Ian Munsick Releases Heartbreaking Cowboy Ballad, “Yippie-I-A”

White Buffalo: Introduce You To God Due April 5
Via Warner Music Nashville; Pre-Save HERE

Ian Munsick’s sophomore album White Buffalo captured the Wyoming-native’s witty sense of humor across its 18 tracks, encompassing such tongue-in-cheek songs as “Barn Burner” and “Cowshit In The Morning.” Now, as he prepares to release five new tracks with White Buffalo: Introduce You To God, a deluxe version of the celebrated collection due April 5, Munsick casts aside the comical word play and revels in heartbreak with the release of “Yippie-I-A,” out now. 
 
“Cowboy ballads have always had a way of transporting me back to the sagebrush prairies of home. It’s high time I made one for myself,” declares Munsick. “In every one of them, you can hear the distant cry of the lone wanderer. But why does he cry? That’s exactly what inspired ‘Yippie-I-A’. I hope it breaks your heart like only the magic of music can.”
 
Written by Munsick alongside Phil O’Donnell and Carlton Anderson, and produced by Munsick and Jeremy Spillman, “Yippie-I-A” details a cowboy’s anguish and inability to cope with losing his spouse.
 
Munsick’s release of White Buffalo last year earned accolades from Billboard, American Songwriter, People and MusicRow with Grammy.com remarking, “Munsick's ability to turn his Western upbringing into relatable sentiments is the epitome of what makes him special… his passion for his homeland — from the culture to the people — rings through in both the lyrics and the musicality.”
 
Munsick kept the momentum going in 2024 with the release of White Buffalo: Voices of the West. The feature-length documentary is now available on Apple iTunes, Apple, Google Play, Kanopy (Libraries), Microsoft, Vudu, YouTube Rentals and Amazon TVOD. The Tennessean praised Voices of the West, which features conversations with members of the Blackfoot and Crow tribes as well as the Blackfeet Nation, as “essential to maintain and humanize the tie to Western culture.”  
 
Munsick is overseas this week, performing at CMC Rocks in Willowbank, Australia. He returns stateside with his Boots, Buckles & Bolos Tour on March 23 with a show in Du Quoin, IL. His headlining run continues through the spring, including a sold-out date at the legendary Red Rocks Amphitheatre on June 5. This summer Munsick joins CMA Entertainer of the Year Lainey Wilson as direct support on her Country’s Cool Again Tour. 
 
For his full tour schedule and to follow along with updates, visit IanMunsick.com or follow @IanMunsick across social media.

ABOUT IAN MUNSICK
A native son of Wyoming, Ian Munsick painted a stampeding, spirited portrait of the American West with his sophomore album White Buffalo, out now. Spanning unfiltered tales of romance and ranch life, hard-working anthems with honkytonk hooks and mountain-time odes to family and forever-young fun, it builds upon the spacious roots-pop beauty he introduced on his major label debut, Coyote Cry. Now, Munsick is preparing to release a deluxe version of the album, including five new tracks, titled White Buffalo: Introduce You To God on April 5, 2024. Over the past four years, Munsick has accumulated nearly half a BILLION global streams and a host of accolades. He has been named an “Artist to Watch” by Spotify, CMT, Fender, MusicRow and most recently was named a Martin Showcase Artist. A seasoned entertainer, having grown up tending cattle by day and playing music in a family band each night, Munsick toured recently alongside country music superstars Morgan Wallen and Cody Johnson, and will serve as direct support for select dates of Lainey Wilson’s Country’s Cool Again tour this year, while simultaneously headlining his own Boots, Buckles & Bolos Tour. The Warner Music Nashville recording artist and multi-instrumentalist is representing his home, and its special cast of people, like never before. The first release from White Buffalo, standout duet “Long Live Cowgirls” (with Cody Johnson), hit No. 1 on SiriusXM’s The Highway Hot 30 Countdown, was named one of Amazon Music’s Best Country Songs of 2022 and recently received RIAA Gold-certification alongside “Long Haul” off his debut album Coyote Cry; while Munsick’s solo version of “Long Live Cowgirls” is available at country radio now. Fans of Ian Munsick will always find an open heart, natural awe and plainspoken honesty as he rides on… bringing the West to the rest. 

BAT ANNOUNCE NEW ALBUM UNDER THE CROOKED CLAW + RELEASE MUSIC VIDEO FOR NEW SINGLE, 'RITE FOR EXORCISM'

Richmond, Virginia metal-punk trio BAT has been delivering their own blood-spattered horror since ascending from the underground a decade ago on a dark, leather-winged trajectory. The brainchild of MUNICIPAL WASTE guitarists Ryan Waste & Nick Poulos, BAT leans heavily on the dirtier side of speed metal. On May 17th, the band welcomes the release of their second full-length album Under The Crooked Claw via Nuclear Blast Records.

Jam-packed with tight, concise songs loaded with punchy choruses and lightning-laced leads, each of the 13 tracks offers a new horror short story mixing the perfect blend of heavy metal, punk, and rock ‘n’ roll or as Waste coins it "primitive heavy speed". 

The band offers the first single entitled, 'Rite For Exorcism' along with a video clip directed by Norman Cabrera, produced by Maya Kay, and cinematography by Rob Lucas at Wolfpack Studios.
 
BAT's Ryan Waste states, “This record came together during dark times and its aggression is surely a reflection of that. Nick, Chris, and I hammered out song after song in a grimy, mold-ridden warehouse, turning our anger at the state of the world into what became 'Under the Crooked Claw'. To set the tone for the album, I called upon legendary Italian horror maestro Fabio Frizzi to compose an intro, just before BAT’s raw force assaults your ears. While simultaneously working on a heavy metal horror script with Norman Cabrera, I shared some of the new BAT songs with him. With our shared taste in film and vision, we devised two video concepts for the upcoming record based on my lyrics. The first offering is our twist on a tale of an exorcism gone awry, that Norman completely nailed to the cross.”

Stream the new single 'Rite For Exorcism' on all platforms now at:  
https://bat.bfan.link/rfesg

Pre-order/pre-save Under The Crooked Claw:  
https://bat.bfan.link/utcclp

Watch the music video for 'Rite For Exorcism' below

The power trio, completed by drummer Chris Marshall, decamped to Philadelphia in June 2021 where Arthur Rizk recorded the basic tracks for Under The Crooked Claw. Yavé Rust tracked lead guitars and vocals later when the band was back in Richmond, ultimately to be mixed by Rizk and mastered by Joel Grind. The artwork for the album was inked by Brandon Holt and colored by Margaret Rolicki.

This Spring, BAT is joining forces with their friends in the legendary EXCITER to play for all the Heavy Metal Maniacs in Latin America for the first time!

More information:
https://bewareofthebat.bandcamp.com/
https://www.facebook.com/bewareofthebat/
https://www.instagram.com/bewareofbat/
https://www.youtube.com/@BATBAND

BAT is:
Ryan Waste | Bass & Vocals
Nick Poulos | Guitar
Chris Marshall | Drums

The Rocky Valentines Share "Stick It Out"

The Rocky Valentines recently announced the release of their debut album Erase via Tooth & Nail Records on March 29. Pre-order it here. 
 
The album was mixed by Bob Hoag (The Ataris, Fine China) and mastered by Jason Livermore (Descendents, All, NOFX), and features artwork by Jake Quintanar.

The band is "all in the family," as singer Charles Martin is the son of Jason Martin of longtime T&N band Starflyer 59. In fact, they released a split, four-song EP on the label last year. 

Today, The Rocky Valentines dropped the new single "Stick It Out." Listen below.

"This song was about being sick on my high school graduation day, and seeing everything change before my eyes," Martin explains. "The lyrics talk about sticking things out in life, whether it's the stress of school or relationships or whatever."

 Martin sings that he feels like "a one-man band." He's not specifically singing about the lack of bandmates on "Scream and Shout," but the album credits aren't exactly littered with other names either. With an assist on bass throughout from Steve Dail (Project 86, Crash Rickshaw), and a recording credit for his father, Jason Martin (Starflyer 59), the younger Martin does the bulk of the work himself across the LP's eight tracks.

Building on 2022's four-song, self-titled EP, Erase exhibits a host of influences — most of which stopped being relevant before the 20-year-old Charles was born — bundled up in arrangements that never feel cluttered.
 
Erase is a record that harkens back to some of rock's best moments, though its most important influence might be Charles himself. Mixing Grant Hart's earworm melodies with heavier-than-hell guitar riffs in the style of Tony Iommi, Martin combines it all with a measured restraint, allowing his vocals to shine without a lot of studio trickery.
 
Lyrically, Erase evokes a young man in the throes of his salad days but is self-aware enough to be bookended by tracks about growing older — album-opener "Sing the Song" — before closing with the title track’s funeral setting.

All of it melds together to reveal a young artist mastering his craft while maturing into adulthood.

Capstan Share Lyric Video for New Song "Empire"

Florida post-hardcore five-piece CAPSTAN — Anthony DeMario [vocals], Joseph Mabry [guitar, vocals], Harrison Bormann [guitar], Andrew "Boz" Bozymowski [bass, vocals], and Scott Fisher [drums] — recently announced their new album The Mosaic, out May 24 via Fearless Records. Pre-order it here. 

The band has just shared the new single "Empire." Listen here. Watch the lyric video below. 

Capstan go big with "Empire." The larger-than-life song cycles through a grip of moods in the space of four minutes. Layered vocals, gnarly guitar works, breakdowns, and atmospheric keyboards and electronic flourishes are sprinkled throughout the track. It's a sonic adventure that shows off the band's willingness to experiment and try new things at once!

"'Empire' is an introspective piece," says Mabry. "The lyrics confess guilt regarding privilege, its cost, and mass complicity in atrocities committed in the name of western imperialism. Recognizing the global scope of violence, poverty, and inequality, and acknowledging that the system is decidedly and irreparably broken is imperative to the possibility of progress."

To make a mosaic, tiny pieces interlock as a larger picture. In similar fashion, distinct elements coalesce as one in Capstan. The band mixes metallic precision with pit-splitting hardcore grooves and the kind of hooks you can't shake. Since 2015, Capstan have progressed with each subsequent move. Following Seasonal Depression [2015] and In The Wake of Our Discord [2018], they made waves with their full-length debut, Restless Heart, Keep Running, in 2019. They toured with the likes of Trash Boat, Doll Skin, Silverstein, and many more. After amassing tens of millions of streams and earning acclaim from the likes of KERRANG! and New Noise, the group paint a definitive body of work on their aptly titled third full-length offering, The Mosaic.

