Richie Werner - organ
Jamie Watson -  acoustic guitar, mixing support
Recorded, mixed & mastered by Richie Werner at B&B Studios
Album cover design & artwork by Cam Fraser
Front cover photography by John MacPherson
Catalogue No: LTBNLP703
Videos by Cam Fraser

Keep up with Boulder Fields
Bandcamp | Facebook | Instagram | Twitter | YouTube | Apple Music | Spotify | Booking contact | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Soundcloud | Instagram | Link edIn | Email

Texas' 9-VOLT VELVET sign to Shore Dive Records for debut album & announce parallel ‘Riptide / Hey, Candy’ 7” vinyl single

Dallas-based indie dreamgaze outfit 9-Volt Velvet has signed to Shore Dive Records for the release of their debut album 'Nude Beaches' on CD, previewed by the single 'Riptide'. Out May 10, this 13-track collection blends washed-out fuzzy and feedback-laden guitars, driving bass, pounding drum beats and ghosty vocals.

Taking their bring of 'rockgazedreamgloom' even further, they will also be putting out a limited edition of twenty 7" lathe-cut vinyl via Cryptic Carousel, slated for the same release date, with 'Riptide' as the Side-A track and 'Hey Candy' on Side B.

Nestled in the fine territory between post-punk and shoegaze with a surf vibe, 9-Volt Velvet is made up of Mark Cross (lead vocals, guitar, bass, keyboards, percussion), Donnie Robertson (drums, percussion, keyboards) and Kevin Robinson (guitar, bass, keyboards, vocals).

Hailing from Muscle Shoals, AL and Dallas respectively, Mark and Donnie met through an ad in a local newspaper, hit it off instantly and formed a band, eventually being joined by Kevin soon after they began performing. Involving past members of of Viva Voce and The Northern Lights, they bring together several decades of experience playing shows with the likes of Starflyer 59, Spoon, The Dandy Warhols, Jimmy Eat World, Sunny Day Real Estate, Kill Hannah, Luxury, Lugsole, The Features, Bleach,  Fold Zandura, 764-HERO and Morella’s Forest.

'Nude Beaches' is the culmination of 9-Volt Velvet's musical journey, showcasing their evolution as artists and the unique sounds they have curated together. Inspired by their natural chemistry and a like-minded approach to music-making, in June 2023, they embarked on an intense 3-week studio session in Dallas, crafting an album that explores the themes of freedom and self-expression.

From the introspective lyrics to the intricate musical arrangements, every aspect of 'Nude Beaches' reflects the band's commitment to pushing boundaries and taking risks. This is a sonic journey that invites listeners to embrace their own individuality and revel in the joy of truly being themselves.

Influenced by such artists as The Cure, Sonic Youth, Swervedriver, The Jesus & Mary Chain, DIIV and The Velvet Underground, 9-Volt Velvet emerged as a recording artist in January 22 with their debut 'Cathedrals' EP, followed by the 'Mirrors' EP in July of that year.

As of May 10, 'Nude Beaches' will be available on CD via Shore Dive Records. Digitally, it is already available from fine music platforms, including Apple Music and Spotify. It can also be obtained directly from the trio via Bandcamp, where the 7" lathes are also available for pre-order.

CREDITS
Written and performed by 9-Volt Velvet
Mark Cross - lead vocals, guitar, bass, keyboards, percussion
Donnie Robertson - drums, percussion, keyboards
Kevin Robinson - guitar, bass, keyboards, vocals
Recorded at Starlight Studios (Dallas) by Donnie Robertson & Jeff Ross
Produced, mixed & mastered by Donnie Robertson
CD released via Shore Dive Records
Publicity by Shameless Promotion PR

Keep up with 9-Volt Velvet
Bandcamp | Facebook | Instagram | Twitter | YouTube | Soundcloud | Apple Music | Spotify | Press contact

Keep up with Shore Dive Records 
Website | Bandcamp | Facebook | Instagram | Twitter | Soundcloud | YouTube

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Soundcloud | Instagram | Link edIn | Email

CROWNSHIFT – Release New Single And Video 'My Prison'

A few weeks ago, high-profile modern metal band CROWNSHIFT announced the release date and details of their eagerly awaited self-titled debut album, which is due out on May 10th, 2024 via Nuclear Blast Records.

Today, the band that's currently one of Finland's hottest new music exports, are proud to unleash a new single called 'My Prison', which showcases a more atmospheric side of CROWNSHIFT richly adorned with divine guitar leads and - yet again - an absolute earworm of a chorus! 

A studio session music video was recorded and is being released alongside the single. Check it out below.

Catch CROWNSHIFT live this year at several big Summer festivals across Europe, including. Nummirock, Rock Fest Barcelona, Graspop, Rockstadt Extreme Fest, and Motocultor, or at their album release show in Helsinki on May 15th. Scroll down for all confirmed dates!
 

PRE-ORDER/PRE-SAVE CROWNSHIFT'S DEBUT ALBUM:
https://crownshift.bfan.link/cslp

LISTEN TO 'MY PRISON':
https://crownshift.bfan.link/mpsg

WATCH THE OFFICIAL MUSIC VIDEO FOR 'MY PRISON' below.

Born as the long-time idea of four friends, CROWNSHIFT are a new high-standing crossover metal act from Finland. The members, who come from the ranks of Finland’s finest metal exports, are thrilled to start a new journey together and spread their authentic sonic print across the globe.

Seamlessly covering a diversity of styles, the quartet has a unique signature to their modern sound. Hypnotizing melodies paired with ripping riffs, from moody mid-tempo songs to fierce prog-death-metal opuses, CROWNSHIFT were born to be a master of all trades.

Their forthcoming self-titled debut album consists of eight contemporary melodic death metal anthems with a progressive edge and captivating choruses for the ages. CROWNSHIFT's members are or have been involved in some of Finland's most renowned and universally beloved metal bands, including NIGHTWISH, CHILDREN OF BODOM, WINTERSUN, and MYGRAIN, and it shows. On their first album, CROWNSHIFT have managed to combine their collective experiences and crafted a modern metal masterpiece that sounds distinctively Finnish and offers stellar songwriting and excellent production. 

