New singles from Manchester's EMPEROR OF ICE CREAM

"Understated indie pop gems" ~ Steve Cummins, The Sunday Times

“A shimmering nugget of indie pop” ~ Ed Power, Irish Examiner

"A superb Time Machine of Musical Gorgeousness" ~ John Lofus, 8 Radio

"A thing of beauty... Sweet sounds to our ears... Superb and invigorating music through and through" ~ Big Takeover Magazine (New York)

"A wonderfully enjoyable and uplifting listen that has been worth the wait" ~ The Ginger Quiff (Scotland)

"Fantastic – a stellar melange of Ride, Mercury Rev, early Telescopes, The Verve and Sparklehorse" ~ Amplify Music Magazine (Canada)

“Great songs” ~ Tom Dunne, News Talk

“A soundtrack perfect for the end of summer” ~ Shoegaze Blog

mail-113.jpeg

Ireland's Emperor of Ice Cream has announced their new 'Weather Vane' single, set for release on August 24 via FIFA Records. Mixed and produced by Graham Finn, this single was mastered by Tom Volpicelli (The Who, Iggy Pop, The Alarm, Pat Benatar, The Bloodhound Gang) at The Mastering House in New Jersey.

At the same time, they present an audio-visual taster of the B-side 'High Rise Low Rise', a song about growing up amongst friends, who are viewed as misfits, oddballs and freaks. Nevertheless, the ideas and dreams that flow between these strange kids will change them all and the world around them, forever. The accompanying video was written and directed by Veronica Terreblanche and reimagined by John Haggis with the director's permission.

Almost 30 years after forming, they finally released their debut album ‘No Sound Ever Dies’ via FIFA Records. Now based in Cork, Waterford, New York and Amsterdam respectively, Edward Butt (bass), John 'Haggis' Hegarty (vocals), Graham Finn (guitars) and Colum Young (drums) decided to put out their debut album that Sony Records had shelved 25 years ago after signing the band - only better.

Returning with the new single 'Weather Vane', the band captures the zeitgeist of this isolationist day in age, where social relations can be somewhat strained. Moods, motives and expectations can sometimes make us feel like we are caught up in a tornado of emotions when a relationship hits a rocky patch. This song is about the hope that remains even when things are falling apart.

Offering driving rhythms and thumping basslines, the band lays the foundations for raw and melodic guitars, topped by elegant, lush vocals and harmonies. A natural direction for the band, they bring in a fresher and raw sound, letting the parts speak for themselves rather than enveloping them with pedals and tricks.

Since re-emerging on the scene in May 2020, Emperor of Ice Cream have embarked on a chapter few anticipated would be written. Their debut record's first anniversary is marked by a second pressing on vinyl and CD. Entering the official Irish album charts at number 35, the LP topped the independent charts and was among the top 20 best-selling Irish releases of 2020.

"It's a strange task, to make music with people you haven't been in the same room as for over two decades, but the challenge was a welcome one. Overseen by Graham from his New York abode, the drums were beautifully recorded in Amsterdam at IJland Studios by Remko Schouten, who has previously worked with Pavement, Stephen Malkamus & The Jicks and Devendra Bernhardt," says John Haggis.

"Assembling parts from home studios in Cork and Waterford, the final touches, edits and mixes were completed in NY. It's an unusual way of doing things, but with the year that world has experienced collectively, not an uncommon one these days, unfortunately.

Garnering a new legion of supporters around the globe, renewed demand for the band's back catalogue resulted in the release of a compilation album of their three early Sony-backed EPs ('Overflow', 'William' and 'Know Me'), having sold out in the pre-digital 90’s. Reaching number 21 in the official album charts, the album also rose to number 3 in the independent charts. While the limited-edition physical copies were sold out on release day, it is still available as a digital download.

On August 24, the 'Weather Vane' single will be released digitally on Spotify, Apple Music, Bandcamp and other platforms. In the meantime, the second pressing of 'No Sound Ever Dies' LP is available for pre-order on white vinyl, CD, cassette and digital download, shipping out August 27, the day before its first birthday.

CREDITS
Written and performed by Emperor of Ice Cream
Recorded by Emperor of Ice Cream
Mixed and produced by Graham Finn
Mastered by Tom Volpicelli at the Mastering House, New Jersey
Cover artwork by Edward Butt


Keep up with Emperor of Ice Cream
Bandcamp | Facebook | Twitter | Instagram | YouTube | Spotify | Apple Music | Press contact

Keep up with FIFA Records
Bandcamp | Facebook | Twitter Label | Twitter PR | Instagram |

New singles from Manchester's THE SPEED OF SOUND

"The thoughtfulness that goes into The Speed of Sound’s lyrics and music is precious. Unmistakable sound... a winning formula" ~ Big Takeover Magazine

