AS EVERYTHING UNFOLDS Share New Single "Grayscale" Debut Album 'Within Each Lies The Other' Out March 26 via Long Branch Records

Melodic post-hardcore sextet AS EVERYTHING UNFOLDS have released their new single "Grayscale". The track is the fifth single from their forthcoming debut album, 'Within Each Lies The Other', which is set for a March 26, 2021 release via Long Branch Records.

Vocalist Charlie Rolfe about the new single:

“When everything around you seems grey and dark, it can be hard. But there’s beauty is everything, life in dead flowers, colors in dark hours. No longer seeing life in black and white, wrong or right, learning to see life through a new lens creates a whole new perspective and makes it easier to live with whatever issues you have. Embrace it.”

"Grayscale" follows the band's previous singles "Hiding From Myself", "Take Me There", "Stranger In The Mirror" and "Wallow", which have collectively garnered over 1,200,000 streams.

Stream "Wallow" and pre-order 'Within Each Lies The Other' here: https://aseverythingunfolds.lnk.to/withineachliestheother

PRE-ORDER 'Within Each Lies The Other' HERE

"More than just a family, more than just a subculture, we stand with everyone who feels like they don't belong. We are hope for the hopeless and joy for the joyless, we are everything you didn't know you needed. We are As Everything Unfolds."

As Everything Unfolds is a 6-piece melodic post-hardcore band from the High Wycombe, U.K. The band is comprised of frontwoman Charlie Rolfe, guitarists Adam Kerr & Owen Hill, bassist George Hunt, synth player Jon Cassidy, and drummer Jamie Gowers.

Since the release of their EP, “Closure” in late 2018, now sitting at well over 1’000’000 streams, the band has grown from strength to strength. They’ve toured heavily across the UK & Europe, including performing alongside acts such as ADEPT, Dream State, Our Hollow, Our Home, and more.

The success of their previous release saw the band sign to the esteemed Long Branch Records label in 2020. With huge anticipation building for their follow up to “Closure”. Alongside their dedicated fanbase and hard-working ethos, the future is strong for the band, the future is As Everything Unfolds.

AS EVERYTHING UNFOLDS Lineup:

Charlie Rolfe - Vocals

Adam Kerr - Guitar

Owen Hill - Guitar

George Hunt - Bass

Jon Cassidy - Synth

Jamie Gowers - Drums

As Everything Unfolds Online:

Facebook: https://www.facebook.com/AsEverythingUnfolds/

Instagram: https://www.instagram.com/aeuofficial

Merch: https://www.musicglue.com/aseverythingunfolds/merchandise

TEMPLE BALLS ANNOUNCE NEW ALBUM "PYROMIDE" DUE APRIL 16, 2021 VIA FRONTIERS MUSIC SRL

NEW SINGLE + VIDEO 'THUNDER FROM THE NORTH' OUT TODAY

Frontiers Music Srl is thrilled to announce the release of the upcoming third album, and label debut, from Temple Balls, "Pyromide" on April 16, 2021. The hard rockin' Finnish band is ready to take the world by storm and today, they have fired their latest salvo with the new single and video, 'Thunder From The North'. See it HERE: https://youtu.be/GsyAsTJwoWY

Pre-order/save "Pyromide" HERE: https://orcd.co/templeballs

Temple Balls are an energetic hard rock band from Finland. “Pyromide”, their Frontiers debut and third album overall, is a tour de force of melodic hard rock that sees the band pushing themselves onto the world stage. Produced by none other than Jona Tee (H.E.A.T.), “Pyromide” is a tour-de-force of hooks, powerful rhythms, and anthemic rock ‘n roll like it was meant to be played.

"Yet again, a huge amount of blood, sweat and tears were poured into the magic pot of hard rock and heavy metal. We are thrilled to release this whole package for you to listen to. They say 'third time's the charm' . We think that "Pyromide" verifies it brilliantly. We truly wish you enjoy it as much as we do! Cheers everyone," says the band.

Producer Jona Tee chimes in, "I have had the pleasure of working with Temple Balls on all of their albums. First one as a musician and the latest two as producer and songwriter. Let me tell you this, these dudes love their heavy metal. I get educated in the ancient ways of Finnish rock every time I cross the Baltic Sea. I’m happy to call these crazy bastards my friends and I think "Pyromide" is a heavy metal classic and Temple Balls strongest album to date."

