TOMBS Unveils Ticket Link for Upcoming Bandcamp Concert Stream

New York/New Jersey metal formation TOMBS will be performing their very first virtual concert on February 5 @ 3:00 P.M. EST // 21:00 CET via Bandcamp, making the band the first metal artist to premiere a live stream through the platform. The band will be present for a live meet and greet and will be selling some exlcusive merchandise items! Tickets are now available at THIS LOCATION.

TOMBS is currently supporting their latest full-length, 'Under Sullen Skies,' which was released in November of 2020. The record has been named one of the best metal releases of 2020 by Metal Insider, Decibel Magazine, The Pit, Riff Magazine, Chicago Music Guide's Global Music Podcast, and others while drummer Justin Spaeth has been dubbed one of the best drummers of 2020 by Sick Drummer Magazine.

In addition, TOMBS previously premiered the official music video for their new song, "The Hunger," which pays homage to cinema's most infamous vampires! The song and video, which was created by Jaclyn Sheer, can be found at THIS LOCATION.

'Under Sullen Skies' can be streamed, downloaded, and ordered HERE.
There’s a line from Mike Hill’s audiobook/tour diary of ANODYNE’s 2004 European tour in which the gravel-throated frontman affirms, “I will always outwork you.” In that case, Hill was referring to an incident in Germany early on during a six-week long overseas jaunt with his previous band. In actuality, however, he could have been talking about any instance between when he first picked up a guitar as a teen and the present. Whether it’s his history dating back to previous bands OTIS, ANODYNE, KING GENERATOR or VERSOMA, his ongoing solo work in VASILEK, the more recent SCORPION THRONE project or his thirteen year reign as the driving force and nerve center of post-black metal institution TOMBS, hard work is second nature and nothing will keep the guitarist/vocalist from creative endeavor and expression. And it’s not just music in which his propulsive work ethic has gleaned results: Hill also is the CEO and roast master at Savage Gold Coffee (a labelling nod to TOMBS’ 2014 album of the same name), the host/producer/creator of the Everything Went Black podcast, host and producer of Gimme Radio’s Metal Matters flagship podcast, the creator and co-host of horror podcast Necromaniacs as well as a stalwart in the print and online journalism world covering music and MMA fighting. His is, has been and always will be a life steeped in dedication and with unassailable drive in the cross hairs. And despite the world being put on pause, Hill refuses to curtail his innate determination and ongoing tenacity with the result being TOMBS emerging with the next chapter in its impressive catalog and growing legacy: the band’s fifth full-length, 'Under Sullen Skies'.

“The week VERSOMA broke up in 2007, I started TOMBS,” he says, recalling how, characteristically, the band started before any dust was permitted to settle. “The initial rehearsals ended up being the bulk of material that showed up on the first [self-titled] EP. The intent from the beginning was to get back to playing music I wanted to hear and to not be so concerned with genre or satisfying anyone else’s desires. It was to do music on a personal level and be a reflection of the darkness I’ve felt throughout my life.”

Formed in the gritty corners of pre-gentrified Brooklyn, NY, TOMBS’ early mandate was steeped in the harshness and atonality of black metal but dosed with trace amounts of the varied influences and inspirations ingrained in Hill’s musical muscle memory by previous bands. “The canon of music TOMBS has created has spanned several different genres, but I’ve always had it my intent for there to always be a certain amount of violence and hardness lurking the background.”

Those early years delivered splits and singles, the highly revered 'Winter Hours' debut in 2009 and Decibel’s 2011 Album of the Year, 'Path of Totality'. Never one to sit still, 'Path of Totality' was followed by appreciable and impressive amounts of touring in accordance with the lauding afforded by critics and fans and the braying of foes, which only served as fuel for Hill’s perseverance. Savage Gold came three years later after which a restless Hill began nudging TOMBS’ black metal base into territories populated by gothic and death rock artists like FIELDS OF THE NEPHILIM and SISTERS OF MERCY as well as avant-garde purveyors Caspar Brotzmann and Live Skull while never forgetting – or being able to – scrape the grime of NYC from under his fingernails. The addition of a second guitar and live keyboards/samples brought a fuller sound and allowed noise sequences and soundscapes to be brought to the live show. It was around the time of 2016 'All Empires Fall' EP that TOMBS punctuated its iconoclastic spirit and thought process. Despite then-being part of the Relapse Records family, the band struck out with the intent of self-releasing the EP in order to retain as much independence as contractual obligations would allow – retaining the digital and publishing rights while eventually licensing the record back to Relapse. A one album stint in 2017 under the Metal Blade banner birthed 'The Grand Annihilation' into the world where TOMBS took broader and more daring steps into buffering black metal with morose melody, sullen death rock and classic METALLICA chugging. Following a parting from Metal Blade, the band – now completed by drummer Justin Spaeth, guitarist Matt Medeiros and bassist Drew Murphy, who are also 3/4ths of New Jersey death metal crew KALOPSIA - quickly found a home on Season of Mist and issued the 'Monarchy of Shadows' EP literally a week before the world went into Coronavirus lockdown.

“The original strategy assumed we would be on the road for most of 2020,” says Hill with a lamenting laugh. “We had a sick tour with Napalm Death planned right after the EP’s release. We were going to record the new full-length before the tour and have it come out in the fall. There was all kinds of tour talk and plans and 2020 would have been a tour-de-force of TOMBSactivity in the United States and Europe. Obviously, none of that is happening, but we’re still going ahead with the record.”

Of course they are. Throw a hurdle in front of Mike Hill and he’ll never shy at rolling up his sleeves and taking on the challenge. Even with the world in shutdown mode, Hill is still brimming with enthusiasm about the input and work ethic of the current TOMBS lineup and how Spaeth, Mederios and Murphy stepped up to the plate in the creation of 'Under Sullen Skies'.

“Everyone contributes on this record and the door has always been open for others to do so. There has always been this misconception that I’m some sort of tyrant always telling people what to do and play. The fact of the matter is that most of the time I outwork people; that’s just the way I am. No one is ever going to outwork me on any level in any area of my life and I was always coming up with material. Now, I have these maniacs in the band who are equally motivated and there’s a whole new life injected into TOMBS. That’s awesome and I love it. These days we’ll try anything and we actually write stuff and throw it out because it’s not perfect. It’s more like a writing committee, which I really appreciate. It’s not just me writing everything. It’s a big difference from 'The Grand Annihilation' which was basically a solo record.”

'Under Sullen Skies' is this lineup’s second kick at twisting black metal’s DNA around dank emotional corners, psychological turmoil and the urban underbelly all of which is unavoidably coloured and touched by the present-day status of life on this here Earth.

“The album’s title came during all this and the sort of post-apocalyptic world we’re living in,” Hill explains. “It encapsulates an overall feeling of gloom and depression which is pretty much how we’ve been living for most of this year. The title was the last piece to fall into place. I remember standing on the roof of the building I was living in at the time on a grey day and it was raining – actually, it wasn’t even raining; it was a half-assed attempt at rain! – and depressing and I just thought, ‘What a sullen sky’ and it just stuck with me.”

The album starts with “Bone Collector,” a furious blast of melodic black metal that shifts gears towards an anthemic fist-pumping slog through the goth rock-thrash metal VENN DIAGRAM. “Void Constellation” takes as many cues from Peaceville Three gloom and doom as it does the death metal stomp of OBITUARY and INCANTATION. “Descensum” mines the various well-worn parts of Ride the Lightning for influence before blasting the doors open with some startlingly spacious chromatic single-note atonality. As the album progresses, further textures and moods are employed via acoustic instrumentation and keyboards as well as sampled soundscapes all butting heads with furious second wave black metal and sly to nods to death rock heroes SISTERS OF MERCY and FIELDS OF THE NEPHILIM, all of the band’s motivations and interests being dropped into the chameleonic pair of tracks closing the album, “Sombre Ruin” and the appropriately titled “Plague Years.”

“‘Barren’ stands out as the song that’s most collaborative,” notes Hill. “Justin wrote the bulk of the riffs on that one, that sort of NWOBHM/SCORPIONS ending part is something I came up with, Matt added a bunch of guitar harmonies over it and Drew’s bass is laid thick underneath. That one is one of the biggest group efforts and one of the strongest songs on the record.

“I explore a lot of the archetypes that are used in folklore on this record, like werewolves and vampires which I’ve always been interested in, and on a song like ‘Secrets of the Black Sun’ I talk about the finite nature of our time on this planet, that nothing is really permanent and being aware of that whether as an individual or as a civilization, which I guess fits in with the pandemic and the changes that are going on. There are all kinds of other people, civilizations and creatures that have come and gone long before us and if you think about it over a long enough time span, everyone’s life expectancy goes down to zero.”

