NYC's Black Rose Burning presents 'Night Terrors', previewing new 'Ad Astra' album

"A compelling blend of ominous Goth atmospheres, dark, but dynamic dancefloor anthems, New Wave ’80s tunefulness, and electronics-embedded tech tracks, all draped with the silky, reflective, and longing vocals of George Grant" ~ Big Takeover Magazine

"Leaning towards Ultravox and Colourbox on the new wave spectrum, they sometimes channel vibes from Phantasmagoria-era The Damned and Butterfly on a Wheel-era The Mission" ~
Amplify Music Mag

"Space might be the final frontier but Black Rose Burning are already stellar" ~
Onyx Music Reviews

"Smoulders from the ashes of goth-rock, whilst emerging from the dry-ice ambience of 80s nostalgia. Like a noir-new romantic, Black Rose Burning peacock preens from the underworld of art-pop, whilst intermixing its post-punk palette" ~ 
The Manc Review


NYC-based alternative rock outfit
Black Rose Burning presents their new single 'Night Terrors', previewing their third full-length album 'Ad Astra', due out in mid-September.

Formed in 2018 by instrumentalist, producer and engineer George Grant, Black Rose Burning also involves guitarist Frank Morin (World Inferno Friendship Society) and drummer Luis Infantas (Monster Zero).

“Night Terrors is pretty much straight forward - if you have them, then you know. If you don’t, imagine being in the middle of sleep - but feeling wide awake and in a nightmare. There can even be “monsters” that sometime remain in your consciousness even after you’ve woken up. Nasty business this. I tried to encapsulate the feeling in a song, but I’m not sure you could ever REALLY explain the experience. I haven’t had this happen to me in years, and I hope it never happens again honestly,” says George Grant.

“This new music marks the debut of the entire band recording together, instead of me playing all the instruments and programming drums. It takes everything to a whole new level in terms of feel and especially in musicianship.”

'Night Terrors'  https://blackroseburning.bandcamp.com/track/night-terrors

This single follows the lead track 'Sing to Me (E.L.E.)', released in June. Grant says, "'Sing To Me' is about that point in a relationship when things just aren't the same any more - the rough time before the breakup. That point where your partner doesn't seem to feel the same the way you STILL do. It can be devastating. You just want them to see you the way they used to - because you still care."

In 2021, Black Rose Burning released their second album 
'The Wheel', mastered by Jason Corbett of ACTORS. one year after debuting 'The Year of the Scorpion'album.

George Grant's soulful vocal delivery, instantly recognizable voice, solid instrumentation crossing several genres are standout features of this music. Roughly 40 years of songwriting across various styles has helped George embellish on clever hooks, drive and the gothic-pop sensibilities of The Cult's early years.
 
'Ad Astra' was recorded in George’s own studio,
PV Recording Company, which has hosted notable artists over the years, including Emelio Zeff China (Peter Murphy), Knox Chandler (Siouxsie And The Banshees), Chibi (The Birthday Party Massacre), Nellie McKay, Julia Marcel, Paul Bakija (Reagan Youth), Ego Likeness and Voltaire (with whom Grant also played bass for 10 years).

'Night Terrors' is out now exclusively via
Bandcamp. The 'Ad Astra' album will be released on September 15 on CD and also available digitally from fine music platforms, including Spotify, Apple Music and Bandcamp.  That same night, Black Rose Burning will be playing their album release show at NYC's Mercury Loungefor The Red Party.

CREDITS
Music and lyrics written by George Grant
Recorded and mixed by George Grant at PVRCo (Putnam Valley Recording Company)
Mastered by Eric Enjem at Echometrics
George Grant - bass guitar, vocals, synth programming
Luis Infantas - drums and triggers
Frank Morin - guitar
Cover Art by Antonella Di Mattei @ Eshmoon DM Design
Artist photos by Shane K. Gardner


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Singer Songwriter Kimberly Kelly Releases "Black Rose" from Debut Album 'I'll Tell You What's Gonna Happen' Set for 7/8

On the heels of announcing of her label debut, I’ll Tell You What’s Gonna Happen, arriving July 8 via Show Dog Nashville in partnership with Thirty Tigers, singer/songwriter Kimberly Kelly releases another taste from the forthcoming album with her take on “Black Rose.” Listen below.