Keep your eyes peeled for teasers and further announcements and make sure to follow CROWNSHIFT on their socials to stay up-to-date.

CROWNSHIFT IS:
Tommy Tuovinen: Vocals 
Daniel Freyberg: Guitar, Backing Vocals 
Jukka Koskinen: Bass 
Heikki Saari: Drums 

Sweden's THEN COMES SILENCE present seventh album 'Trickery' as they launch North American tour with Vision Video

"Then Comes Silence are everything a band should be - good tunes, good playing and singing, and good looking. Their songs are ear-worms, once heard difficult to forget, as catchy as gonorrhea but far better for your health" ~ Wayne Hussey

”I can see them being huge” ~ Dani Filth (Cradle of Filth)
 
"Capturing the alluring intersection of 1980s Post-Punk, New Wave and College Rock in one fell swoop, this music feels organic and fresh, with ample drive, clever songwriting and a killer melody, along with crisp production" ~ The Spill Magazine 

"Truly love it" ~ She Past Away
 
"Hellacopters of Gothic Rock" ~ Jyrki 69 (The 69 Eyes)

"The only band that have been voted in as album of the month three times!" ( 'Blood' in 2017 / 'Machine' in 2020 / 'Hunger' in 2022) ~ Sonic Seducer Magazine


Swedish post-punk outfit Then Comes Silence bring their potent sound on the road as they launch their North American tour on April 20, joined by Vision Video, Aurelio Voltaire and Tears For The Dying.

Serving up infectious post-punk to listeners in 21 cities across the US and Canada, their repertoire brings offerings from their seventh album ‘Trickery’, released on April 5 via Metropolis Records following the singles 'Like a Hammer' and ‘Ride or Die’.

Formed in Stockholm in 2012, Then Comes Silence is made up of frontman Alex Svenson, drummer Jonas Fransson and guitarist Hugo Zombie (Los Carniceros del Norte) with Svenson originally inspired by frequent touring with A Place To Bury Strangers and an attraction to horror and the occult.

Recorded by Jörgen Wall (Jay-Jay Johanson, The Hellacopters) over three days at Stockholm's Kapsylen Studio and mixed by Tom van Heesch (Rammstein, Apocalyptica, Backyard Babies), this album was mastered by Svante Forsbäck / Chartmakers (Rammstein, Amaranthe, Ville Valo, The Rasmus, Apocalyptica).

This album celebrates friendship, unity and the feeling of belonging to a group, a tribe. Being a part of what most people would call the goth and post-punk  community is, according to the band, a great privilege.

Of course, there are dark sides to everything, but after being on the road and meeting people from the music scene for so many years, the band have experienced a caring and welcoming community. Old and young. Some with a similar background and some just for the love of the music and the culture that comes with the lifestyle.  

"No one is free from apprehension and fear. Everyone feels some kind of alienation in certain degrees. You might often think you need to camouflage yourself to be part of a context. Make a change to fit in the group. The need for friendship is strong so you adapt. Maybe not always the way you hoped. But then...  there are moments when we unite and harmonize with other people and feel an incredible community together. That feeling is priceless and a blessing. Friendship is love. It is important and worth fighting for," says Alex Svenson.

Following up their 2022 album 'Hunger', released via Nexilis Records / Schubert Music (Europe) and Metropolis Records (North America), these sessions capture the heart and essence of alternative rock. With electronic elements essential to the new recordings, 'Trickery' is also a salute to punk music, to which Then Comes Silence traces their roots.

After debuting with their eponymous album in 2012, Then Comes Silence put out two more albums before releasing 'Blood' via Nuclear Blast in 2016. Their subsequent 'Machine' album was jointly released via Oblivion/SPV and Metropolis Records in 2020.

Then Comes Silence has toured and played live with The Fields of the Nephilim, The Chameleons, A Place To Bury Strangers, The Bellwether Syndicate and Vision Video, as well as performing at Wave Gotik Treffen, M'era Luna, Amphi Festival, Castle Party and W-Festival.

As of April 5, the 'Trickery' album will be available on vinyl and CD. It will also be released digitally everywhere, including Apple Music, Spotify and Bandcamp. As for their upcoming North American live dates, tour tickets can be ordered now.

CREDITS
Music & Lyrics by Alex Svenson 
Published by HaHa Musikförlag
Alex Svenson - vocals, bass, synthesizer
Jonas Fransson - drums
Hugo Zombie - guitar
'Like a Hammer' video directed by Johnny Nattsjö & D.K. Griftegaard
'Ride or Die' video directed by Gözde Duzer & Then Comes Silence
From 'Trickery' album, released via Metropolis Records
Publicity by Shameless Promotion PR

TOUR DATES
April 20 – Parsippany, NJ @ Dark Force Fest
April 21 – Pittsburgh, PA @ Cattivo  *
April 23 – Rochester, NY @ Photo City Music Hall  *
April 24 – Brattleboro, VT @ Stone Church *
April 25 – Boston, MA @ Sonia  *
April 26 – Lewiston, ME @ L/A Arts  *
April 27 – Montreal, QC @ Bar Le Ritz PDB  **
April 28 – Toronto , ON @ Velvet Underground  **
April 30 – Cleveland, OH @ Beachland Ballroom  *
May I – Grand Rapids, MI @ Pyramid Scheme  *
May 2 – Chicago IL @ Subterranean  **
May 3 – St. Louis. MO @ The Crack Fox  **
May 4 – Dubuque, LA @ Fox Den Motel  *
May 5- Milwaukee, WI @ The Vivarium  *
May 6 – Minneapolis, MN @ Green Room  *
May 7 – Kansas City, MO @ Recordbar  *
May 8 – Louisville, KY @ Art Sanctuary  *
May 9 – Detroit, MI @ Smalls  ***
May 10 – Baltimore, MD @ Metro Gallery  ***
May 11 – Hamden, CT @ Space Ballroom  ***
May 12 – TBA  ***

*   with Vision Video
**  with Vision Video + Aurelio Voltaire
*** with Vision Video + Aurelio Voltaire + Tears For The Dying


Keep up with Then Comes Silence
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Keep up with Metropolis Records
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Severe Torture Spring to Life on Deadly New Single

Severe Torture are the Dutch masters of brutal death metal. The 20-year veterans are preparing to release a torrent of morbidity on Torn from the Jaws of Death, their anxiously anticipated sixth album. Today, they're releasing its title track, a raw and unflinching disembowelment that tears through the mundane fabric of life. 

