ONErpm's William Michael Morgan Readies New EP 'Onto Something' for This Friday, 3/15

Six-Song EP Available This Friday, March 15 via ONErpm on all Platforms
Pre-Save HERE
 
Set to Perform at Ole Red Nashville Tomorrow, March 14

Country neo-traditionalist William Michael Morgan is bringing ’70s swagger back to Nashville with his brand new, six-song EP Onto Something, set for release Friday, March 15, on all platforms via ONErpm Nashville. Pre-save Onto Something HERE. Morgan will celebrate the release on the eve of its arrival with a one-hour pop-up set at Blake Shelton’s Ole Red in downtown Nashville, Thursday, March 14.
 
“I couldn’t be more excited to get this EP out,” says the hard-working Morgan, with his famous mustache grin. “Tracking with (multiple CMA, ACM and Grammy Award-winning producer) Keith Stegall was an incredible experience, and I can’t wait for everyone to hear what we put together.”
 
“William’s new music is a welcome addition to the increasingly popular neo-traditional movement that websites like Saving Country Music have credited him with starting,” notes Ryan Cunningham, A&R director of Country Music for ONErpm. “This EP will stand out amid the pop influences that currently define modern country.”

And there’s plenty to notice. The two pre-released tracks, the mid-tempo “In Walked You” with its breezy barroom vibe—In walked you on a Saturday night/Neon blue lightin’ up your eyes—countered by the wistfulness of the bittersweet “Not Letting Go”—We’ve gone too far to get back to where we were before—sets the tone for a free-flowing, six-song set with fiddle and steel guitar licks evocative of the lyrical stylings of decades past.
 
“Country music is alive and well,” states one of Nashville’s most celebrated men behind the scenes and multi-award-winning producer Keith Stegall. “It lives and breathes when William Michael Morgan picks up a guitar and tells us stories of love lost and honky-tonks found. Country music at its finest.”
 
Morgan’s current single, “Pour A Little Whiskey On It,” is like a salve for the EP’s more vulnerable moments. When he croons, If it’s gonna be a lonely night/Might as well put her memory on ice, you know what’s coming—a straight-up drinking song that seeks to right the wrongs with every cowboy (and cowgirl)’s favorite libation:
 
      If she’s really adios,
      I guess it’s easy come, easy go;
      I might as well honky tonk it,
      Maybe all night long it;
      Take this heartache to town,
      And pour a little whiskey on it

The EP’s release will be capped off by the premiere of Morgan’s music video for the track “Pour A Little Whiskey On It” coming later this month.

Morgan and Stegall round the album out with the title track, a gentle nod to the promise of a new relationship; the regret-tinged “She Don’t Like Old Country”; and a goodbye/destination song that, despite the lyrics, isn’t quite as sad as it could be—and maybe that’s the point.

Photo Credit: Sean McGee

About William Michael Morgan
30-year-old Mississippi native William Michael Morgan has built an enthusiastic fan base by touring the country and releasing music that remains true to his Vicksburg roots in a voice that “resonates with the flawless timbre of someone who has been singing country music for decades beyond his years,” according to Pandora. Morgan, who has already accumulated over 100 million on-demand streams, has been dubbed a modern-day traditionalist. He earned his first No. 1 single with “I Met a Girl,” described by Rolling Stone as a “laid-back ode to the joy of romantic discovery” that was named one of NPR Music’s Top 100 Songs in 2016 and paved the way for a Top 5 debut of Morgan’s first album, Vinyl, on the Billboard Country Albums chart.
 
About ONErpm 
ONErpm is a leading next-generation music company and record label operating globally in 43 locations powered by a staff of 600. At its core ONErpm offers label services to artists seeking to elevate their careers and operates one of the world’s largest music distribution platforms and YouTube Multi-Channel Networks. Offering a full suite of services that includes marketing support, supply chain tools, SAAS, business intelligence, publishing, accounting and global payment solutions, ONErpm provides the infrastructure needed to help creators and content owners succeed. As a trusted partner, ONErpm emphasizes transparency in everything it does, from executing a marketing campaign to making payments.

THE FRONTMEN TO DROP SELF-TITLED DEBUT ALBUM ON MARCH 22 VIA BBR MUSIC GROUP/BMG NASHVILLE

THE FRONTMEN, three of ‘90s country’s most recognizable voices — Richie McDonald, formerly of Lonestar; Tim Rushlow, formerly of Little Texas; and Larry Stewart of Restless Heart — drop their self-titled debut album on March 22 via BBR Music Group/BMG Nashville. The Frontmen is available for pre-order, pre-save and pre-add HERE.

The Frontmen, produced by two-time GRAMMY-nominated Mickey Jack Cones, features nine original songs, as well as three Lonestar, Little Texas and Restless Heart No. 1 hits, rerecorded Frontmen-style.The trio tag team lead vocals throughout.

"It's super cool to release brand new music as a full album with The Frontmen this month," says Stewart."I'm so excited about this music, these songs and how this project represents the three of us so perfectly.Mickey Jack Cones did a magical job capturing Richie, Tim and myself from top to bottom. I can’t wait for the world to hear it and I couldn’t be more proud!"

Original tunes on the project ("Beatles and Eagles," "The Radio Played," "Layin' Low in Mexico," "It Was Always You," "Rattlesnake," "I Need You," "Goodbye Beautiful Goodbye," "Should've Run Out of Angels" and "Left Their Mark") were hand-picked by the trio and Cones. Classic tunes on the album are songs most will instantly recognize: Lonestar's “Amazed (The Frontmen Edition),” Little Texas' “God Blessed Texas (The Frontmen Edition)” and Restless Heart's “I’ll Still Be Loving You (The Frontmen Edition).”

"I feel like a kid on Christmas morning, waiting to unwrap the presents," notes McDonald. "We’ve been anxiously waiting to unwrap this new Frontmen music and share with the world for awhile now. Thanks to everyone involved for help making this dream a reality."

“It feels quite surreal to finally let the world in on what we have been cooking in the kitchen with The Frontmen," adds Rushlow. "For 14 years playing select shows at home and overseas for our men and women in uniform, it's time to see what the world thinks of us! I am more proud of this record with Larry and Richie than any music I have ever been involved in making. Mickey Jack Cones is a true believer who totally knew where to navigate this new sound and yet still be reminiscent of our past successes. We are so grateful to Jon Loba and his team at BMG Nashville for this opportunity. Let's GO!"

About The Frontmen:
The Frontmen features three singers who were THE voices of three of the top country bands of the '90s: Richie McDonald, formerly of Lonestar, Tim Rushlow, formerly of Little Texas, and Larry Stewart of Restless Heart. From their rave review performances around the globe for our troops, to casinos, fairs and corporate events, to their globally televised performance on the steps of the hallowed Lincoln Memorial in Washington, DC, The Frontmen are making their mark on the country music scene. Stewart, Rushlow and McDonald have collectively sold over 30 million records and had over 30 major hits between them. They have a chemistry and brotherhood seldom matched, and they have logged the travel miles to prove it, wowing audiences around the globe with their brand of highly successful intimate unplugged shows. Powerhouse hits performed by The Frontmen include Restless Heart classics, “The Bluest Eyes in Texas,” “That Rock Won’t Roll,” “I’ll Still Be Loving You” and “Why Does It Have to Be (Wrong or Right)." Lonestar smashes such as “Amazed,” “Front Porch Looking In,” and “I’m Already There,” plus Little Texas hits including “God Blessed Texas,” “Amy’s Back in Austin,” and “What Might Have Been.” These songs and many others included in their shows are the soundtrack of a generation. With their combined vocal and instrumental talents, The Frontmen deliver a high-energy show packed with fan-favorites from their three award-winning and critically acclaimed bands. For more information, visit thefrontmenlive.com.

UK avant-pop artist NICK HUDSON gears up for new album 'Kanda Teenage Honey', previewing two new tracks + video for 'Khevsureti'

“Beautifully written, recorded, produced and arranged... all complimented by vocal that lives up to the same standard. No cheating, no fronting, just honest crafted musicality”  ~ Billy Gould (Faith No More)

"Kanda Teenage Honey is shockingly emotional, thoughtfully orchestrated and wonderfully curious lyrically. It is a record for true music lovers" ~ Jamie Stewart (Xiu Xiu)

"There isn’t really anyone making music like Nick Hudson“ ~ The Quietus

“Nick Hudson is a unique talent. His song writing and performances are breathtaking.  He is long overdue being heard by a wider audience. This solo album is a peak in an already stellar career” ~ Stuart Braithwaite (Mogwai)

"Scott Walker channeling Coil” ~ MOJO Magazine

"Genius” - BBC Radio (BBC Introducing)


Brighton alternative pop artist Nick Hudson presents his new album 'Kanda Teenage Honey', an expansive collection of 16 tracks, recorded largely in a huge former Soviet movie studio in Georgia under the shadow of the Ukraine war. Previewed this week by the tracks 'Ortolan'and 'This Heat', Hudson recently released the singles 'For My Silence' and 'Khevsureti', which recently garnered him coverage in Billboard.

Mixed by and featuring Toby Driver of Kayo Dot, this album is graced with numerous talented guests, including Mogwai's Stuart Braithwaite, Stuart Dahlquist (Asva, Burning Witch, Sunn O))), Lizzy Carey (Bat For Lashes), Robert Wyatt collaborator Alfreda Benge, Christopher Nell (legendary German performer and collaborator of US theatre visionary Robert Wilson), and 14-year-old soprano prodigy Poppy Efemey.  

Recorded with Ilya Lukashev at Leno Studio and Sano Studio in Tbilisi, this album was mastered to analogue tape by Paul Pascoe (Barry Adamson, Beat Hotel, Sleaford Mods) at Church Road Studios in Hove, Hudson collaborates with some incredible Georgian musicians and his friend Seva, a Russian dissident who fled the FSB, having worked for Navalny. Hudson explains, "He contributes a poem narrating his thoughts on exile, through which I've layered field recordings of the recent Tbilisi and Paris protests, where many of us got tear-gassed."