Produced by Brett Tyler, Kelly’s husband a hit songwriter himself with No. 1s like “Cold Beer Calling My Name” under his belt and written by Kelly’s friend and mentor Country Music Hall of Famer Billy Joe Shaver, her powerful take on the track closes out an album that unintentionally became a tribute to the late country music legend.

“Billy Joe was such an important part of my journey into music, and since we used his quote as the title of the album, it just seemed like we should end with one of his songs,” shares Kelly. “We listened to his entire catalog and just couldn’t decide what to cut. We landed on this one thinking we could tell it from Billy Joe's point of view. He was strong in his faith, but also an outlaw. ‘The second time I done it on my own.’ I can relate to that line. Sometimes you do something again just because you want to.”

Kelly continues, “We put the voicemail he left me on the end of the track to bring it all the way around. When we started recording, I didn't set out to make a tribute record to Billy Joe, but I love how this whole project came out and I will always love him.”

The latest track follows the release of nostalgic song-of-summer ready track, “Summers Like That” which left Billboard praising Kelly’s “warm, lifting voice” as well as “Blue Jean Country Queen” featuring Steve Wariner. Listen to both tracks HERE. Kelly also recently released a video for “Summers.” Directed by Tyler Barksdale, the video brings the song to life…capturing what young love looks like. Watch HERE.

Fans can catch Kelly this Tuesday, June 28, at 7 pm CT as she concludes her 3-week residency at Nashville’s legendary venue, The Basement. For more information visit, thebasementnashville.com.

A native of Lorena, Texas, Kelly spent years in both the Texas and Nashville music scenes earning an education in experiences that have made her both fearless in her approach to creating and unafraid to defy convention when it comes to industry expectations. Those years of hard work, all while also earning a Master’s degree and working fulltime, culminated last summer in a long-awaited record deal with Show Dog Nashville. Now she is set to make her label debut. Pre-order or pre-save I'll Tell You What's Gonna Happen, HERE.

The album is already earning kudos including praise from legendary singer/songwriter and fellow Texan, Radney Foster, who shared, “If you like your Country music with fiddles and steel guitars, melodies that soar and a singer who unapologetically sings with a twang, you will love Kimberly Kelly. She’s a great songwriter and her timeless voice delivers power and emotion on this fun but often poignant collection. Don’t try to drive while you’re listening to ‘Person That You Marry.’ Don’t ask me how I know.”

Off stage Kelly possesses an inviting warmth mixed with sly self-deprecation, a winsome combo only earned with some life experience, self-awareness and nothing to prove on stage just the goods to stop a listener in their tracks. “This is not my first rodeo,” Kelly says of her Show Dog Nashville label debut. “I worked really hard in Texas before I came to Nashville. I wrote songs, put out records, did a radio tour, and played every weekend while going to school and working full-time.”

The album’s title, I’ll Tell You What’s Gonna Happen, is a clever nod to her friend and fellow Texas musician, the late Country Music Hall of Famer, Billy Joe Shaver. The abbreviated quote comes from the better-than-fiction-true story of Shaver forcing his way into a Waylon Jennings recording session after the star tried to renege on recording some of his songs. Brushing off a $100 bill to go away, Shaver said to Jennings, “I'll tell you what's gonna happen. You're gonna either listen to these songs or I'm gonna whip your ass.” Waylon agreed to listen to one. The rest is history in the form of Jennings' 1973 Honky Tonk Heroes album, on which every song but one was written by Shaver.

“I landed on this album title on a dare,” Kelly says. “I was like, ‘Sure. What do I care?’ I did the Texas music scene, I’ve done time in Nashville, and I thought my time had passed when I got offered my record deal. My husband could keep writing songs and I’d just be a speech therapist. So I made this album like it's the last one I’ll ever get to make and the title is my mantra so to speak. I love good songs, and I let the best ones win whether I wrote them or not. It’s a compilation I’m proud of, and I’m thrilled for people to hear them!”

For additional information, visit kimberlykellymusic.com and follow along on social media @KimberlyKellyMusic for Instagram, Facebook, Twitter and TikTok.