Spawn of Possession Are Reborn on "Retromorphosis"

February 5, 2025

Eight years ago, the underground lost a unique leader when Spawn of Possession crawled into their hallowed crypt. Foul-mouthed disciples still utter the name SoP with reverence, but while others tried to crack the band's forbidden cabinet, these accursed innovators were secretly festering in their grave, plotting to return and haunt the world of extreme metal once more.

Now, the undead masses can finally rejoice. Thanks to a healthy kick from their decrepit new drummer, Spawn of Possession has been reborn as Retromorphosis. With their debut album, this new band of freakish players emerge with the missing link in technical death metal's evolutionary chain. The latest mutation off Psalmus Mortis is a living testament to their ungodly strength.

Listen to "Retromorphosis" below:

Psalmus Mortis comes out February 21 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/retromorphosispsalmusmortis

"Retromorphosis" upholds the heretical traditions hammered down by the band's forefather. After all, Spawn of Possession also had a song named after them on their deviant debut. "If you're going to have a song with the same name as your band, then it has to appear on your first album", says Jonas Bryssling, who started Retromorphosis during the pandemic after his pick hand was once again bit by death metal's radioactive songwriting bug.

Put under the microscope and the band's new single does share SoP's unreplicable DNA. Christian Muenzner zips through not one, not two, but three guitar solos, each one packed with more technically innovative twists than a triple helix. No matter which way their tales leave you tossing and turning in the dead of night, all of the songs on Psalmus Mortis spiral into madness, but on "Retromorphosis", Dennis Röndum growls like a man freshly possessed by the devil on his massive shoulders. "I'm the one / chosen son / gifted and reborn".

While marked by their beastly signature skills, Psalmus Mortis adds more raw edge to the mix. The album was produced by fellow Swede Magnus Sedenberg, who's been the band's preferred death dealer since Spawn of Possession's first two demos. But Retromorphosis scrapes away all of the studio polish that's become fashionable even in today's underground. As shown by his latest bass playthrough, Erlend Casperson can groove along the same brain waves as the most high-minded shredders, but his tone on their new single reeks of the gutter.

"I prefer my death metal to sound ugly and mean", Bryssling says with a satisfied grin.

More muscular face pounding isn't Retromorphosis only hideous mutation. As Bryssling rips into chunky riffs with the unsavory appetite of an old-school cannibal, ex-Decrepit Birth drummer K.C. Howard beats you senseless with rabid blasts and pounding double bass. But while less techy, Psalmus Mortis does experiment with some unconventional instruments of torture. "All I hear is voice of God / it never leaves me", Röndum declares in depraved glory, backed by sinister organ glows and a choir of angels who raise their voices as if condemned to the depths of hell.

“We had rules in Spawn of Possession”, Bryssling explains when asked what separates Retromorphosis from his earlier offspring. “Everything had to always be so intense. Retromorphosis is more free. Psalmus Mortis can be eerie, doomy or even quite simple”.

Can't wait to hear the gloriously grotesque new album from Retromorphosis? Hear all of Psalmus Mortis during tomorrow's Bandcamp Listening Party.

Retromorphosis Psalmus Mortis Bandcamp Listening Party

Thursday, February 6 @ 1 pm Eastern Time / 7 pm Central European Time.

RSVP
https://retromorphosisofficial.bandcamp.com/live/psalmus-mortis-

Ask Bryssling to identify what separates this new baby from their first born and the answer is, in fact, quite simple."Retromorphosis is more free". Put the song that bears their name under the microscope and feast your eyes on everything this band are capable of: non-stop blasting, brain-bursting bass fills, solos that would fry a supercomputer and pure unholiness. “I’m the one / chosen son / gifted and reborn”.

With Psalmus Mortis, technical death metal’s chosen ones rise from the grave.

Recording Studio:
Pama Records AB, Kristianopel, Sweden
Sharkbite Studios, Oakland, CA, United States

Production Credits:
Produced, Mixed & Mastered by Magnus Sedenberg at Pama Records AB, Kristianopel, Sweden

Cover Art:
Arif Septian (Poisondust)

Booking information
retromorphosis.contact@gmail.com

Pre-save & Pre-order
https://orcd.co/retromorphosispsalmusmortis

Available Formats

Digital Download
CD Digipack
12" Vinyl (Black)
12" Vinyl (Red and Black Marble)

Follow Retromorphosis
Spotify: https://open.spotify.com/artist/0fBVXSuBO4MlVPMmugfW7L?si=pzjuRGxDRCWvlSZtAETA-Q
Apple Music: https://music.apple.com/ua/artist/retromorphosis/1503268871
Bandcamp: https://retromorphosisofficial.bandcamp.com
Facebook: https://www.facebook.com/retromorphosis.swe
Instagram: https://www.instagram.com/retromorphosis_official/
YouTube: https://www.youtube.com/@Retromorphosis_Official

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Twitter: https://twitter.com/SeasonofMist

Retromorphosis Grow Ever More Twisted on "The Tree"

January 7, 2025

Even among the accursed crypts of death metal, true legends never stay buried.