For the past couple of years, Temple Balls has kept busy both in the studio and on the stage. Opening for such bands as Sonata Arctica, Queen, Deep Purple, and Uriah Heep, the band has proven to be more than capable of handling stages of any size, whether it be a big festival or your local club’s stage. Live, this band will set your friggin’ pants on fire and turn you into a believer.

The band’s first official single, ’Hell And Feelin’ Fine’ was released in September 2016 and got loads of airtime on Finnish Radio Rock. The band’s debut album was recorded at Karma Sound Studios (Thailand) in May 2016, and saw the daylight on February 24, 2017. The album was produced by Tobias Lindell, who is known for his collaborations with Europe, Mustasch, and H.E.A.T. Fall of 2017 started with a sold out tour across Finland with Battle Beast. The band also played in Japan for the first time and did a five day tour of Ukraine in late 2017. After their swing through Japan, the readers of the biggest Japanese rock magazine Burrn! voted Temple Balls as ‘the second brightest hope’ and additionally were chosen as ‘The Newcomer of the Year’ on Masa Ito’s Rock TV.

The second album, “Untamed” dropped on March 8, 2019 and immediately got fantastic reviews from music media such as Soundi and Burrn! magazines. The band also toured Europe as support for Sonata Arctica, cementing their reputation as a stellar live act.

Temple Balls third album, “Pyromide” is now ready to be unleashed. Produced by none other than Jona Tee (H.E.A.T), it is a stunning punch in the face for all lovers of anthemic and melodic hard rock.

Line-up:

Arde Teronen – Vocals

Jimi Välikangas – Bass

Jiri Paavonaho – Guitar

Niko Vuorela – Guitar

Antti Hissa – Drums

SINOPTIK Release Music Video for New Single "Apple Tree"

Ukrainian Psychedelic Prog-Rock trio SINOPTIK are eager to share another offering from the upcoming new studio album. The group has released the track "Apple Tree", along with an accompanying music video for the song. "Apple Tree" is available now on the major streaming platforms via the link here: https://ffm.to/apple_tree.opr

Speaking on the themes addressed in their new single, the band shares:

"Sparks of goodness from childhood often become the main triggers for our inner transformations - that is the main message behind Apple Tree. Most people forget about the dreams they had in childhood and adolescence. As a result, these people grow up and turn into callous and narrow-minded adults. In their lives, there is no place for magic and love, and life ultimately becomes an endless rat race in a maze of cruel reality."

The music video for the "Apple Tree" is a bold experiment; starting from the shooting location and up to the unique homemade video lens. The band set out to show beauty and boldness by adopting these new approaches. Accelerated shooting mechanics, psychedelic colors, and a deserted, forgotten place. All of this becomes a narrow bridge of surrealism, which leads the viewer into a vivid and amazing dream. The video for "Apple Tree" is the second collaboration between the band and director Shah Talifta.

Offering some closing thoughts on the track, vocalist Dmitriy Afanasiev states,

"Ultimately, we all build our own reality, but too often we forget about that. We also forget what are the real values in our life: families, friends, and simple joys. We want to remind everyone about this and pull out the forgotten sweet childhood memories. So that each person who has gone astray can believe in himself again."

"Apple Tree" is the second offering from Sinoptik's upcoming new studio album. Fans can check out the music video for the first single "Black Soul Man", here: https://youtu.be/OO2DBSeIz94

SINOPTIK are:

Dmitriy Afanasiev - vocals, guitar, keys

Ruslan Babayev - drums

Aleksandr Savin - bass


SINOPTIK Online:

Facebook

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Para Lia 'Gone With The Flow' LP gets vinyl and CD release. Preview 'My Muse' video

“J Mascis style guitar works alongside sharply defined songwriting, with elements of The Cure in their late 80s pomp” ~ Clash Magazine

"The embers of Arcade Fire and The Mission with a more pop bent... Listen on repeat to invigorate your day" Big Takeover Magazine

"Superior in their own-right without reinventing the wheels of the past"Skope Magazine

"Captivates immediately and guides you through the theatric, robust vocals"Imperfect Fifth

Melodic alternative / indie rock duo Para Lia have announced the impending vinyl and CD release of their album 'Gone With The Flow' on February 12. The digital version was released on October 2, timed to sync with the anniversary of Germany reunification, a rather significant occasion for a band hailing from the Eastern part of a then-divided Germany.

