CRIPPLED BLACK PHOENIX Streams New Album in Full

'Ellengæst' represents Crippled Black Phoenix's duality. At times, it is dark and melancholy, but also delivers progressive heaviness while maintaining an un...

Dark Progressive rock outfit CRIPPLED BLACK PHOENIX will be releasing the full-length 'Ellengæst' on October 9 via Season of Mist! The band is now streaming the record in its entirety ahead of Friday's release.

Several prominent guest vocalists lend their considerable talents to Ellengæst: ANATHEMA’s Vincent Cavanagh, GAAHLS WYRD’s Kristian “Gaahl” Espedal, COLISEUM/FOTOCRIME/one-time Crippled Black Phoenix touring bassist Ryan Patterson, up-and-coming U.K. solo artist Suzie Stapleton and TRIBULATION’s Jonathan Hultén. 

'Ellengæst' can be pre-ordered in various formats HERE.

The artwork for 'Ellengæst' was created by artist Thanasis Stratidakis (Erebus Art) and graphic designer Benedikt Demmer. It can be found below along with the tracklist.

“One thing we’ll never do is stick to the rules and stay within the box.” 

Such are the words from Crippled Black Phoenix founder, songwriter and guitarist Justin Greaves, who has guided this progressive, thought-provoking, shape-shifting musical collective since their 2004 formation. Their new effort, Ellengæst, follows a recent pattern of the band in releasing a mini-album in between studio LPs. It is the direct result of their ceaseless creativity — when Greaves has songs, Crippled Black Phoenix records them. Ellengæst has the difficult task of following 2018’s profound and moving Great Escape. Ellengæst, though, does not make any attempts in pairing with or succeeding Great Escape. Circumstances largely prevented it anyway. 

On the day tracking started for Ellengæst, Crippled Black Phoenix — completed by vocalist and lyricist Belinda Kordic, guitarist Andy Taylor and multi-instrumentalist Helen Stanley —suddenly, unexpectedly found themselves without a male lead vocalist and keyboardist. Whereas events of a similar thread would spell doom for most bands, Greaves took it as an opportunity to tap into his deep network of musician friends. Before he knew it, several prominent guest vocalists were secured, ready and able to lend their considerable talents to Ellengæst: Anathema’s Vincent Cavanagh, Gaahls Wyrd’s Kristian “Gaahl” Espedal, Coliseum/Fotocrime/one-time Crippled Black Phoenix touring bassist Ryan Patterson, up-and-coming U.K. solo artist Suzie Stapleton and Tribulation’s Jonathan Hultén. 

“It all came together really easy, to be honest,” says Greaves. “Because we’re working with people that you’ve got a connection where you see things the same way or you wouldn’t get along as friends. When it comes from an artistic standpoint, we’re already on the same page. It all just weirdly worked out. It’s not like I had to go out and think, ‘Okay, who do I know that could sing on this song that sounds like this?’ It was just like, ‘I’ve got a bunch of songs that we’ve always talked about doing something with. Which song would this singer suit?’” 

Ellengæst, which in Olde English - with some scandinavian connection -  translates as “strong spirit” and another reference as “mischievous demon”,represents Crippled Black Phoenix’s duality. “It comes from the same place, but with different connotations,” says Greaves. “That’s this band in a nutshell. We’ve had to stay strong because of all the BS we’ve encountered, yet we’re still going and subversive. It’s like we’re giving kids candy with razor blades in them.” 

Tackling themes of the human condition and the perpetual internal struggles people face, Ellengæst begins with Cavanagh pairing with Kordic on “House of Fools” and “Lost,” the two switching lead vocal responsibilities for each song. Gaahl’s appearance on “In the Night” was born from his long-standing relationship with Greaves, the two men grew close after countless late tour nights in hotel rooms chatting the evening away. Gaahl, whose vocal exploits are often limited to black metal circles, was given “In the Night” because Greaves thought he could do something unique with the track. 

“He doesn’t do these sorts of things; he doesn’t collaborate very often, if at all,” he says. “Kristian confessed to me that this is the first time he’s done something like this. When he sent me the files, he then called me up and asked if it was okay. He explained, ‘I did it in a spoken word because the song is stoic and melancholy.’ He hit the nail right on the head. Then you have Belinda doing her angelic vocals over it. You have the light and the dark represented.”   