Watch the head-spinning video for "Torn From the Jaws of Death" below.

Torn From The Jaws of Deathcomes out June 7 on Season of Mist.

Pre-order:https://redirect.season-of-mist.com/SevereTortureTorn
Pre-save: https://orcd.co/tornfromthejawsofdeathpresave

On "Torn from the Jaws of Death", Severe Torture stay committed to unapologetic brutality. Crawling out of the unholy pit that is Torture Compound Studios, the band's new single is a voracious beast, armed to the teeth with throaty growls and bloody, punishing riffs. But while a cold-embrace for the faint of heart, it's also full of vitality. The lyrics, steeped in the long shadow of suffering under a fractured psyche, speak to an eerie sense of desolation, threading the fine line between life and death.  

The video for "Torn from the Jaws of Death" was produced by Maurice Swinkles (@swinkelsmaurice):

For over 25 years, SEVERE TORTURE has embodied the ethos of Brutal. Death. Metal. A genre-defining titan, they’ve held a commanding presence in the metal universe since 1997, blending intense performances with a relentless commitment to their visceral, raw sound.

Born from the bowels of the Dutch underground, the band emerged onto the world stage with their debut album Feasting On Blood, hailed as an epic watershed in the nascent wave of brutal death metal in 2001. Their hard-hitting, merciless sound has since rippled across North and South America, Europe, and Mexico; their trail marked by five ground-breaking releases over the past quarter-century.

Remaining relevant in the ever-evolving realm of metal is no small feat, a task Severe Torture met by continuously levelling up. In pursuit of rejuvenation and to capture the aggression and energy befitting of a new era, they amicably parted ways with original drummer Seth in 2018, bringing Damiën Kerpentier into the fold. The move signified a new chapter for the seasoned ensemble, marking a seismic shift that breathed fresh air into their creative process, leading to some of their darkest, most profound work yet.

This invigorated spirit came to life in 2022 with the release of the EP Fisting The Sockets – the band's first release in an astounding 12 years. The record served as a triumphant herald for their resurgence, re-signing with Season of Mist and rekindling the flame of their brutal origins amidst a pandemic-stricken world.

Now, in 2024, Severe Torture is set to escalate to new heights of sonic savagery with their sixth full-length album, Torn from the Jaws of Death. Recorded at the infamous Torture Compound Studios, the album stands as a testament to the raw energy, blood, sweat, and relentless brutality that the band represents.

From the aggressive whirlwind of riffs in The Death of Everything, to the haunting black metal nuances of the title track Torn from the Jaws of Death, the album is a death metal cogitation on murder, torture, and the madness of organized religions. Crafted with an unwavering commitment to the genre, Torn from the Jaws of Death is a grim reflection of the world, drenched in the band’s signature brutal death metal sound.

As the anticipation mounts for the release of Torn from the Jaws of Death, you can be sure Severe Torture remains alive and thriving in the heart of brutal death metal, pushing boundaries, and refusing to bow to conventions. A quarter-century in, these stalwarts of the scene are just getting started. Stay tuned to witness their relentless progression as they continue their incessant march through the annals of metal history.

Lineup
Dennis Scheurs – Vocals
Patrick Boleij – Bass
Damiën Kerpentier – Drums
Marvin Vriesde – Guitars Right & Leads
Thijs van Laarhoven – Guitars Left

Recording Studio
Torture Compound Studios

Production Credits
Damiën Kerpentier - Engineer
Mendel bij de Leij - Mixing & Mastering Engineer

Photography
Thijs van Laarhoven

Cover Art
Pär Olofsson

Pre-save:  https://orcd.co/tornfromthejawsofdeathpresave
Pre-order: https://redirect.season-of-mist.com/SevereTortureTorn

Follow Severe Torture:
Official Website: www.severetorture.com 
Facebook: https://www.facebook.com/severetorture
Instagram: https://www.instagram.com/severetorture_official/
Twitter: http://twitter.com/SevereTorture
Bandcamp: http://severetorture.bandcamp.com/
Deezer: https://www.deezer.com/us/artist/5606
Spotify: https://open.spotify.com/artist/2LkGWKBS0nNlEtqx4khGf1
Apple Music: https://music.apple.com/us/artist/severe-torture/258831121
Tidal: https://tidal.com/browse/artist/3619737
Amazon: https://www.amazon.com/music/player/artists/B000WWD62K/severe-torture

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Gold & Black Marbled
12" Coloured Vinyl Gatefold - Transparent Red & Black Marbled

EXODUS - Announce Live Album 'British Disaster: The Battle of '89 (Live At The Astoria)!

Thrashmetal masters, EXODUS return with more than exciting news!
 
The band announces today their live album British Disaster: The Battle of '89 (Live At The Astoria). 35 years after the recording the band decides to share this outstanding live performance with their fans. Recorded live at The Astoria in London back in March of 1989, EXODUS show once again why they are one of the biggest thrash metal bands of all time. Headbanging riffs, fast solos, and an amazing atmosphere are what can be expected from this live album which sees the light of the world on May 31st, 2024.

To commemorate their live album announcement, the band have released a brilliant visualizer video for their new live single 'Fabulous Disaster (Live At The Astoria)'. The title track of their 1989 released album gives already a taste of how energy-loaded this live album is!

Gary Holt comments on the live album:
"Sometimes something truly awesome drops right in your lap. In the case of Exodus, it was full multitrack tape reels from our headlining show in London while on tour for Fabulous Disaster! So we thought, “Let’s listen and see what we have” and BAM! We were on FIRE! Pure over-the-top thrash, one hundred percent live, and as dangerous as ever! We are fucking stoked to be able to release this for our fans. Total mayhem!"

