Irish electronic duo Telefis (Cathal Coughlan & Jacknife Lee) release debut 'a hAon' album

"There’s something about the meeting of Jacknife Lee’s carefully constructed musical arrangements with Cathal Coughlan’s sonorous vocals that makes for one of the most potent listens my ears have heard for some time” - Electronic Sound

"Dense, acerbically observed lyrics are delivered in Coughlan’s distinctive baritone over Lee’s backdrops, from sparsely atmospheric synths to bass-driven electro-funk" - The Irish Times

“…an enthralling, entertaining union of skillful retro-electro and cuttingly cynical, mischievous surreal declarations” - MOJO

“Telefís blend cultural celebration, satire, the splintered identity of the Irish diaspora, and historical introspection to – what else? Electronic dance music!” - Post-Punk

"As stunning as the best of Talking Heads and LCD Soundsystem... big sound and vision" ~ The Spill Magazine

Electronic mavericks and ex-pat Irish iconoclasts Telefís have released their debut album 'a hAon' (Number One), a highly unique collection of 13 tracks, via Dimple Discs.

Telefís (the Irish Gaelic word for Television, pronounced Tele-feesh) is a collaboration between in-demand composer/mixer/producer Garret "Jacknife" Lee (U2, R.E.M., Modest Mouse, The Killers, Snow Patrol, Crystal Castles, Editors) and singer-lyricist-composer Cathal Coughlan (Microdisney, Fatima Mansions and many acclaimed solo works). Having known each other vaguely in Ireland's early 80s post-punk scene, Jacknife is now based in L.A. and Cathal, a native of Cork, lives in London. A timely re-introduction by a mutual friend led to the two spending 2020 trading ideas and musical files during lockdown, hatching plans for a satirical, mischievous examination of Irish history and the pop culture of their lifetimes, which the two have labelled .."a corrosive nostalgia".

A series of remarkable singles and remixes, starting with the electro-funk monster 'We Need' EP in mid-2021 and followed by 'Mister Imperator', see Coughlan and Lee de-construct the Ireland of their youth through the prism of politics, technology and religion. Complemented by arcane imagery and 60s/70s video footage that are both playfully ironic and endearingly melancholic, these singles have set the table for one of year’s most intriguing and adventurous debut albums.

This album follows the release of their 'Falun Gong Dancer EP' with legendary post-punk bass maestro Jah Wobble (Public Image Limited, Invaders Of The Heart), in which Jacknife Lee transforms a disarmingly quiet and reflective song with vocals and ghostly piano chords into a deep-dub odyssey with Wobble’s signature low-end bass runs anchoring crisp percussion and panoramic space-echo effects.

On their work together as Telefís, Cathal Coughlan observes, "Collaborating in this way with a dynamic and consummate artist, who has access to a wide range of skills which I don't have, but with whom I share many common interests and cultural/historical reference points, has been one of the highlights of my creative life. It's made me so glad that I've been able to remain active for long enough to see something like this happen. Easily as spontaneous and full of surprises as any in-person collaboration, it’s shaken loose many weird and hopefully wonderful things in my verbal workshop. And nobody has heard me use my voice in some of these ways before now, either."

Jacknife Lee adds: "I'd just finished mangling a Luke Haines and Peter Buck record. Luke knows Cathal and re-introduced us. On the first or second correspondence we thought we should make some music together. Music is probably the only way I can properly communicate with someone. I sent Cathal the backing track that would become "We Need" and he sent me back the vocal and we went back and forth from there. Lockdowns and travel restrictions forced us to work remotely, and I think helped us get to where we got so quickly. Cathal is without doubt one of the finest lyricists of our time and writes like no one else. Some of the vocals he sent over made me burst out laughing with giddiness and delight at the novelty of them. Mischievous, dark, arcane, crispy fresh, and always unexpected. Every song with a backstory that could be a novel. This is easily the most enjoyable and rewarding music that I've been involved with.”

Part celebration, part satire, Telefís is an exploration of nostalgia as experienced in the present day, by natives of what was formerly a culturally sealed-off small country on the very fringes of Europe. It also points a critical finger at today’s global hierarchies, an inspiration for the strange characters and caricatures that spring from Coughlan's fertile imagination. Stark forms of imagery, bizarre to the modern eye and ear but treated as routine in the pre-globalization world, are pushed at the listener and viewer. On the musical side, Jacknife Lee uses his extensive sonic palette to create an irresistible mix of cinematic instrumentals and electro-funk backdrops full of melodic, squelchy synths and thunderous bass-lines, often with a cheeky nod to electro-pop history.

As of March 4, the 'a hAon' album will be available on CD and Vinyl, both with two-sided lyric sheet insert, as well as across digital platforms. Physical orders are available at https://ffm.to/telefisahaon and the digital album can be ordered at https://orcd.co/telefisahaon. U.S. orders can be placed at http://ffm.to/telefisusa.