Ahead of that, the band presented a joint virtual exhibition with artist Louis Renzoni and two invigorating singles - 'My Muse' and 'Riders On The Dike'.

‘Gone With The Flow’ is the band's second album and title of a new online mixed art exhibition. With 11 new tracks on offer, its core themes are the muse and the continual struggle with that relationship, explored amidst layers of sound and arrangements that continually swing from light to dark.

Originally from Falkenberg, Para Lia is an indie rock duo, now based in Cottbus (near Berlin). Influenced by the rhythms and tones of ‘90s alt-rock and the synth density of ‘80s darkwave, their own sound blends melodic guitars, along with distinctive lead guitar and resonant synths.

Comprised of René Methner (all instruments and vocals) and Cindy Methner (backing vocals), their band name was born of their love for Greece, with para lia, (παραλία) meaning “coast” or “beach" in Greek - a name full of mystery but optimism, which both has history and evokes a balance of the masculine and feminine.

Para Lia burst onto the underground music scene with their widely-praised debut album 'Soap Bubble Dreams' and 'Hawk Hill' EP in 2019, the band 's music has garnering comparisons ranging from J Mascis, The Cure, Phillip Boa and the Voodoo Club and Arcade Fire to The Mission, The Last Shadow Puppets, Sebadoh and Editors.

Methner's conversations with artist Louis Renzoni blossomed into not only a friendship, but also a mixed art exhibition. Originally destined for a New York gallery until the global pandemic took hold, their collaborative virtual exhibition is a celebration of their work, the release of brand new music, complemented by Renzoni's artwork. An immersive experience, each exhibit is fully interactive.

As of February 12, the 'Gone With The Flow' LP will be available on vinyl, CD and digitally - via Bandcamp. It can also be found on Spotify and Apple Music. It can also be beautifully explored through the Para Lia / Louis Renzoni virtual exhibition at https://www.sophisticatedape.com/gone-with-the-flow-exhibition

CREDITS
Lyrics and music by René Methner
Mixed and produced by René Methner
Mastered by Thomas Heimann-Trosien at Turnstyle Mastering, Berlin
Cover artwork by Louis Renzoni
Cover design by John Farley, SPR Designs
René Methner - lyrics and music, vocals, all instruments
Cindy Methner - vocals
Amanda Kim Sanderson (UK) - vocals on 'Riders On The Dike',
Fady Haddad (USA) - synth and vocals on 'Children Of The Flood', synth on 'Fire (My Chemical Imbalance),
Terry Wigmore (CAN) - cello on 'Fools'


Keep up with Para Lia
Facebook | Bandcamp | Twitter | Soundcloud | YouTube | Spotify | Apple Music

Psychedelic Rockers MYTHIC SUNSHIP To Release 'Wildfire' on April 2nd via Tee Pee Records

New Single "Maelstrom"

Copenhagen-based quintet MYTHIC SUNSHIP have established themselves among Europe's finest purveyors of psychedelic music; bridging the gap between heavy riff worship and expansive, free-jazz experimentation.

With their sixth studio album 'Wildfire' due for release this April – their first on New York’s legendary underground label, Tee Pee Records – Denmark’s most experimental sons simultaneously open a new chapter on their journey, while razing the foundations on which their previous albums were built. Recorded over the course of four intense days in Stockholm’s vintage RMV Studio, the album documents the erratic, visceral, untameable musical singularity that Mythic Sunship becomes once unleashed in improvisatory interplay.

Working with legendary Danish punk Per Buhl Acs behind the mixing desk, the group has reinvented itself to produce an album which showcases that essence, in its most primal form, is rare. Fusing together raw, kinetic outbursts, Wildfire takes the listener from groovy fuzz rock and cosmic jams into newer territories centered around crunched melodies, uncanny harmonies, turbulent rhythms, and ecstatic walls of guitar insanity. As best exemplified on the new single "Maelstrom" and its frenzied wails of electric dissonance, as their self-proclaimed “anaconda rock” collides with furious freak-outs and lysergic saxophony.