Pre-order or pre-save British Disaster: The Battle of '89 (Live At The Astoria) here: https://exodus.bfan.link/british-disaster-the-battle-of-89

Watch the new visualizer video for 'Fabulous Disaster (Live At The Astoria)' below.

Stream 'Fabulous Disaster (Live At The Astoria)' on all platforms now at: https://exodus.bfan.link/fabulous-disaster-live

Recorded on the 8th of March in 1989 at The Astoria in London, fans witnessed a night that went down in history and became legendary among EXODUS and thrash metal fans worldwide. The band had just released their third studio album Fabulous Disaster and started five month run to promote the album which brought the Americans also to Europe for a month of live shows. During this European run EXODUS decided to record the show in London, but never released it. This recording remained unheard of in the EXODUS vaults. Until now! 
Be prepared for a much more aggressive and rawer sound than on the studio albums. British Disaster: The Battle of '89 (Live At The Astoria) is the ultimate live album presenting the sheer energy of what made EXODUS famous and notorious for during the 80s and what made them a legendary thrash metal band. A best of setlist compiled from the band's first three classic albums. The live album, mixed and mastered by Zeuss and the artwork done by Mark DeVito, will be available as CD, 2LP vinyl and digital.

EXODUS is:
Steve ‚Zetro‘ Souza - Vocals
Gary Holt – Guitars
Rick Hunolt – Guitars
Rob McKillop – Bass
Tom Hunting – Drums

Wage War Announce New Album "STIGMA" + Share "NAIL5" Video

CO-HEADLINING NORTH AMERICAN TOUR WITH NOTHING MORE + SPECIAL GUESTS VEIL OF MAYA + SLEEP THEORY KICKS OFF APRIL 16

WAGE WAR — Briton Bond [lead vocals], Cody Quistad [rhythm guitar, clean vocals], Seth Blake [lead guitar], Chris Gaylord [bass], and Stephen Kluesener [drums] — have entered their world domination era. Today, the Florida band has announced its fifth album STIGMA. It arrives digitally on June 21 via Fearless Records, while the physical version will land in stores on September 6. Pre-order it here.

Last month, the band shared the new video for the new single "MAGNETIC." Watch it here. 

They are following with the video for "NAIL5." Watch it below. 

 The song comes in hot with subtle synths, cool and unexpected vocal tricks, chunky, industrial-inspired riffs, and undeniable ferocity. "NAIL5" is erected on a groove that will have you nodding your head. Wage War continue to experiment with their sound, and fans and new listeners will be happy to ride sidecar as the band takes thrilling and unpredictable sonic twists and turns.

"'NAIL5' is a tribute to our fifth album and continuing to push the envelope in every way, and in this instance, the heavy side," the band says. "We took the elements that we loved from our past discography and turned it all the way up. The message: You're either in or you're in the way."

Wage War will kick off their Spring 2024 co-headline tour with Nothing More on Tuesday, April 16 in Charlotte, NC. The trek runs through Friday, May 17 in Indianapolis, IN. All dates are below. Get tickets here.

WAGE WAR + NOTHING MORE ON TOUR:
WITH VEIL OF MAYA + SLEEP THEORY:
4/16 — Charlotte, NC  — The Fillmore
4/17 — Birmingham, AL  — Avondale Brewing Company
4/18 — New Orleans, LA  — The Fillmore
4/20 — Austin, TX  — Stubb's Waller Creek Amphitheater*
4/22 — Grand Junction, CO  — Amphitheater at Las Colonias Park (Outdoor)
4/24 — Riverside, CA  — Riverside Municipal Auditorium
4/28 — Albuquerque, NM — Revel Entertainment Center
4/30 — Kansas City, MO — The Midland Theatre
5/1 — Des Moines, IA  — Val Air Ballroom
5/3 — Green Bay, WI  — EPIC Event Center
5/4 — East Moline, IL  — The Rust Belt
5/5 — Omaha, NE  — The Astro
5/7 — Madison, WI  — The Sylvee
5/8 — Grand Rapids, MI  — GLC Live at 20 Monroe*
5/10 — Bethlehem, PA  — Wind Creek Event Center*
5/14 — Norfolk, VA  — The NorVA
5/15 — Greensboro, NC  — Piedmont Hall
5/17 — Indianapolis, IN  — Egyptian Room at Old National Centre
*NO SLEEP THEORY

ABOUT WAGE WAR:
Traveling a constant forward trajectory at lightspeed, Wage War not only push their own sound forward, but they also propel heavy music into new territory. The Florida quintethave always tempered a pummeling metallic onslaught with unshakable melodies. A near-decade grind naturally brought Wage War to this point. They have unleashed a string of fan favorite albums, including Blueprints [2015], Deadweight [2017], Pressure [2019], and Manic [2021]. Beyond looks from SPIN, Modern Drummer, American Songwriter, Revolver, Guitar World, and more, KERRANG! hailed the latter as "their greatest album yet," and DORK raved, "It's an embracing of being metalheads, popheads and just fans of good songs. On more than one occasion, there's an earworm poking its head up through the dirt." They also put up numbers, tallying hundreds of millions of streams boosted by the likes of "Stitch," "Low," "Manic," and "Circle The Drain." On their fifth full-length offering STIGMA [Fearless Records], Wage War outfit their signature style with industrial grit and electronic sheen, leveling up into the future in the process with singles such as "MAGNETIC" and "NAIL5."

THE PULL OF AUTUMN shares 'I Was Just Dreaming' with easy breezy video, previewing fifth album

"A gem... A genuine and welcome earworm" ~ Big Takeover Magazine

"Beautiful... Pure and simple. Lyrically emotional and thought-provoking. It has perfect instrumentation and musicality" ~ Spill Magazine

"Better to travel well than to arrive... this band is not about merely travelling, this is exploration down the unbeaten paths of the glorious unknown" ~ The Swindonian


Boston-Rhode Island centred collective The Pull of Autumn presents their new single 'I Was Just Dreaming's, along with a reverie-filled video. The first taste of their fifth album 'Memory Tree', this song features Boston-based Bruce MacLeod on vocals. 