ALBUM CREDITS
All tracks written by Cathal Coughlan and Jacknife Lee, except 'Archbishop Beardmouth At The ChemOlympics' and 'There Goes Waterface' (co-written with Davide Rossi).
Extra vocals on 'Sex Bunting' by Melissa Garner Lee, on 'Ballytransnational' by Esme Lee, on 'Mister Imperator' by Betsey Lee.
Drums on 'Ballytransnational' by Matt Bishop.
Strings on 'Stampede' by Davide Rossi.
Horns on 'Picadors' by Jordan Katz.
Extra production on 'Archbishop Beardmouth At The ChemOlympics' and 'There Goes Waterface' by Davide Rossi.
Mastered by Anthony Chapman.
Artwork and videos by Jacknife Lee.
Published by Besme Music/Cathal Coughlan.
Keep up with Telefís
Website | Facebook | Bandcamp | Twitter | Instagram | YouTube | Spotify | Apple Music | Press contact

Keep up with Dimple Discs
Bandcamp | Facebook | Twitter | Discogs | Proper Music |

Irish electronic duo Telefis (Cathal Coughlan & Jacknife Lee) preview 'Ballytransnational' ahead of releasing debut 'a hAon' LP.

Two of Ireland’s most celebrated musicians take a conceptual electro-funk joyride through the past into the future.

Following the release of the 'Falun Gong Dancer EP' with legendary post-punk bass maestro Jah Wobble (Public Image Limited, Invaders Of The Heart), electronic duo Telefís are gearing up for their debut album 'a hAon' (Number One), a highly unique collection of 13 tracks that will be released by Dimple Discs on March 4. Ahead of this, they present the track 'Ballytransnational'.

Telefís (the Irish Gaelic word for Television, pronounced Tele-feesh) is a collaboration between two acclaimed ex-pat Irish iconoclasts, in-demand composer/mixer/producer Garret "Jacknife" Lee (U2, R.E.M., Modest Mouse, The Killers, Snow Patrol, Crystal Castles, Editors) and singer-lyricist-composer Cathal Coughlan (Microdisney, Fatima Mansions and many acclaimed solo works). Having known each other vaguely in Ireland's early 80s post-punk scene, Jacknife is now based in L.A. and Cathal, a native of Cork, lives in London. A timely re-introduction by a mutual friend led to the two spending 2020 trading ideas and musical files during lockdown, hatching plans for a satirical, mischievous examination of Irish history and the pop culture of their lifetimes, which the two have labelled .."a corrosive nostalgia".

Cathal Coughlan comments on 'Ballytransnational': "A gaunt wooden rollercoaster overlooks the flatlands leading to a land border which, for many years until now, used to count for nothing. It used to be the topic of rueful recollections from decades past, but the received wisdom was that the bad old days were over, and seamless moving of fluid identities and capital now ruled the day. Public health concerns and political ferment have now given way to protectionism of many kinds. As the generation who understood the damage caused by that border passes away, the border's time has come again. And it says: you're never going back.'

A series of remarkable singles and remixes, starting with the electro-funk monster 'We Need' EP in mid-2021 and followed by 'Mister Imperator', see Coughlan and Lee de-construct the Ireland of their youth through the prism of politics, technology and religion. Complemented by arcane imagery and 60s/70s video footage that are both playfully ironic and endearingly melancholic, these singles have set the table for one of year’s most intriguing and adventurous debut albums.

"Collaborating in this way, with a dynamic and consummate artist, who has access to a wide range of skills which I don't have, but with whom I share many common interests and cultural/historical reference points, has been one of the highlights of my creative life. It's made me so glad that I've been able to remain active for long enough to see something like this happen. Easily as spontaneous and full of surprises as any in-person collaboration, it’s shaken loose many weird and hopefully wonderful things in my verbal workshop. And nobody has heard me use my voice in some of these ways before now, either,” says Cathal Coughlan.

Jacknife Lee adds: "I'd just finished mangling a Luke Haines and Peter Buck record. Luke knows Cathal and re-introduced us. On the first or second correspondence we thought we should make some music together. Music is probably the only way I can properly communicate with someone. I sent Cathal the backing track that would become "We Need" and he sent me back the vocal and we went back and forth from there. Lockdowns and travel restrictions forced us to work remotely, and I think helped us get to where we got so quickly. Cathal is without doubt one of the finest lyricists of our time and writes like no one else. Some of the vocals he sent over made me burst out laughing with giddiness and delight at the novelty of them. Mischievous, dark, arcane, crispy fresh, and always unexpected. Every song with a backstory that could be a novel. This is easily the most enjoyable and rewarding music that I've been involved with.”

Part celebration, part satire, Telefís is an exploration of nostalgia as experienced in the present day, by natives of what was formerly a culturally sealed-off small country on the very fringes of Europe. It also points a critical finger at today’s global hierarchies, an inspiration for the strange characters and caricatures that spring from Coughlan's fertile imagination. Stark forms of imagery, bizarre to the modern eye and ear but treated as routine in the pre-globalization world, are pushed at the listener and viewer. On the musical side, Jacknife Lee uses his extensive sonic palette to create an irresistible mix of cinematic instrumentals and electro-funk backdrops full of melodic, squelchy synths and thunderous bass-lines, often with a cheeky nod to electro-pop history.

On March 4, the 'a hAon' album will be released on CD and Vinyl, both
with two-sided lyric sheet insert, as well as across digital platforms. Physical orders are available at https://ffm.to/telefisahaon and the digital album can be pre-ordered at https://orcd.co/telefisahaon. U.S. orders can be placed at http://ffm.to/telefisusa.

