Wolves at the Gate Drop "DEATH CLOCK" Video

Wolves at the Gate will release new album Wasteland on May 30 via Solid State Records. Pre-order it here. 

The band has shared the video for "DEATH CLOCK."

Watch it below. 

The track is a moody rage, loaded with arena-sized hooks that keep pace throughout the entirety of the song. Ultimately, "DEATH CLOCK" will have fans bouncing and jumping up and down as if they were at a party celebrating the end of the world. It lyrically looks at the inevitable fate that awaits us all.

"'Death Clock' describes the world inside of your head," the band states. "Everyone undoubtedly thinks about death. The song is just being honest when it comes to the fact we all die and how it makes us feel. We wanted it to sound like you're racing against a clock."

Wolves At The Gate have quietly and naturally evolved since their emergence out of the Midwest in 2008. Their vision unfolded across albums such as Captors [2012], VxV [2014], Types & Shadows [2016], Eclipse [2019], and Eulogies [2022]. Blabbermouth rated the latter "9.0-out-of-10.0," while mxdwn summed it up as "powerfully moving." Along the way, the group tallied tens of millions of streams fueled by the likes of "Counterfeit," "Deadman," "Lowborn," "Peace That Starts The War," and more. Not to mention, they've performed alongside everyone from The Red Jumpsuit Apparatus and Red to Fit For A King, August Burns Red, and Born Of Osiris. In 2024, a core idea screamed out to guitarist Steve Cobucci, shaping the creative direction of the band's next evolution. It slowly, but surely seeped into the DNA of the music and his words.
 
"As I was working on the album and especially the lyrics, I began to realize that the Wasteland was a metaphor for a frame of mind that I don't want to live in, but a world I feel myself drawn back into over and over again," Cobucci reveals. "I hate it. It's a world of empty promises. It's a mirage. A counterfeit."

The musicians carefully pieced together what would become Wasteland. Cobucci co-produced the 13-track body of work with Josh Gilbert of Spiritbox, while the band recorded in New Jersey, San Diego, and Los Angeles. This time around, they added multiple dimensions to their signature sound, layering intriguing interludes and electronic overtures into the framework.

WOLVES AT THE GATE ARE:
Steve Cobucci — Vocals/Guitar
Nick Detty — Vocals
Joey Alarcon — Guitar
Abishai Collingsworth — Drums
Ben Summers — Bass

Wolves at the Gate Drop "LAW OF THE [Waste]LAND" Visualizer

Wolves at the Gate will release new album Wasteland on May 30 via Solid State Records. Pre-order it here. 

Today, the band has shared the "LAW OF THE [Waste]LAND"  visualizer. 

Watch it below. 

"The song is a reflection on a world and humanity that has lost its grip on true justice," says singer/guitarist Stephen Cobucci. "But this isn't anything new. History tells endless stories of war, genocide, and injustice and a seemingly endless list of atrocities. There is something terribly broken in us by nature that exalts self-preservation. I've seen it firsthand in my own heart. I saw this confirmed to me by the words of an old Psalmist when he said, 'None is righteous, no, not one; no one understands; no one seeks for God.' As much as I tried to fight the reality of that truth, an honest look at myself told the same story."

He continues, "The song explores how we become both victims and enforcers of a merciless code. We cry out for justice but live by vengeance, doing what seems right in our own eyes while blaming the fallout on anything but ourselves. In the Wasteland, we crown ourselves as judge, jury, and executioner, all while crying out for peace we can't create. While confronting the chaos, we've normalized. We were hoping to ask a deeper question: What is left for the soul, when we abandon mercy and truth in pursuit of self-rule and self-preservation? Can mercy still come to the merciless?"

The song starts out ominously and quickly escalates to all fists and fury, alongside a groove that just won't quit. It's got ALL of the bounce.