“New Wave blood, powered by a heartbeat of 1960’s influences” ~ Louder Than War

“Distinctive traces of New York Art Rock and No Wave, often verging on the experimental and psychedelic while never losing its melody and infections catchiness” ~ Sounds

“Moody and intense, yet light and floating at the same time” ~ There Once Was A Note

“A cool mix of punk and The Byrds 5th Dimension LP” ~ Lord Litter

“Balancing spiky abrasiveness with a strong sense of melody” ~ Bliss Aquamarine

British underground music veterans The Speed Of Sound have announced the autumn release of their fifth studio album 'Museum of Tomorrow', to be issued on CD and Deluxe LP via California's Big Stir Records, 32 years to the day the band released their debut EP back in 1989.

Ahead of this, the band reveal the lead track 'Tomorrow's World' as a sweet taster of what's in store for listeners, along with an animated video. The entire 21st century seems to have been mis-sold. This song is a cry of anguish and a re-statement of what should have been. Twelve multilayered synthesizer tracks recreate a flying saucer landing at the end and the ultra-depth in the sound is from bowed bass on the verse-ends and pre-chorus.

From the opening line “We were offered Star Trek, but they fed us Soylent Green” - which is etched into the vinyl - science fiction abounds within the music, positioning The Now simultaneously in the Future and in the Past. We all exist on the edge of forever.

Conceived as two seamless sides, the vinyl edition of this record was mastered as two complete extended pieces: Gallery One and Gallery Two. Korg synthesiser lines, reminiscent of classic Science Fiction incidental music and sound-collages, link the gapless songs.

To date, The Speed of Sound has released eight singles via Big Stir, but 'Museum of Tomorrow' is an all-new experience. While each of these 13 new songs could have been a single, they are gathered in an organically homogeneous collection, showcased within the 'Museum Of Tomorrow'. This is an album made manifest by and for people who like albums.

This is future retro modern music, rooted in a definite 60’s influence but with an 80’s twist. Influenced by The Byrds, Small Faces, The Chords, Siouxsie & The Banshees and XTC, with female and male vocals, The Speed Of Sound merges the power of punk with the floating harmonies of The Byrds. Their sound and alphabetical order places them between Sonic Youth and Dusty Springfield.

The Speed Of Sound formed in Manchester in 1989 with a pre-history dating directly back to the day Andy Warhol died in 1987. Dwelling deep below the ‘music industry radar’ has allowed for the evolution of their own distinct sound, their live act often described totally differently with comparisons from The Stranglers and Television to Jefferson Airplane and The Who.

The Speed Of Sound has continuously produced music that is optimistic and with lyrical bite, a punk-inspired DIY ethos and lust for experimentation rooted in psychedelia. While players have come and gone, the current lineup has largely been the same for four years, including father and son John Armstrong (guitars and vocals) and Henry Armstrong (keyboards), Ann-Marie Crowley (vocals and guitar), Kevin Roache (bass guitar) and John Broadhurst (drums).

'Tomorrow's World' is out on August 13 and will be available via Apple Music and Spotify. On September 17, the 'Museum of Tomorrow' LP will be released digitally, on CD and limited-edition 170g heavy weight vinyl with a choice between black and glorious colour. Vinyl orders include a 16-page full-colour A5 printed Exhibition Guide containing lyrics, full-colour inner sleeve, a separate picture insert, a sticker, a pair of badges/buttons and a bookmark. The album can already be pre-ordered in all formats from Big Stir Records' site.

CREDITS
Written by John Armstrong
John Armstrong - guitars and vocals
Ann-Marie Crowley - vocals and guitars
Kevin Roache - bass guitar
John Broadhurst - drums
Henry Armstrong - keyboards
Recorded at Vibratone Sound Studio, Manchester
Engineered by Adam Crossley and Chris Guest
Mixed By Adam Crossley, Chris Guest and The Speed Of Sound
Mastered by Adam Crossley and Chris Guest at Vibratone Sound Studio
Sleeve front / Artwork by Local Hotel Parking


Keep up with The Speed of Sound
Website | Facebook | Twitter | Instagram | Soundcloud | YouTube | Apple Music | Spotify | Press contact

Keep up with Big Stir Records
Website | Bandcamp | Facebook | Twitter | Instagram | Mixcloud | YouTube

Manchester's Caulbearers radiate love on 'Burst Through The Borders' single

"Impressive... what it might sound like were you to cross Bill Laswell and Massive Attack with Laura Marling and Mojave 3... stellar, believable and inspiring. With a tandem of female and male vocals and lyrics that are heartfelt, hopeful and genuine" ~ Big Takeover Magazine

“Funky and original in such a quirky way that the sauvé jazz-infused style and improv mindset create such a tasty track that you find yourself giving multiple listens within the same sitting. All music should be this progressive” ~ Jammerzine

"Caulbearers have been one of the city's forward-thinking musical forces. A unique blend of genres backed up with a commitment to alternative lifestyles which brings real soul to their various endeavors" ~ Danny Moran (Northern Soul)

“With so much new music clamouring for attention now, Caulbearers deserve a place in your heart because they are thinking about the world and offering optimism where others are just ranting“ ~ 160 gig blog

Image 4-3-21 at 7.39 AM.JPG

Manchester-based Caulbearers present their new single 'Burst Through The Borders', influenced by modern, urban existence and celebrating the sacred in the everyday and the supposedly mundane. The fantastic single cover artwork was created by James Roper.