"Russia attempted to invade Georgia most recently in 2008 and we've seen a vast influx of Russians fleeing the conflict and resettling in Tbilisi (which endures and suffers a pro-Russian government ideologically in conflict with most of its citizens). This geopolitical tension has inevitably made its way into the lyrical and musical texture of the record via the songs 'Hollow Man' and 'Sky Burial While Alive'. It also contains oligarch-hexing magic realism and a tribute to that vastly-neglected demographic – the old-school homosexual. Musically it encompasses art rock, black metal, ambient music, agitprop folk, charred goth rock, symphonic vastness and piano ballads -all infused with the energies and landscape of Georgia," says Nick Hudson.

In 2021, Hudson released his 'Font Of Human Fractures' album and the 'K69996ROMA:EP'. His band The Academy of Sun released their opus album 'The Quiet Earth' the year before. He's collaborated with such legends as Wayne Hussey (The Mission), Matthew Seligman (David Bowie, Tori Amos, Morrissey), Massive Attack's Shara Nelson, plus David Tibet (Current 93) and queercore icon GB Jones. His vast output also encompasses painting, film and a novel.

"As an album, 'Kanda Teenage Honey' explores ideas of preserving the sacred from the corrosively kleptocratic institutions of church and state: spiritual and material kleptocracy.  The title itself refers to a very real preservation of innocence derived from a story I heard of a local villager whose teenage son was shot and killed: the father had his son's body preserved in honey. As such, there are secular hymns for peace and lucid stillness, tales of saints de-martyring themselves and falling in love free of judgement from anachronistic scrutiny - a thinly veiled parable of queer love.  Two very close friends died within six months of each other during my first year in Georgia – there are requiems in the songs 'Archipelago' and 'Bardo', plus an acappella tribute to the Siberian husky that helped me grieve them during a retreat to the sublime mountainous region of 'Khevsureti' by the Chechen border, where despite being an ostensibly Orthodox country, pagan traditions are still passionately observed.  I dreamed eighty-percent of 'Bardo' in the energised serenity of this beautiful region while mourning my friend Jesse. Patrick, honoured in 'Archipelago', was one of my earliest mentors and a dynamically brilliant pianist.  They are much missed," explains Nick Hudson.

"'Ortolan' references the summer of 2021, when I fled to the same Isle Of Wight monastery at which Scott Walker had sought refuge in the sixties, as my mental and physical health hit a nadir and I was forced to leave the city I'd called home for twenty years. 'This Heat' refers to a return journey from a plague necropolis at the Chechen border, where giddily drunken park rangers piloting a 4X4 hurtled us passengers down a treacherous mountain pass and I briefly thought it might be the last song I'd ever write.  Since then, I've come to learn that Georgians are some of the virtuosic drivers in the world, even drunk, and I need not have feared."

Hudson also just released his book 'The Land Exists So The Seas Don't Argue', showcasing a decade of lyrical output in five albums plus ephemera  – satellite poems that inhabit the same world as each of the primary cosmologies. With a foreword by renowned Scottish author Chris Kelso, this collection embodies a searing intensity and unity of vision - paganism, queer love, grief, death, ecstasy, radical politics, social satire, hymns to nature, her rhythms and forces.

As of March 15, 'Kanda Teenage Honey' is available via Bandcamp, as well as other fine music platforms, such as Spotify and Apple Music. On March 16, Hudson celebrates with an album launch concert in Tbilisi, Georgia, which will be livestreamed for those who cannot be there in person.

CREDITS
Composed, arranged and produced by Nick Hudson
Engineered by Ilya Lukashev & Nick Hudson at Leno and Sano Studios, Tbilisi
Steinway recorded by Ilya Lukashev & George Gvarjaladze at Leno Studios, Tbilisi
Mixed by Toby Driver
Mastered to analogue tape by Paul Pascoe, Church Road Studios, Hove
Nick Hudson - piano. acoustic guitar on 2, Faemi 1M, programming, vocals, foley, protest field recordings
Beqa Minadze - electric guitars
Gigi Koberidze - drums
Greg Massi - guitar on 4
Lizzy Carey - all strings
Toby Driver - hammered dulcimer on 10
Poppy Efemey - soprano on 10
Stuart Dahlquist - bass on 13
Samuel Gottlebe - classical guitar on 10, 12 and 15
Kianna Blue - Issa G Thang on 13
Alfreda Benge - cosmological rhetoric on 3
Oliver Hill - guitar on 8
Christopher Nell - duet vocal on 12
Stuart Braithwaite - black metal Ivor Cutler on 8
Vsevolod Osupov - poem and recitation on 11
Oli Spleen, Kianna Blue and Jon Griffin - choir on 9
Ana-STASI-a - thelemic seduction on 14
Wolfgang Dubieniec - mood on 3
Videos directed, filmed and edited by Nick Hudson
'For My Silence' artwork by Kenneth Anger
'Khevsureti' cover painting by Berdia Arabuli
Album artwork by Nick Hudson and Gary Mallard
Artist photography by @_Carl_Solomon_
Rings featured in photos by @Fauda.Silver

Keep up with Nick Hudson / The Academy of Sun
Facebook | Bandcamp | Twitter | Instagram | YouTube | Spotify | Apple Music | Booking | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

Fallujah Commemorates 'The Flesh Prevails' with 10th Anniversary Edition and North American Tour

Technical Death Metal artisans Fallujah have announced their plans today to mark a decade of their seminal, landscape-changing album 'The Flesh Prevails' with a remastered 10th-anniversary edition remixed and remastered by Zack Ohren, set for release on July 5th, 2024 available on all formats, via Unique Leader Records. To further celebrate this milestone, the band has also announced the massive, 30-date The Flesh Prevails 10th Anniversary North American Tour this summer featuring support from Persefone, Vulvodynia, and Dawn of Ouroboros.

Jamie Graham of Unique Leader Records reflects on the album's impact: "'The Flesh Prevails' shook the Technical Death Metal world by storm on its initial 2014 release and remains one of the most revered albums in our catalogue. Fallujah’s pioneering hybrid of ethereal, epic soundscapes weaved into their intricacies created a record that stood alone as a supreme body of work. 10 years on, the record feels fresher and more essential than ever. A remaster from the golden ears of Zack Ohren took this superb album to an even higher level."

Fallujah share: “This summer we’re celebrating the 10th anniversary of our sophomore album 'The Flesh Prevails'. We will be performing the album in its entirety, featuring songs that have never before been played live. Joining us are torch-bearers of atmospheric prog Persefone, South African slam lords Vulvodynia, and the ever-ethereal Dawn of Ouroboros; we couldn’t ask for a better way to welcome another decade of Fallujah.”

The Flesh Prevails 10th Anniversary Tour will hit the road on Friday, July 5th in Atlanta, GA and will hit a further 28 cities across North America before culminating In Nashville, TN on August 3rd. Full routing below, tickets will go on sale on March 15th at 12am local HERE.

Fallujah | The Flesh Prevails 10th Anniversary Tour

W/ Persefone, Vulvodynia and Dawn of Ouroboros

Fri | 5-Jul | The Masquerade (Hell), Atlanta, GA

Sat | 6-Jul | Hangar 1819, Greensboro, NC

Sun | 7-Jul | Dingbatz, Clifton NJ

Mon | 8-Jul | Le Poisson Rouge, New York, NY

Tue | 9-Jul | Sonia, Boston, MA

Wed | 10-Jul | Empire Underground, Albany, NY

Thu | 11-Jul | Foufounes Électriques, Montreal, QC

Fri | 12-Jul | Lee's Palace, Toronto, ON

Sat | 13-Jul | Reggies, Chicago, IL

Sun | 14-Jul | Skyway Theater - Studio B, Minneapolis, MN

Mon | 15-Jul | Park Theater, Winnipeg, MB

Tue | 16-Jul | The Exchange, Regina, SK

Wed | 17-Jul | The Starlite Room, Edmonton, AB

Thu | 18-Jul | Day Off

Fri | 19-Jul | El Corazon, Seattle, WA

Sat | 20-Jul | Hawthorne Theater, Portland, OR

Sun | 21-Jul | Goldfield Trading Post, Roseville, CA

Mon | 22-Jul | Neck Of The Woods, San Francisco, CA

Tue | 23-Jul | Full Circle Brewery District, Fresno, CA

Wed | 24-Jul | 1720, Los Angeles, CA

Thu | 25-Jul | Brick by Brick, San Diego, CA

Fri | 26-Jul | Backstage Bar, Las Vegas, NV

Sat | 27-Jul | Nile Underground, Mesa, AZ

Sun | 28-Jul | Launchpad, Albuquerque, NM

Mon | 29-Jul | Granada Theater, Dallas, TX

Tue | 30-Jul | Come and Take it Live, Austin, TX

Wed | 31-Jul | White Oak Music Hall, Houston, TX

Thu | 1-Aug | House of Rock, Corpus Christi, TX

Fri | 2-Aug | Southport Music Hall, New Orleans, LA

Sat | 3-Aug | Eastside Bowl, Nashville TN

The anniversary edition and tour are testaments to Fallujah’s enduring legacy, promising fans a refreshed experience of an album that has been a beacon for technical mastery and genre-defying artistry.

Fans can pre-order 'The Flesh Prevails' 10th-anniversary edition starting today HERE and gear up for a tour that will bring Fallujah's expansive sonic universe to life.

BRODEQUIN Release Tormented New Single

Brodequin know their history. As with the rest of the band's brutal discography, their new album, Harbinger of Woe was inspired by medieval times. But while its first two singles wielded fresh instruments of torture, the title track cracks into the psychology of a trained killer.

Listen to "Harbinger of Woe" below.

Harbinger of Woe comes out March 22, 2024.