Wolves At The Gate have quietly and naturally evolved since their emergence out of the Midwest in 2008. Their vision unfolded across albums such as Captors [2012], VxV [2014], Types & Shadows [2016], Eclipse [2019], and Eulogies [2022]. Blabbermouth rated the latter "9.0-out-of-10.0," while mxdwn summed it up as "powerfully moving." Along the way, the group tallied tens of millions of streams fueled by the likes of "Counterfeit," "Deadman," "Lowborn," "Peace That Starts The War," and more. Not to mention, they've performed alongside everyone from The Red Jumpsuit Apparatus and Red to Fit For A King, August Burns Red, and Born Of Osiris. In 2024, a core idea screamed out to guitarist Steve Cobucci, shaping the creative direction of the band's next evolution. It slowly, but surely seeped into the DNA of the music and his words.
 
"As I was working on the album and especially the lyrics, I began to realize that the Wasteland was a metaphor for a frame of mind that I don't want to live in, but a world I feel myself drawn back into over and over again," Cobucci reveals. "I hate it. It's a world of empty promises. It's a mirage. A counterfeit."

The musicians carefully pieced together what would become Wasteland. Cobucci co-produced the 13-track body of work with Josh Gilbert of Spiritbox, while the band recorded in New Jersey, San Diego, and Los Angeles. This time around, they added multiple dimensions to their signature sound, layering intriguing interludes and electronic overtures into the framework.

WOLVES AT THE GATE ARE:
Steve Cobucci — Vocals/Guitar
Nick Detty — Vocals
Joey Alarcon — Guitar
Abishai Collingsworth — Drums
Ben Summers — Bass

Wolves at the Gate Drop "Synthetic Sun" Visualizer

Today, the band has shared the visualizer for second single "SYNTHETIC SUN." Watch it below.

"As a culture, we're trying to create our own morality, but can't do so without a true moral standard," says vocalist/guitarist Steve Cobucci. "Rather, we do this individually, which ends up creating chaos. We all fall prey to this mindset. Creating your own morality will cause you to block out any semblance of truth outside of yourself. If you metaphorically block out the actual sun and create a synthetic sun, it will result in a slow and fatal poisoning."

The song's poignant and extremely current lyrical lean is complemented by the sonic heft. Syncopated beats and synths anchor the song, which will take up real estate in your brain long after the song fades out.

Wolves At The Gate have quietly and naturally evolved since their emergence out of the Midwest in 2008. Their vision unfolded across albums such as Captors [2012], VxV [2014], Types & Shadows [2016], Eclipse [2019], and Eulogies [2022]. Blabbermouth rated the latter "9.0-out-of-10.0," while mxdwn summed it up as "powerfully moving." Along the way, the group tallied tens of millions of streams fueled by the likes of "Counterfeit," "Deadman," "Lowborn," "Peace That Starts The War," and more. Not to mention, they've performed alongside everyone from The Red Jumpsuit Apparatus and Red to Fit For A King, August Burns Red, and Born Of Osiris. In 2024, a core idea screamed out to guitarist Steve Cobucci, shaping the creative direction of the band's next evolution. It slowly, but surely seeped into the DNA of the music and his words.
 
"As I was working on the album and especially the lyrics, I began to realize that the Wasteland was a metaphor for a frame of mind that I don't want to live in, but a world I feel myself drawn back into over and over again," Cobucci reveals. "I hate it. It's a world of empty promises. It's a mirage. A counterfeit."

The musicians carefully pieced together what would become Wasteland. Cobucci co-produced the 13-track body of work with Josh Gilbert of Spiritbox, while the band recorded in New Jersey, San Diego, and Los Angeles. This time around, they added multiple dimensions to their signature sound, layering intriguing interludes and electronic overtures into the framework.

WOLVES AT THE GATE ARE:
Steve Cobucci — Vocals/Guitar
Nick Detty — Vocals
Joey Alarcon — Guitar
Abishai Collingsworth — Drums
Ben Summers — Bass

Wolves at the Gate Announce New Album "Wasteland" + Share "Parasite" Video

Wolves at the Gate are back with a brand new album. They will release Wasteland on May 30 via Solid State Records. Pre-order it here. 