Described as "a melancholy remembrance of moments in time and life", the album will be released via Boston-based RBM Records on CD and digitally, following up their 2022 album 'Beautiful Broken World' LP, which involved such music luminaries as The Pop Group's Mark Stewart, Living Colour's Doug Wimbish and producer Adrian Sherwood.

A ‘super group’ of sorts, The Pull of Autumn revolves around Rhode Island artist Daniel Darrow of 80s post-punk group Johanna’s House of Glamour and core members Bruce MacLeod, Matthew Darrow and Luke Skyscraper James (I.R.S. recording artist Fashion). Each release involves a revolving door of notable and emerging artists, both from the local music scene and further abroad. The band's debut 2018 eponymous album was followed by 'Afterglow' in 2019, 'Small Colors' in 2020 and 'Beautiful Broken World' in 2022.

"'I Was Just Dreaming' perfectly captures the moment of a dying crush, where you’re still all in enough to have your hopes, but are planning an exit - maybe one with a bit of a flourish. This song is brilliant. I just did the best I could with it, stripped what I had down to a couple of tracks, and sent it to Dan. He knows just what to do - here I like his choppy piano bits and the somewhere out there synth swells, perfect.  The song ends with a couple of the demo tracks spliced back in … a sort of accident, but definite nod to the title of the song," says Bruce MacLeod.

Daniel Darrow adds: "This is a cover of legendary Scotland band The Orchids. Bruce and I are both fans of Sarah Records and our cover of this song is our tribute to a great time in music. We’ve added a modern twist here that retains the core beauty of the song."  

The new 'Memory Tree' album features contributions by such artists as Philip Parfitt (The Perfect Disaster), Ricky Humphrey (This Twisted Wreckage), San Francisco-based artists Leigh Gregory and Julius Manning, Berkeley singer-songwriter Sophia Campbell, and two local music legends - Rhode Island Rock’n Roll Hall of Fame inductee Paul Everett and producer, songwriter and artist Kraig Jordan. 

"For our new 'Memory Tree' album, the usual genre-bending music has been replaced by a well-defined continuous take on electro acoustic ambient music and jazz. I call this “night music”. It’s been created with a singular vision lyrically and musically, speaking to the past memories and touching upon what the future may hold. The album features many veteran Rhode Island artists, whose music has moved me for many years, as well as artists from around the world, including Britain and France," says Daniel Darrow.

'I Was Just Dreaming' is available exclusively via Bandcamp, where the 'Memory Tree' album can be pre-ordered. On May 31, this record also goes live on digital music platforms, such as Apple Music and Spotify.

Bandcamp  https://thepullofautumn.bandcamp.com/track/i-was-just-dreaming
Spotify  https://open.spotify.com/artist/3ZHn08pIrnDqlDUSqHikHV
Album order  https://thepullofautumn.bandcamp.com/album/memory-tree
'Beautiful Broken World' album (2022)  https://thepullofautumn.bandcamp.com/album/beautiful-broken-world

CREDITS
Produced & Mixed by Daniel Darrow                          
Mastered by Bruce Macleod                            
Cover painting by Paul Everett
01. Memory Tree - Daniel Darrow (synths), Matthew Darrow (drums)    

02. Walter Benjamin - Leigh Gregory (guitars, vocals), Daniel Darrow (synths), Aaron Carr (cello)                              
03. Freedom is a Thief - Sophia Campbell (vocals, bass), Daniel Darrow (synths), Kevin Carnes (drums), Dan Laks (guitar)    
04. Lovely Fellow - Luke Skyscraper James (vocals), Daniel Darrow (synths)
05. Dolphins - Paul Everett vocals, Daniel Darrow (synths), Kevin Zahm (bass), Bob Kendall (guitar)                                  
06. Awakening - Leigh Gregory (guitar), Daniel Darrow (synths)                      
07. I Was Just Dreaming - Bruce MacLeod (guitar, bass, vocals), Daniel Darrow (synths)
08. Lines Written - Philip Parfitt (guitar, spoken word), Daniel Darrow (piano)
09. A Shrine to Past Memories - Matthew Darrow (synths)
10. Lost Time - Julius Manning (guitars, vocals), Daniel Darrow (synths)    
11. Flow Motion - Ricky Humphrey (bass, drums), Daniel Darrow (synths, trumpet, electronics)                                
12. Opening / Closing - Kraig Jordan (guitar, bass, vocals), Daniel Darrow (synths)

         
       
Keep Up With The Pull of Autumn / RBM Records
Bandcamp | Facebook | Soundcloud | Twitter | YouTube | Spotify | Apple Music |RBM Records | Press contact
 
Keep up with Shameless Promotion PR
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Mark Daly Releases New Single “PIECES" feat. Emily Armstong of Dead Sara

Mark Daly is proud to unveil "Pieces," a captivating duet elevated by the vocals of Emily Armstrong, frontwoman of the band Dead Sara. The track features soul-stirring melodies and poignant lyrics, and is the latest glimpse into his forthcoming album Devil's Arms, slated for release this spring by One Opportunity Records. In addition to the song being released on all streaming platforms, the official music video was also released.

Mark Daly comments on the single, "‘Pieces’ explores the journey of two lost souls who find each other when they thought all hope was lost. The track features my friend Emily Armstrong from Dead Sara. I love how her raspy vocals blend with my smoky ones. I pulled in some Led Zeppelin and grunge influences. The song feels big and alive. I wanted to convey the sadness of longing for someone and then the hope you feel when you find that person you’ve been searching for."

Emily Armstrong adds, “When I heard Mark wanted me to appear on his new record I was flattered, and when the time came to get into the studio to record, things just flowed so naturally. The whole process just worked out so well.”

STREAM "PIECES"

https://hypeddit.com/markdaly/pieces

WATCH Mark Daly "Pieces" feat. Emily Armstrong from Dead Sara (Official Music Video) below.

Devil’s Arms CD’s are now available for pre-order in the merch shop online:https://markdalyofficial.com/shop/

"Pieces" follows lead single "I Wanna Be More" and is the second track to be released from Devil's Arms. Additional singles will be released in the coming months in anticipation of the full length release.