Pre-order: https://shop.season-of-mist.com/list/brodequin-harbinger-of-woe

Pre-save: https://brodequin.fanlink.tv/HarbingerOfWoe

"Harbinger of Woe" delivers plenty of punishment. Brennan Shackelford flails his drum kit with the pinging precision of a dungeon master. But the song isn't inhumane. After all, someone was responsible for administering these historic beatings. Heck, back in the Middle Ages, executioners were considered a necessary evil. 

"He is despised and rejected / feared by most members of society", Jamie Bailey gurgles as if bound and gagged by his own microphone.

Sure, it's not painless. But when being dragged to the gallows, all anyone can hope for is someone to put them out of their misery quick and easy. When the breakdown hits, Mike Bailey's riff comes slicing in like a guillotine.

"In many ways, the title track is representative of the whole album", Brodequin says. "'Harbinger of Woe' uses several quotes that capture the violent mindset of the Medieval Period. But lyrically, we're also trying to portray an expert in his craft, who's well-acquainted with being shunned from society, along with all the other negative aspects of his profession. If you found yourself in this unfortunate position, you'd want this highly skilled professional to put you down as quickly and efficiently as possible".  

Early praise for Harbinger of Woe

" Like the sonic version of some chemical weapon banned by international law...it's non-stop, it's unrelenting, and it's brutal as fuck - Metal Sucks 

"Absolutely crushing...equal parts driving death metal and slamming brutality" - Metal Injection

"Raw and guttural as ever" - Decibel

"Among the myriad methods employed, a prominent example was the affixing of an individual to a pillar, or, more commonly, a tree trunk through the use of long iron nails".

That's Jamie Bailey, talking in true Brodequin fashion about the very first single from Harbinger of Woe.

Watch the medieval video for "Of Pillars and Trees", which was created by Matti Way of From the North Films: https://youtu.be/yh7awqeuZJQ    

Their second single only cranks up the torment, but the source material for "Suffocation in Ash" dates all the way back to ancient Persian history. 

"Basically, the victim, who's held in a tower that's specifically designed for this sort of thing, is immersed in ash",  Jamie explained. 

Listen to "Suffocation in Ash": https://redirect.season-of-mist.com/brodequin-premiere

The Middle Ages might’ve brought the world out of The Dark Ages. But for every compass or printing press, those enlightened thinkers were also responsible for inventing the most torturous devices in human history. None were more brutal than the brodequin. Not only did the French use this instrument to cripple their victims, but to squeeze their legs to the point where bone marrow would spill out of their wounds.    

You could say the same about Brodequin. The band come with their own long and sordid history. Brothers Jamie and Mike Bailey have been playing brutal death metal since 1998. Putting his history degree to good use, Jamie’s lyrics are inspired by real historical events, staying true to death metal’s core thematic pillars of dismemberment, torture, abuse and murder. But their artwork broke from genre’s generic splatter illustrations by digging into intricate period woodcuts and beautifully grotesque oil paintings. 

“There simply was no point in history that was more brutal than the medieval period,” says Jamie. “At the same time that such barbarity was deployed, there was also an explosion in fine art, architecture and music. It all comes to feed our identity as a band”.   

Brodequin’s first album catapulted them far beyond their kingdom of Knoxville. “This band has stuck out in the underground with relentless, barbaric intensity”, says Dying Fetus’ vocalist and guitarist John Gallagher, who named Instruments of Torture one of the most brutal death metal albums ever. Festival of Death put another flesh-tearing arrow in their quiver (“Some of the fastest, most brutalizing death metal ever recorded” - Sputnik Music). But after sieging festival stages across Europe with Methods of Execution, the band had to be put on ice.  

“We had a series of deaths in our family”, Jamie explains. “Mike and I knew we had to step away until we had the time and were at a place mentally to give Brodequin the attention it deserved.”  

Now, after 20 years of peaceful silence, Brodequin have returned with fresh instruments of torture. The Brothers Bailey are back with a new drummer, a new label and their long-awaited fourth album.

“Brodequin had been away for so long that I was stunned by the level of interest from fans and record labels”, Jamie says. "Before playing Hellfest, the band was approached backstage by a metalhead rocking a Brodequin t-shirt who happened to work for Season of Mist. Soon enough, they were hitting it off with Michael Berberian. The rest, as they say, is history. 

“We all hung out for hours”, recalls Jamie. “The extraordinary level of enthusiasm shown toward our music made Season of Mist the obvious choice”. 

As has been the case with this band for their entire career, Harbinger of Woe lives up to its name. Lead single “Of Pillars and Trees” is classic Brodequin. Mike’s distorted guitar chords churn like limbs through a meat grinder. The way Brennan Shackelford pings, blasts and flays his snare through “Suffocation in Ash” with the all encompassing speed of a sandstorm. Jamie’s growls are so phlegmy, so rotted, that to drag them out from whatever dark bowel movement spawned them would make an executioner sick to their stomach. And yet — somewhere deep inside all that carnage hides a terrifying beauty. The title track leaves you deaf, dumb and blind, begging on your knees in the face of a punishing, almighty riff.    

“This album is a journey into this lost period of history where brutality and beauty coexist. Beauty, in the arts the were created, but also the beautiful brutality that was needed to engineer deadly devices like the brodequin”.  

With Harbinger of Woe, Brodequin reclaim their throne as the most brutal band in all of death metal.

Line up:
Jamie Bailey: Bass/Vocals
Mike Bailey: Guitar
Brennan Shackelford: Drums

Recording
Drums recorded at Brennan's Drum Room in Dallas, Texas.

Guitar, bass and vocals recorded at Navarre 24 in Harriman, Tennessee

Producer and sound engineer
Mike Bailey

Mastering studio and engineer
Brad Boatwright

Mixing studio and engineer
Josh Welshman

Artwork
Original artwork done by Jose de Brito.
Additional elements by Jamie Bailey.

Pre-order: https://shop.season-of-mist.com/list/brodequin-harbinger-of-woe

Pre-save: https://orcd.co/harbingerofwoepresave

Links:
www.brodequinofficial.com
www.facebook.com/brodequinTN
www.brodequin.bandcamp.com
www.instagram.com/brodequintn

Suck Brick Kid Announce Upcoming Album + Release Double Single via Smartpunk Records

SUCK BRICK KID will drop their new album The End Is What I Want via Smarpunk Records on May 17.

Pre-orders for the album are available here.

Ahead of the album release, the band is also debuting two singles: "It's Okay…Probably" and "Unacceptable."

So it's double the fun. 

Think back to the last time you visited your local dive bar or venue's doodle-filled bathroom and peered at the walls. Did you stop to take note of the musings or the scrawling so delicately placed on the wall? Did it make you laugh? Did it make you cry? Did it make you angry or upset? Did you contribute? Did you rewrite history? 

Don't worry — your secret is safe with us.

Ultimately, though, Suck Brick Kid's upcoming album is a fun, yet introspective punk record about how they think you felt when you inscribed your life's work to that snot rocket-inhabited bathroom stall. It's a little dirty, a little irreverent, and totally fun. It's also a major source of inspiration for the new album. More on that in a second, though...

Speaking about the new single "It's Okay...Probably," the band says, "Mental health is no joke — but we are. This track is a colorful re-telling of someone who is 'going through it' but is masking or pushing it all deep down to not appear 'crazy.' However, after hearing what this character is dealing with, we are certain you may end up just using the 'C' word to describe them."

With a decade of beers literally under their belt, Suck Brick Kid have defined themselves as "loud as fuck and fast as fuck." This is mainly because their vocabulary is small and rudimentary, at best. But also because they really do both of these things better than most. They don't take themselves too seriously and that's infinitely refreshing!

With a slew of conceptual albums already out, Suck Brick Kid aimed high for this new release and found inspiration in one of the lowest places imaginable...a dive bar bathroom. Bathroom graffiti is often over-looked, over-pissed-on, or even over-appreciated (I saw you draw a penis on that stick figure you dirty dog) but Suck Brick Kid wanted to tap into the mindset of some of these individuals and explore what they were (maybe) going through when they made their mark. This opened up possibilities for the songs that vocalist Grant Tchekmeian and guitarist Ian Marchionda cleverly navigated, as they crafted some of the most insane and absurd lyrical content to date. The End Is What I Want should strike a chord with any lover of punk music, dive bars, both of those things, or people who just like a cheeky poop joke — no that was not one, but you see what I did there. 

This record is sure to put this band six feet under, in wooden suits, and left for the worms.

But before that happens, they've graced stages of FEST in Jacksonville, Florida, and have also toured alongside Unwritten Law, Palisades, Set Your Goals, and more. However, the band is survived by the following family members (Grant Tchekmeian on vocals, Ian Marchionda on guitar, Daniel Valery on drums, and Hayden Cler on bass).

ABOUT SMARTPUNK RECORDS:
Smartpunk has been a recognizable name in the scene for a long time (Remember that sponsored Warped Tour stage?!). After exchanging several hands and countless ideas of what it could and should be, they decided to start a record label in 2016 with the main idea of focusing solely on reissuing records that have been out of print or never on vinyl. After all, they're a label of vinyl dorks themselves! After releasing Set Your Goals' Mutiny and Gameface's Good, they started to venture into signing newer bands. They actively balance in between many worlds — putting out amazing music from friends and bands that rock, reissuing older titles, and partnering with other incredible labels in our scene and doing exclusive color variants of their releases.

"Since forming the record label, Smartpunk Records has released timeless albums such as Less Than Jake's Anthem, Nominee's Lowlife, RIVALS' Sad Looks Pretty on Me, Virginity's POPMORTEM, and melodic skate punkers The Swellers' My Everest.

HxCx Faves Stretch Arm Strong to Release New EP "The Revealing" on 5/10 + Share "Illuminating"

It's a good new day for hardcore fans, as beloved band Stretch Arm Strongannounce the brand new release, titled The Revealing. The six song, pipebomb of an EP arrives on May 10 via Iodine Recordings. Pre-save it here.