Back in 2017, Spawn of Possession were lowered into the grave, leaving behind a swarm of influence. Many fellow demons have followed in their inexplicable wake. But after festering underground for much of the past decade, just last year, SoP respawned as Retromorphosis. In the process, they've unlocked the missing link in tech-death's evolutionary chain.

Today, Retromorphosis are ringing in 2025 with the second single off their upcoming debut album Psalmus Mortis. On "The Tree", this new band of proven killers turn an age-old tale into fresh cosmic horror thanks to some old-school tricks of the trade.

Watch the tale-twisting visualizer for "The Tree” below.

Psalmus Mortis comes out February 21 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/retromorphosispsalmusmortis

Last year, Jonas Bryssling and his old Spawn of Possession bandmates returned from the shadows on their screamer of a lead single "Vanished". But Retromorphosis are no apparition. True to its name, the second single from Psalmus Mortis towers above the field.

"The Tree" springs to life with the familiar crunch of Bryssling's filthy riffs. But the song quickly branches out into freshly rotted rhythmic offshoots. New transplant KC Howard (ex Decrepit Birth) shakes his drum kit with the shattering force of an earthquake. "I prefer my death metal to sound ugly and mean", Bryssling says with a satisfied grin.

For Psalmus Mortis, Retromorphosis reunited with fellow Swede Magnus Sedenberg, who's been their preferred engineer of death since Spawn of Possession's first two demos. But for their new album, they opted for more of the raw production that defined the scene during the early '90s. Though knotted with mind-bending leads and a splintering, white-hot solo that'll make you wonder if the band's dueling axemen have grown an extra ten fingers, "The Tree" is cold and unmoving thanks to Erlend Caspersen's bludgeoning bass grooves.

"There was no hesitation", Bryssling says about respawning with his old bandmates as Retromorphosis. "I don't have to tell them much. They know how it's done".

While less techy, Retromorphosis still delight in concocting freakish experiments. Just below the topsoil of the mix, a glowing bed of organ shrouds "The Tree" in an alien chill. "That's something old-school bands had", Bryssling says about the song's foreboding atmosphere. "I really like that. The organ is my favorite instrument. I just kept adding it to every song".

All of the tales within Psalmus Mortis are grim, but "The Tree" stems from a truly evil fantasy. "There's a theory that all human consciousness is connected like the nodes on a tree", Bryssling says. "This song is about a greedy man who tries to harvest that tree, only to ruin it". Everyone's heard the story of the Garden of Eden, but Retromorphosis have no mercy when it comes to enforcing eternal punishment. It ends with a sinister twist, but fans won't be surprised to learn that things turn out badly for the song's anti-hero. "Everything around him was dead", our gruesome narrator Dennis Röndum growls with maniacal laughter.

"We had rules in Spawn of Possession", Bryssling explains when asked what separates Retromorphosis from his earlier offspring. "Everything had to always be so intense. Retromorphosis is more free. Psalmus Mortis can be eerie, doomy or even quite simple".

The visualizer for "The Tree" was created by Titanforged Productions.

With Psalmus Mortis, technical death metal’s chosen ones rise from the grave.

Recording Studio:
Pama Records AB, Kristianopel, Sweden
Sharkbite Studios, Oakland, CA, United States

Production Credits:
Produced, Mixed & Mastered by Magnus Sedenberg at Pama Records AB, Kristianopel, Sweden

Cover Art:
Arif Septian (Poisondust)

Booking information
retromorphosis.contact@gmail.com

Pre-save & Pre-order
https://orcd.co/retromorphosispsalmusmortis

Available Formats

Retromorphosis Announce New Album 'Psalmus Mortis'

November 26, 2024

True legends never die, especially in death metal.

Having already reached unholy nirvana by their third album, in 2017, Spawn of Possession was put to rest. But like an especially pungent spore, the seeds of those most accursed influencers have been festering in their hallowed crypt, waiting to come alive and haunt the earth once again.