The new album not only sees Hill expanding his creative and collaborative comfort zone by wholly embracing the offerings of his band mates, but he’s also let down the drawbridge to allow folks from beyond the immediate TOMBSfamily to include what he describes as “mad guest spots.”
“There’s Cat Cabral, who does the spoken word piece on ‘Angel of Darkness.’ She’s not a musician per se; she’s more from the occult and witchcraft world. I’ve been friends with her for a really long time and she’s a great resource for esoteric knowledge. She’s also an actress who has done plays and commercials and been in films, so I figured she’d be the perfect person to deliver dialogue in an emotionally deep way, and be good at taking direction. Ray Suhy from SIX FEET UNDER rips the guitar solo in ‘Barren’ and that solo is its own masterpiece, in my opinion. BLACK CROWN INITIATE and former TOMBS live guitarist Andy Thomas contributed a guitar solo in ‘Void Constellation.’ Todd Stern from PSYCROPTIC plays the solo in ‘Mortem.’ Sera Timms from IDES OF GEMINI and BLACK MATH HORSEMAN does guest vocals on ‘Secrets of the Black Sun.’ We’ve got INTEGRITY’s Dwid Hellion singing the chorus on ‘The Hunger’ and BLACK ANVIL’s Paul Delaney also doing a couple of verses on ‘Angel of Darkness.’ So, yeah, there are a bunch of people on there and it’s like a community effort which I enjoy. I like involving people I respect and having them be a part of the whole thing.”

After spending his entire adult life navigating the pitfalls and pratfalls of the industry for expressive and creative opportunity, Hill has amassed an impressive legacy, one that 'Under Sullen Skies' contributes to admirably and irreverently. Like most, the extreme music underground lifer and veteran is probably justified in approaching the future with very muted optimism, but while the world works at screwing its head back on straight, Hill is going to do what he wants to do as well as he possibly can. Uncertainty may reign at the moment, but Hill and TOMBS are still going to do their thing and will be content to please themselves in the process. If anyone else happens to be along for the ride, then welcome aboard.

“'Under Sullen Skies' is a dark and introspective album,” he asserts. “It’s not a happy record that anyone is going to use to get pumped up on a Friday night. We wanted to pull out the stops, go full-on and make a nice body of work. I could care less if anyone likes the band or not because I’ve been through so many ups and downs with this thing that I don’t give a fuck if people enjoy the music. I know I like it, I know the guys in the band like it and we’re just rocking and rolling. This record and the EP came out about as close as I could imagine to what I have in my brain about how this band should sound. The whole trajectory of the band has had each record never quite hitting, but 'Monarchy of Shadows' and 'Under Sullen Skies' have both really come out how I envisioned the songs to be.”

Line-up:
Mike Hill – guitars, vocals, electronics, synth
Matt Medeiros – guitars
Drew Murphy – bass, vocals
Justin Spaeth – drums, guitars, electronics, synth

Guest Musicians:
Cat Cabral – Spoken Word Dialog on “Angel of Darkness”
Paul Delaney (BLACK ANVIL) – additional vocals on “Angel of Darkness”
Dwid Hellion (INTEGRITY) – additional vocals on “The Hunger”
Todd Stern (PSYCROPTIC) – guitar solo on “Mordum”
Ray Suhy (SIX FEET UNDER) – guitar solo on “Barren”
Andy Thomas (BLACK CROWN INITIATE) – guitar solo on “Void Constellation”
Sera Timms (IDES OF GEMINI, BLACK MATH HORSEMAN) – additional vocals on “Secrets of the Black Sun”

Recording and Mixing: Fright Box Studios, Clifton, NJ, USA

Mastering/Producer/Sound Engineer: Bobby Torres

Cover Art: Valnoir

Bio: Kevin Stewart-Panko

Links
https://www.facebook.com/TombsBklyn/
https://www.instagram.com/tombscult/
https://twitter.com/TOMBS666
https://tombscult.bandcamp.com/
EverythingWentBlack.podbean.com

Shop: https://redirect.season-of-mist.com/tombs-skies

For more on TOMBS, visit their official FACEBOOK, TWITTER, INSTAGRAM, and BANDCAMP.

THE RETURN OF DANCE PUNK: DEATH FROM ABOVE 1979 ARE BACK

Death From Above 1979 (DFA), the boundary-pushing musical alliance of Sebastien Grainger and Jesse F. Keeler, have released their new single, "One + One."

"One + One" arrives as an unmistakably DFA-esque track and is the first taste of new music since their 2017 release Outrage! Is Now.

"'One + One' is a love song," says Grainger. "It's the karmic sequel to 'Romantic Rights.' My wife, Eva, became pregnant not long after we started working on the song, and after hearing an early version she said, 'I wish this song was dancier.' So I went back into the studio and re-worked the drums. As the record was taking shape, every time I would come home from the studio, the baby would start dancing in Eva's belly. Even before I walked in the room, the party would start. One plus one is three — that's magic!"

The music video, created as a collage of disparate frames and moments inspired by the photography of artist David Hockney, was shot in Marmora, Ontario, and directed by Eva Michon, who also helmed the band's documentary Life After Death from Above 1979 (2014).

"Since we started playing, people would come up to the stage and after and say, 'I can't believe there's just two of you,'" explains Grainger. "The video for 'One + One' is Eva's way of showing that our band is greater than the sum of its parts. It's Death From Above 1979 in multitudes."

Along with the first single, the band dropped a surprise announcement of their fourth LP, Is 4 Lovers, out March 26. It is available for pre-order here.

The new album, which Grainger and Keeler wrote, produced, mastered, and recorded entirely by themselves, captures the creation of a totally new sound and a reimagining of the format they created more than 20 years ago.

With the band leaving subtle hints at what was to come across social platforms over the past few months, fan response at launch, and in anticipation of new music, has been ferocious. Adding to the hype, on January 18, fans were invited to call a hotline, where the lyrics of "One + One" were recited in a dramatic reading by Keeler. With calls flooding in leading up to the single's official announcement on January 25, the news of a forthcoming album leaves fans, fondly referred to as "Lovers," counting down the days to the album's release.

An exclusive line of DFA merch, including a limited edition autographed vinyl that is exclusively available only on the DFA store launched today, is available here.

DFA has never sounded more assuredly like itself than it does on Is 4 Lovers.

ABOUT DEATH FROM ABOVE 1979 (DFA):

Death From Above 1979 (DFA), the boundary-pushing musical alliance created by Sebastien Grainger and Jesse F. Keeler, roared out of Toronto with the uncompromising one-two punch of 2002[s fuzz-bomb EP Heads Up and 2004's epochal debut album You're a Woman, I'm a Machine, complete with a North American arena tour with Nine Inch Nails and Queens of the Stone Age, before deciding mid-tour to part ways due to the strain of constantly touring.

Almost a decade later, the rekindled DFA fireworks lit stages around the world ablaze — amassing a posse of fans so passionate they incited a genuine, barricade-smashing riot at Austin's Beauty Bar at the 2011 SXSW festival. Playing Lollapalooza, Coachella, Glastonbury, Reading/Leeds, Osheaga, Lowlands, and more, DFA continued to take the world by storm. Their second album, The Physical World (2014), took a No. 3 spot on the Canadian Billboard album chart and peaked at No. 28 on the U.S. Hot 200 — not to mention No. 3 and No. 7 shots on Billboard's Top Alternative and Top Rock registries, respectively. TV appearances around their first two albums on iconic late-night shows including David Letterman, Conan O'Brien, and Jimmy Fallon showed a whole new audience the DFA live goods.

Arriving at No. 20 on the Canadian Billboard album chart, DFA's scorching 2017 outing, Outrage! Is Now prompted Pitchfork to remark that "Death From Above now sounds more vital than ever." With three smashing albums to their name, the duo drummed up an easy 10 million views before going silent once more, to the dismay of fans.

Now, DFA is back with the return of their new album, Is 4 Lovers — once again creating a new sound and reimagining the format they created more than 20 years ago.

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BAND SHARES VIDEO FOR NEW SINGLE "ONE + ONE"

NEW ALBUM IS 4 LOVERS SET FOR RELEASE ON MARCH 26

PRE-ORDER HERE

Midwestern power trio The Party After has released their newest single, aptly named “Groundhogs”, now available on all digital outlets.

With an accompanying animated video, featuring psychedelic, over-the-top visuals created by Ellefson Films and Johnny's Bros Creative Studios.

The video, directed by Thom Hazaert for Ellefson Films and Ismar Rodriguez for Johnny’s Bros, Animated by Ismar Rodriguez, and Produced by Ewar Acosta and Thom Hazaert, documents the transformation of a single groundhog's normal day, into a mind-bending trip through a wild evening in the deep, dark woods.

Says Hazaert, “The band came to me with the idea of doing an animated video, and wanting me to direct, and put together an animation and creative team to make it happen. I had previously had some discussions with my friends at Johnny’s Bros Creative Studios, an amazing animation house, about working on some projects together, so we figured this would be a great opportunity to do so. We came up with a rough concept, and they set Ismar loose on the animation, who tweaked the concept as he went, and really brought it to life.”

He adds, “As we were completing it, David and I had just launched Ellefson Films, and announced Dwellers, so I thought it would be fun to park it under that banner, and expand the scope of what we were doing over there. Even though it’s a pretty dark video, it really has nothing to do with Metal, or horror, or any of the kinda typical things I think people would expect, but it’s definitely, at times, a pretty disturbing and dark visual, that aligns perfectly with the mood of the song. Either way, the reaction has been amazing, and I’m so excited to finally release it, after sitting on it for months, waiting for, you guessed it, Groundhog Day.”