CHAYCE BECKHAM SETS DEBUT ALBUM, BAD FOR ME, FOR FRIDAY, APRIL 5

Nominated at this year’s CMT Music Awards for Breakthrough Male Video of the Year for his PLATINUM hit single “23” that's surging toward #1 on country radio, Amazon Music’s “Breakthrough Artist to Watch” Chayce Beckham tonight releases the first track from his highly anticipated debut album - Bad For Me - coming Friday, April 5, with the rowdy anthem “Waylon in ‘75.” Tonight, listen to the new song HERE and pre-order/pre-save/pre-add the album HERE. 

“Once I finished recording this album and had time to live with it, I felt the title Bad For Me fit perfectly. It sums up a lot of my own faults,” says Beckham. “I like a lot of stuff that’s bad for me, even though it ends up being kryptonite but that’s all a part of being human. I am so proud of this record. I just hope there’s a song on this album that makes somebody feel something.”

Produced by Bart Butler (Jon Pardi, Midland, Warren Zeiders), apart from “23” (Ross Copperman), Bad for Me puts Beckham’s wild card under a microscope as his soul-searching songwriting takes centerstage. Carefully crafting a series of deeply personal stories, his true-to-Beckham mix of dusky Western sonics and smoldering rock energy come to the forefront, as fiddle, steel and loping rhythms stand beside a rebellious, untamed spirit and his rustic vocal. 

Continuing to open his soul like most would never dare, Bad For Me’s themes like substance abuse, guilt and romantic remorse are in plain view, joined by the inner struggle of a man wishing he was more. Battling the bottomless pit of wondering how things got the way they are, this album also shows an appreciation for life itself, and a promise to keep up the fight. 

Featuring the 19 Recordings/Wheelhouse Records/BMG artist’s solo-written, PLATINUM hit song “23” that’s streaming over 4.6M per week and surging toward #1 at country radio, the former fork-lift driver’s debut features 13 tracks, including several he wrote entirely by himself before he won American Idol, including the poignant fan-favorite “Mama” that he actually performed on the show, along with the propulsive barroom rocker “Drink You Off My Mind.”

Currently on his own headlining “Bad For Me” Tour, Beckham will join Luke Bryan on his “Mind Of A Country Boy” Tour this summer. For tickets and all touring updates, visit www.ChayceBeckham.com. 

Photo Credit: Robby Klein

Upcoming Tour Dates:

3/16 - Bendigo, Australia - Meatstock Festival (Bendigo City Centre)

3/23 - Alpine, CA - Country Fest

3/28 - Rootstown, OH - Dusty Armadillo 

4/4 - Catoosa, OK - Track 5 

4/5 - Pocola, OK - Choctaw Casino 

4/6 - Manhattan, KS - The Hat

4/11 - Ft Worth, TX -Tannahill's Tavern and Music Hall

4/12 - Grant, OK - Choctaw Casino

4/13 - Stillwater, OK - Tumbleweed Dance Hall

4/17 - Calgary, AB - Scotiabank Saddledome*

4/18 - Edmonton, AB - Rogers Place*

4/19 - Vancouver, BC - Coastal City Country Fest

4/24 - Saskatoon, SK - SaskTel Centre*

4/25 - Winnipeg, MB - Canada Life Centre*

5/2 - Columbus, OH - The Bluestone

5/3 - Warrendale, PA - Jergels

5/4 - Winchester, VA - Shenandoah Valley Apple Blossom Festival (Discovery Museum)

5/9 - Schenectady, NY - Frog Alley

5/10 - Binghamton, NY - Touch of Texas

5/11 - Jordan,NY - Kegs Canalside

5/16 - Asheville, NC - Salvage Station

5/17 - Barco, NC - Morris Farm

5/18 - Charlotte, NC - Coyote Joe's

5/23 - Bishop, CA - Mule Days

5/24 - Apple Valley, CA - HillTop Tavern and Inn

6/6 - Fargo, ND - Happy Harry's Ribfest @ Fargo Dome

6/9 - Greenwood Village, CO - Fiddlers Green Amphitheatre/KYGO

6/14 - Orange Beach, AL - The Wharf Amphitheater*

6/15 - Orange Beach, Al - The Wharf Amphitheater*

6/18 - Alexandria, VA - The Birchmere

6/21 - Buffalo, NY - Taste of Country (Sahlen Field)

6/27 - Cadott, WI - Country Fest 2024

6/29 - Brainerd, MN - Lakes Jam

7/12 - Rhinelander, WI - Hodag Country Festival

7/18 - Ankeny, IA - The District at Prairie Trail

7/19 - New Berlin, IL - Danenberger Family Vineyards

8/9 - Oro Station, Ontario - Boots and Hearts

8/15 - Kansas City, MO - T-Mobile Center*

8/16 - Montréal, Québec - Parc Jean-Drapeau/ Lasso Fest

8/17 - Atlanta, GA - Truist Park*

8/22 - Oklahoma City, OK - Paycom Center*

8/24 - Des Moines, IA - Wells Fargo Arena*

8/25 - Chicago, IL - Wrigley Field*

10/20 - Sacramento, CA - Discovery Park

*with Luke Bryan

About Chayce Beckham: 

Three years after becoming the only artist to win American Idol singing his own songs, 19 Recordings/Wheelhouse Records/BMG country artist Chayce Beckham is living proof of his belief that “You can’t tell someone how to write a song.” Currently nominated at this year’s CMT Music Awards for Breakthrough Male Video of the Year for his PLATINUM hit single “23” surging toward #1 on country raadio, the fiery singer-songwriter laid out a course only he could follow, and today remains even more dedicated to his unique creative compass. A California native schooled on tough times and a mix of country, rock, hip hop and beyond, Beckham started a habit of heart-on-his-sleeve songwriting after some hard times when he felt he had nothing left – and when combined with his warm vocal rasp on “23,” that drive helped him charm the nation on Idol's 19th season in 2021. With more than 358 million streams and counting, the bluesy and brutally honest anthem debuted at #1 on both iTunes’ Country and All Genre singles charts, and now leads Beckham’s first album, Bad for Me, as the emerging star finds his stride. Co-writing nine of 13 songs (three solo), the project shows Beckham opening his soul like most would never dare and embracing a timeless country-rock sound defined by fiddles, steel guitar, and plenty of against-the-grain attitude. With dusky shades of heroes like Johnny Cash, Waylon Jennings, and Kris Kristofferson, the set aims to reinforce next-big-thing predictions from CMT, Amazon Music, MusicRow and more, while Beckham hits the road this summer on Luke Bryan’s "Mind Of A Country Boy" Tour and his own headlining 2024 “Bad for Me” Tour.

KEEP UP WITH CHAYCE BECKHAM

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | X

Delve into the Dark Abyss with Friends Of Hell's Infernal Return! - New Album out 4/5 on Rise Above Records

New Album 'God Damned You to Hell'

due Out April 5th via Rise Above Records

Pre-Order HERE

Today, FRIENDS OF HELL share "Gran Inquisidor", the first single from their upcoming new album 'God Damned You To Hell' due out April 5th on Rise Above Records.

Listen HERE

The long-awaited follow-up to FRIENDS OF HELL’s demonically thrilling debut, 'God Damned You To Hell' is a scorched earth campaign against all that is holy. Even more defiantly old school and obnoxious than its predecessor, its primitive barrage of horrified heaviness owes a ghoulish debt to the greats of heavy metal and doom while summoning some abominable demons of its own. Songs like "Bringer Of Evil" and "Let The Devil Take You" harbor ruthless hooks that draw from all manner of leather-clad and spiked sources, while the blasphemous rituals of closer "All The Colours Of The Dark" cement FRIENDS OF HELL’s burgeoning reputation as harbingers of tangible, tumultuous darkness.

“This second album is way superior to the first one,” avows Danazoglou. “The songs are better, and the music is heavier and more evil! That was the plan from the beginning. The only surprise was that the line-up changed. Hellbutcher’s vocals are just devastating and Beelzeebubth and Sprits are just amazing guitarists! Most of the recording took place here in Cyprus with Sprits at the helm of production. This time things were easier [to complete] than the first album. We were more focused and willing to deliver a devastating blow to weak and fake metal music!”

Listen to "Gran Inquisidor" Below.

Heavy metal has a long history and profound connection with devilry, deviance, and the dark side. The ignominious return of FRIENDS OF HELL can only strengthen that bond.

Steeped in purest old-school metal and the dirtiest doom, the new album 'God Damned You To Hell' is a rusty spike in the eye of unbelievers.

As they begin their infernal mission in earnest, FRIENDS OF HELL has grown from a spontaneous idea into a fearsome force for guitar-driven infamy. 'God Damned You To Hell' takes a pick-axe to modernity and builds a new monument to Satan in its place. As Danazoglou explains, there really is no other way. Hails!

“Our song themes are and always will remain the same,” Taz Danazoglou states. “Satanism, witchcraft, horror, and death! If the public loved the first album, the second one will blow their minds. It’s on another level. Another level downwards into the pits of hellfire! The one thing that has really changed is that with this line-up, we will play live and bring mankind to its knees. We want to play and destroy stages. Other than that, we will then focus on the third album which will be the final nail in the coffin lid for mankind!”

Are you ready to feel the flames?

Pre-Order 'God Damned You To Hell' HERE

Formed by underground stalwart Tas Danazoglou (Satan’s Wrath/ex-Electric Wizard) in 2021, FRIENDS OF HELL emerged as avowed defenders of dirty, evil metal. Initially fronted by doom maverick Albert Witchfinder (Opium Warlords/ex-Reverend Bizarre), they appeared from nowhere, scabby-knuckled and militant, armed with a self-titled debut album that reeked of gruesome authenticity. Released in March of 2022, FRIENDS OF HELL adhered to a strict ethos of scything doom riffs and punk-as-fuck belligerence while conjuring a disorientating storm of occult grimness that dripped with horror. Not surprisingly, fans of the real thing recognize diehard purity when they hear it, and FRIENDS OF HELL were widely acclaimed as the latest and hottest entity to be belched from Lucifer’s maw.