Patterson and Stapleton blend seamlessly on the momentous “Cry of Love,” while Kordic casts yet another heart-rendering vocal spell across “Everything I Say.” Yet another surprise comes in the form of Hultén’s trance-inducing, but soaring performance on “The Invisible Past.” A cover of Bauhaus’s “She’s in Parties” sung by Kordic rounds out the set. 

Crippled Black Phoenix are no strangers to adversity, making the events surrounding the creation of Ellengæst yet another roadblock for a band whose very existence has been threatened on more than a few occasions. Their unique setup and stubborn refusal to bow to musical norms may confuse the casual music consumer. However, the core of Crippled Black Phoenix — Greaves, Kordic, Taylor and Stanley — thrives on the unconventional, remaining steadfastly singular and undefinable. Accordingly, Greaves believes this incarnation of Crippled Black Phoenix is the strongest to date. All it took was another dramatic sea-change to prove it. 

“This was the best thing that could have happened to us,” he says. “Before, there was this horrible cloud of drama following us. There was always something going on. Once that had gone and the people who were on the outside of the band who were a part of that, once they had gone and the drama had gone, me and Helen found ourselves tracking in the studio in the first session. We just got on with it; we didn’t think twice. In the second session, we just felt liberated. We just knew, ‘This is going to be great.’ We’re all so excited about the possibilities. It feels like we’re rejuvenated.”

Style: Dark RockLine-up:

Justin Greaves - Guitars, Drums, Bass, Samples, Saw.
Belinda Kordic - Vocals, Percussion
Helen Stanley - Grand Piano, Synthesisers, Trumpet
Andy Taylor - Guitar

Recording line-up for 'Ellengæst':
Justin Greaves
Belinda Kordic
Helen Stanley
Andy Taylor
Ben Wilsker
Rob Al-Issa

Friends & Guests
'House Of Fools' - Vincent (lead vocals) with Belinda (backing vocals) 
'Lost' - Belinda (lead vocals) with Vincent (backing vocals)
'In The Night' - Gaahl and Belinda (duet)
'Cry Of Love' - Ryan (lead vocals) with Suzie (backing vocals) 
'Everything I Say' - Belinda (vocals) 
'The Invisible Past' - Jonathan (vocals) 
'She’s In Parties' - Belinda (vocals), Suzie (Guitar) 

Studio: Recorded at Chapel Studio, Lincolnshire (UK)
Producer/sound engineer: Produced by Justin Greaves & Karl Daniel Lidén 
Mixed/Mastered: by Karl Daniel Lidén, Stockholm (SE)

Cover art
Thanasis Stratidakis - Erebus Art –
Graphic designer Benedikt Demmer

Bio: David E. Gehlke

For more on CRIPPLED BLACK PHOENIX, visit the band's official FACEBOOKINSTAGRAMBANDCAMP, and TWITTER.

OBSIDIAN KINGDOM Streams Entire New Album

Barcelona's experimental rockers OBSIDIAN KINGDOM have partnered with Prog Magazine to stream their new album, 'MEAT MACHINE,' ahead of tomorrow's release! 

The album can still be ordered HERE

The band comments: "The moment of truth has come! We wrote 'MEAT MACHINE' to find something within ourselves, but we did it for you. Not because we wanted to show you our insides, but rather to encourage you to undertake the same adventure. It is violent and disturbing, like cutting open a living thing; and also messy and painful, because we had to make up our surgical tools on the go. The results of the autopsy are thrilling, baffling and somewhat beautiful. Putting this together took a great deal of effort and suffering, and our trip wasn’t always funny. But we believe it was worth it, regardless of the outcome. So did we lose the plot, or have we discovered something new and exciting? Ride the machine and find out! "

'MEAT MACHINE' is a harsh sonic journey, abject and stentorian like a love letter from a school shooter. The perverse album is a rough drop into a nightmarish world of forbidden desires, frustrated sexual urges and the dark realms of the subconscious mind. The album art and track list can be found below.

Pre-orders for 'MEAT MACHINE' are now live HERE.