The band has shared the video for the first single "Parasite." Watch it below.

The song is masterful mix of synths, screams, and stompy breakdowns, so basically everything you want in a metalcore song!

"Throughout the whole album, we are exploring different concepts through the lens of a broader narrative and story," says vocalist/guitarist Steve Cobucci. "With 'Parasite,' we wanted to write a song that explores the relationship between a parasite and its host. It's such a powerful metaphor for the way that we all relate with our own weaknesses, tendencies, and sin."

He continues, "There's a sense in which we hate the way that we continue to go back down the same dark paths, but we only walk those paths because there is something we want and something that we are getting out of it. We can say that we hate it as much as we want, but there is something enticing about it. It is a song essentially about the insanity of sin. The very thing that we crave is the very thing that hates us and wants to kill us. Chasing after sin is a bottomless pit. Always promising but never satisfying."
 
He finishes, "The chorus line captures that idea saying, 'And I died a million deaths to live.' That's the picture that I see of my own sinfulness. I chose to dive into things that I knew would result in a million deaths thinking that it would give me life and regardless of how many times I saw how shallow and empty it was, I still chased after it. This song is a lament of a reality that I know all too well. And so I wanted to write a song that would shine a bright light on it for me to remember that sin is an empty promise that leaves you hollow in the end. The same way a parasite feeds on you until you have no life left to give."

Wolves At The Gate have quietly and naturally evolved since their emergence out of the Midwest in 2008. Their vision unfolded across albums such as Captors [2012], VxV [2014], Types & Shadows [2016], Eclipse [2019], and Eulogies [2022]. Blabbermouth rated the latter "9.0-out-of-10.0," while mxdwn summed it up as "powerfully moving." Along the way, the group tallied tens of millions of streams fueled by the likes of "Counterfeit," "Deadman," "Lowborn," "Peace That Starts The War," and more. Not to mention, they've performed alongside everyone from The Red Jumpsuit Apparatus and Red to Fit For A King, August Burns Red, and Born Of Osiris. In 2024, a core idea screamed out to guitarist Steve Cobucci, shaping the creative direction of the band's next evolution. It slowly, but surely seeped into the DNA of the music and his words.
 
"As I was working on the album and especially the lyrics, I began to realize that the Wasteland was a metaphor for a frame of mind that I don't want to live in, but a world I feel myself drawn back into over and over again," Cobucci reveals. "I hate it. It's a world of empty promises. It's a mirage. A counterfeit."

The musicians carefully pieced together what would become Wasteland. Cobucci co-produced the 13-track body of work with Josh Gilbert of Spiritbox, while the band recorded in New Jersey, San Diego, and Los Angeles. This time around, they added multiple dimensions to their signature sound, layering intriguing interludes and electronic overtures into the framework.

WOLVES AT THE GATE ARE:
Steve Cobucci — Vocals/Guitar
Nick Detty — Vocals
Joey Alarcon — Guitar
Abishai Collingsworth — Drums
Ben Summers — Bass

Wolves At the Gate Share Video for Cover of "Breaking the Habit"

LOST IN TRANSLATION COVERS ALBUM OUT SEPTEMBER 22 VIA SOLID STATE RECORDS

WOLVES AT THE GATE have shared the video for their cover of Linkin Park's "Breaking the Habit." Watch it below. 

The song appears on Lost In Translation, a full covers album. Lost In Translation arrives on September 22 via Solid State Records. Pre-order it here.

"There wasn’t much debate about covering a Linkin Park song because they all played a big role in our lives growing up," the band says. "The hard part was picking the right song that we could actually transform in a different way. The arrangement, sonic landscape, and lyrics of 'Breaking the Habit' ended up being something that connected with everybody unanimously. The genius of the original song is the utter simplicity of the components. The beat and dynamics of the song stay the same for almost the entire song, but at the same time still has so much movement.