“After the first album was released we were really amazed by the response!” says Danazoglou. “It was included in the best-of-year lists of countless places. The plan was then to play live in a few selected festivals but unfortunately, that was impossible with the old line-up. Albert quit, followed by our guitarist Jondix quitting too, so then myself and original bassist Taneli Jarva (ex Impaled Nazarene/Sentenced) were joined by Hellbutcher on vocals, Beelzeebubth on guitar and Sprits joined us as second guitarist. So we could argue that there were some major developments which in the end worked for the best.”

Black Tusk Defy Death on New Single

Praise for Black Tusk

"A raucous style of punky, hard rocking sludge, with minimum fuss and ample bursts of energy and ballsy aggression" - Angry Metal Guy

"Chaotic and raw, but also extremely catchy and memorable" - Metal Injection

"A no frills band that goes full throttle. Black Tusk are here to stay" - Heavy Music HQ

"An engine-wrecking riff-fest from the Savannah badlands" - Metal Hammer

"Black Tusk are pretty much the only Georgia metal act who still sound like they hail from the home state of Sandra Dee and Uga" - Invisible Oranges

"Alive, raw, furious, loud...they almost make your face vibrate" - Heavy Blog is Heavy

"Black Tusk's combination of sludge, rock, hardcore and death metal remains fluid, fertile and most importantly, full of life" - Pitchfork

Black Tusk have done more than their fair share of hard living. In their 19 years as a band, they've switched labels and lost members while navigating the bumps in the road that come with being touring musicians. But their new album bulldozes past any and all obstacles. The latest single off The Way Forward leaves the taste for sin behind, though that doesn't mean this sludge metal crew have cleaned up their act. "Dance on Your Grave" sounds nastier than ever. 

"Everything that happens in our lives is something we can learn from", says Black Tusk guitarist and vocalist Andrew Fidler. "It will sink you or make you wiser. This song is about that". 

Watch the video for "Dance on Your Grave" below.

The Way Forward comes out April 26, 2024.

Pre-order: https://shop.season-of-mist.com/list/black-tusk-the-way-forward

Pre-save: https://orcd.co/thewayforwardpresave

James May has stomped around the swamps of Savannah, Georgia, since he was a young punk. But the Black Tusk drummer moved away to Athens during the course of the pandemic. It was a struggle, but the change in scenery helped him work through his struggles.

Everyday is amazement that I made it, May shouts alongside his longtime bandmate Fidler, backed by the steadfast thump of his double kick drum.        

"Sometimes the worst things you've ever seen or done end up being the best thing that's ever happened to you", says May, who wrote the lyrics to "Dance on Your Grave". "It's sort of a self-exorcism. You gotta be on the edge to know where the cliff is".  

The Way Forward marks Black Tusk's first album as a four piece. But "Dance on Your Grave" shows that these guys are already old friends. Fidler and May used to run in the same touring circles as new bassist Derek Lynch. Lynch makes himself right at home, too, cracking open a cold beer before kicking off this jam session with a filthy bass groove.

"'Dance on Your Grave' was the absolute first song from the new record that I played with the whole band", Lynch says. "We worked on it at a spot in Athens. It kind of gave me a frame of reference for what they were trying to accomplish with a new batch of songs, pushing the tempo while still maintaining a super heavy low end".

The video was shot at Hidden Audio, which serves as Black Tusk's home base. The studio is run by frequent collaborator and now official member Chris "Scary" Adams. Not only did Scary create the video for "Dance on Your Grave". He produced The Way Forward and makes this the band's first album to feature two guitars. Right away, the chemistry between him and Fidler jumps through the roof. After all, Fidler did help build this studio with his own two hands. On "Dance on Your Grave", Fidler lays down firm riffs so that Scary can rip into a solo that never stops climbing.

Photo by Adriana Iris Boatwright

“The big theme of this record is putting your life back together.” That’s Black Tusk guitarist/vocalist Andrew Fidler talking about the band’s new album, The Way Forward. “When everything seems like it’s against you, put your head down and push through. Take those bad things that are happening and use them to help create.” 

The Way Forward might be the Savannah swamp metal crew’s seventh album, but it marks many firsts for Black Tusk. It’s their first with their new lineup, which sees guitarist Chris “Scary” Adams and bassist Derek Lynch joining Fidler and drummer James May. Which also makes it Black Tusk’s first record with a two-guitar lineup. “We were able to add leads and harmonies and all kinds of stuff on the new record that we haven’t done in the past,” Fidler says. “As far as our records go, this one has the most guitar work.”  

You can hear it in the squealing solo of “Dance on Your Grave,” the killer harmonies on ripper “Harness (The Alchemist),” and the glorious dual guitar interplay of the powerful title track.  

“‘The Way Forward’ is my favorite song on the record,” Fidler says. “It’s based on a personal experience that everyone can probably relate to. I got divorced in 2020, and I kinda felt like my entire world was collapsing when that happened. But I pulled myself out of it. I realized that this one thing ending in my life isn’t the end of everything. I’m gonna find a way forward. I’m gonna figure out how to live my life and create and be happy and make new relationships. Which is what I’ve done.”  

In true Black Tusk fashion, the new lineup has expanded their triple-vocal approach to quadruple. “Everyone is doing vocals,” Fidler says. “That’s always been a thing in Black Tusk. Derek said he’d never done heavy vocals before, so I was like, ‘Well, here’s the mic. Here’s some words. Yell at it and see if you like it.’ I was blown away the first time he did it. It sounded good as fuck.”   

That’s Lynch on lead single “Brushfire,” a song for which he wrote the main riffs and lyrical concept. “That was my first real contribution to the band,” the bassist says. “Thematically, I wanted the aggressiveness of the lyrics to keep with the idea of pushing forward even when the world is trying to drag you down. The mood of the lyrics needed to match the pulverizing tempo of the song.”  

The lyrics for second single “Dance on Your Grave” were written by May, who moved from Savannah to Athens, GA, in the time since Black Tusk’s last album. “It’s about his struggles through Covid and what this lifestyle can do to people,” Fidler says. “It’s about getting past the party lifestyle and continuing to do things that are creative.”  

Meanwhile, “Breath of Life” distills Black Tusk’s lyrical philosophy into a righteous five-minute pummeling. “Scary came up with the main riff of this song, and it’s one of my favorite riffs on the record,” Fidler says. “I wrote the lyrics, and it’s just about darkness crushing everything. The world is a fucked-up place that we have to navigate through. That’s what a lot of Black Tusk songs are about.”  

Black Tusk recorded The Way Forward at Adams’ own Hidden Audio studio just outside of Savannah. Adams engineered the album and the whole band produced. “I actually helped him build the studio in the detached garage next to his house,” Fidler explains. “Me and my carpentry company went out there to do it, and Scary helped.”  

“We had about 90% of the riffs and song structures going into the studio, while still experimenting with ideas and inspirations,” Adams explains. “Sometimes we completely reworked parts, which made all the difference. For example, early versions of ‘Breath of Life’ and ‘The Way Forward’ are quite different than the record, and I love where they ended up. Though we did use a few effects and synths here and there for texture and space, to me this record still feels raw and powerful. It captures the feeling of being at a Black Tusk show.”  

The cover art for The Way Forward was done by Brian Mercer, who also created the sleeve for Black Tusk’s 2018 album, T.C.B.T.“T.C.B.T. had a dark cover because it was a dark time for the band,” Fidler says, referring to the period immediately after the passing of their longtime friend and bassist Jonathan Athon. “This time, it’s full blown, full-color Black Tusk. Brian Mercer and James collaborated on the concept, and Brian really knocked it out of the park.”  

“The title is kind of a double play,” Fidler says. “It’s the first record with the new lineup, and this is the direction we’re taking the band in. We’ve been doing Black Tusk for 19 years now, and we still love it. That’s why we called it The Way Forward.”  

Line-up:

Andrew Fidler: guitar, vocals
James May: drums, vocals
Derek Lynch: bass, vocals
Chris "Scary" Adams: guitar, vocals

Recording Studio
Hidden Audio

Producer/sound engineer
Chris "Scary" Adams

Mixing studio and engineer
Chris "Scary" Adams

Mastering studio and engineer
Brad Boatright at Audiosiege

Cover artwork
Brian Mercer

Pre-order: https://shop.season-of-mist.com/list/black-tusk-the-way-forward
Pre-save: https://orcd.co/thewayforwardpresave
 

Follow Black Tusk:
https://blacktusk.bandcamp.com/
https://www.instagram.com/tcbt/
https://www.facebook.com/BlackTusk
https://open.spotify.com/artist/7iontmL8hXqoJcSA5oTZqa
https://twitter.com/BlackTusk
https://music.apple.com/us/artist/black-tusk/292231967

Poolside At The Flamingo Drop New Track "Hell On Earth"; Announce Run of Headline Shows This Spring

Colorado's obnoxiously heavy grindcore 4-piece, Poolside At The Flamingo have dropped the second single from their upcoming EP, 'Accabadora' out via Blood Blast Distribution on May 22nd. The new track, titled "Hell On Earth", can be streamed HERE and the visualizer can be found Below.

Speaking on their new release, Poolside At The Flamingo share "This may be our favorite song on the EP. There's a hint of melody as dueling guitars blend tremolo riffs. The series of breakdowns at the end will make you want to hurt something.”

"Hell On Earth" is the second single from the band's upcoming EP, 'Accabadora', a bold statement from Poolside At The Flamingo, showcasing their growth as musicians and their commitment to pushing the boundaries of extreme music. The first single, the EP's title track, was released last month along with an epic music video. Speaking on the upcoming EP release, the band share

"The Accabadora EP is the first release that we're truly proud of and feel embodies the sound that we're looking to achieve. The songs on this EP were written with more care and attention than any other album/ep we've released. To us, it's the perfect blend of erratic grindcore and soul-crushing breakdowns."

Poolside At The Flamingo have also announced a sting of headline shows this spring. Full list of shows and tickets are available from poolsideattheflamingo.com

Stay tuned for more from Poolside At The Flamingo soon and get ready for sheer, unbridled brutality on May 22nd when they release the 'Accabadora' EP.

