KT TUNSTALL CELEBRATES 20 YEARS OF MULTI MILLION SELLING DEBUT ALBUM WITH SPECIAL 20TH ANNIVERSARY RE-ISSUE OF ‘EYE TO THE TELESCOPE’ VIA BMG – OUT NOW

Multi-platinum, BRIT Award-winning and Grammy®-nominated artist KT Tunstall announces the 20th anniversary re-issue of her iconic debut album, Eye To The Telescope, due for release in exclusive collector’s edition vinyl and CD formats, featuring B-sides and exclusive live tracks, on October 31st, full track listing below. Included on the album and to mark this major milestone, fans will be treated to three previously unheard tracks: the title track "Eye To The Telescope," "Cancerian" and "Anything At All."

Originally released at the tail end of 2004, the Eye To The Telescope album catapulted Scottish Singer Songwriter KT Tunstall into the global spotlight, fuelled by an unforgettable live debut on Later… with Jools Holland - a career-defining moment that saw Tunstall seize a last-minute opportunity to fill in for rapper Nas, and perform with nothing but her guitar, loop pedal, and tambourine. Her performance of “Black Horse and the Cherry Tree” became instantly iconic, one of the first examples of a ‘viral moment’ and launched a record that features several hit singles, which was given its full push in 2005 on the back of that moment. The album contained several hits, including the massive “Suddenly I See” - a song that became inextricably linked to pop culture history with its full-length feature in the opening scene of The Devil Wears Prada, forever associating both the song and Tunstall with a ubiquitous zeitgeist moment.

 

Stream Eye To The Telescope 20th Anniversary re-issue here.

From her fearless solo looping to her emotive, genre-spanning songwriting, KT Tunstall has never been one to stand still creatively. Recipient of several awards, most recently the prestigious Ivor Novello Award for outstanding Song Collection, Tunstall has continued to tour the world and release eight critically acclaimed albums.

As many have pointed out, Tunstall is relatively rare example of a small but exclusive line of female singer songwriters, either from or adopted by this country, whose guitar playing, both acoustic and electric, is unapologetically front and centre; think Chrissie Hynde, PJ Harvey, and (Tunstall collaborator) Suzi Quatro.

A highlight of the anniversary re-release is the addition of three new songs, including current single "Cancerian," "Anything At All," as well as the title track "Eye To The Telescope." These songs were started during the original writing sessions and left unfinished until this year. These three new tracks were also released on October 24th as their own stand alone digital EP - The Stargazer EP, which contains the original versions as well as the “Still” acoustic versions. Speaking about the new songs and album title, Tunstall shares:

EYE TO THE TELESCOPE: “The title for my first album was inspired by the times when my physicist Dad, who had a spare set of keys for the Observatory at Andrew’s university, would randomly get us up in the middle of the night and bundle us into the car in our pajamas to go and look through the huge telescope to see the night sky; the Moon, Saturn, Halley’s comet, all of which completely blew my mind as a kid. When I decided to call the album ‘Eye to the Telescope’, I thought I’d have a go at writing a title track, but what I began writing was so delicate, and I felt that a title track of a first album surely had to be a banger, so I abandoned it. My label BMG encouraged me to finish the song for this special re-release, and it’s been such a thrill to complete something over 20 years in the making. Having the album’s original string arranger David Davidson add his gorgeous orchestration on it, as well as Shabaka’s magical wooden flute performance, feels like a cosmic full-circle moment.”

CANCERIAN: "After deciding on my first album title, it got me thinking about horoscopes and how we have always looked to the stars for guidance. "Cancerian" is written from that middle ground of awe and skepticism, and pokes some gentle fun at anyone being sure of how the future will turn out. It was a lot of fun to record an old song for the very first time, and I loved getting the chance to work with the truly excellent Producer and Mixer Robert Adam Stevenson on this track.”

 

ANYTHING AT ALL: “I wrote this song with Martin Terefe who also produced it. It’s a song about finding it impossible to communicate with someone you love. It is such a thrill to finally get "Anything At All" out into the world. I have adored this song since writing it in the early 2000’s - for almost every album I’ve made I’ve wondered if it could make the track listing. But I’m glad to have waited until now, as it feels like the perfect moment, a gift from my younger self. I got very emotional in the studio, singing backing vocals along to my 20 years younger self. A beautiful experience. When I listen to it now, it could almost be a message from this future me to my younger self during times of struggle.” 