Caulbearers are a Manchester-based collective of musicians, formed in 2007 and led by Damien Mahoney, with contributors hailing from around the UK and Europe. A DIY ethic has coursed through the band’s work, including releases, design, production and much of the recording process. This hybrid ensemble is known for blending diverse musical styles and fusing them together on stage, weaving nu jazz and folk with elements of hip-hop, funk, dub, soul and afrobeat.

Written in 2017, the song’s lyrics for 'Burst Through The Borders' were inspired by timeless texts by authors such as Idries Shah, Kahlil Gibran and Neil Douglas-Klotz whilst simultaneously dreaming of a beautiful revolution occurring in the markets, pubs, boardrooms, hospitals and schools of our towns and cities.

“As a species, we have so many difficult challenges to find solutions for, that it can feel overwhelming to know where and how to start. I wanted to write something that had a total faith in the possibility of change, in the ability to transcend the complexities of our modern lives with simplicity. The song imagines this energy of love flooding through the world and transforming the institutions and purposes of our societies and our lives. By its nature, it dismantles the barriers that cause hardship for so many and the borders that separate us from each other. I wanted to write something that included everyone and everything. I was imagining this powerful force, reaching and filling up all these places and the people in them, leaving no one behind," says Damien Mahoney.

Mixed by Seadna Mcphail (Badly Drawn Boy, Jah Wobble, Everything Everything, I Am Kloot, Happy Mondays) and mastered by Jim Spencer (New Order, Johnny Marr, Charlatans, Factory Floor) at Eve Mastering in Greater Manchester, this track features numerous renowned musicians. Among them are drummer Howard Jacobs (808 State, Beth Gibbons, Homelife, Toolshed), guitarist Anton Hunter (Beats and Pieces Big Band, Article XI), cellist Stefan Skrimshire, bassist Nicholas Malin, and additional acoustic guitar by Andrew Mucha. Ruth Blake joins Damien Mahoney on vocals, while acclaimed composer and polyrhythmic pioneer Edward Chilverscontributes piano.

Along with the A-side, Caulbearers presents a stunning b-side - 'Solid Supposed' featuring Ruth Blake, whose latest single 'Brave Ships' was produced by Damien Mahoney. Not long ago, Caulbearers also released the single 'Over Comes A Cloud', which marked the beginning of a blossoming relation with Blake.

"This song is concerned with the macro and the micro of our experience: The wider, universal picture and the tiniest detail, with a gaze of love and compassion for all and a much needed sense of humour for the cosmic joke that we find ourselves part of. Out of states of difficulty and uncertainty sometimes come the more positive songs! The words can be the healing themselves, a reminder of a way out or through; that all is not lost, that transformation and renewal are possible," says Damien Mahoney.

Caulbearers' music and sound is influenced by an eclectic range of artists, including Bill Laswell, Toots & The Maytals, Massive Attack, Radiohead, Curtis Mayfield, Talking Heads, Andy Weatherall, Brian Eno, Lee Scratch Perry and The Specials.

'Burst Through The Borders' can be pre-ordered from all digital platforms including Bandcamp and Apple Music and will be released on April, 29th 2021.

CREDITS
Written, produced & edited by Damien Mahoney
Rhythm and guitar tracks recorded at Airtight Studios in Manchester
Vocal & instrument recording by Damien Mahoney at his Padded Cell studio
Mixed by Seadna Mcphail
Mastered by Jim Spencer at Eve Mastering in Greater Manchester
Video directed by James Stirzaker & Damien Mahoney
Filmed by Elizabeth Murphy, Damien Mahoney, James Stirzaker, Elia Santini, Richard Smith and Amii Priestley
Video editing & post-production by James Stirzaker
Single cover artwork by James Roper
Photos by Jan Schoof. Collages by James Stirzaker


Keep up with Caulbearers
Website | Bandcamp | Facebook | Instagram | Twitter | Soundcloud | YouTube | Apple Music | Spotify | Press contact

Keep up with Ruth Blake
Website | Bandcamp | Facebook | Twitter | Instagram | YouTube | Soundcloud | Apple Music | Spotify