About Poolside At The Flamingo

Poolside at the Flamingo is a 4 piece deathcore/grindcore band based in Colorado, USA. Formed in 2005, Poolside At The Flamingo toured extensively in the "Myspace" days playing with the likes of Through The Eyes of the Dead, The Tony Danza Tap Dance Extravaganza, See You Next Tuesday and MANY more. 

Their debut album "This Will End Badly..." (2006) was recorded live in a residential basement. Their next official album, "The Sound Below" (2017), was produced by Dave Otero at Flatline Audio and more recently they released "Self Titled" (2023).

Poolside At The Flamingo Are:

Scotty Bohnen: Vocals

Danny Bohnen: Guitar

Rudy Garcia: Drums

David French: Bass

ONErpm's William Michael Morgan Readies New EP 'Onto Something' for This Friday, 3/15

Six-Song EP Available This Friday, March 15 via ONErpm on all Platforms
Pre-Save HERE
 
Set to Perform at Ole Red Nashville Tomorrow, March 14

Country neo-traditionalist William Michael Morgan is bringing ’70s swagger back to Nashville with his brand new, six-song EP Onto Something, set for release Friday, March 15, on all platforms via ONErpm Nashville. Pre-save Onto Something HERE. Morgan will celebrate the release on the eve of its arrival with a one-hour pop-up set at Blake Shelton’s Ole Red in downtown Nashville, Thursday, March 14.
 
“I couldn’t be more excited to get this EP out,” says the hard-working Morgan, with his famous mustache grin. “Tracking with (multiple CMA, ACM and Grammy Award-winning producer) Keith Stegall was an incredible experience, and I can’t wait for everyone to hear what we put together.”
 
“William’s new music is a welcome addition to the increasingly popular neo-traditional movement that websites like Saving Country Music have credited him with starting,” notes Ryan Cunningham, A&R director of Country Music for ONErpm. “This EP will stand out amid the pop influences that currently define modern country.”

And there’s plenty to notice. The two pre-released tracks, the mid-tempo “In Walked You” with its breezy barroom vibe—In walked you on a Saturday night/Neon blue lightin’ up your eyes—countered by the wistfulness of the bittersweet “Not Letting Go”—We’ve gone too far to get back to where we were before—sets the tone for a free-flowing, six-song set with fiddle and steel guitar licks evocative of the lyrical stylings of decades past.
 
“Country music is alive and well,” states one of Nashville’s most celebrated men behind the scenes and multi-award-winning producer Keith Stegall. “It lives and breathes when William Michael Morgan picks up a guitar and tells us stories of love lost and honky-tonks found. Country music at its finest.”
 
Morgan’s current single, “Pour A Little Whiskey On It,” is like a salve for the EP’s more vulnerable moments. When he croons, If it’s gonna be a lonely night/Might as well put her memory on ice, you know what’s coming—a straight-up drinking song that seeks to right the wrongs with every cowboy (and cowgirl)’s favorite libation:
 
      If she’s really adios,
      I guess it’s easy come, easy go;
      I might as well honky tonk it,
      Maybe all night long it;
      Take this heartache to town,
      And pour a little whiskey on it

The EP’s release will be capped off by the premiere of Morgan’s music video for the track “Pour A Little Whiskey On It” coming later this month.

Morgan and Stegall round the album out with the title track, a gentle nod to the promise of a new relationship; the regret-tinged “She Don’t Like Old Country”; and a goodbye/destination song that, despite the lyrics, isn’t quite as sad as it could be—and maybe that’s the point.

Photo Credit: Sean McGee

About William Michael Morgan
30-year-old Mississippi native William Michael Morgan has built an enthusiastic fan base by touring the country and releasing music that remains true to his Vicksburg roots in a voice that “resonates with the flawless timbre of someone who has been singing country music for decades beyond his years,” according to Pandora. Morgan, who has already accumulated over 100 million on-demand streams, has been dubbed a modern-day traditionalist. He earned his first No. 1 single with “I Met a Girl,” described by Rolling Stone as a “laid-back ode to the joy of romantic discovery” that was named one of NPR Music’s Top 100 Songs in 2016 and paved the way for a Top 5 debut of Morgan’s first album, Vinyl, on the Billboard Country Albums chart.
 
About ONErpm 
ONErpm is a leading next-generation music company and record label operating globally in 43 locations powered by a staff of 600. At its core ONErpm offers label services to artists seeking to elevate their careers and operates one of the world’s largest music distribution platforms and YouTube Multi-Channel Networks. Offering a full suite of services that includes marketing support, supply chain tools, SAAS, business intelligence, publishing, accounting and global payment solutions, ONErpm provides the infrastructure needed to help creators and content owners succeed. As a trusted partner, ONErpm emphasizes transparency in everything it does, from executing a marketing campaign to making payments.

THE FRONTMEN TO DROP SELF-TITLED DEBUT ALBUM ON MARCH 22 VIA BBR MUSIC GROUP/BMG NASHVILLE

THE FRONTMEN, three of ‘90s country’s most recognizable voices — Richie McDonald, formerly of Lonestar; Tim Rushlow, formerly of Little Texas; and Larry Stewart of Restless Heart — drop their self-titled debut album on March 22 via BBR Music Group/BMG Nashville. The Frontmen is available for pre-order, pre-save and pre-add HERE.

The Frontmen, produced by two-time GRAMMY-nominated Mickey Jack Cones, features nine original songs, as well as three Lonestar, Little Texas and Restless Heart No. 1 hits, rerecorded Frontmen-style.The trio tag team lead vocals throughout.

"It's super cool to release brand new music as a full album with The Frontmen this month," says Stewart."I'm so excited about this music, these songs and how this project represents the three of us so perfectly.Mickey Jack Cones did a magical job capturing Richie, Tim and myself from top to bottom. I can’t wait for the world to hear it and I couldn’t be more proud!"

Original tunes on the project ("Beatles and Eagles," "The Radio Played," "Layin' Low in Mexico," "It Was Always You," "Rattlesnake," "I Need You," "Goodbye Beautiful Goodbye," "Should've Run Out of Angels" and "Left Their Mark") were hand-picked by the trio and Cones. Classic tunes on the album are songs most will instantly recognize: Lonestar's “Amazed (The Frontmen Edition),” Little Texas' “God Blessed Texas (The Frontmen Edition)” and Restless Heart's “I’ll Still Be Loving You (The Frontmen Edition).”

"I feel like a kid on Christmas morning, waiting to unwrap the presents," notes McDonald. "We’ve been anxiously waiting to unwrap this new Frontmen music and share with the world for awhile now. Thanks to everyone involved for help making this dream a reality."

“It feels quite surreal to finally let the world in on what we have been cooking in the kitchen with The Frontmen," adds Rushlow. "For 14 years playing select shows at home and overseas for our men and women in uniform, it's time to see what the world thinks of us! I am more proud of this record with Larry and Richie than any music I have ever been involved in making. Mickey Jack Cones is a true believer who totally knew where to navigate this new sound and yet still be reminiscent of our past successes. We are so grateful to Jon Loba and his team at BMG Nashville for this opportunity. Let's GO!"

About The Frontmen:
The Frontmen features three singers who were THE voices of three of the top country bands of the '90s: Richie McDonald, formerly of Lonestar, Tim Rushlow, formerly of Little Texas, and Larry Stewart of Restless Heart. From their rave review performances around the globe for our troops, to casinos, fairs and corporate events, to their globally televised performance on the steps of the hallowed Lincoln Memorial in Washington, DC, The Frontmen are making their mark on the country music scene. Stewart, Rushlow and McDonald have collectively sold over 30 million records and had over 30 major hits between them. They have a chemistry and brotherhood seldom matched, and they have logged the travel miles to prove it, wowing audiences around the globe with their brand of highly successful intimate unplugged shows. Powerhouse hits performed by The Frontmen include Restless Heart classics, “The Bluest Eyes in Texas,” “That Rock Won’t Roll,” “I’ll Still Be Loving You” and “Why Does It Have to Be (Wrong or Right)." Lonestar smashes such as “Amazed,” “Front Porch Looking In,” and “I’m Already There,” plus Little Texas hits including “God Blessed Texas,” “Amy’s Back in Austin,” and “What Might Have Been.” These songs and many others included in their shows are the soundtrack of a generation. With their combined vocal and instrumental talents, The Frontmen deliver a high-energy show packed with fan-favorites from their three award-winning and critically acclaimed bands. For more information, visit thefrontmenlive.com.

UK avant-pop artist NICK HUDSON gears up for new album 'Kanda Teenage Honey', previewing two new tracks + video for 'Khevsureti'

“Beautifully written, recorded, produced and arranged... all complimented by vocal that lives up to the same standard. No cheating, no fronting, just honest crafted musicality”  ~ Billy Gould (Faith No More)

"Kanda Teenage Honey is shockingly emotional, thoughtfully orchestrated and wonderfully curious lyrically. It is a record for true music lovers" ~ Jamie Stewart (Xiu Xiu)

"There isn’t really anyone making music like Nick Hudson“ ~ The Quietus

“Nick Hudson is a unique talent. His song writing and performances are breathtaking.  He is long overdue being heard by a wider audience. This solo album is a peak in an already stellar career” ~ Stuart Braithwaite (Mogwai)

"Scott Walker channeling Coil” ~ MOJO Magazine

"Genius” - BBC Radio (BBC Introducing)


Brighton alternative pop artist Nick Hudson presents his new album 'Kanda Teenage Honey', an expansive collection of 16 tracks, recorded largely in a huge former Soviet movie studio in Georgia under the shadow of the Ukraine war. Previewed this week by the tracks 'Ortolan'and 'This Heat', Hudson recently released the singles 'For My Silence' and 'Khevsureti', which recently garnered him coverage in Billboard.

Mixed by and featuring Toby Driver of Kayo Dot, this album is graced with numerous talented guests, including Mogwai's Stuart Braithwaite, Stuart Dahlquist (Asva, Burning Witch, Sunn O))), Lizzy Carey (Bat For Lashes), Robert Wyatt collaborator Alfreda Benge, Christopher Nell (legendary German performer and collaborator of US theatre visionary Robert Wilson), and 14-year-old soprano prodigy Poppy Efemey.  