SELECT PRESS FEEDBACK
"There’s something about the meeting of Jacknife Lee’s carefully constructed musical arrangements with Cathal Coughlan’s sonorous vocals that makes for one of the most potent listens my ears have heard for some time” - Electronic Sound

"Dense, acerbically observed lyrics are delivered in Coughlan’s distinctive baritone over Lee’s backdrops, from sparsely atmospheric synths to bass-driven electro-funk" - The Irish Times

“…an enthralling, entertaining union of skillful retro-electro and cuttingly cynical, mischievous surreal declarations” - MOJO

“Telefís blend cultural celebration, satire, the splintered identity of the Irish diaspora, and historical introspection to – what else? Electronic dance music!” - Post-Punk

"As stunning as the best of Talking Heads and LCD Soundsystem... big sound and vision" ~ The Spill Magazine


Keep up with Telefís
Website | Facebook | Bandcamp | Twitter | Instagram | YouTube | Spotify | Apple Music | Press contact

Keep up with Dimple Discs
Bandcamp | Facebook | Twitter | Discogs | Proper Music

Cathal Coughlan (The Fatima Mansions, Microdisney) releases ’Song Of Co-Aklan’ LP. Watch the 'Unrealtime' video by Locky Morris

“The lyrics are uniformly excellent…Coughlan reminds you again and again just how good he is” ~ The Irish Times

"A brilliant opus... perhaps his best record to date" ~ The Spill Magazine

"Each slice of spiky post-punk/pop is every bit as intriguing as his witty and acerbic lyrics” ~ Sunday Times

"Coughlan’s sixth solo album is a real gem” ~ Hot Press

"Definitively affirms Coughlan's place amid Ireland's poetic pantheon” ~ MOJO (4 stars)

"Song Of Co-Aklan is a more than welcome return from a puckish master of social observation and surreal manifesto” ~ The Wire

“…shows off a rich, Scott Walker-ish voice that’s aging superbly…a welcome return”~ Uncut

Cathal Coughlan, one of Ireland’s most revered and iconic songwriters, has released his acclaimed 'Song of Co-Aklan' LP, his first new music in ten years and sixth album to date. He also presents 'Unrealtime' with an accompanying video created by Locky Morris, an Irish contemporary artist and musician from Derry, Northern Ireland.

Best known as co-founder and vocalist for seminal 80s/90s bands Microdisney and The Fatima Mansions, Coughlan has been described as "the most underrated lyricist in pop today" by The Guardian newspaper. DJ John Peel was also such a fan that he stated he could "listen to Cathal Coughlan sing the phone book".

'Unrealtime' is steeped in Coughlan's Irish past and the landscape that informed it. The album’s closer, it features a guest appearance from his former Microdisney bandmate Sean O'Hagan (also High Llamas, Stereolab) and acclaimed Dublin singer-songwriter Eileen Gogan, who previously appeared with the band on their final reunion shows in 2018.

”Unrealtime, as a song, muses back and forth on what it is to be an exile, revisiting one’s land of birth as not alone a stranger, but possibly as an observer from another dimension. And then, it begins looking on the extent of a person’s whole life from those unrelenting perspectives," says Cathal Coughlan.

"Some of my most dicey chord changes are subordinated to the simple hypnosis of a frame drum and Sean O’Hagan’s flat-wound “West German” bass guitar. The periodic crescendos of realisation are heralded by Nick Allum’s restrained brush drums and a growing plenitude of voices – my own, and those of Eileen Gogan and Sean, each probing in their own way for a reprieve from the certainties of the terse prescriptions heard in the verses. It’s more than fitting that the visuals seen here should have originated in another part of that island, in the masterful minimalism of Locky Morris."

The album also features Luke Haines (The Auteurs, Black Box Recorder),Rhodri Marsden (Scritti Politti), Andrías Ó Grúama (Fatima Mansions), Cory Gray (The Delines) on wurlitzer piano and Coughlan's long-time collaborators from the Grand Necropolitan Quartet - namely Nick Allum (The Fatima Mansions, The Apartments), James Woodrow and Audrey Riley (notable collaborator of Lush, The Sundays, The Smiths, Nick Cave, The Cure and Coldplay).

This album represents the first time that Microdisney/High Llamas bassist Jonathan Fell unites with Nick Allum and Coughlan since the Fatima Mansions 'Against Nature' LP in 1989. Microdisney/ High Llamas alumnus John Bennett also makes an appearance.

Video director Locky Morris notes, "I try to stick to a practice of staring at things and letting myself go. The footage in the film for Unrealtime was shot on an intertidal mudflat, on the edges of a large shallow sea lough on the north coast of Ireland, close to home. Seldom can I get the idea though of the huge capped city dump lying nearby out of my mind. The weather wasn’t good, that black pipe was under the arm one minute and caught by the wind the next. Who knew that this chance happening would be used to accompany this beauty of a song by Cathal Coughlan. ‘...post glacial marine transgression...’ I pulled that line from a geological description of the area. Jesus, that could almost be one of Cathal’s arresting lyrics’.

After a 10-year hiatus as a solo artist, Cathal Coughlan’s ’Song Of Co-Aklan’ album has been widely heralded as one of his finest, drawing unprecedented national media attention in the UK, Ireland, USA, Canada, France, Switzerland and beyond. The singles ‘Song of Co-Aklan', 'The Knockout Artist', 'Owl In The Parlour' and 'Falling Out North Street' show the album’s diversity in tempo and sonic arrangement, corralled by Coughlan's brooding baritone, caustic wit and irresistible choruses.

