ADHD MAKES DEBUT AT STAGECOACH’S “DIPLO’S HONKYTONK STAGE”

Sunday marked the conclusion of Stagecoach and the third consecutive weekend of festivals in Indio. Despite the long run of events, the standing-room-only crowd at “Diplo’s Honkytonk Stage” was a testament to the broad appeal of new DJ duo, ADHD. The hour-long performance that kicked-off with their own mix of “Thinkin’ Bout Me” highlighted the unique sensibilities of Nashville-based songwriters Ashley Gorley and Jesse Frasure, imparting a sense that their hit-filled set could have easily fit any night of the festival circuit.
 
For the two hitmakers who’ve charted new territory sonically their entire careers, this DJing duo is a way to get back to their roots while revisiting and reimagining mixes across their vast songwriting catalogs.
 
“That might have been the most fun I’ve ever had in 25 years in the music business,” Frasure shares, still on a high from Sunday’s debut. “Super grateful to be able to take our concept of a DJ set predominantly filled with hits we’ve written and debut it for the perfect EDM and Country loving crowd in Diplo’s Honkytonk at Stagecoach.
 
“I think the crowd appreciated hearing original remixes of songs they loved from the songwriters themselves because we saw an overflowing tent dancing to a DJ duo they’ve never heard of,” Frasure continues. “Big thanks to The Neal Agency and Golden Voice for taking a chance on our vision. We can’t wait for the next one!”
 
“Our love for music each began with DJing, so it’s a full circle moment to be able to remix and play the crowd new versions of the hits we’ve written,” Gorley reflects. “It’s been fun to shake things up, to challenge and fuel our creativity in a new way outside of the writing room. The energy in the tent was incredible and we had a blast. Thank you to all the fans who showed up!”
 
ADHD was born in 2018 when Gorley and Frasure were on the road together for Thomas Rhett’s Life Changes Tour and DJed before the country singer went on stage. They went on to perform at parties and open for artists like Lil Wayne, Drake, Nicki Minaj and other country tours, before officially signing with The Neal Agency for representation.
 
As individual composers, Gorley and Frasure have been recognized by the Recording Academy with multiple nominations and have won ACM, CMA, ASCAP and BMI awards. Gorley was recently inducted into the National Songwriters Hall of Fame. Follow along online at @adhd_officialDJs.

Photo Credit: Demian Becerra

LAINEY WILSON HEADLINES STAGECOACH

6x ACM, 12x CMA and Grammy Award-winner Lainey Wilson headlined Stagecoach this past weekend with an electric set featuring special guests Little Big Town and Riley Green. Of the performance, Billboard praised, “Wilson gave off true headliner energy…[her] vocals were strong and commanding, while her effervescent charisma was on full display,” while the Los Angeles Times called it “a tight, punchy showcase of the riff-heavy country-rock that’s made her one of Nashville’s biggest stars.”

In celebration of the milestone, Wilson will release a new EP, Lainey Wilson (Amazon Music presents: Live from Stagecoach 2026), this Friday, May 1, with six tracks from her set: “Can’t Sit Still,” “Wildflowers and Wild Horses,” “Good Horses,” “Road Runner,” “Things A Man Oughta Know” and “Watermelon Moonshine.” Pre-order/pre-save HERE.  

The Stagecoach performance continues a non-stop year for Wilson, who is the subject of a new in-depth Netflix documentary, Lainey Wilson: Keepin’ Country Cool (watch HERE), recently collaborated with Miley Cyrus for a new version of Cyrus’ song, “Younger You,” and is nominated for seven awards at the upcoming ACM Awards: Entertainer of the Year (following two consecutive wins in the category), Female Artist of the Year, Song of the Year (“Somewhere Over Laredo,” as artist and songwriter), Single of the Year (“Somewhere Over Laredo”), Music Event of the Year (“Trailblazer” with Reba McEntire and Miranda Lambert) and Visual Media of the Year (“Somewhere Over Laredo”). 

Wilson recently made her film acting debut in Universal’s adaptation of Colleen Hoover’s Reminders of Him, was selected as one of USA Today’s 2026 Women of the Year, featured on the cover of People Magazine and released her new song, “Can’t Sit Still.” Written by Wilson, Trannie Anderson, Aslan Freeman and Dallas Wilson, “Can’t Sit Still” is a snapshot of Wilson’s life as an unstoppable global superstar. Continuing to receive widespread attention, Billboard calls it “a rollicking stomp of a song where the frenetic music perfectly matches the driving lyrics,” while iHeartRadio declares, “[it] captures Wilson’s free-spirited, yet driven and hard-working character.”