The 20th anniversary re-issue of Eye to the Telescope is a heartfelt celebration of KT Tunstall’s enduring artistry, and a time capsule of the record that changed everything. The re-issue of the iconic debut album, Eye To the Telescope, “Stargazer Editions” are available physically today - full format/ tracklisting below. The Stargazer EP, containing three new songs, is also available digitally via BMG.

Stream Eye To The Telescope 20th Anniversary re-issue here.


For more information about the re-issue of Eye to the Telescope, visit kttunstall.com

Download Package Shots Here

Connect with KT Tunstall

Facebook- Twitter- Instagram- Spotify- Apple Music- YouTube

KT has toured and collaborated with a dizzying array of superb artists including The Pretenders, Simple Minds, Hall and Oates, Roger Daltrey and Barenaked Ladies. Her many awards include Inspirational Artist gong at the Women In Music Awards and most recently, earlier in 2024, a prestigious Ivor Novello Award for Outstanding Song Collection. 2025 saw her perform a collection of ‘Eye To The Telescope’ 20th Anniversary Shows, including a duo of electric gigs in Glasgow (Royal Concert Hall and Barrowlands) as part of Celtic Connections, as well as her own headline show at London’s iconic Royal Albert Hall on June 23rd - her 50th birthday. A star-studded celebration, the highly praised show featured special guest appearances from Sir Roger Daltrey, Jools Holland, Mel C, Natalie Imbruglia and Rick Astley. KT has also written the music for the acclaimed stage musical of classic 90’s movie “Clueless”, which opened in London’s West End in February 2025 and will tour next year as well as several other forthcoming theatre projects, to be announced.

 

KT Tunstall 2026 U.S. Tour Dates (with O.A.R and Gavin DeGraw)


November 12 – Tampa, FL @ Seminole Hard Rock Hotel & Casino Tampa
November 13 – Hollywood, FL @ Hard Rock Live  
November 14 – St. Augustine, FL @ The St. Augustine Amphitheatre  
November 15 – Orlando, FL @ Hard Rock Live Orlando  

Gilbert O’SullivanOne of the most revered singer-songwriters of his generation announces details of his new album: Driven

Produced by Andy Wright (Simply Red, Massive Attack, Simple Minds) and recorded with a live band at the legendary RAK studios,
featuring guests KT Tunstall and Mick Hucknall.

Watch the video to the first single, ‘Take Love’ – a duet with KT Tunstall: below.

“Alone Again (Naturally) and Nothing Rhymed are two of my favourite songs.
Great lyrics, great tunes.” – Paul Weller

“The ever brilliant…” – Tim Burgess (The Charlatans / Listening Party)

“Thank YOU for your beautiful music.” – Kim Wilde

“I am a massive fan.” – Chris Difford (Squeeze)

“If we’ve got to live by the charts alone, then let’s have Gilbert O’Sullivan in them.” – John Peel

“Songs [that] are artfully constructed, lyrically original with a fine sense of filigree detail.”
- Lenny Kaye

Today BMG release Take Love, the first single to be taken from Gilbert O’Sullivan’s twentieth studio album, Driven, out July 22nd. Take Love finds Gilbert and guest vocalist, Scottish singer-songwriter KT Tunstall trading lines over a sizzlingly energetic R&B arrangement.

Incredibly, fifty years have elapsed since Gilbert O’Sullivan found himself celebrating a six-week run at the top of the U.S. Billboard Chart with Alone Again Naturally – the song which prompted America to commence an improbable love affair with this Irish-born, yet most British of singer-songwriters. The song has been covered live by artists including Neil Diamond, Nina Simone, Pet Shop Boys and Elton John. It’s perhaps no surprise that ensuing generations of acclaimed artists – including Paul Weller, Squeeze and The Lemon Twigs – proudly count themselves as Gilbert O’Sullivan fans. Other notable admirers include Tim Burgess (The Charlatans), who personally invited him to host two of his legendary Twitter Listening Parties.

Gilbert’s new album Driven follows his acclaimed Ethan Johns-produced, self-titled 2018 album which was awarded 4-stars in MOJO magazine. The thirteen songs that comprise Driven reveal a songwriter whose ability to sniff out hitherto undiscovered sources of low-hanging melodic fruit is keener than ever. Produced by Andy Wright and recorded with a live band at the legendary RAK studios, the unexpected velocity at which the songs came together bears testament to the instant chemistry generated between O’Sullivan, Wright and a house band featuring Pat Murdoch (Beyonce, Simply Red, Chrissie Hynde), Rich Milner (Morcheeba, James Morrison) and Geoff Holdroyde (Take That, Big Linda).