The 'Song of Co-Aklan' LP is now available across online platforms, such as Apple Music and Spotify, as well as physically. It can be ordered at https://ffm.to/ songofcoaklanalbum.

Cathal Coughlan

Song of Co-Aklan

Dimple Discs

14 June 2021

View Promo 

Cathal Coughlan (The Fatima Mansions, Microdisney) releases ’Song Of Co-Aklan’ LP. Watch the 'Unrealtime' video by Locky Morris

FOR FANS OF: The National, Nick Cave, John Cale, Mark Eitzel, Robert Forster & The Go-Betweens, Scott Walker
FOCUS TRACKS: Song of Co-Aklan, The Knockout Artist, Let's Flood The Fairground, Passed-Out Dog, Owl In The Parlour
FCC clean *except #4 Crow Mother
Photos by Gregory Dunn


FOR SHARING
'Unrealtime' https://youtu.be/ o9qS7RnYuSE
'Falling Out North Street' https://youtu.be/JLeGoL-w7F8
'The Knockout Artist' https://youtu.be/ lPr9f0l96pA
‘Song Of Co-Aklan’ https://youtu.be/e6YL06Za4rc
'Owl In The Parlour' https://youtu.be/ 7KKri0pTmkI
Cathal introduces his album https://youtu.be/f3MsD3NR-6M
Bandcamp https://cathalc.bandcamp.com 
Spotify https://open.spotify.com/album/6wc5DtBd6j4hNvXRPgVoM1
Digital Order https://orcd.co/songofcoaklan
CD / Vinyl order (USA/Canada) https://ffm.to/soca_us 
CD / Vinyl order (UK/Ireland) https://ffm.to/songofcoaklanalbum

FOR REVIEW & AIRPLAY
Soundcloud https://soundcloud.com/cathal-coughlan/sets/song-of-co-aklan-assembly-11/s-PmCxio5dlzg 
Online press kit 
https://shamelesspromotion.haulix.com/Public/View/86359 
Download press kit & full album via Dropbox http://bit.ly/3qje08J

“The lyrics are uniformly excellent…Coughlan reminds you again and again just how good he is” ~ The Irish Times

"A brilliant opus... perhaps his best record to date" The Spill Magazine

"Each slice of spiky post-punk/pop is every bit as intriguing as his witty and acerbic lyrics” ~ Sunday Times

"Coughlan’s sixth solo album is a real gem” ~ Hot Press

"Definitively affirms Coughlan's place amid Ireland's poetic pantheon” ~ MOJO (4 stars)

"Song Of Co-Aklan is a more than welcome return from a puckish master of social observation and surreal manifesto” ~ The Wire

“…shows off a rich, Scott Walker-ish voice that’s aging superbly…a welcome return”~ Uncut


Cathal Coughlan, one of Ireland’s most revered and iconic songwriters, has released his acclaimed 'Song of Co-Aklan' LP, his first new music in ten years and sixth album to date. He also presents 'Unrealtime' with an accompanying video created by Locky Morris, an Irish contemporary artist and musician from Derry, Northern Ireland.

Best known as co-founder and vocalist for seminal 80s/90s bands Microdisney and The Fatima Mansions, Coughlan has been described as "the most underrated lyricist in pop today" by The Guardian newspaper. DJ John Peel was also such a fan that he stated he could "listen to Cathal Coughlan sing the phone book".

'Unrealtime' is steeped in Coughlan's Irish past and the landscape that informed it. The album’s closer, it features a guest appearance from his former Microdisney bandmate Sean O'Hagan (also High Llamas, Stereolab) and acclaimed Dublin singer-songwriter Eileen Gogan, who previously appeared with the band on their final reunion shows in 2018.

”Unrealtime, as a song, muses back and forth on what it is to be an exile, revisiting one’s land of birth as not alone a stranger, but possibly as an observer from another dimension. And then, it begins looking on the extent of a person’s whole life from those unrelenting perspectives," says Cathal Coughlan.

"Some of my most dicey chord changes are subordinated to the simple hypnosis of a frame drum and Sean O’Hagan’s flat-wound “West German” bass guitar. The periodic crescendos of realisation are heralded by Nick Allum’s restrained brush drums and a growing plenitude of voices – my own, and those of Eileen Gogan and Sean, each probing in their own way for a reprieve from the certainties of the terse prescriptions heard in the verses. It’s more than fitting that the visuals seen here should have originated in another part of that island, in the masterful minimalism of Locky Morris."

The album also features  Luke Haines (The Auteurs, Black Box Recorder),Rhodri Marsden (Scritti Politti)Andrías Ó Grúama (Fatima Mansions)Cory Gray (The Delines) on wurlitzer piano and Coughlan's long-time collaborators from the Grand Necropolitan Quartet - namely Nick Allum (The Fatima Mansions, The Apartments)James Woodrow and Audrey Riley (notable collaborator of Lush, The Sundays, The Smiths, Nick Cave, The Cure and Coldplay).