This is the first taste of new music from SAS in nearly two decades. Listen to the new single "Illuminating" below.

"We all have a brilliant light inside of us," the band states about the new track. "Our light can seem inadequate and dim in times of darkness and struggle. We may need another person to shine their light on us so that we can see a path forward. Sometimes, we can be the one to shine the light for others.
'Illuminating' was inspired by a story that was shared with us about a friend helping another friend see their own light."

The Revealing also features a guest vocal from HxCx legend — Sick of It All frontman Lou Koller.

ABOUT STRETCH ARM STRONG:
Formed in Columbia, South Carolina in 1992, Stretch Arm Strong quickly made a name for themselves in the world of hardcore with their frenetic musicianship and unflinching positivity that crossed boundaries of belief and genre. The band initially went on hiatus in 2008 but made a significant return at Furnace Fest 2021. The festival's energy was palpable, leading the band not only to reconnect with countless friends from shows over the years but also with each other, reminding them of how rewarding playing music in Stretch Arm Strong is.

It was only a matter of time before the question of coming back together to write new music would arise. Recording with Steve Evetts, who was initially slated to produce 1999's Rituals of Life, turned out to be total kismet. Their combined chemistry shines through, displaying an energy that recalls their heaviest moments as a band. "It was really refreshing to put an exclamation mark on this thing," says guitarist David Sease. "We did it the way we wanted to, had a good time, and expressed ourselves." The result of this is The Revealing, a true gem of a record and the model for what can be achieved on an EP.  

From the outset, it doesn't sound like any time has passed since Stretch Arm Strong stopped. Opening track "The Mirror" slams forward with total ferocity and youthfulness, showcasing why they're still an important part of the scene. "Still Believe Part III" follows up on previous entries with an absolute crusher, concluding with a monster of a breakdown. On "Take a Stand," Stretch Arm Strong enlists Lou Koller from Sick of It All for a killer guest spot.

With six songs clocking in at under fifteen minutes, the EP’s brevity is a testament to the lightning in a bottle Stretch Arm Strong captured by taking the stage once more. No longer being kids and now being full-fledged adults with families and worlds outside of music, the bond between Stretch Arm Strong and their love for playing is a testament to what this music means both for them and the countless listeners that have joined them throughout this time. It's a release that’s worthy of the band's exceptional discography, and a record that can only exist with a once-in-a-lifetime friendship and focus that the band has.

SAS is Chris, David, Jeremy, John and Scott.

The Plot In You Release New Single + Music Video "Don't Look Away" via Fearless Records

Ohio-based powerhouse The Plot In You have released their crushingly-heavy latest banger "Don't Look Away" and the accompanying official music video. Prior to today, the band released "Closure", which is climbing the charts and rising into the Top 40 at Active Rock radio. Both tracks can be found on the band's forthcoming EP 'Vol. 2', out on Friday, May 3rd (via Fearless Records). Speaking about "Don't Look Away", vocalist Landon Tewers shared:

“'Don't Look Away' is a collection of thoughts and feelings about the human experience living in our current world. Dealing with one's personal convictions and strife while comparing the suffering of others."

Stream "Don't Look Away" here, watch the music video below, and pre-save 'Vol. 2' here.

North American fans have their chance to see the band's incredible live show with Beartooth, Invent Animate and Sleep Theory on the final days of this tour. For ticket information please click here.

North American Tour 2024 Dates:

Mar 8: Chicago, IL @ Riviera (Sold Out)

Mar 9: Madison, WI @ The Sylvee (Sold Out)

Mar 10: Sauget, IL @ Pop's (Sold Out)

Mar 12: Indianapolis, IN @ Egyptian Room (Sold Out)

Mar 13: Nashville, TN @ Marathon Music Works (Sold Out) 

Mar 14: Fort Wayne, IN @ The Clyde Theater

Photo Credit - Wyatt Clough

Through balancing even the most extreme dynamics, The Plot In You consistently overturn and upend expectations. On any given track, it might seem like they’re about to go one way, but the band will turn on a dime and shift course before the crowd can even catch a breath. This uncanny element of surprise has entrenched the gold-selling Ohio quartet—Landon Tewers [vocals], Josh Childress [guitar], Ethan Yoder [bass], and Michael Cooper [drums] — on the cutting edge of heavy music. Whether it be threads of alternative, electronic, pop, or R&B, nothing is off limits, and everything is fair game for their creative process. That process has continued to morph. Following a series of fan-favorite releases, the band made major waves with DISPOSE [2018]. “FEEL NOTHING” surged on social media as a viral phenomenon, generating hundreds of millions of streams and picking up a gold certification from the RIAA. The musicians only maintained this momentum with Swan Song in 2021. Hysteria rated it “9-out-of-10”. Simultaneously, they sold out shows coast-to-coast. During 2023, the band kickstarted another era with Vol. 1. “Divide” generated 9 million Spotify streams right out of the gate followed by “Left Behind”, exploding to the tune of 15.9 million Spotify streams. Upon the arrival of “Forgotten”, Revolver praised it among the “6 Best New Songs Right Now.” They only continue to challenge convention by extending this three-song EP series with Vol. 2 [Fearless Records].

Progressive Metal Band Take & Take Release Debut Album 'Disillusion' on March 22, 2024!

Progressive metal band Take & Take announced their debut album Disillusion is slated for release on March 22, 2024. Crafting every element from concept to concrete, the musical visionary Eddie Trager helmed the entire process—ideas, composition, instrumental and vocal performances, and even the captivating hand-drawn cover art.

Yet, in this artistic endeavor, Trager found collaboration in the form of the legendary Matt Bayles. Known for his contributions to some of Eddie's all-time favorite albums, Bayles lent his expertise to the mixing duties at the prestigious Red Room in Seattle. Meanwhile, metal production titan Jens Bogren took the reins for mastering at his renowned Fascination Street Studios in Malmo, Sweden, ensuring the album's sound reaches new heights.

Disillusion draws inspiration from a diverse array of progressive musical influences, weaving a tapestry that spans from the avant-garde sounds of Ihsahn, Sleepytime Gorilla Museum, Opeth, Mastodon, Wilderun, and The Mars Volta to the vibrancy of Jacob Collier, The Beatles, Queen, and Yes. The album masterfully navigates through a spectrum of musical genres, seamlessly blending pop sensibilities with experimental twists that defy traditional forms.

Prepare to embark on a musical odyssey that transcends boundaries, as Take & Take introduces Disillusion to the world on March 22, 2024—a testament to innovation, collaboration, and a relentless pursuit of artistic excellence.

"Sticky" - the first single from the upcoming Disillusion album - dropped January 12th with a simultaneous video premiere at Metal Injection.
Check it out HERE

"That Won’t Last", the second single, came out February 16 with a lyric visualizer by Drain Hope.

Pre-order Disillusion now:

https://music.suricatemusic.com/disillusion

Meet Eddie Trager, a versatile artist whose musical journey spans a spectrum of roles and genres:

Formerly a rhythmic force as the drummer and percussionist for Nekrogoblikonfrom 2007 to 2016, Eddie contributed not only his drumming skills but also his talents on xylophone, glockenspiel, marimba, and earned credits as a songwriter.

Currently, he is making waves as the drummer for the new punk/hardcore band, Last Leg, as well as handling production and mixing duties for their debut EP. Additionally, Eddie showcases his guitar prowess with The Wailing Coast, a rock band based in China, where he intricately weaves melodies into their sonic landscape.

As the leader of Eddie Spaghetti and the Selfish Bitches, Eddie brings an absurd sensibility to modern music. Moreover, his collaborative efforts with Emo/Shoegaze/chamber music artist A Lady Named Isaac add another layer to his diverse musical portfolio.

Eddie Trager's journey with Take & Take began in 2016, during his travels through Colombia. The song forms coalesced during live demo sessions in the midst of the 2020 lockdown in Xiamen, China. Take & Take is the sound of personal struggle and awakening, of greed and gain, of telling lies and being lied to, of deep disappointment and personal loss, the rise of ego and the inevitable fall. It's a poetic testament to the transformative power of heavy music, inviting those who truly listen to join the experience. Take & Take isn't just music; it's an immersive journey through the complexities of the human experience—raw, unapologetic, and undeniably powerful.

Check Out Take & Take Online:

Instagram

Facebook

TikTok

BandCamp

Mandoki Soulmates announce new studio album this May and reveal video and single

Mandoki Soulmates – the international and inter-generational supergroup consisting of rock and fusion grandmasters surrounding founder and mastermind Leslie Mandoki – proudly announce their new album, A Memory Of Our Future, to be released worldwide on May 10th via Sony Music’s label InsideOutMusic.

Pre-Order A Memory Of Our Future here: https://mandokisoulmates.lnk.to/AMemoryOfOurFuture-Bio

The group celebrates the announcement with the release of a new single and video, Blood In The Water. Listen to the single here & watch the video below.

A Memory Of Our Future is Mandoki Soulmates’ latest work of art and nothing short of an instant prog-rock classic, bringing world-class musicianship and composition together with trenchant social and political messaging. The entire album was recorded and produced purely in the analog domain, from microphone to mixing and mastering, making A Memory Of Our Future a manifesto of precision and passion that is hard to find in today's music landscape. Recorded and mixed in Leslie Mandoki’s Red Rock Studios near Munich, mastered in the infamous Sterling Sound Studios in New York and cut in the Emil Berliner Studios in Berlin, the Soulmates are also making a statement as a kind of “revenge of the analog” in times of digital deception, scam bots, and internet trolls. The analog format is also an expression of their special appreciation and bond with the band’s audience, “like a love letter handwritten with a fountain pen."