Recorded with Ilya Lukashev at Leno Studio and Sano Studio in Tbilisi, this album was mastered to analogue tape by Paul Pascoe (Barry Adamson, Beat Hotel, Sleaford Mods) at Church Road Studios in Hove, Hudson collaborates with some incredible Georgian musicians and his friend Seva, a Russian dissident who fled the FSB, having worked for Navalny. Hudson explains, "He contributes a poem narrating his thoughts on exile, through which I've layered field recordings of the recent Tbilisi and Paris protests, where many of us got tear-gassed."

"Russia attempted to invade Georgia most recently in 2008 and we've seen a vast influx of Russians fleeing the conflict and resettling in Tbilisi (which endures and suffers a pro-Russian government ideologically in conflict with most of its citizens). This geopolitical tension has inevitably made its way into the lyrical and musical texture of the record via the songs 'Hollow Man' and 'Sky Burial While Alive'. It also contains oligarch-hexing magic realism and a tribute to that vastly-neglected demographic – the old-school homosexual. Musically it encompasses art rock, black metal, ambient music, agitprop folk, charred goth rock, symphonic vastness and piano ballads -all infused with the energies and landscape of Georgia," says Nick Hudson.

In 2021, Hudson released his 'Font Of Human Fractures' album and the 'K69996ROMA:EP'. His band The Academy of Sun released their opus album 'The Quiet Earth' the year before. He's collaborated with such legends as Wayne Hussey (The Mission), Matthew Seligman (David Bowie, Tori Amos, Morrissey), Massive Attack's Shara Nelson, plus David Tibet (Current 93) and queercore icon GB Jones. His vast output also encompasses painting, film and a novel.

"As an album, 'Kanda Teenage Honey' explores ideas of preserving the sacred from the corrosively kleptocratic institutions of church and state: spiritual and material kleptocracy.  The title itself refers to a very real preservation of innocence derived from a story I heard of a local villager whose teenage son was shot and killed: the father had his son's body preserved in honey. As such, there are secular hymns for peace and lucid stillness, tales of saints de-martyring themselves and falling in love free of judgement from anachronistic scrutiny - a thinly veiled parable of queer love.  Two very close friends died within six months of each other during my first year in Georgia – there are requiems in the songs 'Archipelago' and 'Bardo', plus an acappella tribute to the Siberian husky that helped me grieve them during a retreat to the sublime mountainous region of 'Khevsureti' by the Chechen border, where despite being an ostensibly Orthodox country, pagan traditions are still passionately observed.  I dreamed eighty-percent of 'Bardo' in the energised serenity of this beautiful region while mourning my friend Jesse. Patrick, honoured in 'Archipelago', was one of my earliest mentors and a dynamically brilliant pianist.  They are much missed," explains Nick Hudson.

"'Ortolan' references the summer of 2021, when I fled to the same Isle Of Wight monastery at which Scott Walker had sought refuge in the sixties, as my mental and physical health hit a nadir and I was forced to leave the city I'd called home for twenty years. 'This Heat' refers to a return journey from a plague necropolis at the Chechen border, where giddily drunken park rangers piloting a 4X4 hurtled us passengers down a treacherous mountain pass and I briefly thought it might be the last song I'd ever write.  Since then, I've come to learn that Georgians are some of the virtuosic drivers in the world, even drunk, and I need not have feared."

Hudson also just released his book 'The Land Exists So The Seas Don't Argue', showcasing a decade of lyrical output in five albums plus ephemera  – satellite poems that inhabit the same world as each of the primary cosmologies. With a foreword by renowned Scottish author Chris Kelso, this collection embodies a searing intensity and unity of vision - paganism, queer love, grief, death, ecstasy, radical politics, social satire, hymns to nature, her rhythms and forces.

As of March 15, 'Kanda Teenage Honey' is available via Bandcamp, as well as other fine music platforms, such as Spotify and Apple Music. On March 16, Hudson celebrates with an album launch concert in Tbilisi, Georgia, which will be livestreamed for those who cannot be there in person.

CREDITS
Composed, arranged and produced by Nick Hudson
Engineered by Ilya Lukashev & Nick Hudson at Leno and Sano Studios, Tbilisi
Steinway recorded by Ilya Lukashev & George Gvarjaladze at Leno Studios, Tbilisi
Mixed by Toby Driver
Mastered to analogue tape by Paul Pascoe, Church Road Studios, Hove
Nick Hudson - piano. acoustic guitar on 2, Faemi 1M, programming, vocals, foley, protest field recordings
Beqa Minadze - electric guitars
Gigi Koberidze - drums
Greg Massi - guitar on 4
Lizzy Carey - all strings
Toby Driver - hammered dulcimer on 10
Poppy Efemey - soprano on 10
Stuart Dahlquist - bass on 13
Samuel Gottlebe - classical guitar on 10, 12 and 15
Kianna Blue - Issa G Thang on 13
Alfreda Benge - cosmological rhetoric on 3
Oliver Hill - guitar on 8
Christopher Nell - duet vocal on 12
Stuart Braithwaite - black metal Ivor Cutler on 8
Vsevolod Osupov - poem and recitation on 11
Oli Spleen, Kianna Blue and Jon Griffin - choir on 9
Ana-STASI-a - thelemic seduction on 14
Wolfgang Dubieniec - mood on 3
Videos directed, filmed and edited by Nick Hudson
'For My Silence' artwork by Kenneth Anger
'Khevsureti' cover painting by Berdia Arabuli
Album artwork by Nick Hudson and Gary Mallard
Artist photography by @_Carl_Solomon_
Rings featured in photos by @Fauda.Silver

Keep up with Nick Hudson / The Academy of Sun
Facebook | Bandcamp | Twitter | Instagram | YouTube | Spotify | Apple Music | Booking | Press contact

Keep up with Shameless Promotion PR
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Fallujah Commemorates 'The Flesh Prevails' with 10th Anniversary Edition and North American Tour

Technical Death Metal artisans Fallujah have announced their plans today to mark a decade of their seminal, landscape-changing album 'The Flesh Prevails' with a remastered 10th-anniversary edition remixed and remastered by Zack Ohren, set for release on July 5th, 2024 available on all formats, via Unique Leader Records. To further celebrate this milestone, the band has also announced the massive, 30-date The Flesh Prevails 10th Anniversary North American Tour this summer featuring support from Persefone, Vulvodynia, and Dawn of Ouroboros.

Jamie Graham of Unique Leader Records reflects on the album's impact: "'The Flesh Prevails' shook the Technical Death Metal world by storm on its initial 2014 release and remains one of the most revered albums in our catalogue. Fallujah’s pioneering hybrid of ethereal, epic soundscapes weaved into their intricacies created a record that stood alone as a supreme body of work. 10 years on, the record feels fresher and more essential than ever. A remaster from the golden ears of Zack Ohren took this superb album to an even higher level."

Fallujah share: “This summer we’re celebrating the 10th anniversary of our sophomore album 'The Flesh Prevails'. We will be performing the album in its entirety, featuring songs that have never before been played live. Joining us are torch-bearers of atmospheric prog Persefone, South African slam lords Vulvodynia, and the ever-ethereal Dawn of Ouroboros; we couldn’t ask for a better way to welcome another decade of Fallujah.”

The Flesh Prevails 10th Anniversary Tour will hit the road on Friday, July 5th in Atlanta, GA and will hit a further 28 cities across North America before culminating In Nashville, TN on August 3rd. Full routing below, tickets will go on sale on March 15th at 12am local HERE.

Fallujah | The Flesh Prevails 10th Anniversary Tour

W/ Persefone, Vulvodynia and Dawn of Ouroboros

Fri | 5-Jul | The Masquerade (Hell), Atlanta, GA

Sat | 6-Jul | Hangar 1819, Greensboro, NC

Sun | 7-Jul | Dingbatz, Clifton NJ

Mon | 8-Jul | Le Poisson Rouge, New York, NY

Tue | 9-Jul | Sonia, Boston, MA

Wed | 10-Jul | Empire Underground, Albany, NY

Thu | 11-Jul | Foufounes Électriques, Montreal, QC

Fri | 12-Jul | Lee's Palace, Toronto, ON

Sat | 13-Jul | Reggies, Chicago, IL

Sun | 14-Jul | Skyway Theater - Studio B, Minneapolis, MN

Mon | 15-Jul | Park Theater, Winnipeg, MB

Tue | 16-Jul | The Exchange, Regina, SK

Wed | 17-Jul | The Starlite Room, Edmonton, AB

Thu | 18-Jul | Day Off

Fri | 19-Jul | El Corazon, Seattle, WA

Sat | 20-Jul | Hawthorne Theater, Portland, OR

Sun | 21-Jul | Goldfield Trading Post, Roseville, CA

Mon | 22-Jul | Neck Of The Woods, San Francisco, CA

Tue | 23-Jul | Full Circle Brewery District, Fresno, CA

Wed | 24-Jul | 1720, Los Angeles, CA

Thu | 25-Jul | Brick by Brick, San Diego, CA

Fri | 26-Jul | Backstage Bar, Las Vegas, NV

Sat | 27-Jul | Nile Underground, Mesa, AZ

Sun | 28-Jul | Launchpad, Albuquerque, NM

Mon | 29-Jul | Granada Theater, Dallas, TX

Tue | 30-Jul | Come and Take it Live, Austin, TX

Wed | 31-Jul | White Oak Music Hall, Houston, TX

Thu | 1-Aug | House of Rock, Corpus Christi, TX

Fri | 2-Aug | Southport Music Hall, New Orleans, LA

Sat | 3-Aug | Eastside Bowl, Nashville TN

The anniversary edition and tour are testaments to Fallujah’s enduring legacy, promising fans a refreshed experience of an album that has been a beacon for technical mastery and genre-defying artistry.

Fans can pre-order 'The Flesh Prevails' 10th-anniversary edition starting today HERE and gear up for a tour that will bring Fallujah's expansive sonic universe to life.

BRODEQUIN Release Tormented New Single

Brodequin know their history. As with the rest of the band's brutal discography, their new album, Harbinger of Woe was inspired by medieval times. But while its first two singles wielded fresh instruments of torture, the title track cracks into the psychology of a trained killer.

Listen to "Harbinger of Woe" below.

Harbinger of Woe comes out March 22, 2024.