This album represents the first time that Microdisney/High Llamas bassist Jonathan Fell unites with Nick Allum and Coughlan since the Fatima Mansions 'Against Nature' LP in 1989. Microdisney/ High Llamas alumnus John Bennett also makes an appearance.

Video director Locky Morris notes, "I try to stick to a practice of staring at things and letting myself go. The footage in the film for Unrealtime was shot on an intertidal mudflat, on the edges of a large shallow sea lough on the north coast of Ireland, close to home. Seldom can I get the idea though of the huge capped city dump lying nearby out of my mind. The weather wasn’t good, that black pipe was under the arm one minute and caught by the wind the next. Who knew that this chance happening would be used to accompany this beauty of a song by Cathal Coughlan. ‘...post glacial marine transgression...’ I pulled that line from a geological description of the area. Jesus, that could almost be one of Cathal’s arresting lyrics’.

After a 10-year hiatus as a solo artist, Cathal Coughlan’s ’Song Of Co-Aklan’ album has been widely heralded as one of his finest, drawing unprecedented national media attention in the UK, Ireland, USA, Canada, France, Switzerland and beyond. The singles ‘Song of Co-Aklan''The Knockout Artist''Owl In The Parlour' and 'Falling Out North Street' show the album’s diversity in tempo and sonic arrangement, corralled by Coughlan's brooding baritone, caustic wit and irresistible choruses.

The 'Song of Co-Aklan' LP is  now available across online platforms, such as Apple Music and Spotify, as well as physically. It can be ordered at https://ffm.to/ songofcoaklanalbum.

ALBUM CREDITS
Nick Allum – drums and percussion
Audrey Riley – cello
James Woodrow – electric & acoustic guitars
Rhodri Marsden – bass guitar, bassoon
Luke Haines – bass guitar, acoustic guitar, synth
Jonathan Fell – bass guitar
Sean O’Hagan – bass guitar & vocals, synth
Eileen Gogan – vocals
Andrías Ó Grúama – frictive guitar
John Bennett – vocals & slide guitar
Cory Gray – wurlitzer piano
Cathal Coughlan – Co-Aklan
Mastered by George Shilling
Cover by Bruce Brand & Mary Tee at Arthole
Front cover painting by Cristabel Christo, based in part on photos by Gregory Dunn / Stoneybutter
Composed and deranged by Cathal Coughlan


Keep up with Cathal Coughlan
Website | Facebook | Twitter | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Dimple Discs
Bandcamp | Facebook | Twitter | Discogs | Proper Music

Ireland's CATHAL COUGHLAN (Fatima Mansions, Microdisney) presents 'Falling Out North Street' single

Ireland's Cathal Coughlan (The Fatima Mansions, Microdisney) presents 'Falling Out North Street' from acclaimed ’Song Of Co-Aklan’ LP with video by Marry Waterson.

“The lyrics are uniformly excellent…Coughlan reminds you again and again just how good he is” ~ The Irish Times

"A brilliant opus... perhaps his best record to date" ~ The Spill Magazine

"Each slice of spiky post-punk/pop is every bit as intriguing as his witty and acerbic lyrics” ~ Sunday Times

"Coughlan’s sixth solo album is a real gem” ~ Hot Press

"Definitively affirms Coughlan's place amid Ireland's poetic pantheon” ~MOJO (4 stars)

"Song Of Co-Aklan is a more than welcome return from a puckish master of social observation and surreal manifesto” ~ The Wire

“…shows off a rich, Scott Walker-ish voice that’s aging superbly…a welcome return” ~ Uncut

Cathal Coughlan, one of Ireland’s most revered and iconic songwriters, presents 'Falling Out North Street' from his acclaimed 'Song of Co-Aklan' LP, his first new music in ten years and sixth album to date.

Best known as co-founder and vocalist for seminal 80s/90s bands Microdisney and The Fatima Mansions, Coughlan has been described as "the most underrated lyricist in pop today" by The Guardiannewspaper. DJ John Peel was also such a fan that he stated he could "listen to Cathal Coughlan sing the phone book".

Clichés aside, Coughlan returned with what can only be described as a ‘vengeance’. Vengeance, perhaps, on those who thought he might not have another great album in him, perhaps vengeance on himself for doubting that might actually be true. But it wasn’t. After a 10-year absence as a solo artist, Cathal Coughlan’s ’Song Of Co-Aklan’ album has been widely heralded as one of his finest, drawing national media attention in the UK, Ireland, USA, Canada, France, Switzerland and beyond.

Three singles - ‘Song of Co-Aklan', 'The Knockout Artist' and 'Owl In The Parlour' - show the album’s diversity in tempo and sonic arrangement, corralled by Coughlan's brooding baritone, caustic wit and irresistible choruses. Radio play across Ireland has been unprecedented, culminating in a playlist slot on RTE1 and steadfast UK support from Gideon Coe at BBC 6Music and John Kennedy at Radio X. The LP has even made inroads into US college radio with play on stations like LA's KXLU, WFMU (New Jersey) and KDHX (St. Louis).

'Falling Out North Street' showcases a more reflective, downtempo mood, mirrored in a dream-like short film, directed by acclaimed Yorkshire-based musician and artist Marry Waterson.