“Groundhogs” on Apple Music: http://itunes.apple.com/album/id1550416869?ls=1&app=itunes

Spotify: https://open.spotify.com/album/4jQBjLkeaJGSlMqjQhxs3t?si=DFvSWrteSOS_LHO6XdOUDQ

The Party After is composed of Jared Gottberg, Derek Talburt, and Tony Bates, who had, ironically, previously played together in a now defunct group known as A Wasted Effort. When that group disbanded, the trio started releasing music under the new moniker, with their debut single “Philophobic” in February 2019, going on to release a handful of additional singles, leading up to the current release of “Groundhogs”.

Ellefson Films is a film production studio formed by Megadeth bassist David Ellefson, and partner Thom Hazaert, currently producing the upcoming found-footage horror film Dwellers, directed by Drew Fortier, making the 2021 film festival rounds. Hazaert, under his THC Films banner, has produced multiple independent features including the music business documentary Long Way To The Top, featuring members of Def Leppard, Weezer, Limp Bizkit, Nine Inch Nails, and more, as well as producing and directing special features for Shout Factory/Scream Factory, and more, with credits on special editions of Shocker, The People Under The Stairs, Return of the Living Dead, Army of Darkness, and Exorcist 3.

Johnny’s Bros Creative Studio is a Miami based Animation and Multimedia studio with several projects currently in development.

For More Information Please Visit:

ellefsonfilmco.com

johnnysbros.com

VREID Unveils Trailer for Upcoming Album and Movie, 'Wild North West'

Norwegian Sognametal veterans VREID will be releasing their ninth full-length, 'Wild North West,' on April 30 via Season of Mist! The conceptual record will also feature a movie companion piece. Throughout eight chapters, the listener will be taken on a journey deep into the mountains, to a dark place where the borders between reality and fantasy fade and where death is only one step behind you: The Wild North West.

VREID songwriter and bass player Jarle Hváll Kvåle comments: "Ever since February 2020, we have been working like hell on this new project. The only short break was when we hosted the livestream from my mountain farm last summer. This project has become all-consuming, and the hours we put into it is just insane. Most of the music was written during winter/early spring least year, and lyrically I started to work on this concept story. Then, me and movie producer Håvard Nesbø who did the lyric videos for 'Lifehunger' and produced our livestream started talking about taking things further. I brought up this wild idea of doing a series of music videos, one for each song and then build these together as a movie. A movie that is the actual album. Håvard who has no limits on his lunacy jumped on board, and we never looked back.

"This became the most creative adventure I have ever worked on. The whole process of writing music, recording and mixing it, writing lyrics, making the script for the movie, the actual filming and editing it and working on the design all got tangled up in one twisted world, where all these elements influenced and colored each other. It’s given a whole new dimension to our art. The result is 'Wild North West'. This as DIY as it gets, and it’s OUR story.

"With 'Wild North West' we have the whole legacy in our backpack, but with new adventures and visions fulfilled. From the most extreme and intense we have ever done to a heavy and melodic world where we open new doors. VREID's origin is rooted in the blend of the aggressive 80ies metal, the grooving 70ies heavy rock and the northern black metal of the 90ies. This is our DNA and this is the spirit of Sognametal.

"Welcome to the Wild North West."

The cover for 'Wild North West,' which was created by Remi Juliebø (Deformat Design)

From its tumultuous inception, the Norwegian metal scene has always been about pioneering. While embracing the illustrious black metal history as part of their musical heritage, the many iconic bands have now evolved in various directions. Leading the black ‘n roll movement in Norway, VREID are the perfect example of that. The band arose in 2004 from the ashes of WINDIR after the tragic perishing of Terje ‘Valfar’ Bakken. The Sognametal legends declared the mission of exploring new musical paths, which they have pushed to even greater heights on their new record ‘Wild North West’.

The ninth record is not just a collection of songs, but a concept album that developed alongside an entire movie. Throughout eight chapters you will be taken on a journey deep into the mountains, to a dark place where the borders between reality and fantasy fade and where death is only one step behind you: The Wild North West. Not just in sheer size of the project but also in terms of music videography, creativity, and determination, VREID have done something truly unique and lifted their art to a new dimension.

On the concept, founder and bass player Jarle Hváll Kvåle states: "Wild North West is a concept story about life itself and its eternal shadow: death. It is built around the world of our fictional character E, but it is surely inspired by my own life, my band’s life, historical events and many tales that have inspired me over the years. Is it a true story or fictional? I would have to say both, and sometimes is hard tell the difference.”

‘Wild North West’ features the most extreme and intense work of the band to date, as well as heavy and melodic rock songs. These influences have always been a part of VREID’s DNA, and it is this combination that makes up the spirit of Sognametal. A remarkable homage to that same musical spirit is the song “Into the Mountains”. The ideas for that track were written in 2002 by Jarle ‘Hváll’ Kvåle and Terje ‘Valfar’ Bakken (WINDIR). Inspired by these ideas, Hváll wrote the song and included the original demo keyboard tracks from 2002, recorded back then by Valfar.

VREID have always chosen a course of constant evolution that is marked by thematically denoted phases regarding their often historically inspired lyrics. This became particularly clear with albums ‘I Krig’ (2007) and ‘Milorg’ (2009), which both revolved around concepts dealing with resistance and liberation of Norway during World War II. With their following three records, the pitch black brigade returned to their Norse roots on ‘Sólverv’ which received high critical acclaim in 2015.

In 2018, the Norwegians teamed up with Season of Mist for their previous full-length ‘Lifehunger’, a record that successfully blended elements of 70’s rock, 80’s classic metal, and Norwegian black metal and which featured a remarkable guest contribution from SÓLSTAFIR’s vocalist Addi Tryggvason on the track “Hello Darkness”.

VREID have hammered out their success partly by being a heavily touring band. The four-piece performed more than 500 shows in 25 countries so far. Their everlasting march to conquer new territories has led the Norwegians to headline tours in Europe, North America, Japan, and India.

The band’s onward march did not come to a halt in 2020, a year that will go down as devastating for the international music scene. VREID launched their own beer, which turned out to be the biggest success of the Balder Brewery as the first batches were sold out immediately. Instead of waiting to be able to tour again, the Norwegians invited the fans to their home region and hosted a massive streaming concert among the beautiful mountainous surroundings of the Sognefjord. The concert, ‘Into the Mountains of Sognametal’ took place in June 2020 was viewed by over 140.000 people from more than 40 countries.

In 2021, VREID will once more invite the fans to their dark, cold, and wild universe but tread carefully as from these haunted mountains, no man can descend.

Welcome to the Wild North West.

Style: Norwegian Black 'n Roll

Cover artwork: Remi Juliebø (Deformat Design)
Photography: Nesbø & Talle, animated pictures by Remi Juliebø (Deformat Design)
Videography: Håvard Nesbø

Recording studio: Studio 1184 & Nabolaget Studio
Producer / sound engineer: Jarle Hváll Kvåle / Anders Nordengen
Mixing studio and engineer: Jarle Hváll Kvåle / Helge Bentsen
Mastering studio and engineer: Fascination Street by Tony Lindgren

Recording line-up:
Jarle Hváll Kvåle: Bass, keys, additional vocal and guitars
Sture Dingsøyr: Vocals & Guitars
Jørn Holen: Drums
Stian Bakketeig: Guitars

Guest musicians:
Terje ‘Valfar’ Bakken - Keys on “Into the Mountains”
Espen Bakketeig - Additional keys on “Wolves at Sea”, “Dazed & Reduced”, “Shadowland”
Eli, Helena, Anna - backing vocals on “Into the Mountains”

Pre-sales: available soon

For more in VREID, visit the band's official BANDCAMP, INSTAGRAM, FACEBOOK, and WEBSITE.

Thrash Metal Giants EVILE Return with Brand New Album!

Hell Unleashed out April 30, 2021 via Napalm Records

Pre-Order HERE

Since their formation in 2004, British thrash titans EVILE have been turning heads and taking names, delivering four pure thrash offerings blended with an uncompromising death metal assault! Their upcoming fifth studio album, entitled Hell Unleashed, will impact the metal masses on April 30, 2021 via Napalm Records, and is the long-awaited successor to their 2013 release, Skull. Featuring the new exciting line-up formation of the talented Ol Drake on vocals/guitars and new member Adam Smith of RipTide as rhythm guitarist, Hell Unleashed is a raucous and masterful thrash metal attack!

Ol Drake comments:

"After a long eight years, EVILE is finally coming back with our fifth studio album, 'Hell Unleashed' in April; a nine-track onslaught of unrelenting Thrash Metal. I have no qualms in saying that this is the best Thrash Metal album in at least the last 20 years. Those who haven't been keeping up with EVILE may notice a change in vocals and vocalist. Matt left the band last year for health and personal reasons, and we decided it would be best to keep the new vocalist a familiar face within the band, so I stepped into the vocalist shoes, while remaining on lead guitar and I'm very happy and excited to do it - one of my heroes is Chuck Schuldiner, so it made sense to me; EVILE needs to sound evil and vile, and we've achieved that more this time with a much more aggressive approach on 'Hell Unleashed.'"