As exhilarating and electrifying as psychedelic records come, 'Wildfire' showcases Mythic Sunship's scorched-earth approach in the search for new ideas, and will be released on April 2nd, 2021 via Tee Pee Records. Pre-order HERE.

DISCOGRAPHY:

'Changing Shapes' (Album, El Paraiso Records) 2020

'Upheaval' (Album, El Paraiso Records) 2018

'Another Shape of Psychedelic Music' (Album, El Paraiso Records) 2018

'Land Between Rivers' (Album, El Paraiso Records) 2017

'Ouroboros' (Album, El Paraiso Records) 2016

'Celestial Disturbance' (Tape, Infinite Waves) 2014

'Colour Out of Space' (Tape, Golem Tapes) 2011

'Mythic Sunship' (CDR, Not on Label) 2010

SOCIALS:


Mythic Sunship:

Facebook – facebook.com/mythicsunship

Instagram – instagram.com/mythicfunship

SWEET OBLIVION FEATURING GEOFF TATE ANNOUNCE NEW ALBUM "RELENTLESS"

DUE APRIL 9, 2021 ON FRONTIERS MUSIC SRL

FIRST SINGLE, 'STRONG PRESSURE' OUT TODAY

Frontiers Music Srl is thrilled to announce the return of Sweet Oblivion, the musical project centered around revered vocalist Geoff Tate. The new album, "Relentless" is produced by Aldo Lonobile (Secret Sphere, Archon Angel, Timo Tolkii's Avalon) and will be released on April 9, 2021. Today, fans can get their first taste of the album with the release of the single 'Strong Pressure'.

Pre-order/save "Relentless" on CD, Limited Edition Green Vinyl, and/or Digital formats HERE: https://orcd.co/sweetoblivion

"Relentless" is the hotly anticipated sophomore album from the new metal project Sweet Oblivion, which showcases former Queensrÿche vocalist Geoff Tate. Conceived, overseen, and A&R'ed by Serafino Perugino, President and A&R director of Frontiers Records, the project sees Tate returning to a musical style he is revered for. The self-titled debut album caused quite a stir in the international hard rock and metal scene since it brought Tate back to a musical landscape akin to the sound of the stone cold classic metal albums he released with Queensrÿche during the ‘80s. But what made the album work so well was that instead of being a simple throwback, other different musical influences were thrown into the mix, allowing fans to hear Tate in a simultaneously familiar and new musical setting.

While the production and main songwriting on the previous record were handled by Simone Mularoni of DGM, this time the production was instead handled by his fellow Italian metal maestro Aldo Lonobile (Secret Sphere, Timo Tolkki's Avalon, Archon Angel).

Not only does Aldo have producution and songwriting credits on the album, he also features on guitar. Other musicians appearing on the album include Michele Sanna on drums, Luigi Andreone on bass, and Antonio Agate on keyboards.

This time around, Tate is more involved in the songwriting and asked Aldo to draft a very special song for him, which he would ultimately sing in Italian. The song, 'Aria', also features guitars from Walter Cianciusi and Dario Parente, who are now in the Operation: Mindcrime live band with Tate.


"I have been spending more and more time in Italy over the last few years and the people and culture have captured my heart. I truly enjoyed working with my Italian counterparts to create this classic metal album," says Tate.

Musically, this album showcases the great songwriting and performing talents of Tate, Lonobile and his cast of musicians and also marks a very welcomed return for Tate to a style that he made famous along with his former band.

Fans of Tate’s work in Queensryche’s early days and of the previous Sweet Oblivion record will not want to miss this!

Line-up:

Geoff Tate - Vocals

Aldo Lonobile - Guitars

Luigi Andreone - Bass

Antonio Agate - Keys

Michele Sanna - Drums

AUTARKH + EMPTINESS to Perform at Roadburn 'Redux' Festival

Roadburn 2021 will be taking place in an unfamiliar format - but it will still retain the hallmarks of what makes the usual editions a must-attend event for fans of heavy music around the globe. Roadburn Redux will feature exclusive performances live at the 013 venue which will be broadcast around the world via the Roadburn purpose-built platform which includes a real-time live blog. In between those shows will be a whole programm of premieres and special performances as we continue to highlight the most innovative and engaging artists in the Roadburn universe.