"The song tries to describe the absurdity of trying to keep hold of sanity, dignity or confidence in the face of the remorseless advance of time. From the start of the song, a circular pattern from the bass guitar and a plucked cello advances implacably, as the vocal and some transient instrumental elements try to pick a way through the debris of lives and communities. A broad chorus breaks the deadlock every so often, where exhortations are attempted by a wall of voices. Eventually, the singer has to suggest that he and the person he's addressing might have been better off and happier all along had they been pavement purveyors of shouted gibberish and box-room detritus. And so the song ends,” says Cathal Coughlan.

"This video work by Marry Waterson is astonishingly beautiful, and reveals more of itself on each viewing. Rather in the way that one hopes one's music might do for the listener. A musician of renown herself, I think Marry has this magic in both fields. Really, I couldn't ask for a better accompaniment to this song, itself also a patchwork of memories reliable and otherwise, experienced intermittently as the human condition reduces everything to a twilit facsimile.”

This album features Coughlan's long-time collaborators from the Grand Necropolitan Quartet - namely Nick Allum (The Fatima Mansions, The Apartments), James Woodrow and Audrey Riley (notable collaborator of Lush, The Sundays, The Smiths, Nick Cave, The Cure and Coldplay).

On this album, Microdisney/High Llamas bassist Jonathan Fell unites with Nick Allum and Coughlan for the first time since the Fatima Mansions 'Against Nature' LP in 1989. Microdisney/ High Llamas alumnus John Bennett also makes an appearance.

The LP also features Sean O'Hagan (Microdisney, High Llamas, Stereolab), Luke Haines (The Auteurs, Black Box Recorder) and Rhodri Marsden (Scritti Politti), as well as contributions by acclaimed Irish singer-songwriter Eileen Gogan, Andrías Ó Grúama (Fatima Mansions) and Cory Gray (The Delines) on wurlitzer piano.

The 'Song of Co-Aklan' LP is now available across online platforms, such as Apple Music and Spotify, as well as physically. It can be ordered at https://ffm.to/ songofcoaklanalbum.

ALBUM CREDITS
Nick Allum – drums and percussion
Audrey Riley – cello
James Woodrow – electric & acoustic guitars
Rhodri Marsden – bass guitar, bassoon
Luke Haines – bass guitar, acoustic guitar, synth
Jonathan Fell – bass guitar
Sean O’Hagan – bass guitar & vocals, synth
Eileen Gogan – vocals
Andrías Ó Grúama – frictive guitar
John Bennett – vocals & slide guitar
Cory Gray – wurlitzer piano
Cathal Coughlan – Co-Aklan
Mastered by George Shilling
Cover by Bruce Brand & Mary Tee at Arthole
Front cover painting by Cristabel Christo, based in part on photos by Gregory Dunn / Stoneybutter
Composed and deranged by Cathal Coughlan


Keep up with Cathal Coughlan
Website | Facebook | Twitter | Instagram | Soundcloud | YouTube | Spotify| Apple Music

Irish indie legend Cathal Coughlan (The Fatima Mansions, Microdisney) releases much anticipated 'Song of Co-Aklan' LP

"Song Of Co-Aklan definitively affirms Coughlan's place amid Ireland's poetic pantheon” ~ MOJO (4 stars)

"Song Of Co-Aklan is a more than welcome return from a puckish master of social observation and surreal manifesto” ~ The Wire

“…shows off a rich, Scott Walker-ish voice that’s aging superbly…a welcome return” ~ Uncut

"The most underrated lyricist in pop today" ~ The Guardian

"A brilliant opus... To say that Coughlan’s new 12-song collection are sounds for sore ears would be an understatement... perhaps his best record to date" ~ The Spill Magazine

"[I could] listen to Cathal Coughlan sing the phone book" ~ John Peel

“A wry and frequently abrasive commentator on society and politics for 40 years now. Now he’s back with Song of Co-Aklan, an album that sees him doing what he does best... Both strange and touching in roughly equal measure” ~ Essentially Pop

Irish music legend Cathal Coughlan presents the 'Song of Co-Aklan' LP, his sixth to date. His first new music in ten years, the London-based Cork native is best known as co-founder and vocalist for seminal 80s/90s bands Microdisney and The Fatima Mansions, who toured internationally with U2.

Coughlan has been described as "the most underrated lyricist in pop today" by The Guardian newspaper. DJ John Peel was also such a fan that he stated he could "listen to Cathal Coughlan sing the phone book".

"In the couple of years prior to making the record, I’d renewed contact with the other members of Microdisney, several of whom appear on this record, as part of the reunion shows we played in Ireland and the UK. As the result of that, and of other shows I’d played as a vocalist and collaborator, I found new musical acquaintances whose work suggested a wide palette. It felt important to make music in a more convivial setting than had been possible in a long time, which worked well until, midway through the recording, the pandemic dictated that the community of contributors had to become virtual," says Cathal Coughlan.

Recorded in London, this album features Coughlan's long-time collaborators from the Grand Necropolitan Quartet - namely Nick Allum(The Fatima Mansions, The Apartments), James Woodrow and Audrey Riley (notable collaborator of Lush, The Sundays, The Smiths, Nick Cave, The Cure and Coldplay).

On this album, Microdisney/High Llamas bassist Jonathan Fell unites with Nick Allum and Coughlan for the first time since the Fatima Mansions 'Against Nature' LP in 1989. Microdisney/ High Llamas alumnus John Bennett also makes an appearance.