In celebration of their return and the announcement of Hell Unleashed, the band has just revealed a blistering music video for the album’s title track! With double the amount of power, twice the speed, untamed brute and blazing riffs, “Hell Unleashed” will propel old and new fans to the status of eternal mayhem and thrash euphoria.

Ol Drake adds:

"The title track 'Hell Unleashed' is the first single/video we're releasing, directed by James Mansell, who I previously worked with on some short films of his. We spoke for a while about maybe doing a music video for EVILE and I'm so glad we did, as we're so happy with the result. We chose the title track as the first single as we wanted the first track you hear from us in so long to be a straight-to-the-point smack in the face and this definitely delivers. (**WARNING: The video contains flashing**)"

On their forthcoming album, the newly staffed four-piece strikes again on nine explosive tracks, leaving nothing but a hammering world of sound taken apart by thrash. Endangering guitar lines, which quickly build up to a furious thrash manifesto and attack the eardrum at breakneck speed, meet the merciless velocity EVILE are known and loved for.

Hell Unleashed was produced by Chris Clancy at Backstage Studios, UK, and will not only feature some explosive guest backing vocals from American actor, musician and comedian Brian Posehn, who highlights the band’s irrepressible, speeding energy on the track “Gore”, but the album will also include a cover song:

Ol Drake continues:

"This is the first album EVILE have done to include a cover song in the tracklisting. I've been a big fan of death metal for a long time, and seeing as this album is on the more extreme side of Thrash vocally and musically, we thought it was a perfect opportunity to cover Mortician's 'Zombie Apocalypse'. It has one of the greatest riffs in it!

We're also very excited about the return of the legendary Michael Whelan (Sepultura, Obituary, Stephen King) as cover artist. He did the art for our second album and he's always a pleasure to work with."

Pre-Order Hell Unleashed NOW:

In North America, Hell Unleashed will be available in LP format in black vinyl, as well as in limited edition red vinyl (limited to 200), CD Jewel Case and digital formats. A special Limited Diehard Edition is also available, including an LP in Red/White Splatter vinyl, as well as an exclusive Artprint and band logo patch (limited to 100)!

Limited Diehard Edition: LP Splatter Red/White + Artprint, Patch - limited to 100

In just 41 minutes, Hell Unleashed unchains the unbridled forces of hell, catches some rousing demons of the past and provides classical thrash metal with a contemporary yet hard-edged touch. EVILE are back – straight from the abyss!

EVILE is:

OL Drake - Vocals & Lead Guitar

Ben Carter - Drums

Joel Graham - Bass

Adam Smith - Rhythm Guitar

MEMORIAM Release First Trailer for New Album 'To The End' Out March 26 on Reaper Entertainment

Onwards into battle, one more time...In the two years since MEMORIAM released 'Requiem For Mankind', the band haven't rested on their laurels. Their fourth studio album, 'To The End', is due for release on March 26 via Reaper Entertainment.

Today, the band presents the first album trailer for this upcoming record. Check it out and get more info about, how Spike did join the band and about the album recordings:

The lyric video of the first digital single "Onwards Into Battle" can be seen here: https://youtu.be/goDKHYj-UFY

Karl Willetts states:

"Onwards into Battle" is the opening track from the new album "To the End". A powerful introduction that sets the tone of the album and gives the listener a taste of what is to come. Lyrically the track provides continuity from the previous album "Requiem for Mankind" and is similar in many ways to the track "Fixed Bayonets". The lyrics focus on the start of battle "Zero Hour" which is appropriate for the start of the album. Within the theme of "War" the lyrics explore the brutally of trench warfare specifically. The war continues. Let battle commence."

You can pre-order 'To The End' here: www.reapermusic.de/memoriam-end

Marking the beginning of a second trilogy of albums, To The End serves as something of a prologue to the first three MEMORIAM albums. Working backwards and narrating the life story of the leader whose demise was depicted in the first trilogy, the lyrics on the album may play out in a fictional realm, but they incorporate inspiration from real life. A central theme of war is coloured with political fulminations and everyday experiences that combine to create a cohesive and enthralling chronicle.

The four-piece returned to producer, Russ Russell, for the recording of To The End. For the first time, the band demoed the songs and entered the studio with a new level of preparedness. Coupled with their close relationship with Russell, this created an environment that allowed for greater experimentation, as demonstrated by the diverse array of textures and sounds present on the nine tracks on the album.

From the earliest days of the band, they had their eye on the art of Dan Seagrave (Benediction, Dismember, Hypocrisy, Suffocation, etc) as an accompaniment to their music. Having created the artwork for the first three MEMORIAM albums, he has also created the cover for To The End.

MEMORIAM are:

Karl Willetts | vocals (ex-BOLT THROWER)

Frank Healy | bass (ex-BENEDICTION)

Spike T Smith | drums (Sacrilege, Conflict, Killing Joke, The Damned)

Scott Fairfax | guitars (AS THE WORLD DIES, ex-BENEDICTION live)

MEMORIAM online:

https://www.facebook.com/Memoriamuk2020

John & Aimee Oates, Drive Entertainment Group and NugsTV are excited to announce more amazing artists who have recently signed on to perform and raise funds for Feeding America®

on March 20, 2021 at 8 PM EST. Sharing duties as John’s co-host will be the mysterious, mystical and musical internet sensation Saxsquatch.

“We estimate approximately 50 million people could face food insecurity due to the ongoing economic fallout from COVID-19 and recovery will be long,” said Feeding America CEO Claire Babineaux-Fontenot. “We are deeply grateful to John & Aimee Oates and all of the participants of Oates Song Fest 7908 for helping to raise awareness and funds to continue our support for our neighbors in need.”

Newly Announced Artists:

Dan+Shay / Michael McDonald / Darius Rucker / Sara Bareilles / Gavin DeGraw / Jewel / Matt Nathanson, Infinity Song, Louis York , and Quinn Sullivan.

In addition to the all-star line-up of:

Dave Grohl, Daryl Hall, Bob Weir, Sammy Hagar, Jim James, Keb Mo, Shawn Colvin, Michael Franti, Big Kenny, Malina Moye, Sheila E, and Jim Lauderdale.

Plus, celebrity guest appearances by Tichina Arnold, Monica, Angie Harmon, Mike Wolf (American Pickers), The Professor (Basketball Genius), Hayley Orrantia (Goldbergs), and Margo Rey.

Streaming link | Oates Song Fest

Prior to the show, Nug.TV will stream a special, exclusive, one on one, in depth interview with Oates and Grammy winning, super producer Dave Cobb from the historic RCA Studio A in Nashville where he works. John will be talking to Dave about his musical influences and how he works with incredible legendary and award-winning artists to help them realize and record their songs. In addition, over the next few weeks leading up to the show, Oates will be hosting a series of Instagram Live interviews with some of the artists who will be performing.

During the broadcast of “Oates Song Fest 7908” viewers will be able to donate via a unique QR code and at www.feedingamerica.org/oatesfest.

For more information : https://johnoates.com/oates-song-fest-7908/

Icelandic Modern Prog-Rockers THE VINTAGE CARAVAN Announce New Album: Monuments, out April 16

Pre-Order HERE

Watch the Official Video for New Single “Whispers”

Pre-Order "Monuments" from The Vintage Caravan here: https://smarturl.it/TVC-MonumentsFacebook: http://www.facebook.com/vintagecaravanInstagram: http://www.i...

Nordic favorites THE VINTAGE CARAVAN are pleased to announce the upcoming release of their new full-length album, Monuments, out April 16, 2021 via Napalm Records! The band incorporates a fountain of modern influences mixed with retro reminiscences to create an addictive sound all their own.

After countless high-voltage live performances at festivals such as Roadburn, Wacken and Hellfest, and touring with Opeth, the Icelandic band’s new full-length impressively demonstrates that they have matured both musically and lyrically, accented by bold, nostalgic nuance. Virtuosic ‘70s-inspired guitar ruminations encounter an irrefutable mixture of fresh elements and psychedelic, progressive and blues rock trademarks on Monuments, radiating the soul of some larger-than-life bands of the past as these youngbloods breathe new life into a classic formula.

Cut from Monuments, their first new single, “Whispers”, showcases the band’s musical progression without sacrificing the retro-inspired staples they’ve become renowned for. The accompanying video takes its viewer straight into the hearts and studio of the band, connecting with lucid live-music vibes. Above all, the performance video also highlights the band's musical passion and provides an intimate glimpse into their sonic work.

THE VINTAGE CARAVAN on the new single “Whispers”:

“First single is Whispers! It was one of the first things we came up with for the album. We always try to start our albums in a strong and powerful way and it felt fitting as an opener. Hope you like it as much as we do! Enjoy!!”

On 11 diverse tracks, these fast-rising musicians from Reykjavik truly cast a spell on fans of bewitching, guitar-driven classic and blues rock influences. The album opener, “Whispers”, clearly showcases the band’s musical progression without sacrificing their tried-and-true, retro-inspired sonic trademark. “Crystalized '' convinces with light blues influences, encircling the listener in enchanting guitar lines and quickly rising to the full extent of its power while evoking anecdotes of retro nostalgia. “Can’t Get You Out Of My Mind” takes its listener on a blistering ride through pounding drums, intense guitar solos and an undeniably catchy chorus, while tracks like “This One’s For You” represent a stunning blueprint in THE VINTAGE CARAVAN’s musical universe with unconventional, surprisingly calm melodies and Óskar’s gripping, tranquil vocal power. In contrast, bold drumming merges with fast-paced riffs, enveloping an impressive galloping vortex and pronouncing tracks like “Dark Times” and “Said and Done” as top notch rock pieces. The softly plugging, atmospheric sound of album closer “Clarity” symbolizes the crowning culmination of a 60-minute journey through the eternal landscapes of Iceland and the poetic lyricism of the trio.