Pre-order: https://shop.season-of-mist.com/list/brodequin-harbinger-of-woe

Pre-save: https://brodequin.fanlink.tv/HarbingerOfWoe

"Harbinger of Woe" delivers plenty of punishment. Brennan Shackelford flails his drum kit with the pinging precision of a dungeon master. But the song isn't inhumane. After all, someone was responsible for administering these historic beatings. Heck, back in the Middle Ages, executioners were considered a necessary evil. 

"He is despised and rejected / feared by most members of society", Jamie Bailey gurgles as if bound and gagged by his own microphone.

Sure, it's not painless. But when being dragged to the gallows, all anyone can hope for is someone to put them out of their misery quick and easy. When the breakdown hits, Mike Bailey's riff comes slicing in like a guillotine.

"In many ways, the title track is representative of the whole album", Brodequin says. "'Harbinger of Woe' uses several quotes that capture the violent mindset of the Medieval Period. But lyrically, we're also trying to portray an expert in his craft, who's well-acquainted with being shunned from society, along with all the other negative aspects of his profession. If you found yourself in this unfortunate position, you'd want this highly skilled professional to put you down as quickly and efficiently as possible".  

Early praise for Harbinger of Woe

" Like the sonic version of some chemical weapon banned by international law...it's non-stop, it's unrelenting, and it's brutal as fuck - Metal Sucks 

"Absolutely crushing...equal parts driving death metal and slamming brutality" - Metal Injection

"Raw and guttural as ever" - Decibel

"Among the myriad methods employed, a prominent example was the affixing of an individual to a pillar, or, more commonly, a tree trunk through the use of long iron nails".

That's Jamie Bailey, talking in true Brodequin fashion about the very first single from Harbinger of Woe.

Watch the medieval video for "Of Pillars and Trees", which was created by Matti Way of From the North Films: https://youtu.be/yh7awqeuZJQ    

Their second single only cranks up the torment, but the source material for "Suffocation in Ash" dates all the way back to ancient Persian history. 

"Basically, the victim, who's held in a tower that's specifically designed for this sort of thing, is immersed in ash",  Jamie explained. 

Listen to "Suffocation in Ash": https://redirect.season-of-mist.com/brodequin-premiere

The Middle Ages might’ve brought the world out of The Dark Ages. But for every compass or printing press, those enlightened thinkers were also responsible for inventing the most torturous devices in human history. None were more brutal than the brodequin. Not only did the French use this instrument to cripple their victims, but to squeeze their legs to the point where bone marrow would spill out of their wounds.    

You could say the same about Brodequin. The band come with their own long and sordid history. Brothers Jamie and Mike Bailey have been playing brutal death metal since 1998. Putting his history degree to good use, Jamie’s lyrics are inspired by real historical events, staying true to death metal’s core thematic pillars of dismemberment, torture, abuse and murder. But their artwork broke from genre’s generic splatter illustrations by digging into intricate period woodcuts and beautifully grotesque oil paintings. 

“There simply was no point in history that was more brutal than the medieval period,” says Jamie. “At the same time that such barbarity was deployed, there was also an explosion in fine art, architecture and music. It all comes to feed our identity as a band”.   

Brodequin’s first album catapulted them far beyond their kingdom of Knoxville. “This band has stuck out in the underground with relentless, barbaric intensity”, says Dying Fetus’ vocalist and guitarist John Gallagher, who named Instruments of Torture one of the most brutal death metal albums ever. Festival of Death put another flesh-tearing arrow in their quiver (“Some of the fastest, most brutalizing death metal ever recorded” - Sputnik Music). But after sieging festival stages across Europe with Methods of Execution, the band had to be put on ice.  

“We had a series of deaths in our family”, Jamie explains. “Mike and I knew we had to step away until we had the time and were at a place mentally to give Brodequin the attention it deserved.”  

Now, after 20 years of peaceful silence, Brodequin have returned with fresh instruments of torture. The Brothers Bailey are back with a new drummer, a new label and their long-awaited fourth album.

“Brodequin had been away for so long that I was stunned by the level of interest from fans and record labels”, Jamie says. "Before playing Hellfest, the band was approached backstage by a metalhead rocking a Brodequin t-shirt who happened to work for Season of Mist. Soon enough, they were hitting it off with Michael Berberian. The rest, as they say, is history. 

“We all hung out for hours”, recalls Jamie. “The extraordinary level of enthusiasm shown toward our music made Season of Mist the obvious choice”. 

As has been the case with this band for their entire career, Harbinger of Woe lives up to its name. Lead single “Of Pillars and Trees” is classic Brodequin. Mike’s distorted guitar chords churn like limbs through a meat grinder. The way Brennan Shackelford pings, blasts and flays his snare through “Suffocation in Ash” with the all encompassing speed of a sandstorm. Jamie’s growls are so phlegmy, so rotted, that to drag them out from whatever dark bowel movement spawned them would make an executioner sick to their stomach. And yet — somewhere deep inside all that carnage hides a terrifying beauty. The title track leaves you deaf, dumb and blind, begging on your knees in the face of a punishing, almighty riff.    

“This album is a journey into this lost period of history where brutality and beauty coexist. Beauty, in the arts the were created, but also the beautiful brutality that was needed to engineer deadly devices like the brodequin”.  

With Harbinger of Woe, Brodequin reclaim their throne as the most brutal band in all of death metal.

Line up:
Jamie Bailey: Bass/Vocals
Mike Bailey: Guitar
Brennan Shackelford: Drums

Recording
Drums recorded at Brennan's Drum Room in Dallas, Texas.

Guitar, bass and vocals recorded at Navarre 24 in Harriman, Tennessee

Producer and sound engineer
Mike Bailey

Mastering studio and engineer
Brad Boatwright

Mixing studio and engineer
Josh Welshman

Artwork
Original artwork done by Jose de Brito.
Additional elements by Jamie Bailey.

Pre-order: https://shop.season-of-mist.com/list/brodequin-harbinger-of-woe

Pre-save: https://orcd.co/harbingerofwoepresave

Links:
www.brodequinofficial.com
www.facebook.com/brodequinTN
www.brodequin.bandcamp.com
www.instagram.com/brodequintn

Suck Brick Kid Announce Upcoming Album + Release Double Single via Smartpunk Records

SUCK BRICK KID will drop their new album The End Is What I Want via Smarpunk Records on May 17.

Pre-orders for the album are available here.

Ahead of the album release, the band is also debuting two singles: "It's Okay…Probably" and "Unacceptable."

So it's double the fun. 

Think back to the last time you visited your local dive bar or venue's doodle-filled bathroom and peered at the walls. Did you stop to take note of the musings or the scrawling so delicately placed on the wall? Did it make you laugh? Did it make you cry? Did it make you angry or upset? Did you contribute? Did you rewrite history? 

Don't worry — your secret is safe with us.

Ultimately, though, Suck Brick Kid's upcoming album is a fun, yet introspective punk record about how they think you felt when you inscribed your life's work to that snot rocket-inhabited bathroom stall. It's a little dirty, a little irreverent, and totally fun. It's also a major source of inspiration for the new album. More on that in a second, though...

Speaking about the new single "It's Okay...Probably," the band says, "Mental health is no joke — but we are. This track is a colorful re-telling of someone who is 'going through it' but is masking or pushing it all deep down to not appear 'crazy.' However, after hearing what this character is dealing with, we are certain you may end up just using the 'C' word to describe them."

With a decade of beers literally under their belt, Suck Brick Kid have defined themselves as "loud as fuck and fast as fuck." This is mainly because their vocabulary is small and rudimentary, at best. But also because they really do both of these things better than most. They don't take themselves too seriously and that's infinitely refreshing!

With a slew of conceptual albums already out, Suck Brick Kid aimed high for this new release and found inspiration in one of the lowest places imaginable...a dive bar bathroom. Bathroom graffiti is often over-looked, over-pissed-on, or even over-appreciated (I saw you draw a penis on that stick figure you dirty dog) but Suck Brick Kid wanted to tap into the mindset of some of these individuals and explore what they were (maybe) going through when they made their mark. This opened up possibilities for the songs that vocalist Grant Tchekmeian and guitarist Ian Marchionda cleverly navigated, as they crafted some of the most insane and absurd lyrical content to date. The End Is What I Want should strike a chord with any lover of punk music, dive bars, both of those things, or people who just like a cheeky poop joke — no that was not one, but you see what I did there. 

This record is sure to put this band six feet under, in wooden suits, and left for the worms.

But before that happens, they've graced stages of FEST in Jacksonville, Florida, and have also toured alongside Unwritten Law, Palisades, Set Your Goals, and more. However, the band is survived by the following family members (Grant Tchekmeian on vocals, Ian Marchionda on guitar, Daniel Valery on drums, and Hayden Cler on bass).

ABOUT SMARTPUNK RECORDS:
Smartpunk has been a recognizable name in the scene for a long time (Remember that sponsored Warped Tour stage?!). After exchanging several hands and countless ideas of what it could and should be, they decided to start a record label in 2016 with the main idea of focusing solely on reissuing records that have been out of print or never on vinyl. After all, they're a label of vinyl dorks themselves! After releasing Set Your Goals' Mutiny and Gameface's Good, they started to venture into signing newer bands. They actively balance in between many worlds — putting out amazing music from friends and bands that rock, reissuing older titles, and partnering with other incredible labels in our scene and doing exclusive color variants of their releases.

"Since forming the record label, Smartpunk Records has released timeless albums such as Less Than Jake's Anthem, Nominee's Lowlife, RIVALS' Sad Looks Pretty on Me, Virginity's POPMORTEM, and melodic skate punkers The Swellers' My Everest.

HxCx Faves Stretch Arm Strong to Release New EP "The Revealing" on 5/10 + Share "Illuminating"

It's a good new day for hardcore fans, as beloved band Stretch Arm Strongannounce the brand new release, titled The Revealing. The six song, pipebomb of an EP arrives on May 10 via Iodine Recordings. Pre-save it here.

This is the first taste of new music from SAS in nearly two decades. Listen to the new single "Illuminating" below.

"We all have a brilliant light inside of us," the band states about the new track. "Our light can seem inadequate and dim in times of darkness and struggle. We may need another person to shine their light on us so that we can see a path forward. Sometimes, we can be the one to shine the light for others.
'Illuminating' was inspired by a story that was shared with us about a friend helping another friend see their own light."