This chemistry is present on album opener Love Casualty which features something close to JJ Cale in the interplay between Gilbert and Pat Murdoch’s supple guitar ornamentations. In addition to Gilbert’s duet with KT Tunstall, the album features another guest turn from big fan and Simply Red frontman Mick Hucknall. Mick brings his sublime timbre to Let Bygones Be Bygones, a song which offers a timely corrective to the increasingly polarised thinking that characterises discourse in a social media age.

Gilbert’s extraordinary ability for exploring the human condition is exemplified on Hey Man, which offers snapshots of decisive moments in the lives of four separate characters, who all have in common that things may never be the same again beyond these frozen moments in time.

On With Body and Mind, we’re presented an adhesively catchy audit of blessings which takes the form of an internal dialogue about its protagonist’s lifetime lover. More topical issues are explored in You and Me Babe, where Gilbert juxtaposes the things that make our lives meaningful against the turbulence of the world at large, with a subtle reference to climate change. Whilst, framed by an exquisitely tender string arrangement, If Only Love Had Ears is, by any metric, one of the most beautiful songs to bear O’Sullivan’s name.

Reflective songs come in the form of Let Me Know – and another instantly memorable standout on Driven – Blue Anchor Bay. The former recalls the first decade of Gilbert’s career, in which he resisted serious relationships for fear that it might have an effect on his songwriting. The latter, finds him reflecting upon simpler times, retreating to his teenage years in Swindon and the regular school trips which would see him and his friends head out to the Somerset beach immortalised in the song’s title. The result is the sort of sepia jazz standard one might sooner expect to find on an album by Leon Redbone or Mose Allison.

At its core, Driven is an album that offers a nuanced portrait man reaffirming his own values and sense of self in an increasingly chaotic world. Never a conventional songwriter, he perhaps conforms to the description of a British chansonnier, praised by none other than Lenny Kaye – rock scholar and guitarist with the Patti Smith Group – for “songs [that] are artfully constructed, lyrically original with a fine sense of filigree detail.” As with Paul McCartney and the young Harry Nilsson – two songwriters for whom he retains a huge fondness – Gilbert O’Sullivan’s reach extends beyond the parameters of rock’n’roll.
Driven will be available on:

Limited Edition Clear LP
Black LP
Digipak CD
Tape Cassette (D2C only)
Digital: SD, HD, UHD and immersive formats (Dolby Atmos and Sony 360)

Buy link: https://gilbertosullivan.lnk.to/drivenPR

NOTES
Gilbert O’Sullivan’s career has spanned 50 years. His first single proper Nothing Rhymed was released in 1970 and almost overnight it achieved Top 10 status In the UK charts. His debut album Himself was littered with the most perfect examples of his art and craftsmanship. Top 10 singles abounded, including the classic, Alone Again (Naturally). His second album, 1972’s Back To Front, firmly cemented Gilbert amongst the world’s best. This critically acclaimed album topped both the UK and US charts for an astonishing six weeks, earning him not one but three Grammy nominations.

British recognition soon followed with the songs Clair and Get Down reaching the summit of the UK singles charts and his LP Back To Front topping the album charts. In the same year at the 18th Ivor Novello Awards Gilbert was named ‘Song Writer of the Year’. To date he has won three Ivor Novello awards, and in recent times performed alongside artists including Ray Davies. He has also headlined Glastonbury (where he was once joined on stage by Squeeze’s Glenn Tilbrook), BBC Proms In The Park, toured extensively throughout the UK, Ireland, Europe, Japan and Australia.

His last album, 2018’s Gilbert O’Sullivan, was acclaimed across the UK media and achieved Gilbert’s highest UK Album Chart position in almost 45 years.

His legacy and influence has been acknowledged by a diverse range of artists, including: Paul Weller, Nina Simone, Neil Diamond, James Murphy (LCD Soundsystem), Ron Sexsmith, Har Mar Superstar, Mick Hucknall, Gary Barlow, Boy George, Rumer, The Lemon Twigs and Empire Of The Sun.

FOR MORE INFORMATION

http://www.gilbertosullivan.co.uk