You can send your RSVP to the online event HERE!

About AUTARKH:
To misquote Allen Ginsburg "the circle DODECAHDRON is broken. But with death comes rebirth." AUTARKH takes a radical approach to their musical assault, consuming the listener with dizzying maelstroms of chaos. ‘Form In Motion’ embodies the word “extreme,” putting forth an intrusive battery of blistering guitars, pummeling drums, spastic math metal salvos and cacophonous electronics that culminates in one of the most robust and daring debut records metal has seen yet.
'Form in Motion' will be released on March 12, 2021.
Website: http://www.autarkh.com/
Facebook: http://www.facebook.com/autarkh
Instagram: http://www.instagram.com/autarkhband
Bandcamp: https://autarkh.bandcamp.com/

About EMPTINESS:
The shape-shifting Belgian quartet EMPTINESS returns with 'Vide,' their first new album in four years. 'Vide' (the French word for empty) sees the band veer away from the mechanical foreboding of 2017's 'Not For Music' into a more introspective and deconstructed direction. It unfolds like a fever dream, with each track falling into hazy rhythmic patterns and featuring haunting vocals that hang in the ether.
'Vide' will be released on February 12, 2021.
Website: www.facebook.com/emptiness.be
Bandcamp: https://emptiness.bandcamp.com/album/not-for-music
Facebook: http://www.facebook.com/Emptiness.be
Instagram: https://www.instagram.com/emptiness.official/

For more on ROADBURN, visit the festival's official WEBSITE, TWITTER, FACEBOOK, and INSTAGRAM.

Season of Mist are proud to announce that two of our distinct visionary artists have been selected to perform at the 2021 'Redux' edition of the prestigious and unique Roadburn Festival. We congratulate AUTARKH and EMPTINESS, who have been selected for an already mind blowing digital event that will take place from April 16-18.

PURGATORY SHARE NEW SINGLE “NO ONE GETS OUT ALONE”

ANNOUNCE NEW ALBUM LAWLESS TO GRAVE
COMING OUT APRIL 9th

PREORDER: Lawless To Grave

“If you're feeling like maybe you wanna punch a hole through the Earth today, then Purgatory is your soundtrack.”
-
Metal Injection

“Every riff and breakdown feels designed to maximize violence, which is exactly where Purgatory succeed.”
-
Decibel Magazine

“Midwestern rabble-rousers” -
Revolver Magazine

“Purgatory push and push, laying down hard-ass tracks with nuanced guitar work” -
New Noise Magazine

“Unrelenting stone-cold slab of metallic hardcore fury” -
Cvlt Nation

Midwest hardcore band, Purgatory, announced that their sophomore full-length Lawless To Grave is due out April 9th via Unbeaten Records. To celebrate the announcement the group, dubbed Midwest Street Metal, shared their new single “No One Gets Out Alive” today. The highly anticipated follow up to their widely lauded debut Cold Side of Reality finds the band at their most adversarial, taking no prisoners while lashing out at systems of oppression and personal relationships mired by distrust, abuse, and religion. Following the release of the album opener, “Stack ‘Em Up”, late last year, “No One Gets Out Alive” shows off the band’s ability to balance groove, crushing tones, and melody within their gritty sound.

The single is available to stream here and Lawless To Grave is available for pre-order here.

Formed in the cold and desolate midwest in 2011, Purgatory, slings unflinching metallic hardcore with an emphasis on the metal sown into their sound, or as they’ve been dubbed, “Midwest Street Metal”. Pulling from influences foundational to their gritty world of hardcore such as Biohazard, Cold As Life, Stigmata, and Merauder, the band is just as influenced by their love of metal such as Dying Fetus, Cannibal Corpse, and Deicide. Regardless of what end of the heavy spectrum they fall, the band’s overflowing supply of raw and untethered anger comes through in full-force in Purgatory’s latest effort.