With their new studio-album, Monuments, and its captivating, stellar arrangements, these rising stars definitely know how to put their very own stamp on the retro rock wave!

Pre-Order the New Album Monuments NOW:

THE VINTAGE CARAVAN on the new album:

“We are proud to present to you our new album Monuments!! This one has been long in the making and we truly believe this is our best work so far. We went into a legendary Icelandic studio, Hljóðriti, during the stormiest season of last winter and tracked non stop for 22 days, working around the clock to get as much done as possible. Luckily enough we finished tracking just before the pandemic hit.

Having worked with producer Ian Davenport on our previous album Gateways we were comfortable and inspired to take the album to new heights in terms of sound, feel and songwriting. We ended up with quite a diverse set of songs through an interesting and in many ways different process than our usual recording sessions. It was a great feeling to get to experiment more with our sound in so many different ways. We hope you'll enjoy the journey through Monuments!"

Monuments will be available in North America in the following formats:

- 1 CD Digipak

- 2 LP Gatefold Vinyl Black

- 2 LP Gatefold Vinyl Marbled Yellow/Red - limited to 300 copies

- Limited Diehard Edition - 2 LP Gatefold Vinyl Multicolor Splatter + Patch, Slipmat - limited to 200 copies

THE VINTAGE CARAVAN are:

Óskar Logi Ágústsson – lead vocals, electric guitar

Alexander Örn Númason – bass guitar, backing vocals

Stefán Ari Stefánsson – drums, percussion

MY LIFE WITH THE THRILL KILL KULT Announce Upcoming, New Compilation Album, 'SLEAZY ACTION'!

On 02/22/21, Gothic-Disco legends MY LIFE WITH THE THRILL KILL KULT will release Sleazy Action a compilation of 12 previously unreleased remixes by TKK’s BUZZ McCOY, highlighting the group’s past 12 years on SleazeBox Records. The album also includes tracks from related side-project BOMB GANG GIRLZ and new songs by BUZZ McCOY and GROOVIE MANN’s DARLING KANDIE.

Promo for the new TKK remix compilation album "Sleazy Action". Out 02/22/21 on SleazeBox Records. sleazebox.com

Click for Merchandise and Physical CD Copy

Hailing from Chicago’s renowned Wax Trax! Records stable of recording artists, MY LIFE WITH THE THRILL KILL KULT have been conjuring up sonic tales of sex, blasphemy and kitschy horror since 1987. Along with label mates such as Front 242, KMFDM and Ministry, TKK (as often abbreviated), helped develop the industrial music genre, but they themselves continued to evolve, creating one of the most diverse repertoires in modern day music. Their sound can be described as electronic rock, heavily influenced by both disco and funk. One of their most distinctive characteristics is the use of spoken-word samples lifted from B-movies laced throughout their songs. Since debuting, they have released 13 studio albums, and their music has been featured in a variety of films, television/cable shows and soundtracks, all the while making a reputation for themselves as one of the most notorious and controversial cult bands of their generation.

Artist Franke Nardiello and musician Marston Daley, two Chicago neighbors who enjoyed late night burritos while watching foreign horror movies on VHS rented from the corner store, began conspiring to make a trashy B movie (in the style of Russ Meyer and John Waters) to be called “My Life With The Thrill Kill Kult”. While the film itself never came to fruition, they also wrote some music to be the accompanying soundtrack. Both worked at Wax Trax! Records in Chicago, and when the label heard the tracks, they were intrigued and eager to release it.

The duo took the title of the film as the name for their band, and decided to focus on the musical group full time. Taking the stage names Groovie Mann(Nardiello) and Buzz McCoy (Daley), they worked on creating an occult-biker meets disco-rock influence look for the project, which included a bevy of voluptuous back-up singers and dancers known as the BOMB GANG GIRLZ. The New York Times wrote, “Sex, blasphemy, big beats and go-go dancing; they’re all in a day’s work for My Life With The Thrill Kill Kult ”. This attracted the attention of indie fans and the ire of religious groups in practically equal measure. They released their first album I See Good Spirits And I See Bad Spirits in 1988 followed up by the hard-hitting dance floor classics "Kooler Than Jesus" and "A Girl Doesn’t Get Killed By A Make-Believe Lover Cuz It’s Hot," which featured no-wave chanteuse Lydia Lunch on vocals. By the time they released their second album, Confessions Of A Knife (1990), they were far and away one of the biggest selling acts on the label.

In 1991, the band embarked on the decadent “Sexplosion! Tour”, titled after their third album. Alternative Press reviewed the show as “Sin-sational!”. The tour was a success and the record sold so well that they signed a deal with Interscope Records shortly afterwards, and the single “Sex On Wheelz” became a sizeable radio hit.

Hollywood also embraced the group, recognizing the unique cinematic aspect of their sound. The band's music has appeared in a slew of films and tv/cable shows including, director Ralph Bakshi’s "Cool World”, Paul Verhoven’ssaucy “Showgirls”, MTV's "Beavis And Butthead", and the cult film classic “The Crow”, in which the ensemble make a cameo appearance performing their song “After The Flesh”. More recently the KULT was written into the story line of the 2014 film “Sexy Evil Genius” starring Seth Green.

THRILL KILL KULT continue to release new material via their own SleazeBox Records label (sleazebox.com) and tour extensively with a rotating cast of musicians and dubious characters, however the core of the project has always been Nardiello and Daley, both on record and in the live act. Their performances sizzle with sleaze and infectious grooves, as Melody Maker once described, "A red hot cabaret from Hell".

They begin their 4th decade this year with the release of a new album, In The House Of Strange Affairs on February 14th, and a North American tour commencing May 5th in Las Vegas. The current line-up is Groovie Mann (vocals), Buzz McCoy (keys), Mimi Star (bass), Justin Thyme (drums), Arena Rock (Bomb Gang Girl).

CULTED Shares Official Music Video for New Single, "Maze"

Blackened industrial doom collective CULTED will be releasing their brand new full-length, 'Nous,' on February 26, 2021! The band is now sharing the official music video for the third and final single, "Maze." The clip, which was created entirely by the band.

Subscribe to Season Of Mist for new releases : https://som.lnk.to/YouTubeTaken from the album 'Nous,' out on February 26, 2021! Order here: https://redirect....

"'Maze' is both a reaction and objection to the extra-ordinary, potentially dangerous, awe-inspiring, fear-inducing beliefs, rites, and objects that are often crowned sacred," explains CULTED. 'Maze' is sound ordained to render the invisible and the tangible, to make manifest the lamentable impurity of the flesh, and to make sublime the infinite distress of the soul."

'Nous' is available for pre-orders HERE.
From the icy expanse of the Canadian prairies to the Nordic coast of Sweden, industrial blackened doom collective CULTED have long been innovators of creating music remotely, transcending both literal and metaphorical boundaries for over a decade. Michael Klassen and Matthew Friesen were first approached by Daniel Jansson to collaborate on an international project and come 2008, these ideas began to coalesce, with fellow Canadian Kevin Stevenson joining the cult. The band soon recorded and unveiled their first LP, Below the Thunders of the Upper Deep (2009), as well as the EP Of Death and Ritual(2010.)

In 2013, sophomore full-length Oblique to All Paths was released upon being written, recorded, and produced in various closets, basements, dens, and domiciles. After forming a union with Season of Mist, CULTED continued their down-tempo exploration of blackened and industrial soundscapes with 2019’s mini-album, Vespertina Synaxis; A Prayer for Union and Emptiness, which was inspired by the isolation, alienation, and damnation that dominates the rime-encrusted lands CULTED inhabit. Now, the band is ready to unleash their most devastating and personal opus yet, Nous.

Nous was born in turmoil after members of the band endured a period of extreme personal experiences, both psychological and physical. The creation process was informed by disease, death, and the resulting existential crises. Instead of predetermining the direction CULTED would take with their third full-length, the band allowed the music to speak for itself as it came together organically. Nous was a result of its creators attempting to destroy or ignore the egoic (that chatter and everything outside of pure consciousness that attempts to sabotage you of peace and rob you of the moment) and instead, opening themselves up to the unidentifiable and nameless muse of sound.

CULTED further explores their relationship with doom, black metal, and industrial on yet another experimental effort in which the band’s collective agony is translated into something both nihilistic and tangible through dissonant soundscapes. Each song is a nightmare in the abyss, dragging the listener through caverns of inexplicable darkness and suffering.