The Revealing also features a guest vocal from HxCx legend — Sick of It All frontman Lou Koller.

ABOUT STRETCH ARM STRONG:
Formed in Columbia, South Carolina in 1992, Stretch Arm Strong quickly made a name for themselves in the world of hardcore with their frenetic musicianship and unflinching positivity that crossed boundaries of belief and genre. The band initially went on hiatus in 2008 but made a significant return at Furnace Fest 2021. The festival's energy was palpable, leading the band not only to reconnect with countless friends from shows over the years but also with each other, reminding them of how rewarding playing music in Stretch Arm Strong is.

It was only a matter of time before the question of coming back together to write new music would arise. Recording with Steve Evetts, who was initially slated to produce 1999's Rituals of Life, turned out to be total kismet. Their combined chemistry shines through, displaying an energy that recalls their heaviest moments as a band. "It was really refreshing to put an exclamation mark on this thing," says guitarist David Sease. "We did it the way we wanted to, had a good time, and expressed ourselves." The result of this is The Revealing, a true gem of a record and the model for what can be achieved on an EP.  

From the outset, it doesn't sound like any time has passed since Stretch Arm Strong stopped. Opening track "The Mirror" slams forward with total ferocity and youthfulness, showcasing why they're still an important part of the scene. "Still Believe Part III" follows up on previous entries with an absolute crusher, concluding with a monster of a breakdown. On "Take a Stand," Stretch Arm Strong enlists Lou Koller from Sick of It All for a killer guest spot.

With six songs clocking in at under fifteen minutes, the EP’s brevity is a testament to the lightning in a bottle Stretch Arm Strong captured by taking the stage once more. No longer being kids and now being full-fledged adults with families and worlds outside of music, the bond between Stretch Arm Strong and their love for playing is a testament to what this music means both for them and the countless listeners that have joined them throughout this time. It's a release that’s worthy of the band's exceptional discography, and a record that can only exist with a once-in-a-lifetime friendship and focus that the band has.

SAS is Chris, David, Jeremy, John and Scott.

The Plot In You Release New Single + Music Video "Don't Look Away" via Fearless Records

Ohio-based powerhouse The Plot In You have released their crushingly-heavy latest banger "Don't Look Away" and the accompanying official music video. Prior to today, the band released "Closure", which is climbing the charts and rising into the Top 40 at Active Rock radio. Both tracks can be found on the band's forthcoming EP 'Vol. 2', out on Friday, May 3rd (via Fearless Records). Speaking about "Don't Look Away", vocalist Landon Tewers shared:

“'Don't Look Away' is a collection of thoughts and feelings about the human experience living in our current world. Dealing with one's personal convictions and strife while comparing the suffering of others."

Stream "Don't Look Away" here, watch the music video below, and pre-save 'Vol. 2' here.

North American fans have their chance to see the band's incredible live show with Beartooth, Invent Animate and Sleep Theory on the final days of this tour. For ticket information please click here.

North American Tour 2024 Dates:

Mar 8: Chicago, IL @ Riviera (Sold Out)

Mar 9: Madison, WI @ The Sylvee (Sold Out)

Mar 10: Sauget, IL @ Pop's (Sold Out)

Mar 12: Indianapolis, IN @ Egyptian Room (Sold Out)

Mar 13: Nashville, TN @ Marathon Music Works (Sold Out) 

Mar 14: Fort Wayne, IN @ The Clyde Theater

Photo Credit - Wyatt Clough

Through balancing even the most extreme dynamics, The Plot In You consistently overturn and upend expectations. On any given track, it might seem like they’re about to go one way, but the band will turn on a dime and shift course before the crowd can even catch a breath. This uncanny element of surprise has entrenched the gold-selling Ohio quartet—Landon Tewers [vocals], Josh Childress [guitar], Ethan Yoder [bass], and Michael Cooper [drums] — on the cutting edge of heavy music. Whether it be threads of alternative, electronic, pop, or R&B, nothing is off limits, and everything is fair game for their creative process. That process has continued to morph. Following a series of fan-favorite releases, the band made major waves with DISPOSE [2018]. “FEEL NOTHING” surged on social media as a viral phenomenon, generating hundreds of millions of streams and picking up a gold certification from the RIAA. The musicians only maintained this momentum with Swan Song in 2021. Hysteria rated it “9-out-of-10”. Simultaneously, they sold out shows coast-to-coast. During 2023, the band kickstarted another era with Vol. 1. “Divide” generated 9 million Spotify streams right out of the gate followed by “Left Behind”, exploding to the tune of 15.9 million Spotify streams. Upon the arrival of “Forgotten”, Revolver praised it among the “6 Best New Songs Right Now.” They only continue to challenge convention by extending this three-song EP series with Vol. 2 [Fearless Records].

Progressive Metal Band Take & Take Release Debut Album 'Disillusion' on March 22, 2024!

Progressive metal band Take & Take announced their debut album Disillusion is slated for release on March 22, 2024. Crafting every element from concept to concrete, the musical visionary Eddie Trager helmed the entire process—ideas, composition, instrumental and vocal performances, and even the captivating hand-drawn cover art.

Yet, in this artistic endeavor, Trager found collaboration in the form of the legendary Matt Bayles. Known for his contributions to some of Eddie's all-time favorite albums, Bayles lent his expertise to the mixing duties at the prestigious Red Room in Seattle. Meanwhile, metal production titan Jens Bogren took the reins for mastering at his renowned Fascination Street Studios in Malmo, Sweden, ensuring the album's sound reaches new heights.

Disillusion draws inspiration from a diverse array of progressive musical influences, weaving a tapestry that spans from the avant-garde sounds of Ihsahn, Sleepytime Gorilla Museum, Opeth, Mastodon, Wilderun, and The Mars Volta to the vibrancy of Jacob Collier, The Beatles, Queen, and Yes. The album masterfully navigates through a spectrum of musical genres, seamlessly blending pop sensibilities with experimental twists that defy traditional forms.

Prepare to embark on a musical odyssey that transcends boundaries, as Take & Take introduces Disillusion to the world on March 22, 2024—a testament to innovation, collaboration, and a relentless pursuit of artistic excellence.

"Sticky" - the first single from the upcoming Disillusion album - dropped January 12th with a simultaneous video premiere at Metal Injection.
Check it out HERE

"That Won’t Last", the second single, came out February 16 with a lyric visualizer by Drain Hope.

Pre-order Disillusion now:

https://music.suricatemusic.com/disillusion

Meet Eddie Trager, a versatile artist whose musical journey spans a spectrum of roles and genres:

Formerly a rhythmic force as the drummer and percussionist for Nekrogoblikonfrom 2007 to 2016, Eddie contributed not only his drumming skills but also his talents on xylophone, glockenspiel, marimba, and earned credits as a songwriter.

Currently, he is making waves as the drummer for the new punk/hardcore band, Last Leg, as well as handling production and mixing duties for their debut EP. Additionally, Eddie showcases his guitar prowess with The Wailing Coast, a rock band based in China, where he intricately weaves melodies into their sonic landscape.

As the leader of Eddie Spaghetti and the Selfish Bitches, Eddie brings an absurd sensibility to modern music. Moreover, his collaborative efforts with Emo/Shoegaze/chamber music artist A Lady Named Isaac add another layer to his diverse musical portfolio.

Eddie Trager's journey with Take & Take began in 2016, during his travels through Colombia. The song forms coalesced during live demo sessions in the midst of the 2020 lockdown in Xiamen, China. Take & Take is the sound of personal struggle and awakening, of greed and gain, of telling lies and being lied to, of deep disappointment and personal loss, the rise of ego and the inevitable fall. It's a poetic testament to the transformative power of heavy music, inviting those who truly listen to join the experience. Take & Take isn't just music; it's an immersive journey through the complexities of the human experience—raw, unapologetic, and undeniably powerful.

Check Out Take & Take Online:

Instagram

Facebook

TikTok

BandCamp

Mandoki Soulmates announce new studio album this May and reveal video and single

Mandoki Soulmates – the international and inter-generational supergroup consisting of rock and fusion grandmasters surrounding founder and mastermind Leslie Mandoki – proudly announce their new album, A Memory Of Our Future, to be released worldwide on May 10th via Sony Music’s label InsideOutMusic.

Pre-Order A Memory Of Our Future here: https://mandokisoulmates.lnk.to/AMemoryOfOurFuture-Bio

The group celebrates the announcement with the release of a new single and video, Blood In The Water. Listen to the single here & watch the video below.

A Memory Of Our Future is Mandoki Soulmates’ latest work of art and nothing short of an instant prog-rock classic, bringing world-class musicianship and composition together with trenchant social and political messaging. The entire album was recorded and produced purely in the analog domain, from microphone to mixing and mastering, making A Memory Of Our Future a manifesto of precision and passion that is hard to find in today's music landscape. Recorded and mixed in Leslie Mandoki’s Red Rock Studios near Munich, mastered in the infamous Sterling Sound Studios in New York and cut in the Emil Berliner Studios in Berlin, the Soulmates are also making a statement as a kind of “revenge of the analog” in times of digital deception, scam bots, and internet trolls. The analog format is also an expression of their special appreciation and bond with the band’s audience, “like a love letter handwritten with a fountain pen."

A Memory Of Our Future is now available for pre-order and will be available in the following formats:

• 180g black 2LP wide spined Gatefold & extensive 12-page booklet

• Ltd. CD Edition PocketPac with noble matt/gloss finishing, Vinyl-look disc and extensive 24-page booklet

• Standard CD Jewel case (US Version)

• Digital album

Mandoki continues, “The hyper-emotionalization of news in social media delivers outrage instead of information, intentionally triggering waves of
over-excitement and manufactured conflicts. Without fact-checking, where can we find the truth among all the ‘alternative facts,’ lies and AI-generated propaganda? This has yielded a deep crisis of trust that is being exploited by the populists and demagogues of the world.

Despite their seemingly obvious fallacies and contradictions, the people in their bubbles actually believe them. Rational, civil discourse rarely takes place, and without the sensible exchange of ideas we are left with a festering breeding ground for insecurity, hate and division.”

With the 12 new tracks on A Memory Of Our Future, the band hangs a beacon of light at the end of the depressing tunnel of today, and remind us that rock music has always sung for freedom in peace and for peace in freedom.