In the spring of 2021, Purgatory returns with their sophomore full-length and most confrontational release yet titled Lawless To Grave. Due out April 9th, via Unbeaten Records, the band spent the better part of a year fleshing out new ideas in a collaborative manner that hadn’t been done with previous lineups, and it pays off. Across the eleven tracks, Purgatory, composed of Matt Anderson (vocals), Josh Mata (guitar), Brian Pilla (guitar), Tito Richmond (bass), and Collin St. Mary (drums), flex their best songwriting to date and most interesting moments of heaviness and honesty.

Recorded in only four days at Landmine Studios with Len Carmichael, Purgatory took the collective memories of their members, and the universal struggles the population faces into account while writing Lawless To Grave, offering the listener an unfiltered look into the darkness and futility of life in middle-American. Personal betrayal, encounters with the justice system, a country run by racist, corrupt politicians, and experiences with abusive, religious, and addicted family members all lead Anderson and the band to the conclusions found on Lawless To Grave. While all these factors and vengeful reactions to them can shape a calloused life, the only factor one can control is who you choose to be at your core, guided by the set of personal rules you follow. Purgatory takes a deep dive into the constant war of everyday life, the compounding stressors that bring people to a knife’s edge, and capture the anxiety and grit of simply getting by in their crushing swing at the world, Lawless To Grave.

Over the past several years Purgatory has become a rising force in both the hardcore and metal scenes, leading the charge out of the grim Midwest with their debut LP, Cold Side of Reality. As a potent live force, the band has shared stages with such notables as Power Trip, Harm’s Way, Twitching Tongues, Ringworm, Terror, Merauder, and more. In 2021, Purgatory unleash their urgent and cathartic full-length Lawless To Grave into a world of chaos.

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Twitter

Spotify

Bandcamp

Modern Metal Frontrunners TETRARCH to Release New Album, Unstable, on April 30, 2021 via Napalm Records

Watch the Official Music Video for New Single “You Never Listen”

Pre-Order Unstable HERE

After making massive strides at media, radio, streaming and beyond in 2020, breakout metal stars TETRARCH are about to own 2021 with the release of their highly anticipated sophomore full-length album, Unstable, scheduled to drop on April 30 via Napalm Records! The album is available for pre-order in several exciting formats, beginning today.

Following the release of their latest hit “I’m Not Right” – an anthem that cracked the Mediabase Active Rock Top 30 and has commanded the scene since its release with over four million combined cross-platform streams – TETRARCH have revealed another blazing new single, “You Never Listen”. The earworm ode to relationships-gone-bad, which premiered via SiriusXM Liquid Metal, packs a punch with chunky, breakneck riffs and a sing-a-long worthy chorus, proving it as an accessible yet dynamic knockout.

TETRARCH frontman/guitarist Josh Fore says about the track:

“‘You Never Listen’ is for anybody who has struggled or is struggling through a broken relationship – whether it be with a family member, friend, significant other, or even with themselves. So many times, we find that people we once were close with or felt like we knew well show a darker and different side of themselves that forces us apart. ‘You Never Listen’ is about having the strength to say enough is enough and to rid yourself of those toxic situations.”

Lead guitarist Diamond Rowe adds about the track’s blistering new music video:

“We wanted to do something unexpected and approach the song from a different lens. Conceptually, the video follows a young kid who is obviously living in a bad situation in a messed-up home. Throughout the video, the kid deals with the inner voices and visions in his head, represented by the band members appearing and disappearing, as he struggles to understand what’s real and what isn’t. As the song ramps up, we wanted to portray the kid as telling those voices to shut up as he takes control and rids himself of the negative energy around him.”

Produced by the band and Dave Otero (Cattle Decapitation, Allegaeon, Khemmis), Unstable follows the band’s breakout debut Freak (2017). The new album shines not only as a natural step forward for TETRARCH, but a giant leap ahead – an even more focused effort combining bright flourishes, grooving low-end and soaring choruses. Unstable wastes no time igniting with the unforgettable, punching first single “I’m Not Right”. Boosted by frontman Josh Fore’s raw emotion and dynamic vocal style, the track pays homage to the genre’s greats while lifted by the eerie leads of trailblazing lead guitarist Diamond Rowe. Radio-ready, lyrically-relevant tracks like anti-bullying anthem for the ages “Sick Of You” and empowering “You Never Listen” showcase TETRARCH’s hefty progressions and unforgettable choruses. Unstable’s heaviest offerings prove the band’s dynamic assault of varying heavy styles, most notedly on assertive breakneck burner “Negative Noise” – a track that will turn the heads of metal’s greatest riffers with Rowe’s mighty axe attack – and on the melodically chilling “Take A Look Inside”, highlighting the powerful rhythm section of bassist Ryan Lerner and drummer Ruben Limas. The album explores a brooding, introspective side of the band on the standout, melodic “Addicted” and closer track “Trust Me”, which trickles-in supernatural atmosphere. Delivering heavy hit after hit, Unstable is 10 tracks of pure potency and undeniable talent.