Exemplifying the themes, meditations, and diatribes of the human condition, Nous, which roughly translates to “common sense” or “practical intelligence,” explores both the religious and conspiratorial processes of the mind within the framework of critical thought. According to biblical scripture, Satan convinced Eve that the most powerful of conspirators - the Father, Son, and Holy Spirit - were secretly trying to keep the first humans shrouded in a veil of ignorance, preventing them from becoming “like God” and “knowing good and evil.” Eve became the first in a long line, from Gnostics to flat-earthers, to believe powerful forces were withholding secret information. Nous attempts to know God or the inner essence or principles of created things by means of direct perception. Nous must be carefully distinguished from reason as it does not formulate abstract concepts or argue them using deductive reasoning, but rather, it understands divine truth by means of immediate experience. Thelema of the gods.

To further solidify these introspective concepts, the cover art is an interpretation of the Temptation of St. Anthony who was one of the first monks to retire to the desert to devote himself to fasting and prayer, which is an often-repeated subject in the history of art and literature, especially concerning the supernatural temptation reportedly faced by Saint Anthony during his sojourn in the Egyptian desert. The art encapsulates both the music and lyrical concept, visually.

CULTED is now inviting you to open your mind, abandon your religion, and to join the cult on this existential and devastating journey.

Lineup:
Matthew Friesen – guitar, bass, keyboards, noise and percussion
Michael Klassen – guitar, bass keyboards, noise and percussion
Kevin Stevenson – drums and percussion
Daniel Jansson – Vocals and noise

Recording:
Vocals and sound recorded at Culted home studios in Gothenburg, Sweden and Winnipeg, Canada. Drums were recorded at Bedside Studios in Winnipeg, Canada.

Producer / sound engineer:
Vocals and sound produced and recorded by Culted
Drums recorded by Len Milne

Mixing studio and engineer:
Culted via home studio

Mastering studio and engineer:
John Golden at Golden Mastering in California, USA (Neurosis, Melvins, Sonic Youth)

Guest Musicians:
Jay Gambit (Crowhurst): Additional sound treatment on “Crush My Soul”

Cover Art: Ettore Aldo Del Vigo

Pre-Sales: https://redirect.season-of-mist.com/CultedShop

Available formats
CD/Digital/LP/Merch

For more on CULTED, visit the band's official FACEBOOK, INSTAGRAM, TWITTER, and BANDCAMP.

GHOST IRIS Announce New Album 'Comatose' Out May 7th, 2021 on Long Branch Records Listen to First Single "paper tiger"

Danish metalcore four-piece GHOST IRIS have announced their new studio album, 'Comatose', which will see a May 7th, 2021 release via Long Branch Records.

Subscribe to our channel here: https://LBR.lnk.to/youtubeSubscribe to our LBR Newsletter: https://mailchi.mp/spv/lbrnlsu"paper tiger" is taken from the new a...

Since the release of their critically acclaimed album, 'Apple of Discord', the band has made a name for themselves with relentless touring throughout Europe, UK, and Japan - sharing the stage with the likes of Dream Theater, Jinjer, After The Burial, and Soen, along with playing renowned festivals such as Copenhell, Rockstadt Extreme Fest, and Euroblast. Winning over new fans every night with their intense and energetic performance, audiences around the world instantly hunger for the band’s return.

Gearing up for the release of their highly anticipated fourth full-length album, Ghost Irisare building upon the sounds they explored on their previous album. Pulverizing instrumentals, bleak lyrics, catchy and hard-hitting - Comatose is no exception to these descriptors; being their most visceral material yet. Comatose is out worldwide on May 7th, 2021.

Pre-Order 'Comatose' here: https://smarturl.it/ghostiris_comatose

Ghost Iris about the album title and artwork for Comatose:

"Comatose is a title that represents in a plethora of ways. It’s about the fact that many people are asleep, but even from a coma, one can arise. On the surface, it might seem extremely dark, nihilistic, and bearing of a defeatist attitude, but darkness cannot exist where there’s light. We all exist in the age of enlightenment and even though it seems as if we’re all screwed and the earth is almost destroyed, times will surely change. Arise from the coma, no longer comatose, we fight the demons.

The artwork for Comatose depicts Kali, whose name translates to “she who is death”, as a mere mortal. To serve the title of the album, the majority of mankind are asleep and oblivious as to what is going on around them. Ultimately, we are death. However, there is no darkness without the light - let us all arise from the coma."

Line Up:

Jesper Vicencio Gün - Vocals

Nicklas Grønlund Thomsen - Guitar

Daniel Leszkowicz - Guitar

Sebastian Linnet - Drums

GHOST IRIS recently announced a new tour as special guests for post-hardcore legends in making: SKYWALKER. The tour was originally planned for 2020 but was postponed due to the ongoing pandemic.

For More Info Visit:

https://www.facebook.com/GHOSTIRIS

https://www.instagram.com/ghostirisdk/

THE TREATMENT ANNOUNCE NEW ALBUM "WAITING FOR GOOD LUCK" DUE APRIL 9, 2021

NEW SINGLE + VIDEO, 'RAT RACE' OUT TODAY

Subscribe To Our Channel: http://radi.al/SubscribeFrontiers | From the album WAITING FOR GOOD LUCK. Buy or Stream: https://orcd.co/thetreatmentFrontiers Musi...

Frontiers Music Srl is pleased to announce the upcoming release of the The Treatment's new studio album, "Waiting For Good Luck" on April 9, 2021. Today, fans can get their first taste of the new album in the form of new single and video 'Rat Race'.

Pre-order/save "Waiting For Good Luck" HERE: https://orcd.co/thetreatment

“Waiting For Good Luck” is the fifth full-length album from British hard rockers The Treatment. Showcasing an intense sonic power only hinted at thus far, The Treatment is truly firing on all cylinders now. A first listen will instantly reveal hulking riffs and memorable choruses and further listens reveal more and more as the listener delves into this love letter to hard rock. “Waiting for Good Luck” truly is a classic album in the making.

Produced by UK rock maestro Laurie Mansworth (Airrace) and mixed by Kevin Shirley (Iron Maiden, Led Zeppelin, Black Country Communion, etc.), “Waiting for Good Luck” is The Treatment’s second album featuring Tom Rampton on vocals (new bass player Andy Milburn joined after the recording of the album). Rampton's raspy, whisky-soaked vocal style suits the band's driving, hard rock style perfectly and the results of him having toured with and gelled further with the band can really be heard distinctly here.

A magnificent slice of groove-laden, fist-pumping, unapologetic rock 'n roll anthems, which showcase a band hungry for more and showing no signs of slowing down, "Waiting For Good Luck" is the most realized offering yet from The Treatment.

“We honestly all believe this album is a huge step forward for The Treatment and we can't wait for you to hear it. We will be touring as soon as circumstances will allow us and we look forward to seeing all you Treatment troops at our shows next year,” says the band.

The Treatment formed in 2008 in Cambridge, England. Their debut album, "This Might Hurt" was released in 2011 and followed by "Running With The Dogs" (2014), "Generation Me" (2016), and "Power Crazy" (2019). The band has toured with KISS, Mötley Crüe, Steel Panther, Thin Lizzy, and Alice Cooper, just to name a few, as well as appearing at massive rock festivals like Download and Sonisphere.

Line-up:

Tom Rampton - Vocals

Dhani Mansworth - Drums

Tagore Grey - Guitars

Tao Grey - Guitar and Bass Guitar

SHARONE Spotlights Depression with Dark Horror, Whodunit Music Video for for "Screaming Into Oblivion"!

New Album, Morbid Illusion, Out 5/28/2021

Official music video for "Screaming Into Oblivion" by SharoneDownload the track athttps://ditto.fm/screaming-into-oblivionFollow Sharone:Official Website: ht...

Nearing the release of her upcoming LP, Morbid Illusion, Dark Rock artist SHARONE has released a darkly cinematic official music video for the third single, "Screaming Into Oblivion." Directed by Kyle Lamar and Justin Purvis at Digital Myle, with inematography and editing by Kyle Lamar and Spencer Macy, "Screaming Into Oblivion" features the enigmatic Denver based artist with bassist Zach Barrera.

"Screaming Into Oblivion is about depression. I wrote the song when I was feeling very alone. It seemed that no matter where I turned, all I was seeing was emptiness, and my brain was taking over me. I've dealt with mental illness for many, many years. It's a reoccurring part of my life. I try to shed light on it in my music when I can, because I know I'm not the only one who deals with it. And it helps those people, knowing that they're not alone.

For the music video, I went with a 'Clue (board game) meets The Grudge' theme. The idea was to show different characters trying to figure out who it was who killed me, and at the end we discover that I was the only one there the whole time. That I imagined all these different people in my head and there was no one else around." - SHARONE

Sharone erupted onto the Denver music scene as a solo artist in 2014 playing local DIY venues; since then she has gone on to play venues such as Marquis Theater, Bluebird Theater, and Gothic Theater, playing festivals, and opening for bands such as One-Eyed-Doll, The Birthday Massacre, Fuel, Saving Abel, Davey Suicide, Tantric, Hell’s Belles, Stitched Up Heart, and Puddle Of Mudd. The atmospheric and melodramatic music of Evanescenceand the psychedelic blues of Black Sabbath inspired Sharone to start performing her music live with a full rock band backing her. Despite sustaining a dark and melancholy tone on recordings, the gothic artist’s live shows are nothing short of energetic, full of heavy piano riffs, pulsing rhythms, and enthralling theatrics. From emerging from a coffin to jumping off of monitors and captivating contortions, Sharone captures the interest of each audience member through her piercing stage chemistry with her live musicians, and her ever-growing theatrics. In the spring of 2017, the singer left her mark on the Denver music scene with the release of her first rock album ‘Storm’. Following the release, dove deeper into her writing, and came back stronger than ever with the reincarnation of her dark sound: ‘Enchiridion of Nightmares’ (2018).