Such is the sordid backstory behind Retromorphosis. Jonas Bryssling and his Spawn of Possession bandmates have once again joined forces with ex-Obscura and Necrophagist guitarist Christian Muenzner. Only now, their proven chemistry explodes with even more deadly proficiency. They've added former Decrepit Birth drummer KC Howard to the equation, along with a few new, old-school bells and whistles.

With their first album, Retromorphosis emerge with the missing link in tech-death's evolutionary chain. Psalmus Mortis is almost a decade in the making, but its lead single "Vanished" shows that this band of fearsome players loom over metalheads' imaginations larger than ever.

Watch the haunting visualizer for "Vanished" Below:

Psalmus Mortis comes out February 21 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/retromorphosispsalmusmortis

Spawn of Possession had the final nail hammered into its coffin nearly a decade ago, but time has only accelerated the mutation of Retromorphosis. The first offering from Psalmus Mortis comes screaming out of the shadows before quickly settling in to a bone-crunching riff that reeks of the old school. "I prefer my death metal to sound ugly and mean", Bryssling says with a satisfied grin. "Vanished" was one of the first songs that Bryssling wrote after he hopped back on the death metal songwriting minotaur, but the band continued to tinker with album's lead single after the other eight tracks were smashed into shape.

"There was no hesitation", Bryssling says about respawning with his old bandmates as Retromorphosis. With "Vanished", it's not hard to see why. Muenzner's freakishly fast solos are not for the squeamish. At one point, Casperon's bass line breaks into a ghoulish bounce, whisking the songs cosmic body horror into the light. "Fading flesh, his skin turning translucent", Röndum roars with laughter. All of the tales on Psalmus Mortis will test your sanity, though this song officially opens the album with a tale that reads like a twisted mirror image of Dorian Gray.

"I don't have to tell them much", Bryssling continues. "They know how it's done".

So does their new drummer. "Everyone knows KC Howard is an insane talent", Bryssling says. Howard first etched his mark on the underground as the blistering heartbeat of Decrepit Birth. His non-stop pounding is the radioactive ooze that feeds Retromorphosis' frenzied nucleus. Even when "Vanished" slows to a crawl, his cymbal crashes and thunderous fills spell doom.

But Howard isn't the only new blood injected into Retromorphosis. Psalmus Mortis was produced by Magnus Sedenberg, who's been their Swedish engineer du jour dating back to SoP's first two demos. But while the band opted for more raw production, they fleshed out their technical arsenal with some unusual instruments of torture. Amidst all its unflinching punishment, "Vanished" is backlit by a ghostly choir and synths that glow like a portal into hell.

"We had rules in Spawn of Possession", Bryssling explains when asked what separates Retromorphosis from their first mutation. "Everything had to always be so intense. Retromorphosis is more free. Psalmus Mortis can be eerie, doomy, or even quite simple".

With "Vanished", one of the great legends of modern death metal reveal their gloriously grotesque new form.

The visualizer for "Vanished" was created by Riivata Visuals.

Lineup
Jonas Bryssling (Spawn of Possession) - Guitars
Dennis Röndum (Spawn of Possession) - Vocals
Christian Muenzner (Spawn of Possession, ex-Obscura and Necrophagist) - Guitars
Erlend Caspersen (Spawn of Possession, The Allseeing I, Abhorrent) - Bass
KC Howard (Odius Mortem, ex-Decrepit Birth)- Drums

Recording Studio:
Pama Records AB, Kristianopel, Sweden
Sharkbite Studios, Oakland, CA, United States

Production Credits:
Produced, Mixed & Mastered by Magnus Sedenberg at Pama Records AB, Kristianopel, Sweden

Cover Art:
Arif Septian (Poisondust)

Booking information
retromorphosis.contact@gmail.com

Pre-save & Pre-order
https://orcd.co/retromorphosispsalmusmortis

Available Formats

Digital Download
CD Digipack
12" Vinyl (Black)
12" Vinyl (Red and Black Marble)

Follow Retromorphosis
Spotify:https://open.spotify.com/artist/0fBVXSuBO4MlVPMmugfW7L?si=pzjuRGxDRCWvlSZtAETA-Q
Apple Music: https://music.apple.com/ua/artist/retromorphosis/1503268871
Bandcamp:https://retromorphosisofficial.bandcamp.com
Facebook:https://www.facebook.com/retromorphosis.swe
Instagram: https://www.instagram.com/retromorphosis_official/
YouTube: https://www.youtube.com/@Retromorphosis_Official