The cover artwork was created by Ritxi Ostáriz And Elena Gallén 

Style: Experimental Rock / Post-Metal

RIYL: Scott Walker, Ulver, Deftones, Death Grips, Daughters, Nine Inch Nails, Faith No More

“Proof that some of the best music does indeed elude easy classification" - POPMATTERS

OBSIDIAN KINGDOM is devoted to exploring the boundaries of rock music. The Barcelonan band defies classification to this very day, drawing equally on progressive rock, post-metal, alternative and electronic music. However hard to pigeonhole, it remains consistent with delivering exciting artistry that never fails to surprise its audience.

Forever on a restless journey to find its true identity, the quintet has been dubbed “the masters of every genre” by Metal Injection. Featuring a heavy and intense sound with plenty of contrast, its main features are the ability to portray a wide range of emotions through the use of multiple sonic resources, a deep interest in aesthetics and the sombre quality of the lyrical topics.

‘MEAT MACHINE’ is an exercise in self-discovery, through a head-first plunge into the anxiety derived from sexual frustration, the absurd of reality and the inherent cruelty of a mechanized world. It is a demanding album that reads as an emotional roller-coaster, featuring an abrasive and overwhelming sound that draws equally from noise and art rock, post metal and late 90s alternative music.

 
Line-up
Rider G Omega: Guitars, Vocals
Ojete Mordaza Ii: Drums, Beats
Om Rex Orale: Bass
Viral Vector Lips: Guitars, Vocals
Jade Riot Cul: Keyboards, Synths
 
Recording Studio & Sound Engineers: Recorded and mixed at Ax Studios and Cal Pau Recordings in Barcelona during the summer of 2019
 
Producer/Sound engineer: Produced by Jorge Mur. Co-produced by Mr Ax and Obsidian Kingdom
 
Mixing: by Jorge Mur at Ax Studios

Mastering: by Magnus Lindberg at Redmont Studios in Stockholm (SE)
 
Guest Musician:
Jr Morgue - Microwave Sounds (‘Womb Of Wire’) And Bowed Guitars (‘A Foe’)
 
Cover art: Ritxi Ostáriz And Elena Gallén

Pre-saleshttp://redirect.season-of-mist.com/OKMeatMachine
 
Available formats: 
CD 
Digital
Double Gatefold Vinyl in various colours

For more on OBSIDIAN KINGDOM, please visit the band's official WEBSITEFACEBOOKINSTAGRAMYOUTUBE, and BANDCAMP.

Helfró Stream Entire Debut Album via Black Metal Promotion

Icelandic black metal duo HELFRÓ are now premiering their self-titled debut album in full via Black Metal Promotion. The entire record can be heard ahead of this Friday's release.

HELFRÓ comment: "At last! Let the forlorn discordance wash over the world! Proudly we release the grip on these mad melodies. As a journey comes to an end, another one begins. We present; Helfró."

The record will be released digitally via Season of Mist Underground Activists this Friday, April 24, via the Season of Mist e-shop and Bandcamp. The album will be physically available on June 5. The record can be ordered HERE.

Slithering in the cauldron that is the Icelandic black metal scene, HELFRÓ emerges with fury and competence rarely seen.

Written by Ragnar and arranged by Símon, a debut album has been recorded with unforgiving precision and profound musicianship. It is meant to channel the hopeless and empty feelings that have been concentrated from the frozen wastelands from which the band emerges.

Shrilling guitarwork and unforgiving blast beats weave together a soundscape that rarely leaves room for thought. It is an aural attack, seducing the listener to the barren and desolate black sands where the realization of futility and loneliness sets in heavier than anywhere else.

The band members, veterans in extreme music, have created this project as an audio representation of the endless arctic darkness, and with pride present the self titled first offering: „Helfró“.

Genre: Black metal


Line-up:
Ragnar S: Composition, drums, vocals.
Símon Þ: Arrangements, guitars, bass, vocals.

Recording line-up: 
Ragnar S: Drums, Vocals
Simon Þ: Guitars, Bass, Vocals
Gísli S: Clean Vocals

Recording studio: Studio Emissary

Producer / sound engineer: Stephen Lockhart / Simon Þ.

Mixing studio and engineer: Stephen Lockhart

Mastering studio and engineer: Stephen Lockhart

Pre-orders: https://redirect.season-of-mist.com/helfro-helfro

For more on HELFRÓ, visit the band's official FACEBOOKBANDCAMP, and INSTAGRAM.