A Memory Of Our Future is now available for pre-order and will be available in the following formats:

• 180g black 2LP wide spined Gatefold & extensive 12-page booklet

• Ltd. CD Edition PocketPac with noble matt/gloss finishing, Vinyl-look disc and extensive 24-page booklet

• Standard CD Jewel case (US Version)

• Digital album

Mandoki continues, “The hyper-emotionalization of news in social media delivers outrage instead of information, intentionally triggering waves of
over-excitement and manufactured conflicts. Without fact-checking, where can we find the truth among all the ‘alternative facts,’ lies and AI-generated propaganda? This has yielded a deep crisis of trust that is being exploited by the populists and demagogues of the world.

Despite their seemingly obvious fallacies and contradictions, the people in their bubbles actually believe them. Rational, civil discourse rarely takes place, and without the sensible exchange of ideas we are left with a festering breeding ground for insecurity, hate and division.”

With the 12 new tracks on A Memory Of Our Future, the band hangs a beacon of light at the end of the depressing tunnel of today, and remind us that rock music has always sung for freedom in peace and for peace in freedom.

The album announcement comes with a new single called Blood In The Water, which has it all: a pulsating beat, a catchy hook, and that ineffable prog-rock spirit that appeals to heart and mind simultaneously. The single is an anthem for resilience in the face of a shark tank’s-worth of daunting challenges. It encourages those who dare to resist conformity and courageously to look ahead; it issues a call to be different and join a movement of resistance.

With virtuosic solos from Ian Anderson’s inimitable flute and Cory Henry’s searing Hammond organ, Blood In The Water’s powerful lyrical message is delivered with insistent passion from vocalists Leslie Mandoki, Nick van Eede (Cutting Crew), Tony Carey, and Jesse Siebenberg (Supertramp).

Watch Blood In The Water here: https://www.youtube.com/watch?v=Oe6qKO28QEw

The song reflects Mandoki's vision of building bridges among disparate groups using progressive jazz-rock and incisive lyrics to comment on the social challenges of our time, to inspire the aspirational, pointing toward a utopia for realists.

Reflecting with some chagrin, Mandoki states, “The dreams of my generation lie in ruins today. After 1989, we had such a wonderful, historic opportunity to create a mindful, humane, peaceful, and absolutely free world for future generations. But we blew it. Driven by egotism and greed, we have inadvertently enabled the creation of a world where money itself makes profit faster than human labor, no matter the value-added proposition. This devaluation and commodification of people’s work has also led to the disregard for sustainability, both economically and environmentally, yielding a climate of social imbalance, inequity, and unrest. This division and radicalization, as we have unfortunately and painfully learned, has even led to war. And so, I sing that there is ‘blood in the water.’ Far too much blood in the water.”

He adds about the meaning of the black swan on the album cover: “Blood In The Water as a song presents our contemporary situation as a labyrinth of crises in a world without a compass, where unifying and stabilizing movements in society have crumbled. The dreaded ‘black swan’ has landed. It sits on our album cover as a symbol of our times, in which reality outstrips our worst fears with previously unimaginable tragic scenarios. We must stay vigilant, as we sing: you better keep an eye open, if you fall asleep...”

Mandoki Soulmates are:

Leslie Mandoki
Ian Anderson (Jethro Tull)
Mike Stern
Al di Meola
Randy Brecker
Till Brönner
Bill Evans
John Helliwell (Supertramp)
Cory Henry
Richard Bona
Steve Bailey
Simon Phillips (Toto)
Tony Carey (Rainbow)
Nick van Eede (Cutting Crew)
Jesse Siebenberg (Supertramp)
Mark Hart (Supertramp)

 

Mandoki Soulmates online:

Website: https://mandoki-soulmates.com/
Facebook: https://www.facebook.com/mandoki.soulmates
Instagram: https://www.instagram.com/themandokisoulmates
YouTube: https://www.youtube.com/@MandokiSoulmates
Spotify: https://open.spotify.com/intl-de/artist/7fl0Hsad90Ni5g3zVYzg6m
Amazon Music: https://music.amazon.com/artists/B07S2KV19B/mandoki-soulmates
Apple Music: https://music.apple.com/de/artist/mandoki-soulmates/1526677421

YouTube Music: https://music.youtube.com/channel/UCS6fldWIZXVQJA_AhfGNZ_g

Deezer: https://www.deezer.com/de/artist/65835822?app_id=140685
Tidal: https://tidal.com/browse/artist/15805305

Filth to Release "Southern Hostility" on 4/5 + Band Shares Video For Title Track

Filth are a hip-hop-influenced deathcore band from Shelby, North Carolina.

They will drop Southern Hostility on April 5. Pre-order it here.

Today, they are sharing the video for the title track. Watch it below..

Born in 2015 as a side project for guitarist David Gantt and vocalist Dustin Mitchell, Filth quickly took on a life of its own, with the purpose of spreading soul-smothering brutality to the hearts and heads of heavy music enthusiasts around the country. They popped off with the release of their debut EP, Tales from the Gutter, and morphed into a ball of mud rolling down a steep hill of grime — picking up mass and speed with each passing moment and with every subsequent breakdown. 

The group has taken many stages to serve as regional support for heavy hitters, such as Brand of Sacrifice, Kingdom of Giants, and Chelsea Grin before embarking on multiple headlining and support tours, across the United States, Canada, and the UK. The band has opened for everyone from Hatebreed to Terror to Lorna Shore to The Acacia Strain to Slaughter to Prevail.

With a stretch of head-turning live performances and a critically acclaimed display of hyper-dissonant heaviness laced with urban grooves, the band is set to release its best material yet in Spring 2024 with Album Title.

Add an intense work ethic and a desire to scratch and claw its way to the top, and 2024 will be the year of Filth. Roll up your sleeves and get ready to get dirty.

FILTH ON TOUR:
WITH HEAVY HITTER + COMA WAVES:
4/5 — Spartanburg, SC — GroundZero Gutter Fest*
4/6 — Jonesboro, GA — Furnace 41
4/7 — Birmingham, AL — WorkPlay
4/9 — Jacksonville, FL — Underbelly
4/10 — Pensacola, FL — Subculture Art Gallery
4/11 — Panama City, FL — The Salty Hobo
4/12 — Sanford, FL — West End Live
4/13 — Stuart, FL — East Ocean Pub
4/14 — Tampa, FL — Brass Mug
4/15 — Chapel Hill, NC — Local 506
4/16 — Greensboro, NC — Hangar 1819
4/17 — Wilmington, NC — The Eagle's Dare
4/18 — Jacksonville, NC — Hooligans Live
4/19 — Charlotte, NC — The Milestone Club
4/20 — Summerville, SC — The Trolley Pub

FESTIVAL:
4/26 — Richmond, VA — Virginia Deathfest*
4/27 — Richmond, VA — Virginia Deathfest*

SPRING 2024:
5/15 — Nashville, TN — DRKMTTR (FILTH ONLY)
5/16 — Tulsa, OK — The Vanguard
5/17 — Fort Worth, TX — Haltom Theater
5/18 — Houston, TX — Black Magic Social Club
5/19 — Austin, TX — Come and Take It Live
5/20 — Corpus Christi, TX — Rich's Billiards
5/21 — El Paso, TX — Rockhouse
5/24 — Denver, CO — Herman's Hideaway
5/25 — Greeley, CO — Moxi Theater
5/26 — Lincoln, NE — Cosmic Eye
5/27 — Des Moines, IA — Lefty's
5/28 — St. Louis, MO — Red Flag
5/23 — Indianapolis, IN — Black Circle
5/30 — Rockford, IL — District Bar and Grill
5/31 — Louisville, KY — Portal @ Fifteen Twelve
6/1 — Chattanooga, TN — The Dark Roast
8/24 — Battle Creek, MI — Michigan Metalfest*
*Festival Date

HAVEN MADISON DROPS “MONSTER” FROM HIGHLY ANTICIPATED DEBUT EP

Haven Madison, American Idol Season 21 finalist and 19 Recordings/BMG rising pop vocalist, performer, multi-instrumentalist and songwriter, drops her brand-new track, “Monster.” Available today along with an official music video, the song serves as the second track to release in anticipation of Madison’s forthcoming studio EP TURN OFF ALL THE LIGHTS that will drop worldwide on April 26. Listen to “Monster” here, watch the official music video below, and pre-order/pre-save/pre-add the EP here.

With “Monster,” Madison takes a deep dive into the depths of emotion. The dark, edgy anthem is an unapologetic look at the complexities of relationships, breakups, and empowerment. Madison draws from personal inspiration told through her powerful storytelling and delivers a sonically rich and emotionally charged song that showcases her evolving range as an artist and songwriter.

“‘Monster’ was the song that opened the floodgates for me,” says Madison. “I was, as no surprise, very ticked off by a boy and just went wide open with this pop banger. I love the dark elements it has, and the sentiment is one I haven’t heard in a song yet, so I’m pumped for the world to get their hands on it.” “Monster” is co-writtenwith GRAMMY-nominated songwriter/producer andVarietyHitmaker Dave Pittenger, who also serves as producer onTURN OFF ALL THE LIGHTS.Set to ignite the hearts of listeners everywhere, the sophomore track is a compelling preview of what's to come from Madison’s highly anticipated EP and follows the success of her debut song "Sky Up."

About Haven Madison:

Hailed “the next big pop star” by Katy Perry, 19 Recordings/BMG rising pop vocalist, performer, multi-instrumentalist, and songwriter Haven Madison's emerging journey through the music industry has been nothing short of remarkable. Her upcoming debut EP TURN OFF ALL THE LIGHTS displays her immense talent as a singer/songwriter and powerful vocalist and follows on the heels of her successful run as a Top 8 Season 21 finalist on ABC’s American Idol where she captured the hearts of millions performing her own originals like the wistful “Fifteen” and heartfelt “Still Need You.” Earning instant praise from judges Lionel Richie, Katy Perry, and Luke Bryan, as well as guest judge Ed Sheeran, Madison’s viral duet performance of “Still Need You” with Perry catapulted her into the spotlight, garnering the admiration of millions of viewers and fans. Her debut EP drops worldwide on April 26, 2024.