“The reigning current standard-bearer for women in country” (Variety), Wilson hosted the 59th CMA Awards (the first solo female host since Reba McEntire in 1991) last fall, where she also won three awards: Entertainer of the Year, Female Vocalist of the Year and Album of the Year (Whirlwind). She also released the deluxe version of her acclaimed album, Whirlwind, in August, which features five additional tracks, including her #1 single, “Somewhere Over Laredo.”

The Grand Ole Opry member is a prolific, sought-after songwriter, who has scored nine #1 hits including “4x4xU,” “Wildflowers And Wild Horses,” the 3x PLATINUM certified “Watermelon Moonshine” and the 4x PLATINUM Certified “Heart Like A Truck,” in addition to award-winning collaborations with Cole Swindell (“Never Say Never”), Jelly Roll (“Save Me”) and HARDY (“wait in the truck”). Moreover, Wilson has collaborated with artists such as Reba McEntire, Miranda Lambert, Dolly Parton and Post Malone, made her acting debut in Paramount’s hit television series, “Yellowstone,” and recently launched her fifth collection with Wrangler, as well as her own boot (Golden West Boots) and jewelry lines (The Lainey Wilson Jewelry Collection). 

Photo Credit: Erick Frost

LAINEY WILSON CONFIRMED TOUR DATES

May 1—New Orleans, LA—New Orleans Jazz & Heritage Festival
May 23—Nashville, TN—Nissan Stadium*
June 13—Tampa, FL—Raymond James Stadium*
June 20—Charlotte, NC—Bank of America Stadium*
June 28—Calgary, AB—Country Thunder Alberta
July 10—Chicago, IL—Windy City Smokeout
July 12—Craven, SK—Country Thunder Saskatchewan
August 1—Cincinnati, OH—Paycor Stadium*
August 6—Detroit Lakes, MN—WE Fest
August 7—Oshkosh, WI—Xroads41
August 8—Detroit, MI—Ford Field*
August 9—Canton, OH—Concert for Legends
August 12—Sturgis, SD—The Sturgis Buffalo Chip
August 15—Springfield, IL—Illinois State Fair
August 16—Des Moines, IA—Iowa State Fair
August 21—Atlanta, GA—Mercedes-Benz Stadium*
October 2—Ocean City, MD—Country Calling Festival
*with Chris Stapleton

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Miranda Lambert Debuts "Wranglers" at Stagecoach; New Music Coming

For Miranda Lambert, who values music above all, her triumphant set at Stagecoach on Saturday night was one big celebration, complete with Reba surprising the crowd for a three-song finale that included "Mama's Broken Heart," "Fancy" and "Gunpowder & Lead." Having wrapped her 48-date Las Vegas residency, the show put her back amongst hardcore fans. It was also the celebration of both her new record deal with Republic Records and getting serious about her Big Loud Texas label.
 
Given Lambert’s penchant for bringing the fans into her newest music, the three-time Grammy winner and most-awarded artist in Academy of Country Music history thought the polo grounds in the California desert was the perfect place to debut her newest creation. Recorded in Austin, Texas with frequent collaborator and co-producer Jon Randall, “Wranglers” is a hard-won freedom song for a woman reckoning with a man who just doesn’t value what he’s got.
 
Written by Audra Mae, who sings on the track, Evan McKeever, and Ryan Carpenter, “Wranglers” opens with a tangle of brittle, incendiary guitars from Jedd Hughes and Ethan Ballinger as ambient organ steam from Austin legend Bukka Allen rises. The rhythm section works a foreboding reality: Rachel Loy’s bass lumbers across Conrad Choucroun’s sticks-on-the-rims drum part and Lambert’s siren’s cry cuts through the mix. Heavy, but not gratuitous, there’s a foreboding to the track that pulls you in, a tension that holds the listener as Lambert half coos, half sings the kind of song that has defined her career, “Hell hath no fury like a woman scorned/ When the knock down drag out’s over/ And Lord knows she took one too many...”
 
When Lambert dropped the Crazy Horse-evoking track on the sold-out Saturday night Stagecoach crowd, the yowls and howls were pronounced as the entire crowd swayed. Fists in the air, it may have been unfamiliar, but they were hanging on every word and riding the drama like any of Lambert’s taking care of business anthems.
 