The LP also features Sean O'Hagan (Microdisney, High Llamas, Stereolab), Luke Haines (The Auteurs, Black Box Recorder) and Rhodri Marsden (Scritti Politti), as well as contributions by acclaimed Irish singer-songwriter Eileen Gogan, Andrías Ó Grúama (Fatima Mansions) and Cory Gray (The Delines) on wurlitzer piano.

Emmy award-winning director George Seminara created videos for title track ‘Song of Co-Aklan' and the latest single 'The Knockout Artist', and Andy Golding (The Wolfhounds, Dragon Welding) revealed a hallucinatory infomercial-style video for 'Owl In The Parlour'.

The eye-catching cover art for the 'Song of Co-Aklan’ LP is by outsider artist Cristabel Christo and originated by Bruce Brand, award winning designer for The Darkness and Whites Stripes.

One of Ireland’s most revered singer-songwriters, Coughlan is beloved by fans of caustic literate lyricism and erudite songcraft. Since Fatima Mansions' demise in the mid-90s, he has released five acclaimed solo albums and been involved in numerous collaborations and guest appearances. He and Microdisney bandmates were the first recipients of Ireland’s National Concert Hall Trailblazer Award in 2019, celebrating culturally important albums by iconic Irish musicians, songwriters and composers (for 1985’s 'The Clock Comes Down The Stairs').

As of March 26, the 'Song of Co-Aklan' album will be available across online platforms, such as Apple Music and Spotify, as well as physically. It can be purchased at https://ffm.to/songofcoaklanalbum.

ALBUM CREDITS
Nick Allum – drums and percussion
Audrey Riley – cello
James Woodrow – electric & acoustic guitars
Rhodri Marsden – bass guitar, bassoon
Luke Haines – bass guitar, acoustic guitar, synth
Jonathan Fell – bass guitar
Sean O’Hagan – bass guitar & vocals, synth
Eileen Gogan – vocals
Andrías Ó Grúama – frictive guitar
John Bennett – vocals & slide guitar
Cory Gray – wurlitzer piano
Cathal Coughlan – Co-Aklan
Mastered by George Shilling
Cover by Bruce Brand & Mary Tee at Arthole
Front cover painting by Cristabel Christo, based in part on photos by Gregory Dunn / Stoneybutter
Composed and deranged by Cathal Coughlan


Keep up with Cathal Coughlan
Website | Facebook | Twitter | Instagram | Soundcloud | YouTube | Spotify| Apple Music

Irish indie legend Cathal Coughlan (The Fatima Mansions, Microdisney) presents 'The Knockout Artist' single

"Song Of Co-Aklan definitively affirms Coughlan's place amid Ireland's poetic pantheon” ~ MOJO (4 stars)

"Song Of Co-Aklan is a more than welcome return from a puckish master of social observation and surreal manifesto” ~ The Wire

“…shows off a rich, Scott Walker-ish voice that’s aging superbly…a welcome return” ~ Uncut

"The most underrated lyricist in pop today" ~ The Guardian

"[I could] listen to Cathal Coughlan sing the phone book" ~ John Peel

“A wry and frequently abrasive commentator on society and politics for 40 years now. Now he’s back with Song of Co-Aklan, an album that sees him doing what he does best... Both strange and touching in roughly equal measure” ~ Essentially Pop


Irish indie music legend Cathal Coughlan presents 'The Knockout Artist', the third offering from his forthcoming album 'Song of Co-Aklan', with a video created by Emmy award-winning director George Seminara. His first new music in ten years, this long-player is to be released via London label Dimple Discs.

Best known as co-founder and vocalist for seminal 80s/90s bands Microdisney and The Fatima Mansions, who toured internationally with U2, the Cork native has been described as "the most underrated lyricist in pop today" by The Guardian newspaper. DJ John Peel was also such a fan that he stated he could "listen to Cathal Coughlan sing the phone book".

The song features a storming rhythm track from Microdisney/High Llamas bassist Jonathan Fell and Grand Necropolitan's drum powerhouse Nick Allum (The Fatima Mansions, The Apartments), reunited on record for the first time since the Fatima Mansions 'Against Nature' LP in 1989. Choral background vocals and slide guitar are contributed by Microdisney/ High Llamas alumnus John Bennett, as Sean O'Hagan (Microdisney, High Llamas, Stereolab) weighs in decisively on synth at the song's climax.

"This song reflects on the predicament of the damaged man who owes his great material success to the grotesque displays he makes out of his state of damage, by literally punching himself unconscious in the ring. A prisoner of success, he cannot escape his seamy working environment, or improve upon his condition as a human. And still the queasy seaside masses show up, and keep him and his family in chintzy opulent style," says Cathal Coughlan.

Director George Seminara, who created the video for title track ‘Song of Co-Aklan', returns to the fray to explore the plight of the subsistence-level carnival grotesque. This performer's last-gasp pleas to camera are taken on a tour of scenes from his past life - the seaside attractions where he earned his despised fortune, the simple chapel where he was schooled in virtue prior to becoming addicted to losing at games of chance, and the various quiet pools of garish idolatry which lay on the path of sensual equivocation in between those two. Does he react? In a way - see those final frames.