“Like a series of dark fairy tales, Enchiridion of Nightmares the new album from dark [rocker] Sharone, captivates, seduces, and haunts. Each of its notes, let alone songs, comes with a shadow to [her] beauty, melancholy to [her] light, and intimacy to [her] grandeur with it all colluding in an adventure which just steals the imagination from everyday reality. There is a rich cinematic and theatre-esque feel to Enchiridion of Nightmares which equally adds to its captivation; indeed its songs entwine an influence of horror movies, vintage and modern, into their personal nightmares. With just as richly layered and dramatic sounds to its exploration, the album is a persistent unveiling of new twists and shadows listen by listen. On our first meeting intrigue soaked the pleasure, through a couple more captivation, each subsequent listen leading to the inescapable bewitchment these words spring from.” -The Ringmaster Review

Sharone followed up the release with three exhilarating summer and fall tours, reaching audiences across the western, central, and eastern United States, and spent the remainder of 2019 recording her third studio album 'Reflection', which was released December 7th, 2019.

"[Sharone] showed that she was adept at harnessing the chaos on her previous couple of albums and she’s really turning the gothic-art-pop-rock up on her latest long-player. It’s packed with dark fairytales and swooping riffs as well as more theatrical invention that you’d find at the Royal Shakespeare Company." - The Crack Magazine

In summary absolute female power, which reminds of Evanescence and Tarja Turunen. This talented singer makes you curious about her live performances!" - Stormbringer.at

Sharone really pushes out the emotions and passion she has for music with this album. It is full of fantastic piano chords and guitar riffs that really show off her band's talent as a whole. I am excited to see what she releases in the future and will keep an eye out for it. In the Spring of 2020, Sharone signed with Devil Inside Records, and began working on her fourth studio album. The first single “Can We Pretend” was released July 24th, and has been the young rocker’s most successful release to date.

This unique rock artist is destined for success in the metal and goth rock realm. Look out for more new music from Sharone coming very soon.

Brighton's Nick Hudson announces new LP, previews live outtake and album trailer

“Nick Hudson is a unique talent. His song writing and performances are breathtaking. He is long overdue being heard by a wider audience. This solo album is a peak in an already stellar career” ~ Stuart Braithwaite (Mogwai)

“Scott Walker channeling Coil” ~ MOJO Magazine

"The intimacy of a musical diary as well as an epic theatrical fascination... thrilling tension between its thematic juxtapositions and arrangements of diverse acoustic, electric, and synthetic instrumentation" ~ No Ripcord

“Genius” - BBC Radio (BBC Introducing)

"A song-suite of liberation, violence and ambition that is rich in promise and dizzying in its potential" ~ The Quietus

"A welcome earworm for any music aficionado and especially those with a taste for highly melodic and cutting-edge pop experimentalism" ~ Amplify Music Magazine

Surkov's Dream taken from the upcoming record Font Of Human Fractures, Nick Hudson's first solo record in five years.Full single and video out 24th February ...

Brighton-based singer-songwriter Nick Hudson has announced that he will release his new 'Font Of Human Fractures' album this spring. Ahead of that, he presents a teaser for the 10-track offering, and a live rendition (recorded in Sophia, Bulgaria) of 'There is No Such Thing as You', which also appears on the LP.

This is his first solo studio album since 'Ganymede In A State Of War' (2016). Recorded and mastered at Church Road Studios by Paul Pascoe (Barry Adamson, Beat Hotel), these are neo-classical torch songs, banishing rituals and searing ballads, scored for piano and two violins, underlined with gothic electronica, with dramatic cameos and curveballs. Musically, Hudson is influenced by Coil, Kate Bush, Laibach, Danny Elfman, Nico and Scott Walker.

The new solo release, scored almost entirely for piano and two violins, is a ruminative melting pot from the point of view of a queer man in his late thirties. It is like a dialogue with his younger self, negotiating himself free of toxic programming and banishing the inhibitions that can blight, dull and impotize the best of us.

Nick Hudson is a prolific figure on the UK underground music scene and is perhaps best known as frontman of art-rock band The Academy Of Sun, who released their dystopian epic 'The Quiet Earth' last year to critical acclaim. Apart from music, Nick's vast output also encompasses painting, film, and he has just completed his first novel.

Hudson has also collaborated with Wayne Hussey (The Mission) and Matthew Seligman (Bowie, Tori Amos, Morrissey), as well as members of NYC's Kayo Dot, David Tibet (Current 93), Asva and Canadian queercore icon GB Jones. As The Academy Of Sun, he has also collaborated with Massive Attack's Shara Nelson. Having toured 3 continents, highlights include appearances with Mogwai, Toby Driver and Keith Abrams of Kayo Dot, and Timba Harris (Mr Bungle, Amanda Palmer).

'Font Of Human Fractures' is a kaleidoscopic and emotionally transparent document of the search for self-worth – and ultimately love – in a thorny, unevenly-stacked world. On April 30, this record will be released on vinyl and also digitally everywhere, including Bandcamp and Spotify. Already on February 24, the first single should be revealed.


Keep up with Nick Hudson / The Academy of Sun
Facebook | Bandcamp | Twitter | Instagram | YouTube | Spotify | Booking

FUSED BY DEFIANCE Release Official Music Video for “Cancel Culture”

LA Based, 5 piece band FUSED BY DEFIANCE has released the official music video for their single, "Cancel Culture." Originally premiered on GHOST CULT MAGAZINE, "Cancel Culture" was directed and edited by Ron Underwood.

Fused By Defiance - Cancel Culture (Single)Available for streaming on Spotify, Apple Music, Pandora, Tidal, DeezerAvailable for download on iTunes, Amazon Mu...

"Cancel culture is a powerful weapon that when used appropriately, has the power to take down disgusting human-beings in less than 140 characters; something most court systems can’t manage to do in 140 days. But like a vigilante with no moral code or restraint, it can easily tip toward the dark-side. This song talks about the inappropriate usage of cancel culture. Metaphorically, a virus in the system; that searches through a person's past and finds the one thing that may be able to bring them down as a petty response or knee jerk reaction to a human occasion. What cancel culture in this instance fails to take into account is the fallibility of humanity. Within this cycle is a tale of growth through experience which in current times are posted for public review. We are all human and all make mistakes, however only in the fallacy of stagnation does cancel culture become its own demise." - FUSED BY DEFIANCE

Click to Stream "Cancel Culture" on Spotify

Fused By Defiance, also known as FxD, is a five piece band from Los Angeles, California, formed in 2012. They incorporate sounds of Rock, Metal, Rap and Funk, coupled with socially conscious lyrics, to create songs that will move both your body and your mind. Add in their naturally energetic performance and the live shows become an event to remember, or as one fan put it, "Poetry In Motion."

Icelandic Tech Death Outfit OPHIDIAN I Sign to Season of Mist

Picture by Rúnar Geirmundsson

Season of Mist is pleased to announce the signing of Icelandic Tech Death outfit OPHIDIAN I. The band, which features members of HELFRÓ, will release their brand new album 'Desolate' via Season of Mist in the summer of 2021!

OPHIDIAN I comments on the signing: "We are ecstatic to announce that we’ve partnered with Season of Mist for the release of our album 'Desolate' in 2021. The new album is a product of relentless dedication and we could not imagine a more fitting home than with the incredible team at Season of Mist. Through the years we have been inspired by many artists from their roster and now we humbly take our place amongst them."

Season of Mist CEO Michael Berberian comments on the signing:
"It all started by a mail from an old partner in crime, known to many in the industry; Ula Gehret. I quote : 'Am I nuts, or is this really good?' Two emails later: 'I’ve really fallen for this album' (it’s my new 'Unquestionable Presence') And my god, was he right. It’s my most played album of the last two months. There is something extra to this one, in my mind there is no doubt that this is a future classic. So a few weeks later, we signed the band, and he’s managing them. Two music industry veterans falling for an album like we were teens. We, at SOM were lucky to release with ARCHSPIRE and BEYOND CREATION the two cornerstones of the last decade in the “Tech Death” world. Here is the first one of 2021."

For a glimpse of things to come and updates, check out the band's official Bandcamp or give them a follow on Facebook.

With a clear goal of reaching the apex of technical metal in terms of proficiency, arrangements and sound, OPHIDIAN I has produced the destructive full-length album 'Desolate'.

Emerging from Iceland; the barren island in the north, home to apocalyptic weather, eruptions and storms. The breeding intensity, blazing speed and ferocity of OPHIDIAN I reflects the chaos it hails from as well as the inherent beauty and complex harmony.

With various influences ranging from all styles, the unique melt of technical death metal - with immersive melody and hooks at every corner - 'Desolate' will appeal to all those who seek peak militant musicianship on all fronts.