Mark Daly launched a three-week U.S. tour in January as direct support for Mr. Big. The Irish rocker supported the band throughout the Midwest and Northeast, while also headlining his own shows, including a marquee performance at the United States Military Academy at West Point, NY.

Hailing from Cork, Ireland, Daly is no newcomer to American soil, having completed numerous domestic tours with heavyweights including Candlebox, Queensrÿche, and Queensrÿche’s former frontman, Geoff Tate.

“I absolutely love everything about being on the road – meeting so many incredible people each night, getting lost in the music on stage. It’s pure magic,” says Daly.

Mark was first discovered while performing in his band The Voodoos in Spain. During one of their shows, music manager Brian Message (Radiohead, Nick Cave)was in the crowd and requested that Mark play some original songs. Brian decided to bring the band to London to record their first EP. It was in this defining moment that Mark decided to become a full-time musician and never looked back.

One early highlight in Mark’s career was performing at the MTV EMA Awards with The Voodoos after beating out 10,000+ bands from Europe for the slot. From there, Mark and the band began to tour throughout Europe and the USA. Mark’s first venture as a solo artist hit N0. 1 on the Scottish New Music Charts. Inspired by his son, Noah, the track “Your World” was written for an autism awareness charity.

For More Information Please Visit:

Official Website

Facebook

Instagram

One Opportunity Records

Vomit The Soul Announces New Album; Drops Brand New Single & Music Video

Italian death metal vanguards, Vomit The Soul have today announced their latest auditory onslaught in the shape of new album, 'Massive Incineration', which will be released worldwide on June 7th via Unique Leader Records. Marking this pivotal chapter in their relentless journey, the news of the album erupts with the release of lead single and video "Annihilate The Infernal Army" which can be streamed now HERE with the visualizer being available to watch below.

'Massive Incineration' is a behemoth of ten tracks that fuses brutal death metal with technical prowess and dark thematic storytelling. The album is a further step in Vomit The Soul's sonic evolution - mature, refined, and seething with anger.

The band states, “‘Massive Incineration’ brings 10 punishing tracks of brutal death metal, maintaining the VTS style and groove that represents us. We took care to sew darkness and violence into every single detail, creating the most mature, technically refined and angry work we made so far. The album has got a new explosive mix and master, deliberately chosen to be similar to the characteristics of the sound we wanted.

“As a final bonus track, we have included a new entirely rearranged version of one of our classics, ‘Third’, that was featured on our first album. A gift for those who have been following us for years. The album concept was structured and linked closely to the atmosphere of the record. The sound naturally emerged during the writing of the songs, our apostles of evil (seen on our album covers since the time of ‘Apostles of Inexpression’) find themselves in the repugnant and blasphemous abyss of hell. Their purpose- to dominate the entire ‘Otherworld’, after having enticed the wandering souls in Cold.”

'Massive Incineration' is testament to Vomit The Soul's relentless innovation and fierce dedication to their craft. With a sound steeped in darkness and violence, this album is set to be their most angry and ambitious work to date. A meticulously crafted descent into the macabre, soundtracked by exceptional technicality and unbridled brutality.

As the single "Annihilate The Infernal Army" rips through the veil between worlds with its accompanying video, fans old and new will be lured into the abyss of Vomit The Soul's making.

ABOUT VOMIT THE SOUL

Formed in 2000 by death metal aficionados Max, Ycio, and Denny, Vomit The Soul quickly moved from rehearsal tapes to live gigs and EP recordings, despite lineup changes. Their relentless drive led them to independently release their EP 'Human Insanity' in 2003 and gain traction with intense live performances across Italy. The pursuit of excellence took them offstage to refine their craft, resulting in their well-received debut album 'Portraits Of Inhuman Abominations' in 2005 under Comatose Music, which catapulted them into the international festival circuit, rubbing shoulders with global death metal giants.

Regrouping in 2021 with original members Max and Ycio, joined by new faces Stefano Rossi Ciucci and Davide Billia, the band's evolution continued with the album 'Cold', their first with world renowned independent label, Unique Leader Records, which reasserted their dominance in the genre. The current lineup, including Andrea Pillitu and a role shift for Ciucci, entered MK2 Recording Studio in 2024 to create 'Massive Incineration'. Mixed by Billia and mastered at Hertz Studios, this upcoming album promises to maintain the band’s signature slam brutality with a fresh sound, set for global release on June 7th by Unique Leader Records.

BAT | RELEASE MUSIC VIDEO FOR INFECTIOUS SECOND SINGLE, 'STREETBANGER'

Richmond, Virginia metal-punk trio BAT has been delivering their own blood-spattered horror since ascending from the underground a decade ago on a dark, leather-winged trajectory. The brainchild of MUNICIPAL WASTE guitarists Ryan Waste & Nick Poulos, BAT leans heavily on the dirtier side of speed metal. On May 17th, the band welcomes the release of their second full-length album Under The Crooked Claw via Nuclear Blast Records.

Today, the band offers the infectious second track entitled 'Streetbanger'. The music video was directed by Ryan Waste and the cinematography was completed by Jeff Howlett.

BAT's Ryan Waste states, "'Streetbanger' was a title and lyrical concept I’ve had since the BAT demo days, so it’s been marinating for some time. It’s one of the tunes we reworked and played live for a while so it’s already been a staple in the setlist. For the video, we walked the streets of our hometown, Richmond, VA and shot the performance in our actual rehearsal space. I was able to direct the video clip on my own terms with the help of our close friend Jeff Howlett. Jeff is an amazing photographer who shot the band photos for our upcoming album Under the Crooked Claw as well as a documentary filmmaker known forA Band Called Death (2012). 'Streetbanger' embodies our raw, no-frills attitude in BAT and what you see is what you get.”

Watch the music video for the new single 'Streetbanger' below.