The album announcement comes with a new single called Blood In The Water, which has it all: a pulsating beat, a catchy hook, and that ineffable prog-rock spirit that appeals to heart and mind simultaneously. The single is an anthem for resilience in the face of a shark tank’s-worth of daunting challenges. It encourages those who dare to resist conformity and courageously to look ahead; it issues a call to be different and join a movement of resistance.

With virtuosic solos from Ian Anderson’s inimitable flute and Cory Henry’s searing Hammond organ, Blood In The Water’s powerful lyrical message is delivered with insistent passion from vocalists Leslie Mandoki, Nick van Eede (Cutting Crew), Tony Carey, and Jesse Siebenberg (Supertramp).

Watch Blood In The Water here: https://www.youtube.com/watch?v=Oe6qKO28QEw

The song reflects Mandoki's vision of building bridges among disparate groups using progressive jazz-rock and incisive lyrics to comment on the social challenges of our time, to inspire the aspirational, pointing toward a utopia for realists.

Reflecting with some chagrin, Mandoki states, “The dreams of my generation lie in ruins today. After 1989, we had such a wonderful, historic opportunity to create a mindful, humane, peaceful, and absolutely free world for future generations. But we blew it. Driven by egotism and greed, we have inadvertently enabled the creation of a world where money itself makes profit faster than human labor, no matter the value-added proposition. This devaluation and commodification of people’s work has also led to the disregard for sustainability, both economically and environmentally, yielding a climate of social imbalance, inequity, and unrest. This division and radicalization, as we have unfortunately and painfully learned, has even led to war. And so, I sing that there is ‘blood in the water.’ Far too much blood in the water.”

He adds about the meaning of the black swan on the album cover: “Blood In The Water as a song presents our contemporary situation as a labyrinth of crises in a world without a compass, where unifying and stabilizing movements in society have crumbled. The dreaded ‘black swan’ has landed. It sits on our album cover as a symbol of our times, in which reality outstrips our worst fears with previously unimaginable tragic scenarios. We must stay vigilant, as we sing: you better keep an eye open, if you fall asleep...”

Mandoki Soulmates are:

Leslie Mandoki
Ian Anderson (Jethro Tull)
Mike Stern
Al di Meola
Randy Brecker
Till Brönner
Bill Evans
John Helliwell (Supertramp)
Cory Henry
Richard Bona
Steve Bailey
Simon Phillips (Toto)
Tony Carey (Rainbow)
Nick van Eede (Cutting Crew)
Jesse Siebenberg (Supertramp)
Mark Hart (Supertramp)

 

Mandoki Soulmates online:

Website: https://mandoki-soulmates.com/
Facebook: https://www.facebook.com/mandoki.soulmates
Instagram: https://www.instagram.com/themandokisoulmates
YouTube: https://www.youtube.com/@MandokiSoulmates
Spotify: https://open.spotify.com/intl-de/artist/7fl0Hsad90Ni5g3zVYzg6m
Amazon Music: https://music.amazon.com/artists/B07S2KV19B/mandoki-soulmates
Apple Music: https://music.apple.com/de/artist/mandoki-soulmates/1526677421

YouTube Music: https://music.youtube.com/channel/UCS6fldWIZXVQJA_AhfGNZ_g

Deezer: https://www.deezer.com/de/artist/65835822?app_id=140685
Tidal: https://tidal.com/browse/artist/15805305

Filth to Release "Southern Hostility" on 4/5 + Band Shares Video For Title Track

Filth are a hip-hop-influenced deathcore band from Shelby, North Carolina.

They will drop Southern Hostility on April 5. Pre-order it here.

Today, they are sharing the video for the title track. Watch it below..

Born in 2015 as a side project for guitarist David Gantt and vocalist Dustin Mitchell, Filth quickly took on a life of its own, with the purpose of spreading soul-smothering brutality to the hearts and heads of heavy music enthusiasts around the country. They popped off with the release of their debut EP, Tales from the Gutter, and morphed into a ball of mud rolling down a steep hill of grime — picking up mass and speed with each passing moment and with every subsequent breakdown. 

The group has taken many stages to serve as regional support for heavy hitters, such as Brand of Sacrifice, Kingdom of Giants, and Chelsea Grin before embarking on multiple headlining and support tours, across the United States, Canada, and the UK. The band has opened for everyone from Hatebreed to Terror to Lorna Shore to The Acacia Strain to Slaughter to Prevail.

With a stretch of head-turning live performances and a critically acclaimed display of hyper-dissonant heaviness laced with urban grooves, the band is set to release its best material yet in Spring 2024 with Album Title.

Add an intense work ethic and a desire to scratch and claw its way to the top, and 2024 will be the year of Filth. Roll up your sleeves and get ready to get dirty.

FILTH ON TOUR:
WITH HEAVY HITTER + COMA WAVES:
4/5 — Spartanburg, SC — GroundZero Gutter Fest*
4/6 — Jonesboro, GA — Furnace 41
4/7 — Birmingham, AL — WorkPlay
4/9 — Jacksonville, FL — Underbelly
4/10 — Pensacola, FL — Subculture Art Gallery
4/11 — Panama City, FL — The Salty Hobo
4/12 — Sanford, FL — West End Live
4/13 — Stuart, FL — East Ocean Pub
4/14 — Tampa, FL — Brass Mug
4/15 — Chapel Hill, NC — Local 506
4/16 — Greensboro, NC — Hangar 1819
4/17 — Wilmington, NC — The Eagle's Dare
4/18 — Jacksonville, NC — Hooligans Live
4/19 — Charlotte, NC — The Milestone Club
4/20 — Summerville, SC — The Trolley Pub

FESTIVAL:
4/26 — Richmond, VA — Virginia Deathfest*
4/27 — Richmond, VA — Virginia Deathfest*

SPRING 2024:
5/15 — Nashville, TN — DRKMTTR (FILTH ONLY)
5/16 — Tulsa, OK — The Vanguard
5/17 — Fort Worth, TX — Haltom Theater
5/18 — Houston, TX — Black Magic Social Club
5/19 — Austin, TX — Come and Take It Live
5/20 — Corpus Christi, TX — Rich's Billiards
5/21 — El Paso, TX — Rockhouse
5/24 — Denver, CO — Herman's Hideaway
5/25 — Greeley, CO — Moxi Theater
5/26 — Lincoln, NE — Cosmic Eye
5/27 — Des Moines, IA — Lefty's
5/28 — St. Louis, MO — Red Flag
5/23 — Indianapolis, IN — Black Circle
5/30 — Rockford, IL — District Bar and Grill
5/31 — Louisville, KY — Portal @ Fifteen Twelve
6/1 — Chattanooga, TN — The Dark Roast
8/24 — Battle Creek, MI — Michigan Metalfest*
*Festival Date

HAVEN MADISON DROPS “MONSTER” FROM HIGHLY ANTICIPATED DEBUT EP

Haven Madison, American Idol Season 21 finalist and 19 Recordings/BMG rising pop vocalist, performer, multi-instrumentalist and songwriter, drops her brand-new track, “Monster.” Available today along with an official music video, the song serves as the second track to release in anticipation of Madison’s forthcoming studio EP TURN OFF ALL THE LIGHTS that will drop worldwide on April 26. Listen to “Monster” here, watch the official music video below, and pre-order/pre-save/pre-add the EP here.

With “Monster,” Madison takes a deep dive into the depths of emotion. The dark, edgy anthem is an unapologetic look at the complexities of relationships, breakups, and empowerment. Madison draws from personal inspiration told through her powerful storytelling and delivers a sonically rich and emotionally charged song that showcases her evolving range as an artist and songwriter.

“‘Monster’ was the song that opened the floodgates for me,” says Madison. “I was, as no surprise, very ticked off by a boy and just went wide open with this pop banger. I love the dark elements it has, and the sentiment is one I haven’t heard in a song yet, so I’m pumped for the world to get their hands on it.” “Monster” is co-writtenwith GRAMMY-nominated songwriter/producer andVarietyHitmaker Dave Pittenger, who also serves as producer onTURN OFF ALL THE LIGHTS.Set to ignite the hearts of listeners everywhere, the sophomore track is a compelling preview of what's to come from Madison’s highly anticipated EP and follows the success of her debut song "Sky Up."

About Haven Madison:

Hailed “the next big pop star” by Katy Perry, 19 Recordings/BMG rising pop vocalist, performer, multi-instrumentalist, and songwriter Haven Madison's emerging journey through the music industry has been nothing short of remarkable. Her upcoming debut EP TURN OFF ALL THE LIGHTS displays her immense talent as a singer/songwriter and powerful vocalist and follows on the heels of her successful run as a Top 8 Season 21 finalist on ABC’s American Idol where she captured the hearts of millions performing her own originals like the wistful “Fifteen” and heartfelt “Still Need You.” Earning instant praise from judges Lionel Richie, Katy Perry, and Luke Bryan, as well as guest judge Ed Sheeran, Madison’s viral duet performance of “Still Need You” with Perry catapulted her into the spotlight, garnering the admiration of millions of viewers and fans. Her debut EP drops worldwide on April 26, 2024.

About 19 Recordings:

19 Recordings is an LA–based record label owned by Sony Pictures’ 19 Entertainment. Founded in London in 1999 as the music division of 19 Entertainment, the label was one of the top record imprints compiled by Billboard in 2012. 19 Recordings has been a part of the successful music careers of platinum artists Kelly Clarkson, Carrie Underwood, Daughtry, Phillip Phillips, Lauren Alaina, Gabby Barrett, and Chayce Beckham, among many others.

About BMG:

BMG is an integrated music publishing and recordings business and the world’s fourth-largest international music company. BMG’s distinctive pitch is a relentless focus on global service to its artist and songwriter clients, combining creative insight and support with the best in technology and analytics. BMG’s 22 offices across 13 core music markets represent over three million songs and recordings, including many of the most renowned and successful catalogs in popular music history. BMG is owned by international media, services and education company Bertelsmann, whose other content businesses include the entertainment company RTL Group and the trade book publisher Penguin Random House. With its integrated technology platform, artist-friendly culture and commitment to help artists maximize their income, BMG aims to be the best company in music to do business with. See more atwww.bmg.com.

Photo Credit: Robby Klein