About 19 Recordings:

19 Recordings is an LA–based record label owned by Sony Pictures’ 19 Entertainment. Founded in London in 1999 as the music division of 19 Entertainment, the label was one of the top record imprints compiled by Billboard in 2012. 19 Recordings has been a part of the successful music careers of platinum artists Kelly Clarkson, Carrie Underwood, Daughtry, Phillip Phillips, Lauren Alaina, Gabby Barrett, and Chayce Beckham, among many others.

About BMG:

BMG is an integrated music publishing and recordings business and the world’s fourth-largest international music company. BMG’s distinctive pitch is a relentless focus on global service to its artist and songwriter clients, combining creative insight and support with the best in technology and analytics. BMG’s 22 offices across 13 core music markets represent over three million songs and recordings, including many of the most renowned and successful catalogs in popular music history. BMG is owned by international media, services and education company Bertelsmann, whose other content businesses include the entertainment company RTL Group and the trade book publisher Penguin Random House. With its integrated technology platform, artist-friendly culture and commitment to help artists maximize their income, BMG aims to be the best company in music to do business with. See more atwww.bmg.com.

Photo Credit: Robby Klein

Like Moths to Flames Announce New Album "THE CYCLES OF TRYING TO COPE" + Share "Kintsugi" Video

U.S. metalcore act Like Moths To Flames have announced their new album THE CYCLES OF TRYING TO COPE. It arrives on May 10 via UNFD. Pre-order it here.

Today, the band has shared the video for the explosive juggernaut of a new single "Kintsugi," which also shows off the melodic and contemplative side of the band. Watch it Below. 

Each single that the band has released is related to a coping "cycle" and associated word. "Kinstugi" is "Cycle Two: Fracture."

"Kintsugi" is the Japanese art of repairing broken pottery by mending the areas of breakage with a mixture including powdered gold — essentially repairing the cracks with gold.

"When things go wrong, I think we are left to pick up the pieces and forced to choose which piece to leave with," says singer Chris Roetter. "If it's not possible to leave with everything the way it was before it broke, how do you know what piece to hold onto?"
 
 As for the album as a whole, Roetter shares, "The record encapsulates the many varying emotions we go through when trying to grow through life. The last few years, I really tried to harness some of those emotions as a catalyst to get through whatever I was going through at the time. I think we all have our own unique ways to cope and these are mine."

LIKE MOTHS TO FLAMES ARE:
Chris Roetter | Vocals
Zach Pishney | Guitar
Roman Garcia | Drums
Cody Cavanaugh | Guitar

Dark Tranquillity Announce New Album "Endtime Signals" + Share "The Last Imagination" Visualizer

Hailing from Gothenburg, iconic melodic death metal pioneers Dark Tranquillity are thrilled to ring in a new chapter of their musical journey: The band has finished its thirteenth studio album Endtime Signals. The album will be released on August 16 via Century Media Records.

In addition, the band provides a sneak peek into the album's thematic depth with the release of the first single "The Last Imagination," which offers a first glimpse into the profound journey through the existential depth that is Endtime Signals.

Watch the visualizer for "The Last Imagination" below.

Stream the song here.

Notably, Endtime Signals not only marks the 13th studio album of the band, but also their tenth album collaboration with Century Media Records. Building on the success of previous releases such as Atoma (2016), which climbed up to #2 in the Swedish album charts, and Moment (2020), which earned the band a Swedish Grammis award, the band is set to continue to redefine and deliver a top-tier musical experience with Endtime Signals.

"Welcome to the world of Dark Tranquillity once again," the band says. "It's been a while since Moment and we've gone through quite a lot in order to end up where we find ourselves today. But as we can reveal the first single from the upcoming Endtime Signals, the feeling is that of pride, accomplishment, and a fair bit of relief. 'The Last Imagination' showcases one of many facets of what we feel is our most diverse album to date."

The band continues, "Going back to what we fundamentally feel is the core of Dark Tranquillity, with a partly new line-up, has been a tremendous experience. It gave us the opportunity to re-evaluate and view what we have built from a new and exciting perspective. This resulted in a focused and intense writing period where we have discovered aspects of our music anew and taken certain elements of it further than before. Joakim Strandberg Nilson has delivered above and beyond in terms of drumming, with Christian Jansson following through in fierce and precise fashion. This has driven the writing and recording process to feel challenging, different and inspiring in the best way possible."

Discussing the album as a whole, the band offers, "Thematically. the album deals with where we are heading, what has truly and fundamentally changed in us and how we find ways to cope with it. It has been hard finding that spark of positivity lately and there is a sense of grief running through the course of the album. Not only in the sense of mourning what we have lost on a personal level, but also where our sacrifices have taken us. 'The Last Imagination' in particular takes this to its logical conclusion and talks of what we leave behind and how hard it is for us to grasp that our significance might not be what we imagined.

"The breadth of the album is something we have worked hard at and we believe that this first song gives an indication if not a full picture of what is in store. There is ferocious speed, grinding brutality and haunting melodies of devastating loss to come. This is us making good on our promise to ourselves and our continuing mission."

Stay tuned for more information!

The first single "The Last Imagination" stands as a beacon of Dark Tranquillity's unparalleled artistry: The band delves into the depths of the human experience and reflects on the impermanence of life, with a profound lyrical narrative and captivating melodies. This single challenges listeners to confront the finality of their stories, unheard and untold. 

Accompanying the release, Niklas Sundin, former guitarist and longstanding collaborator of the band, has crafted captivating visual elements, including the visualizer for "The Last Imagination."

The album release date, August 16, was strategically chosen: It is no coincidence that the album reveal collides with the infamous Summer Breeze Open Air in Dinkelsbühl, Germany and Dark Tranquillity's performance at the festival. As a special celebration for the reveal of their new album, the band will give a burning live performance, playing and partying into the release of Endtime Signals live on stage. 

Fans and metal enthusiasts alike can expect a whole Dark Tranquillity experience during this year's festival – stay tuned!

Before returning to Europe for the festival summer, DT are playing shows in Turkey, South America, and Tunisia in April and May. 

Tickets can be purchased here.

DARK TRANQUILLITY ARE:
Mikael Stanne — Vocals
Johan Reinholdz — Guitar
Martin Brändström — Electronics
Christian Jansson — Bass
Joakim Strandberg Nilsson — Drums

New music from Cold Years!

'Choke' is a piercing denunciation of the current political state of the UK underpinned by Ross Gordon’s stinging lyrics delivered with debilitating venom.

"Where you gonna go when you’ve become something you despise. You took it all, and now you’re nothing but desensitised"

STREAM 'CHOKE' HERE

Following on from 2020s “Paradise”, a politically charged look at life in their hometown of Aberdeen, and 2022’s soaring follow up “Goodbye To Misery,” Cold Years return in 2024 with their most triumphant record yet, ‘ A Different Life.'

Recorded at The Barber Shop Studios, New Jersey by producer Brett Romnes ( Hot Mulligan, Boston Manor, Heart Attack Man, Brand New ) & mastered by Rogue Planet Mastering ( Against The Current, A Day To Remember, The Bronx ), ‘A Different Life’ is packed with songs that are both intensely personal and universally relatable. 

Watch Below.

NEW ALBUM
'A DIFFERENT LIFE'
OUT APRIL 26TH

Intervals Announces New Album 'memory palace' Out Friday May 17 + New Music Video "neurogenesis (feat. KOAN Sound)"

It's a great day to be an Intervals fan! The innovative instrumental metal outfit has today announced their upcoming new album 'memory palace' set for release on Friday, May 17. In celebration of the news, the band released a new track "neurogenesis" featuring acclaimed genre-blending electronic duo KOAN Sound plus the official music video. Not only that, but North American fans also have their chance to see the band hit the stage with Hail The Sun, Body Thief and Makari beginning tomorrow (Friday, March 8) starting in Indianapolis, IN, and again in May with Mammoth WVH (ticket information here). Speaking about today's news, Intervals ringleader and mastermind Aaron Marshall shared:

"I'm very excited to finally share more new music with everyone, and to officially announce the release of "memory palace". We've all been really happy with the reception to the first single ("mnemonic") that came out last year, so it feels good to let people in on the sound a little more, and to tell everyone about this new record! 

In regards to "neurogenesis", this is a tune that was meant to happen for some time now. After the release of 'Circadian', I had actually been in touch with the KOAN Sound guys about potentially having them remix something from the record, which didn't come to fruition with everyone getting busy again after some unintended time away from the road, but we did stay in touch about future collaborations down the line, and I'm so hyped we made this happen. Drum and bass has always had a strong influence on me, and while I've alluded to, or borrowed from the style in subtle ways over time, delving further into the sound has been something I'm naturally drawn to. Collaborating with Jim & Will on this song was such a joy, and something I'm super proud of. I feel like we achieved this really unique blend of their sound, while still keeping the core of the Intervals live band at the center, which makes for this really fresh hybrid of synthesized elements, and real world performance, which precisely meets the mark of what I think we set out to achieve.

Visually, I tapped into the mind of my good friend Sam Beck who went over and above to bring the core elements of the "memory palace" album art (by Mihailo Kalabic) to life in such a gripping, high energy video companion to the tune. Definitely head over to YouTube and take a look, if you haven't yet!

aaaand we're kicking off a co-headline tour with our friends in Hail The Sun + support from Body Thief & Makari this Friday! We'll be on the road across the US + Toronto & Montreal until about mid April (dates and tickets at www.intrvls.com) We've got a wild set dialed in for this one, featuring both the two singles out now, another new tune that isn't out (just yet), and some previous material we've never played live before. We've also got a full spread of new merch, and you can come learn more about the new record (which is available now for pre-order online) at the table! These shows are going to be really fun and I'm looking forward to seeing everyone out there!"

Prior to today, Intervals shared "mnemonic" which can also be found on the forthcoming full-length. Pre-order 'memory palace' here and watch the music video for "neurogenesis (feat. KOAN Sound)" below.