Pre-order and pre-save Under The Crooked Claw now at: https://bat.bfan.link/utcclp

This Summer, BAT will be heading across the US on a series of 5 headlining dates followed by the first half of the 'Lifeless Birth Tour 2024' with headliners NECROT. BAT will perform throughout May before joining the NECROT tour on June 5th in Berkeley until departing the package on June 27th in Boston. The second half of the tour will continue until July 13 and will include PHOBOPHILIC as well as STREET TOMBS, who will be on the complete tour. 

Confirmed dates for BAT are as follows:

Headlining dates 
05/03 Charlotte, NC - Snug Harbor
05/30 St. Louis, MO - The Sinkhole
05/31 Omaha, NE - Reverb Lounge
06/02 Denver, CO - The Crypt
06/03 Salt Lake City, UT - Aces High Saloon

'Lifeless Birth Tour 2024'
supporting NECROT as well as STREET TOMBS
06/05 Berkeley, CA - The Cornerstone 
06/06 Santa Ana, CA - Constellation Room 
06/07 Los Angeles, CA - First St. Billiards
06/08 San Diego, CA - Brick By Brick 
06/09 Phoenix, AZ - Nile Underground 
06/10 Albuquerque, NM - The Launchpad
06/12 Austin, TX - Parish 
06/13 Dallas, TX - Three Links 
06/14 Houston, TX - The Secret Group
06/15 San Antonio, TX - Vibes Underground
06/16 New Orleans, LA - Santos
06/18 Tampa, FL - Orpheum
06/19 Orlando, FL - Will's Pub 
06/20 Atlanta, GA - Boggs Social 
06/21 Columbia, SC - New Brookland Tavern
06/22 Raleigh, NC - Chapel of Bones
06/23 Pittsburgh, PA - Cattivo 
06/24 Baltimore, MD - Metro Gallery 
06/25 Bensalem, PA - Broken Goblet 
06/26 Brooklyn, NY - The Meadows
06/27 Boston, MA - Sonia 

Photo by Jeff Howlett 

The power trio, completed by drummer Chris Marshall, decamped to Philadelphia in June 2021 where Arthur Rizk recorded the basic tracks for Under The Crooked Claw. Yavé Rust tracked lead guitars and vocals later when the band was back in Richmond, ultimately to be mixed by Rizk and mastered by Joel Grind. The artwork for the album was inked by Brandon Holt and colored by Margaret Rolicki.

Jam-packed with tight, concise songs loaded with punchy choruses and lightning-laced leads, each of the 13 tracks offers a new horror short story mixing the perfect blend of heavy metal, punk, and rock ‘n’ roll or as Waste coins it "primitive heavy speed". 

Watch the band's first single entitled, 'Rite For Exorcism' directed by Norman Cabrera, produced by Maya Kay, and cinematography by Rob Lucas at Wolfpack Studios here: https://youtu.be/r9XsmFB8W08

Stream the new single 'Rite For Exorcism' on all platforms now at:  
https://bat.bfan.link/rfesg

Pre-order/pre-save Under The Crooked Claw:  
https://bat.bfan.link/utcclp

More information:
https://bewareofthebat.bandcamp.com/
https://www.facebook.com/bewareofthebat/
https://www.instagram.com/bewareofbat/
https://www.youtube.com/@BATBAND

BAT is:
Ryan Waste | Bass & Vocals
Nick Poulos | Guitar
Chris Marshall | Drums

High On Fire drops video for title track of new LP 'Cometh The Storm'

Iconic U.S. rock band, High on Fire, will release its new LP, 'Cometh the Storm,' on April 19 via MNRK Heavy. The GRAMMY Award-winning group, celebrating its 25th anniversary, recorded 'Cometh the Storm' at GodCity Studio in Salem, Massachusetts with producer Kurt Ballou. The 11-song effort -- the band's ninth studio album -- marks the release of the first new High on Fire music since 2018's 'Electric Messiah' and the first to feature drummer  Coady Willis (Big Business, Murder City Devils), alongside bassist Jeff Matz, and guitarist/vocalist Matt Pike. 'Cometh the Storm' boasts runic art and design by longtime High on Fire collaborator Arik Moonhawk Roper.

Now, High on Fire drops a music video for the new album's title track, directed by Phil Mucci for Diabolik Films.

"Cometh the Storm" was built from a riff I started playing on bass at practice," explains bassist/guitarist Jeff Matz . "I was noodling around with this melancholic harmonic minor line, just hammering the notes with my left hand, when Matt yelled out “Are we recording this!?” The chorus riff was something Coady and I came up with when we were jamming in LA. Matt then came in and worked up some rough lyrics and came up with the vocal line. For the chorus, I used this fretless bass I’d acquired. The weight of the low frequencies this thing produced was insane—how it blended with the guitars and drums, it was like being hit with a sledgehammer. We knew right away that this was going to be an epically heavy track."

“This was the first time I got to work with the guys on set and we had a blast,” offers Mucci. High on Fire lyrics can always be interpreted in a number of ways, so I started by trying to define “The Storm”. A huge list of visual ideas got whittled down to the two essential characters at work, The Man and Gaia, representing duel ends of the spectrum — with a very destructive cross-over. I always try to keep things light and encourage everyone to come with ideas — like Coady’s burning cymbal idea! No better way to end your High on Fire shoot than with exploding cymbals!”

High on Fire will kick off U.S. headlining tour dates in support of 'Cometh the Storm on May 4 in Orlando, FL. The jaunt will feature support from Venezuelan post rock outfit, Zeta, and Massachusetts crossover crew High Command. 

High on Fire 'Cometh the Storm' spring U.S. tour
(w/ Zeta, High Command)

May 4 Orlando, FL Conduit
May 5 Columbia, SC The Senate
May 7 Greensboro, NC Hanger 1819
May 8 Richmond, VA The Broadberry
May 10 Baltimore, MD Baltimore Soundstage
May 11 New Haven, CT Toad's Place
May 12 Jersey City, NJ White Eagle Hall
May 13 Cambridge, MA The Middle East
May 15 Albany, NY Empire Live
May 16 Cleveland Heights, OH Grog Shop
May 17 Detroit, MI The Magic Stick
May 18 Chicago, IL 3 Floyd's Brewing (Dark Lord Day feat. High on Fire, Abbath, Fugitive, 1349, Spiritworld)

TOUR AND TICKET INFO HERE

Tim Montana Announces New Album "Savage" + Shares Title Track

Rock singer/guitarist/songwriter TIM MONTANA is thrilled to announce Savage, his debut rock album, out July 12. Pre-order it here.