Genre: Technical death metal

Line Up:
Ragnar Sverrisson - Drums
Simon Thorolfsson - Guitar
Daníel Máni Konráðsson - Guitar
Þórður Hermannsson - Bass
John Olgeirsson - Vocals

For more on OPHIDIAN I, visit the band's official FACEBOOK, INSTAGRAM, and BANDCAMP.

ANDREW W.K. Announces Colossal New Single: “Babalon”

Special Limited Edition 7” on Colored Vinyl

Available for Pre-Order NOW

Inimitable God of Partying, ANDREW W.K., and the entire team at Napalm Records, are thrilled to announce the upcoming release of the colossal new ANDREW W.K. single entitled, “Babalon”, available to pre-order now in a limited edition 7” colored vinyl format! The track (which marks ANDREW W.K.’s Napalm Records debut, and its first musical output since the release of 2018’s You’re Not Alone), will be unleashed to the world both physically and digitally on February 17, 2021, along with a gripping new music video.

The aforementioned limited edition “Babalon” 7” vinyl single, available in an eye-catching red/blue split variant, will also include a B-side instrumental track, entitled “The Party Gods”, as well as a pair of 3D glasses autographed by ANDREW W.K. Get yours now – only 393 copies are available worldwide!

Mario Dane, who worked extensively on the new music, added the following:

“We’re all very happy about this brand new ‘Babalon’ song. It’s the result of a great labor, a great restraint, and a lot of great people dreaming. ANDREW W.K. has always been focused on making dream feelings come true, and this feels like a high point in that ongoing effort. There’s a lot of great energy and enthusiasm, and it’s only just begun...”

Pre-order the limited edition “Babalon” 7” single HERE

Stay tuned for more exciting music news from ANDREW W.K.

--

ANDREW W.K. got its start in southeastern Michigan, before moving to New York City and officially launching in 1999. Now, entering the new decade having already conquered the worlds of music, television, radio, and motivational speaking (even receiving the American Association of Suicidology’s “Person” of the Year Award in 2018), the inimitable God of Partying is more determined than ever to reach euphoric levels of positive perfection. Having released five larger-than-life albums, including the revered chart-topping full-length debut, I Get Wet (2001), ANDREW W.K. is hard at work (for two years and counting) on crafting a brand new album of brand new music, guaranteed to pressurize the power of partying into diamond levels of hardness.

'Mode For Titan' album from bass heavyweight Josh Werner released on CD

Produced by the legendary Bill Laswell

"Simply fantastic - pulsating and infectious, setting the listener to take flight in his imagination. If you turn it loud enough, you can feel the positive vibrations of this music run through your body, seemingly in perfect alignment with the universe" – Big Takeover Magazine

"This record is stellar in its diversity, its level of equilibrium, grounding effect, and sheer talent, not to mention impeccable production" ~ Amplify Music Magazine

"This is gorgeous music, oscillating in grounded territory between the ambient bliss, introspective spaciousness and pulsating dub. Josh Werner offers flawlessness and equilibrium" – The Spill Magazine

"Crossing bridges of styles, Werner bridges free-jazz and improvisational components as well as certain ethnical tonalities... adding a certain emotional coloring" – Peek-a-Boo Magazine

"The sound of the bass guitar in exactly the right hands" – Dancing About Architecture

Well achieved American bassist Josh Werner has released his album 'Mode For Titan' on CD vial M.O.D. Reloaded. This is the debut solo offering from the NYC-based experimental dreamweaver, grounded in minimalist beauty and co-produced by legendary American bassist / producer Bill Laswell. This stunning collection of tracks is being

'Mode For Titan' proves that the bass is a melodic and ambient force in its own right. Writing on and for the bass, Josh Werner explores new dimensions of composition and improvisation, and effortlessly moves through sonic textures, all without a conventional rhythm section. Here, Werner explores novel instrumental territory, including the sitar bass, seven-string and fretless bass.

A seasoned composer, performer and abstract painter, Werner has made quite a name for himself working in a variety of styles, most notably in dub, experimental rock, hip hop and jazz. His work with Ghostface Killer, CocoRosie, Lee "Scratch" Perry, Cibo Matto, PopCaan, James Brandon Lewis, Matisyahu, Sly and Robbie, Wu Tang Clan and TV On The Radio's Tunde Adebimpe has cemented his status as a low-end heavyweight.

"I'm excited about the CD release of my solo bass record 'Mode for Titan'. This music was recorded masterfully by Bill Laswell for a high end listening experience. These compositions and performances were dreamt as deep landscapes to get lost in and explore. This format shows the full range of the bass frequency with lush depth, high fidelity and concise sheen, happy it is available for the discerning listener," says Josh Werner.

Producer Bill Laswell's production endows this sonic journey with a vast sense of space, painted in a ray of colors as boundless as the producer's own palette. While a wide array of influences is heard on Werner’s compositions, it’s the introspective creative focus that guides. Simplicity, beauty and space are constant in this journey, and the rich colors of Laswell’s sonic translations are the compass.

Previewed the grounding and pulsating track 'Traversal', "Mode for Titan is a hybrid of improvised performances and meditative compositions.. Bill and I wanted to make an "all bass" statement, free from the usual suspects of the rhythm section, which could show range and depth of the instrument as a compositional and sonic tool," says Werner.

Raised in Milwaukee, Josh Werner was a private student of Richard Davis. In 1996, he moved to New York and attended the New School for Jazz and Contemporary Music program. His years of recording and performing with top-tier and cutting-edge artists has made an imprint on his identity and place in music history. Werner is also a frequent collaborator of Bill Laswell via such projects as Method Of Defiance and Bass invaders.

The 'Mode For Titan' LP is now available on CD and digitally everywhere, including Apple Music, Amazon, Spotify and Bandcamp.

CREDITS
All songs written by Josh Werner
Josh Werner: basses
Engineered by James Dellatacoma
Produced by Bill Laswell & Josh Werner
Recorded and mixed at Orange Music, West Orange, NJ
Mastered by Michael Fossenkemper at TurtleTone Studio NYC
Cover artwork by Josh Werner
Cover design by Yoko Yamabe @randesign
MOD Reloaded: David Brunelle, Yoko Yamabe
Photography by Bianca Casady


Keep up with Josh Werner
Website | Facebook | Instagram | Bandcamp | Twitter | Apple Music | Amazon | Spotify

Ricky Warwick Releases The Title Track Of New Record 'When Life Was Hard And Fast'

With just three weeks to go until the release of his first solo record in five years, Ricky Warwick has released the title track to 'When Life Was Hard And Fast' featuring none other than Def Leppard's Joe Elliott on backing vocals. The accompanying video, which will be premiering tonight at 7pm GMT, depicts the County Down Ards TT Motor Race that is seen on the album's cover and ran from 1928-1936. The cover shows an accident from one of the races that happened directly in front of a field that was part of a farm owned by Ricky's grandfather, where Ricky himself lived for the first 14 years of his life.

Ricky Warwick's new album 'WHEN LIFE WAS HARD & FAST' will be out on February 19th. Pre-Save: http://nblast.de/RickyWarwickPreSave. SUBSCRIBE to Ricky Warwic...

Pre-order the album on various formats, including a 2CD Digipack which includes the bonus covers album 'Stairwell Troubadour', now from: https://www.musicglue.com/ricky-warwick/ and http://nblast.de/RickyWarwick-WLWHAF

For the process of recording the album, Ricky was joined by Robert Crane (Bass), Xavier Muriel (Drums) and Keith Nelson (Guitar) as well as a number of special guests including Def Leppard's Joe Elliott, Andy Taylor formerly of Duran Duran, Thunder's Luke Morley, Dizzy Reed of the mighty Guns 'N Roses and even Ricky's daughter Pepper. Keith also produced the new album, having previously worked with Buckcherry, Blackberry Smoke and Alice Cooper. Keith noted that "Ricky is a true Rock-n-Roll soul... he’s got incredible stories to tell and a unique way of telling them. It’s been an honor to be asked to partner and contribute to this record.”

More info:
Facebook.com/rickywarwickofficial
Twitter.com/rickywarwick
Instagram.com/rickywarwickofficial

Adam Ezra Group release new single "All Right Today"

'All Right Today' is our first release of 2021 in what we're calling "The Album Project," a studio mission involving 19 tracks we will continue to share in real time, as we finish them.  

If you're reading this message, you can now stream 'All Right Today' on Spotify  and other streaming platforms!

They will also be releasing the official lyric video on YouTube.  STAY TUNED! 

You may remember our first "The Album Project" release last year, 'Find A Way.' If not, you can watch and stream here:

 Watch the official music video for 'Find A Way'!

 Stream 'Find A Way' on Spotify!

There's also a new live version of 'Steal Your Daughter' up on YouTube this week!

So much love for the thousands of you who continue to Gather with us every night.  Tonight will be Gathering #323 and for those of you who like to dig deep, I'll be giving a virtual tour of the 'All Right Today' studio session.  Come join us at 7pm EST and learn about all that goes into building a studio release.

Set your calendars for March 12th, as we'll be celebrating Gathering #365!  

An entire year...

Every single night...

What an incredible ride...

It's been an honor to have you with us...