The LP also features Luke Haines (The Auteurs, Black Box Recorder)on bass and baritone guitar, Grand Necropolitan Quartet alumnus James Woodrow on guitar, Rhodri Marsden (Scritti Politti) on bass, and cello by Audrey Riley (notable collaborator of Lush, The Sundays, The Smiths, Nick Cave, The Cure, The Go-Betweens, Smashing Pumpkins, Catherine Wheel, Moloko and Coldplay).

The eye-catching cover art for the 'Song of Co-Aklan’ LP is by outsider artist Cristabel Christo and originated by Bruce Brand, award winning designer for The Darkness and Whites Stripes.

Cathal Coughlan is one of Ireland’s most revered singer-songwriters, beloved by fans of caustic literate lyricism and erudite songcraft. Since Fatima Mansions' demise in the mid-90s, he has released five acclaimed solo albums, taken part in an array of collaborations and made many guest appearances. Along with Microdisney bandmates, he was the first recipient in 2019 of Ireland’s National Concert Hall Trailblazer Award, celebrating culturally important albums by iconic Irish musicians, songwriters and composers (for 1985’s 'The Clock Comes Down The Stairs').

As of March 12, 'The Knockout Artist' is available across online platforms, such as Apple Music and Spotify. The full album, set for release on March 26, can be pre-ordered at https://ffm.to/songofcoaklanalbum.

Cathal Coughlan (The Fatima Mansions, Microdisney) presents 'Owl In The Parlour' single

"The most underrated lyricist in pop today" ~ The Guardian

"[I could] listen to Cathal Coughlan sing the phone book" ~ John Peel

"Devilish genius... has always been a joyous thorn in the side of Irish alternative music; erudite, scathing, never afraid to tread his own, rockier path" ~ Backseat Mafia

“Coughlan is a wise and modest artist with big ideas, a witty and clever songwriter with a biting yet endearing edge” ~ Amplify Music Magazine

Irish indie music legend Cathal Coughlan presents 'Owl In The Parlour', the second track from his forthcoming album 'Song of Co-Aklan', his first new music in ten years, to be released via London label Dimple Discs. The accompanying video was created by Andy Golding (The Wolfhounds, Dragon Welding), presenting Co-Aklan in an infomercial of the most hallucinatory and lurid kind, which is nonetheless friendly and persuasive in tone.

"This song is, in part, a survey of the options in personal couture, animal husbandry and ‘inexpensive' domestic staffing, which are now available to the spry middle-aged man in this era of global communication. In this gilded age, we are simultaneously interlinked and mutually repelled as never before, whether we live in remote settlements in war-torn parts of the world, or in the mosaic of postage-stamp-sized semi-detached fortresses and gargantuan fulfilment hubs that is the English Hinterland in 2021," says Cathal Coughlan.

Earlier, Coughlan released the title track ‘Song of Co-Aklan’, along with a video that is a hermetic visual feast, created by Emmy Award-winning filmmaker George Seminara.

Best known as co-founder and vocalist for seminal 80s/90s bands Microdisney and The Fatima Mansions, who toured internationally with U2, the Cork native has been described as "the most underrated lyricist in pop today" by The Guardian newspaper. DJ John Peel was also such a fan that he stated he could "listen to Cathal Coughlan sing the phone book".

Recorded in London, this song features contributions from Luke Haines (The Auteurs, Black Box Recorder) on bass and baritone guitar and members of Coughlan's long-time collaborators for the Grand Necropolitan Quartet. Namely Nick Allum (The Fatima Mansions, The Apartments) is on drums and James Woodrow is on guitar, with synth by Audrey Riley (notable collaborator of Lush, The Sundays, The Smiths, Nick Cave, The Cure, The Go-Betweens, Smashing Pumpkins, Catherine Wheel, Moloko and Coldplay, among others).

The eye-catching cover art for the 'Song of Co-Aklan’ LP is by outsider artist Cristabel Christo and originated by Bruce Brand, award winning designer for The Darkness and Whites Stripes.

Cathal Coughlan is widely considered to be one of Ireland’s most revered singer-songwriters, beloved by fans of caustic literate lyricism and erudite songcraft. Since Fatima Mansions' demise in the mid-90s, he has released five acclaimed solo albums, taken part in an array of collaborations and made numerous guest appearances. Along with Microdisney bandmates, he was the first recipient in 2019 of Ireland’s National Concert Hall Trailblazer Award, which celebrates culturally important albums by iconic Irish musicians, songwriters and composers (for 1985’s 'The Clock Comes Down The Stairs').

As of February 5, 'Owl In The Parlour' will be released digitally, available across online platforms such as Apple Music and Spotify. Lead track ‘Song of Co-Aklan’ can already be found on these same platforms. The full album, set for release on March 26, can be pre-ordered at https://ffm.to/songofcoaklanalbum.

CREDITS
Nick Allum - drums and percussion
James Woodrow - electric & acoustic guitars
Luke Haines - bass guitar, baritone guitars, The Synth
Cathal Coughlan - Co-Aklan
Mastered by George Shilling
Cover by Bruce Brand & Mary Tee at Arthole
Front cover painting by Cristabel Christo, based in part on photos by Gregory Dunn / Stoneybutter
Composed and deranged by Cathal Coughlan


Keep up with Cathal Coughlan
Website | Facebook | Twitter | Instagram | Soundcloud | YouTube | Spotify| Apple Music |