On Savage, Montana gets in touch with his undeniable rock 'n' roll roots. Armed with grit, guitars, and a hunger for glory, Montana has been endorsed by Dave Grohl and ZZ Top's Billy Gibbons, booked by David Letterman, and had his anthems used by the MLB and NHL. His moody, crackling, '90s-influenced riffs and whiskey-soaked vocals reel fans in while his storytelling keeps them. Savage is a custom and combustible cocktail, served in a dirty, cracked glass that proves why Montana earned iHeartRadio's "On The Verge" accolade.

Today, Montana has also shared the title track. Listen below.

"'Savage' is a window into my world and what I was inspired by over the course of writing and recording this album," Montana shares. "If there is a keystone or a decoder ring to the themes of these songs, 'Savage' is it. It's best enjoyed extremely loud."

With the new single, Montana comes out of the gates swinging. The blustery song is erected on a hellacious riff, push 'n' pull percussive tension, husky, smoky vocals, and the repeated battle cry that "Everything can go to hell...Everything is savage." Montana is no longer knocking on rock music's door. He's kicked it open and has waltzed right in.

Tim Montana is touring heavily with Staind and Seether this spring and with Bush, Jerry Cantrell, and Candlebox this summer.

TIM MONTANA ON TOUR:
4/12 — McCaysville, GA — TOONEYS Music Venue
4/13 — Savannah, GA — District Live At Plant Riverside District
4/18 — St. Augustine, FL — 107.3 Planet Radio Presents Planet Band Camp
4/19 — Tampa, FL — 98ROCKFEST*
4/20 — Orlando, FL — WJRR’S EARTHDAY BIRTHDAY 2024*
4/22 — Brandon, MS — Brandon Amphitheater
4/23 — Franklin, TN — FirstBank Amphitheater
4/25 — Newark, NJ — WDHA's Rock The Rock Fest*
4/26 — Baltimore, MD — 98 Rock Spring Thing*
4/27 — Worcester, MA — The Big Gig III*
4/30 — Portland, ME — Cross Insurance Arena
5/1 — Reading, PA — Santander Arena
5/3 — Milwaukee, WI — HOG FEST*
5/4 — Saint Paul, MN — 93X Twin City Takeover*
5/5 — Lincoln, NE — Pinnacle Bank Arena
5/7 — Waukee, IA — Vibrant Music Hall
5/9 — Grand Rapids, MI — Van Andel Arena
5/11 — Daytona Beach, FL — Welcome To Rockville 2024*
5/12 — Greenville, SC — Bon Secours Wellness Arena
5/14 — Orange Beach, AL — The Wharf Amphitheater
5/15 — Pelham, AL — Oak Mountain Amphitheatre
5/16 — Columbus, OH — Sonic Temple Festival 2024*
5/18 — Bushkill, PA — Lost Highway Motorcycle Show & Concert 2024*
6/8 — Sidney, MT — 2024 Hot Rods & Harleys Summer Kick Off*
6/29 — Rexford, MT — Abayance Bay Marina
7/6 — Milwaukee, WI — Summerfest 2024*
7/26 — Bend, OR — Hayden Homes Amphitheater
7/27 — Airway Heights, WA — BECU Live Outdoor Venue
7/31 — West Valley City, UT — Utah First Credit Union Amphitheatre
8/1 — Greenwood Village, CO — Fiddler's Green Amphitheatre
8/3 — La Crosse, WI — Copeland Park
8/4 — Indianapolis, IN — Everwise Amphitheater At White River State Park
8/6 — Cedar Rapids, IA — McGrath Amphitheatre
8/7 — Chicago, IL — Huntington Bank Pavilion At Northerly Island
8/8 — Three Forks, MT — Rockin The Rivers 2024*
8/9 — Nashville, TN — Nashville Municipal Auditorium
8/10 — Maryland Heights, MO — Saint Louis Music Park
8/13 — Cleveland, OH — Jacobs Pavilion At Nautica
8/14 — Cincinnati, OH — Riverbend Music Center
8/30 - 9/1 — Pryor, OK — Rocklahoma 2024*
9/28 — Louisville, KY — Louder Than Life 2024*
10/10 — Sacramento, CA — Aftershock*

ABOUT TIM MONTANA:
Tim Montana forges a new frontier for hard rock. Following a tumultuous and downright unbelievable childhood in a trailer off-the-grid, the singer, guitarist, and entrepreneur left his home state of Montana in the rearview at barely eighteen-years-old. Driven by a restless work ethic, he quietly carved out a niche without comparison. Along the way, he performed on The Late Show with David Letterman at the behest of the host (practically unheard of for a totally independent artist), collaborated with everyone from Billy Gibbons to Kid Rock (cracking the charts for the first time), made a fan out of Charlie Sheen (who directed the "Mostly Stoned" video), and even attracted his idol Dave Grohl to his corner. Forged by a long grind, he fulfilled his destiny in 2023. Tim shook the rock world with "Devil You Know." Christened "flawless" and "One of the 30 Best Rock + Metal Songs of 2023" by Loudwire, the breakout single surged onto Billboard’s Mainstream Rock Airplay and Rock & Alternative Airplay charts. In its wake, iHeartRadio touted him as an "On The Verge Artist." Soon, he found himself booked for tours with Staind, Seether, Saint Asonia, Bush, and Jerry Cantrell of Alice In Chains (another hero of Tim's). Simultaneously, he and Gibbons purchased historic bar and hotel Wise River Club in Wise River, MT. Coming back home to Montana inspired him to go even wilder on his 2024 full-length album, Savage. The hooks hit harder, the distortion was cranked up louder, and the spirit became freer.  Tim is telling a story that will resonate far beyond his home state, and you can hear it loud and clear on the first single and title track "Savage" and more to come.