Upcoming Intervals Tour Dates with Hail The Sun, Body Thief + Makari:

March 8 - Indianapolis, IN @ Deluxe

March 9 - St. Louis, MO @ Delmar Hall

March 10 - Minneapolis, MN @ Varsity Theatre

March 12 - Lawrence, KS @ Bottleneck

March 13 - Denver, CO @ Summit Music Hall

March 14 - Salt Lake City, UT @ The Complex

March 15 - Boise, ID @ Knitting Factory

March 17 - Seattle, WA @ The Crocodile

March 18 - Portland, OR @ Hawthorne Theatre

March 20 - Sacramento, CA @ Ace Of Spades

March 21 - Berkeley, CA @ UC Theatre

March 22 - Los Angeles, CA @ Echoplex

March 23 - Anaheim, CA @ House Of Blues (Kill Iconic Fest)

March 24 - Phoenix, AZ @ The Nile Theatre

March 26 - Dallas, TX @ Studio at The Factory

March 27 - San Antonio, TX @ Vibes Event Center

March 28 - Houston, TX @ White Oak Music Hall

March 30 - Orlando, FL @ House Of Blues

March 31 - Atlanta, GA @ The Masquerade

April 2 - Charlotte, NC @ Underground

April 3 - Baltimore, MD @ Baltimore Soundstage

April 5 - New York, NY @ Irving Plaza

April 6 - Boston, MA @ Paradise Rock Club

April 7 - Philadelphia, PA @ Brooklyn Bowl

April 9 - Montreal, QC @ Theatre Fairmount

April 10 - Toronto, ON @ Danforth Music Hall

April 11 - Cleveland, OH @ The Roxy

April 12 - Detroit, MI @ St. Andrews

April 13 - Chicago, IL @ House Of Blues

Tour Dates With Mammoth WVH:

May 4 - Bethlehem, PA @ Wind Creek Event Center

May 5 - Portland, ME @ Aura

May 7 - Wilmington, DE @ The Queen

May 8 - Norfolk, VA @ The Norva

May 10 - Cherokee, NC @ Harrah's Cherokee Resort Event Center

May 12 - Ft. Lauderdale, FL @ Revolution Live

May 14 - Chattanooga, TN @ The Signal

May 16 - Nashville, TN @ Brooklyn Bowl

May 17 - Louisville, KY @ Mercury Ballroom

Intervals exist as the unbound and unapologetic creative expression of Aaron Marshall. The progressive guitar rock faithful revere Marshall for his virtuoso chops and melodic prowess in equal measure. His distinctive character and musical personality shine throughout the heady, catchy, and transcendent instrumental compositions found across the ever-growing catalog of Intervals albums. 

The music is a window into the Toronto, Ontario, guitarist’s mind, body, and soul. Songs like “Libra”, “5-HTP”, “Belvedere”, “I’m Awake”, and “mnemonic” rank among the most popular in the genre. Metal Injection describes Intervals as “catchy-as-hell shred.” Sonic Perspectives declared the band’s fourth album, 2020’s 'Circadian', “strikes the perfect balance between shred, songwriting, and melody.”

A trio of gifted touring and recording musicians surround Marshall as they collectively share Intervals’ songs with the world: drummer Nathan Bulla, bassist Jacob Mansky, and guitarist Travis LeVrier. They consistently stun audiences, including on celebrated treks with Spiritbox, TesseracT, Animals As Leaders, Polyphia, Periphery, Protest The Hero, and Between The Buried And Me. 

The earliest Intervals offerings, including two EPs and 2014’s full-length debut, A Voice Within (the sole album with lead vocals), were decidedly heavy and aggressive. Heralded by MetalSucks as “fantastic” and “lacking virtually nothing,” 2015’s The Shape of Colour ventured in a new direction. Intervals' fourth album was appropriately titled The Way Forward. “Employing many of the same techniques as technical progressive metal but in a major-key, upbeat framework has been Intervals’ calling card,” wrote Metal Hammer. “[The Way Forward] is a purer distillation of [Marshall’s] aim.”  

Circadian marked Intervals’ first collaboration with Sam Guiana (Silverstein, Neck Deep, Holding Absence). memory palacebrilliantly celebrates the best of Intervals’ past, present, and future. The album is diverse, uplifting, and crushingly heavy. Also produced by Guaiana, memory palace includes collaborations with KOAN Sound (“neurogenesis”), J3PO (“galaxy brain”), and OBLVYN (“lacuna”). 

Fiercely independent and precision-focused but never lacking in uplifting vibe and fun, Intervals continues to grow from Marshall’s strong roots in authenticity, instinct, and trusting one’s gut. - Ryan Downey

Lightworker Share "Burn Scar" Video

San Francisco's Lightworker — Joe Calderon [vocals], Grayson Hurd[guitar], and Ryan Johnson [drums] — recently announced their new album How the Beautiful Decay will land on April 19 via Solid State Records. Pre-order it here.

Today, the band has shared the video for "Burn Scar." Watch it BELOW.

"Put simply, 'Burn Scar' is a song about resisting the barriers society has instilled in us in favor of showing each other love and compassion," the band says. "It's a sincere hope that we have the courage to accept our faults, learn from them, and to nurture not only each other's friendships and community, but where we also inhabit before it's too late."
 
Lightworker first emerged with the Resilience EP in 2017. Their signature sound cemented on 2020's full-length debut, Fury by Failure. It tallied over a million streams powered up by the likes of "Empyre," "The Willing Martyr," and "Words Dissolve" [feat. Ryan Kirby of Fit For A King]. Meanwhile, a 2021 cover of the Hoobastank hit "Crawling in the Dark" maintained their momentum. During 2022, they recorded How The Beautiful Decay with Beau Burchell of Saosin in the producer's chair. The musicians made a conscious decision to let their heavier impulses lead the way in the studio. As a result, How the Beautiful Decay is a master class in beautiful brutality.

Lightworker will also embark on a short tour with Eyes Set To Kill, beginning tomorrow. All confirmed dates are below.

LIGHTWORKER ON TOUR:
WITH EYES SET TO KILL:
3/8 — Sacramento, CA — Goldfields
3/9 — Fresno, CA — Full Circle Brewing 
3/10 — West Hollywood, CA — Whisky A Go Go
3/21 — Albuquerque, NM — Launchpad
3/22 — Denver, CO — HQ
3/23 — Grand Junction, CO — Mesa Theater
3/24 — Las Vegas, NV — SINWAVE 

Dayseeker Share Video for Cover of Evanescence's "My Immortal"

Southern California's DAYSEEKER — Rory Rodriguez [vocals], Gino Sgambelluri [guitar], Ramone Valerio [bass], and Zac Mayfield [drums] — recently announced their forthcoming acoustic album Replica, which arrives digitally on April 19 and physically on June 14 via Spinefarm. Pre-save it here. 

The stripped down, intimate renditions of familiar fan favorites highlight the band's songcraft and allow the listener to experience Dayseeker in an entirely new way. The collection also includes appearances from Holding Absence's Lucas Woodland and indie artist Amber DeLaRosa.

Today, the band has shared the video for their unexpected and enchanting cover of "My Immortal" by Evanescence. Watch it below.

"'My Immortal' is a song I've loved dearly since I first heard it in high school," says Rodriguez. "I truly always wanted to cover it but the timing didn't feel right until we started this album. It's easily my favorite cover we've ever done."

Commenting on the album itself, Rodriguez says, "Replica is one of our favorite releases to date. It completely shows a new side to our band and the kind of music we're capable of creating."

Dayseeker will also embark on a headline tour this spring. The tour kicks off April 19 in Tampa and runs through May 25 in San Diego. All dates are below, including spring festival appearances, such as Rockfest, Earthday Birthday, and more. Polaris, Rain City Drive, Avoid, and Ayron Jones are set to appear at select dates. Get tickets here. 

DAYSEEKER ON TOUR:
WITH POLARIS, RAIN CITY DRIVE, AVOID, + AYRON JONES:
4/19 — Tampa, FL — Amalie Arena (98 ROCKFEST) %
4/20 — Orlando, FL — Central Florida Fairgrounds (Earthday Birthday) %
4/22 — Columbia, SC — The Senate &@
4/23 — Norfolk, VA — The NorVa &@
4/25 — Newark, NJ — Prudential Center (WDHA’s Rock The Rock Fest) %
4/26 — Baltimore, MD — CFG Bank Arena (98 Rock Spring Thing) %
4/27 — Las Vegas, NV — Sick New World %
4/29 — Buffalo, NY — Buffalo Riverworks *+@
4/30 — Ft. Wayne, IN — Piere’s Entertainment Center *+@
5/1 — Grand Rapids, MI — The Intersection *+@
5/3 — Milwaukee, WI — Fiserv Forum (Hog Fest) %
5/4 — Saint Paul, MN — Xcel Energy Center (93X Twin City Takeover) %
5/5 — Des Moines, IA — Val Air Ballroom *+@
5/7 — Sauget, IL — Pop’s *+@
5/8 — Chattanooga, TN — The Signal *+@
5/10 — New Orleans, LA — House of Blues @
5/11 — Birmingham, AL — Iron City *+@
5/12 — Little Rock, AR — Little Rock Music Hall *+@
5/14 — Kansas City, MO — Uptown Theater *+@
5/15 — Oklahoma City, OK — Town Theatre *+@
5/16 — Omaha, NE — The Admiral *@
5/18 — Louisville, KY — Mercury Ballroom +@
5/19 — Bloomington, IL — Castle Theater *+@
5/22 — Albuquerque, NM — Sunshine Theater *+@
5/23 — Tucson, AZ — Rialto Theatre *+@
5/24 — Las Vegas, NV — Brooklyn Bowl *+@
5/25 — San Diego, CA — Soma *+@
%Dayseeker only
*Polaris
+Rain City Drive
&Ayron Jones
@Avoid 

ABOUT DAYSEEKER:
Dayseeker are a quiet killer. The band has steadily built a buzz over the past several years — and they have reached a tipping point. Dayseeker have become a scene standout with 2019's Sleeptalk, which was hailed by Alternative Press as  "a warm and welcome release to higher ground" and as "much needed fresh air into the post-hardcore scene.