Diamond Rowe says about the album:

“The album has an overall theme of self-reflection and really looking at the relationships or parts of yourself/your life that you don’t like and getting out of those situations. It’s an angsty record. Musically, we were not timid in showing that we refuse to be boxed in as artists, and I think we really came out swinging with showing the world the type of band that we want to be. Freak did great for us and showed us that the music we were making was something that people wanted to hear, and that gave us the confidence to write and record this beast of an album.”


Pre-order Unstable HERE


Unstable will be available in North America the following formats:

- 4 page CD Digipak + 12 page Booklet

- 4 page CD Digipak + 12 page Booklet + Patch (Napalm Mailorder – limited to 500 worldwide)

- 1 LP Gatefold Black Vinyl

- 1 LP Gatefold Glow In The Dark Vinyl (Napalm Mailorder – limited to 100)

- 1 LP Gatefold Die-Hard Edition Vinyl (Various Colors Splatter) + Patch + Artprint (Napalm Mailorder – limited to 200 worldwide)

- Digital Album

Fierce individuality and a fearless embrace of the outsider are at the heart of TETRARCH. The band’s tireless hard work and relentless determination has established them as one of the top up-and-coming bands in heavy music, catching the attention of major media including Pollstar (cover mention), Billboard, Revolver, Alternative Press, Guitar World, Guitar Player, Premier Guitar, Kerrang! and Metal Hammer, many in which lead guitarist Diamond Rowe was the first African American female lead guitarist from the heavy metal genre to be featured. TETRARCH has been featured on Spotify playlists such as Kickass Metal, Rock Hard, New Blood (cover featured) and Metal Tracks and has also seen stellar support from Apple Music and their users, appearing on several additional playlists. Having appeared on major festivals such as Epicenter and Exit 111, TETRARCH will charge back into the major touring scene upon its resurgence with renewed persistence and the mighty nonconformist’s spirit that has driven them since day one.

“Heavy Metal Behemoths”

-Guitar World

“You best get familiar with the name right now!”

-Loudwire

“Tetrarch is taking heavy metal into a new era.”

-RedBull.com


“A blend of intense riffs, driving drums, textural guitar tendrils and hooky choruses.”

-Revolver

"These Atlantean outcasts are pulling no punches with their grand ambitions"

-Metal Hammer UK

TETRARCH is:

Josh Fore – vocals/guitar

Diamond Rowe – lead guitar

Ryan Lerner – bass

Ruben Limas – drums

RED MOON ARCHITECT releases brand new live performance video for "Journey"!

New album, "Emptiness Weighs The Most", out now on Noble Demon

Melodic doom heavyweights RED MOON ARCHITECT have shared a brand new, haunting live performance video for the track "Journey". As much as the band from Kouvola, Finland, would rather love to be on tour but since shows are currently put on hold for obvious reasons, RED MOON ARCHITECT are now inviting their fans on a trip into their very own world full of deep emotions and atmosphere. Watch the official, new live video clip for "Journey".

Saku Moilanen comments: "Journey is one of my all time favourites that has only been played live for a few times. We’re happy to share this clip from our special stream gig and hope we can play this live for you all soon!"