“‘Wranglers’ is a classic tale of a woman taking her power back,” Lambert says of the sizzling post-Outlaw classic. “I think we can all identify with the character in this song, because we have all had a time in our life where we needed to find our strength, and also get a little revenge on someone who did us wrong or hurt us. This offers such a cool, raging take on how something like this unravels. I think the songwriters nailed it. 
 
“I am so proud to sing it. It feels like it could have been on the same record as ‘Gunpowder & Lead’ in a lot of ways. Hell hath no fury like a woman scorned is a pretty powerful statement, and the way it’s written, you can tell, we’re not kidding.”
 
For Lambert, who's spent the last few years stretching her creative muscles with the Wanda June Home line, the New York Times’ best-seller "Y'all Eat Yet?", her Vegas residency and launching a new label dedicated to protecting young talent from her home state from the over-homogenization of major label life, “Wranglers” in some ways represents burning down the past and making a run for all things you truly want. Certainly making music in new ways, including taking her high octane kick-ass country back to Texas to capture that energy on the recording studio floor.
 
“People don’t always know what it is, they just know they want some more,” she marvels. “It’s not that it’s so fancy or top secret, because it’s about as basic as you get. But that’s the magic: to strip things down like this and still create something new? Less is more, but it forces you to turn up the truth. So, get ready.”
 
“Wranglers” is available everywhere May 3. 

Eric Church’s Soulful Set at Stagecoach

In what he calls “the most ambitious set of his career,” Eric Church surprised Stagecoach’s Friday night crowd with a disruptive, unexpected performance.

His seventh time playing the festival – and fifth time headlining – he took the sold-out crowd back to the foundation of where it all started for him musically. With an acoustic guitar and a 16-person choir that included longtime collaborator Joanna Cotten, the 75-minute non-stop Gospel-influenced set opened with "Hallelujah” and included covers “Take Me To The River,” “Stand By Me,” “Danny’s Song” and “Gin and Juice” threaded with tones of Mr. Misunderstood’s “Mistress Named Music” and Heart & Soul’s “Heart On Fire” throughout creating a full-fledged Outsiders revival, only to be concluded by his band rising from beneath the stage to join on the final few songs.

“This was the most difficult set I have ever attempted,” Church admits. “I've always found that taking it back to where it started, back to chasing who Bob Seger loves, who Springsteen loves, who Willie Nelson loves, you chase it back to the origin. The origin of all that is still the purest form of it. And we don't do that as much anymore. It felt good at this moment to go back, take a choir and do that.”

On the boundary-pushing set, Church adds, “For me, it's always been something with records, with performances, I've always been the one that's like, ‘let's do something really, really strange and weird and take a chance.’ Sometimes it doesn't work, but it's okay if you're living on that edge, because that edge, that cutting edge, is where all the new guys are going to gravitate to anyway. So if you can always challenge yourself that way, it always cuts sharper than any other edge.”

Eric Church performs at Stagecoach in Indio, California on Friday, April 26, 2024. ⎸ Photo Credit: Getty Images for Stagecoach 

About Eric Church
A seven-time ACM Award winner, four-time CMA Award winner (including the 2020 award for Entertainer of the Year) and 10-time GRAMMY nominee, Church has amassed a passionate fan base around the globe known as the Church Choir, plus a critically acclaimed catalog of music. Church is currently working on new music as the follow up to his most recent chart-topping project, the Heart & Soul triple album, which featured the results of a marathon session during which he spent nearly a month writing and recording a song per day while sequestered in rural North Carolina. This followed his Gold-certified Desperate Man, which earned a GRAMMY nomination for Best Country Album (his third nod in the category) and prior releases including the Platinum-certified Sinners Like Me (“How ’Bout You,” “Guys Like Me”), Carolina (“Smoke a Little Smoke,” “Love Your Love the Most”) and Mr. Misunderstood (“Record Year,” “Round Here Buzz”), the Double-Platinum certified The Outsiders (“Like a Wrecking Ball,” “Talladega”) and the 3x Platinum-certified Chief (“Springsteen,” “Drink In My Hand”), as well as 30 Gold, Platinum and multi-Platinum certified songs. Church is also a minority owner of the Charlotte Hornets, a co-owner of the iconic Field & Stream brand, has his own SiriusXM music channel, “Eric Church Outsiders Radio,” his own liquor offering, Whiskey JYPSI, and Chief’s, a six-story venue on Nashville’s famed lower Broadway.

For more information, visit www.ericchurch.com and follow on Facebook and Twitter/X @ericchurch and Instagram @ericchurchmusic.