"We tried to expand on that and add some more movement in the music to complement and accentuate the vocals. It was a bit of a debate to change the rhythmic elements of the song but doing things like breaking down the second verse became some of our favorite parts. The lyrics of the song were so easily relatable as we often feel the same need to express that type of frustration when faced with our own struggles. We hope our cover can express gratitude and love to Chester, his family, and the rest of LP."

ABOUT WATG:
Unrestricted by genre conventions and determined to raise the bar with each successive album, Wolves at the Gate deliver music and a message with a firm commitment to passion and authenticity. Tirelessly seeking out the light in seemingly overwhelming darkness, the Midwestern post-hardcore group balances soaring melodies with unrelenting metal and emotional heaviness. Eulogies arrives with confidence and forward motion born from reflection, introspection, and isolation.

The small-town Ohio-based five-piece band built the foundations for the album's 13 songs during the pandemic shutdown, shaping diverse tracks like "Shadows," "Peace That Starts The War," and "No Tomorrow" into stunning confessional epics. Wolves at the Gate's audience treasures each of the band's best-known songs for the emotional depth, passionate catharsis, and evocative power contained in them, as evidenced by the millions of streams for WATG anthems. These include "Counterfeit," "A Voice in the Violence," and "Drifter" (from 2019's Eclipse); "Asleep," "Flickering Flame," and "War in the Time of Peace" (from 2016's Types & Shadows); "Relief," and "The Bird and the Snake" (from 2014's VxV); "Dead Man," "The Harvest," and "Slaves" (from 2012's Captors), and "Heralds" (from 2011's We Are The Ones). 
 
WOLVES AT THE GATE ARE:
Steve Cobucci — Vocals/Guitar
Nick Detty — Vocals
Joey Alarcon — Guitar
Abishai Collingsworth — Drums
Ben Summers — Bass

Wolves At the Gate Announce "Lost In Translation" Covers Album + Share "Pardon Me"

WOLVES AT THE GATE ANNOUNCE LOST IN TRANSLATION COVERS ALBUM OUT SEPTEMBER 22 VIA SOLID STATE RECORDS

BAND SHARES COVER OF "PARDON ME"

Earlier this summer, WOLVES AT THE GATE shared their awesome cover of Twenty One Pilots' "Heathens."

They followed it up with their take on "Attack" by Thirty Seconds to Mars and then their version of "Stupid Deep" by Jon Bellion. 

Now, they have announced Lost In Translation, a full covers album featuring these three songs and several more...

...Like their version of Incubus' smash hit "Pardon Me."

Listen to the song and watch the visualizer below

Lost In Translation arrives on September 22 via Solid State Records. Pre-order it here.

"An obvious theme through these covers is the unique nature of each one of these artists, and Incubus is no exception," says vocalist/guitarist Steve Cobucci about the latest cover drop. "We all have memories of when we first heard the band and how inspiring their creativity is. Personally, I remember buying their Live at Red Rocks DVD that I watched more times than I can count. I just remember thinking about how incredible Brandon's singing was for an hour-and-a-half long set. I also couldn't believe how Mike was creating such incredible and huge sounds as the only guitar player."

He continues, "It's difficult to explain what Incubus sounds like because they are so unique. It's always a bold move as an artist to create something so distinct and original, but an incredible payoff when you have talented musicians like the guys in Incubus. Mike Einziger's guitar playing is just as incredible as Brandon Boyd's singing. Their artistry on the song made it both challenging and exciting to run with. Tracking this song was fun because we all got to do things musically that we haven't explored much with our own music. The intricate vocals on the verse, the chop and stop drum beat, and powerful chorus were elements that we enjoyed recreating and interpreting."

ABOUT WATG:
Unrestricted by genre conventions and determined to raise the bar with each successive album, Wolves at the Gate deliver music and a message with a firm commitment to passion and authenticity. Tirelessly seeking out the light in seemingly overwhelming darkness, the Midwestern post-hardcore group balances soaring melodies with unrelenting metal and emotional heaviness. Eulogies arrives with confidence and forward motion born from reflection, introspection, and isolation.