The album has gone on to accumulate over 125 million streams, and it positioned the band as a formidable force — and one that is primed to take its next big leap. In 2021, the band dropped a deluxe version of Sleeptalk, featuring four reimagined versions of album tracks, which offered fans a fresh and unique take on songs they already love. It also demonstrated the depth and breadth of the band's creative vision, scope, and possibilities. However, Dark Sun catapulted the band beyond the scene's stratosphere. The album is out now via Spinefarm and is at 80 millions streams.

ABOUT SPINEFARM:
Spinefarm represents some of the biggest and most important rock acts in the world. Founded in Finland in 1990, the label established itself as an independent powerhouse for successful European metal acts from Nightwish to Children Of Bodom. Acquired by UMG in 2002, Spinefarm Music Group is now home to a host of artists that reach millions of fans across the globe and showcases the very best in rock, punk and metal. From massive metal names such as Bullet For My Valentine (with over 3 billion streams to their name) to alt-rock legends Killing Joke and genre-benders Sleep Token, Spinefarm's artists are — and always have been —true leaders in their chosen field. The roster also includes renowned names like Atreyu, Airbourne, Saint Asonia, and While She Sleeps, as well as fast-rising young artists like Dayseeker, Dead Poet Society, Kid Kapichi, BRKN LOVE, and Creeper. Spinefarm, now flanked by associated SMG labels Candlelight (Emperor, Ihsahn, Urne) and Snakefarm (Marty Stuart, Austin Meade, The White Buffalo), has grown from its independent origins into a true global rock powerhouse.

NIGHT VERSES x Brandon Boyd Drop Official Music Video For "Glitching Prisms"

"Night Verses still shreds" - Metal Injection

"re-establishes the band as one of the most rightfully revered among progressive metal." - Knotfest.com

"a beast-mode reintroduction to venerated guitarist Nick DePirro." - Guitar World

"a phenomenal return from one of our generation’s most thrilling progressive rock acts" - Boolin Tunes



"Night Verses is still the gold standard for technical instrumental music" - Everything Is Noise

Progressive metal trailblazers, Night Verses, have released the official music video for their recently released track featuring Brandon Boyd, "Glitching Prisms" featuring the iconic vocals of Incubusfrontman, Brandon Boyd. Watch Below.

Taken from the second part of their phenomenal double album 'Every Sound Has A Color In The Valley Of Night', releasing via Equal Vision Records. This release marks the second chapter of their album following the acclaimed Part I in September 2023, which marked their explosive return from a five-year hiatus and will be released on March 15th, when the whole album will be available to listen to as a full body of work for the first time. Pre-order 'Every Sound Has A Color In The Valley Of Night' HERE.

Speaking on the track, Night Verses share

“Brandon has such an undeniably unique approach to his instrument. When collaborating with artists of his nature, you often expect to have to bend to their undeniable strengths to make it work. However when writing ‘Glitching Prisms’ with him, his take on the song was instantly the missing piece. Everything he did stepped up the composition, and at the same time was so different from what we initially imagined. I don’t think any of us could be happier with how it turned out.”

With over 15 million career streams and an enormous, ever growing amount of critical acclaim, Night Verses are poised to continue their ascent to new creative heights, affirming their status as pioneers and innovators within the world of heavy music. 'Every Sound Has A Color In The Valley Of Night' sees NIGHT VERSES tear up the rulebook once again with a kaleidoscopic vision. Truly living up to the accolade given to them by Noisey, who referred to the band as “the Salvador Dali of Progressive metal”. 

ABOUT NIGHT VERSES: 

Hailing from Fullerton, CA, NIGHT VERSES first galvanized listeners with their 2012  EP ‘Out Of The Sky’, merging prog, alt-metal, post-rock and ambient electronica into their own intoxicating strain of cinematic metal.

They continued to hone their bold songwriting and genre-bending musicianship on their debut full-length, 2014’s ‘Lift Your Existence’. After the mass critical acclaim that followed, they returned in 2016 with the full-length ‘Into The Vanishing Light’ produced by legendary producer Ross Robinson (Slipknot, At The Drive In). The album was the band’s first release after signing with Equal Vision Records, and marked their last album with a vocalist. 

The band released their first instrumental album 2018, with the critically acclaimed ‘From The Gallery Of Sleep’, which cemented them as fearless, genre-defying innovators. Dubbed “The Salvador Dali of prog-metal” by Noisey / Vice, the album was hailed as "boundary-breaking prog" (Revolver), "ambitious and creative" (Exclaim!) and "a layered prog masterpiece" (Distorted Sound).

Now after a 5-year wait that's felt like an eternity, NIGHT VERSES are back to reclaim their rightful place at the forefront of progressive heavy music. With over 15 million career streams and unanimously glowing critical praise for their first four releases, the stage is set for NIGHT VERSES to ascend to even greater heights.

Alpha Wolf Share New Video "Whenever You're Ready"

Aussie metalcore behemoths Alpha Wolf have unveiled "Whenever You're Ready," a compelling and cathartic new cut taken from the band's upcoming third full length album, Half Living Things, due out Friday April 5 via Greyscale Records and SharpTone Records.

Pre-order it here.

Pushing their own limitless boundaries and exploring new musical terrain, "Whenever You're Ready" opens with hazy ambience before evolving with haunting beats and searing vocals, showcasing a bewitching new side of Alpha Wolf, built firmly around its soaring melodic chorus and stirring subject matter.

"Alpha Wolf like to let our listeners expect the unexpected at all times and 'Whenever You’re Ready' is a testament to exactly that," the band shares. "We could feel the impact of this song from the moment the first chords were written. Dancing around on our melodic side, this song touches on the complications between people with a deep connection to one another and ultimately losing them. Everyone has a story to tell in this regard and this is ours."

Watch "Whenever You're Ready" video

ALPHA WOLF ON TOUR
WITH EMMURE, UNITY TX, + CHAMBER: 
4/12 — Mesa, AZ — The Nile Theatre
4/13 — Los Angeles, CA — The Regent Theater
4/14 — Roseville, CA — Goldfield Trading Post
4/16 — Portland, OR — Hawthorn Theatre
4/17 — Seattle, WA — El Corazon
4/19 — Salt Lake City, UT — The Depot
4/20 — Denver, CO — The Oriental Theater
4/21 — Lawrence, KS — Granada Theater
4/23 — Minneapolis, MN — Varsity Theater
4/25 — Milwaukee, WI — The Rave II
4/26 — Joliet, IL — The Forge
4/27 — Detroit, MI — St Andrew's Hall
4/28 — Columbus, OH — The King of Clubs
4/30 — Nashville, TN — Eastside Bowl
5/1 — Charlotte, NC — The Underground
5/3 — Ft Lauderdale, FL — Revolution
5/4 — Tampa, FL — The Orpheum
5/5 — Atlanta, GA — Masquerade Heaven
5/7 — Richmond, VA — Canal Club
5/8 — Baltimore, MD  — Baltimore Soundstage
5/10 — New York, NY — Gramercy Theatre
5/11 — Philadelphia, PA — Theatre of Living Arts
5/12 — Worcester, MA — The Paradise Rock Club
5/14 — Montreal, QC — Club Soda
5/15 — Toronto, ON — Opera House
5/17 — Grand Rapids, MI — Elevation
5/18 — Lakewood, OH — The Roxy
5/19 — Indianapolis, IN — HI-FI Annex
5/21 — Cincinnati, OH — Bogart's
5/22 — St Louis, MO — Red Flag
5/24 — Dallas, TX — South Side Music Hall
5/25 — San Antonio, TX — Vibes Event Center
5/26 — Houston, TX — Warehouse Live

On album number three, Alpha Wolf harness and heighten their trademark intensity, crafting the self-produced Half Living Things in 2023 entirely on their own terms. A collection of tracks that are simultaneously heavy, fun as hell, and beating with chugs, grooves, melodics, breakdowns, and more, Half Living Things is a hard-hitting celebration of the entire Alpha Wolf sonic gamut that stings and salves equally with dazzling finesse.

  "There can be no inner conflict without the constant tug of war between desire and disdain, the things you want versus the things you need, or the things that make you feel alive against the parts of it that do not," Lochie shares about the album. "You cannot grow new parts without leaving the dead ones behind. You cannot be settled until you have truly known the opposite. Find out what makes you tick and just keep running around the clock until you're happy enough to die.”

The road has been far from easy for Alpha Wolf but they refuse to let anything stand in their way. Throughout the chaotic and turbulent times of the pandemic, the band released their sophomore album A Quiet Place To Die in 2020 to critical acclaim, including a #6 spot on the ARIA charts and a nomination for Best Heavy Album at the ARIA awards, and multiple sold-out shows around Australia, Europe, UK, U.S., and Asia.

In 2022, Alpha Wolf released a split EP, The Lost & The Longing, with Welsh rockers Holding Absence, and also launched CVLTFEST, their very own curated festival aimed to showcase the best Aussie talent in the heavy scene alongside some exciting international acts. And furthering their global reach to new heights in 2023, Alpha Wolf recently embarked on their biggest North American run to date with Motionless in White, and also tore up multiple stages at home earlier this year as part of the inaugural Knotfest Australia with Slipknot, Parkway Drive, and Megadeth.

Recently releasing the single "Bring Back The Noise," a neck-snapping delight that will also feature on Half Living Things, Alpha Wolf are also currently on the road supporting The Amity Affliction regionally, before headlining the return of their very own festival CVLTFEST in February, alongside Emmure, Crossfaith, Ocean Grove, and more.

Alpha Wolf know how far they have come, but it's what lays ahead of them that's keeping the band hungry.