The small-town Ohio-based five-piece band built the foundations for the album's 13 songs during the pandemic shutdown, shaping diverse tracks like "Shadows," "Peace That Starts The War," and "No Tomorrow" into stunning confessional epics. Wolves at the Gate's audience treasures each of the band's best-known songs for the emotional depth, passionate catharsis, and evocative power contained in them, as evidenced by the millions of streams for WATG anthems. These include "Counterfeit," "A Voice in the Violence," and "Drifter" (from 2019's Eclipse); "Asleep," "Flickering Flame," and "War in the Time of Peace" (from 2016's Types & Shadows); "Relief," and "The Bird and the Snake" (from 2014's VxV); "Dead Man," "The Harvest," and "Slaves" (from 2012's Captors), and "Heralds" (from 2011's We Are The Ones). 
 
WOLVES AT THE GATE ARE:
Steve Cobucci — Vocals/Guitar
Nick Detty — Vocals
Joey Alarcon — Guitar
Abishai Collingsworth — Drums
Ben Summers — Bass

Wolves at the Gate Share Cover Twenty One Pilots "Heathens" — WATCH + LISTEN

WOLVES AT THE GATE have shared their awesome cover of Twenty One Pilots' "Heathens."

Watch the visualizer below. 

It may seem like a surprising choice of song to cover, but the band has a powerful connection to the track on several levels.

"Long before we ever got signed, we played a VFW show with Twenty One Pilots," says vocalist/guitarist Steve Cobucci. "We were just local Columbus, Ohio bands trying to get out there and make some fans. They definitely did not fit the rest of the bill, but they were undeniably unique."

He continues, "Fast forward years later and their incredible gifts are being seen and appreciated globally. Something they do so well is expressing dark and somber moods in their music without sacrificing memorability and melody. 'Heathens' has a really cool arrangement that allows the listener to experience the chorus in a few different ways throughout the song. The dynamics of the song left an open landscape for us to put our own fingerprint on it."

He finishes, "As well, the lyrics carried a very relatable sentiment that could be seen and interpreted on a few different levels. The way that we saw the lyrics was telling people to be careful about judging each other. To understand the uniformity that we are all the same. Appearances can be deceptive in how we perceive each other, but at the core, everyone has their own struggles, brokenness, and demons. It's actually a pretty powerful call for empathy that we really connected with."

Love this cover?

Stay tuned for more sonic interpretations from WATG...

ABOUT WATG:
Unrestricted by genre conventions and determined to raise the bar with each successive album, Wolves at the Gate deliver music and a message with a firm commitment to passion and authenticity. Tirelessly seeking out the light in seemingly overwhelming darkness, the Midwestern post-hardcore group balances soaring melodies with unrelenting metal and emotional heaviness. Eulogies arrives with confidence and forward motion born from reflection, introspection, and isolation.

The small-town Ohio-based five-piece band built the foundations for the album's 13 songs during the pandemic shutdown, shaping diverse tracks like "Shadows," "Peace That Starts The War," and "No Tomorrow" into stunning confessional epics. Wolves at the Gate's audience treasures each of the band's best-known songs for the emotional depth, passionate catharsis, and evocative power contained in them, as evidenced by the millions of streams for WATG anthems. These include "Counterfeit," "A Voice in the Violence," and "Drifter" (from 2019's Eclipse); "Asleep," "Flickering Flame," and "War in the Time of Peace" (from 2016's Types & Shadows); "Relief," and "The Bird and the Snake" (from 2014's VxV); "Dead Man," "The Harvest," and "Slaves" (from 2012's Captors), and "Heralds" (from 2011's We Are The Ones). 
 
WOLVES AT THE GATE ARE:
Steve Cobucci — Vocals/Guitar
Nick Detty — Vocals
Joey Alarcon — Guitar
Abishai Collingsworth — Drums
Ben Summers — Bass