RED MOON ARCHITECT's latest, critically acclaimed album, Emptiness Weighs The Most, was released on October 23rd 2020 through German powerhouse label Noble Demon. Pure sweeping, yet crushing and highly atmospheric soundscapes consolidate with strong melodies, dark growls and beautiful female vocals, crawling directly under your skin! The album is available at THIS LOCATION: https://snd.click/redmoon

Red Moon Architect are: 
Saku Moilanen: Drums, Keyboards 
Ville Rutanen: Vocals 
Pyry Hanski: Guitars 
Taneli Jämsä: Guitars 
Anni Valkonen : Vocals 
Jukka Jauhiainen: Bass

Find RED MOON ARCHITECT online:

Facebook

BandCamp

Twitter

YouTube

Find NOBLE DEMON online:

Official Website

Facebook

BandCamp

Twitter

YouTube

TikTok

Spotify

Cathal Coughlan (The Fatima Mansions, Microdisney) presents 'Owl In The Parlour' single

"The most underrated lyricist in pop today" ~ The Guardian

"[I could] listen to Cathal Coughlan sing the phone book" ~ John Peel

"Devilish genius... has always been a joyous thorn in the side of Irish alternative music; erudite, scathing, never afraid to tread his own, rockier path" ~ Backseat Mafia

“Coughlan is a wise and modest artist with big ideas, a witty and clever songwriter with a biting yet endearing edge” ~ Amplify Music Magazine

Irish indie music legend Cathal Coughlan presents 'Owl In The Parlour', the second track from his forthcoming album 'Song of Co-Aklan', his first new music in ten years, to be released via London label Dimple Discs. The accompanying video was created by Andy Golding (The Wolfhounds, Dragon Welding), presenting Co-Aklan in an infomercial of the most hallucinatory and lurid kind, which is nonetheless friendly and persuasive in tone.

"This song is, in part, a survey of the options in personal couture, animal husbandry and ‘inexpensive' domestic staffing, which are now available to the spry middle-aged man in this era of global communication. In this gilded age, we are simultaneously interlinked and mutually repelled as never before, whether we live in remote settlements in war-torn parts of the world, or in the mosaic of postage-stamp-sized semi-detached fortresses and gargantuan fulfilment hubs that is the English Hinterland in 2021," says Cathal Coughlan.

Earlier, Coughlan released the title track ‘Song of Co-Aklan’, along with a video that is a hermetic visual feast, created by Emmy Award-winning filmmaker George Seminara.

Best known as co-founder and vocalist for seminal 80s/90s bands Microdisney and The Fatima Mansions, who toured internationally with U2, the Cork native has been described as "the most underrated lyricist in pop today" by The Guardian newspaper. DJ John Peel was also such a fan that he stated he could "listen to Cathal Coughlan sing the phone book".

Recorded in London, this song features contributions from Luke Haines (The Auteurs, Black Box Recorder) on bass and baritone guitar and members of Coughlan's long-time collaborators for the Grand Necropolitan Quartet. Namely Nick Allum (The Fatima Mansions, The Apartments) is on drums and James Woodrow is on guitar, with synth by Audrey Riley (notable collaborator of Lush, The Sundays, The Smiths, Nick Cave, The Cure, The Go-Betweens, Smashing Pumpkins, Catherine Wheel, Moloko and Coldplay, among others).

The eye-catching cover art for the 'Song of Co-Aklan’ LP is by outsider artist Cristabel Christo and originated by Bruce Brand, award winning designer for The Darkness and Whites Stripes.

Cathal Coughlan is widely considered to be one of Ireland’s most revered singer-songwriters, beloved by fans of caustic literate lyricism and erudite songcraft. Since Fatima Mansions' demise in the mid-90s, he has released five acclaimed solo albums, taken part in an array of collaborations and made numerous guest appearances. Along with Microdisney bandmates, he was the first recipient in 2019 of Ireland’s National Concert Hall Trailblazer Award, which celebrates culturally important albums by iconic Irish musicians, songwriters and composers (for 1985’s 'The Clock Comes Down The Stairs').

As of February 5, 'Owl In The Parlour' will be released digitally, available across online platforms such as Apple Music and Spotify. Lead track ‘Song of Co-Aklan’ can already be found on these same platforms. The full album, set for release on March 26, can be pre-ordered at https://ffm.to/songofcoaklanalbum.

CREDITS
Nick Allum - drums and percussion
James Woodrow - electric & acoustic guitars
Luke Haines - bass guitar, baritone guitars, The Synth
Cathal Coughlan - Co-Aklan
Mastered by George Shilling
Cover by Bruce Brand & Mary Tee at Arthole
Front cover painting by Cristabel Christo, based in part on photos by Gregory Dunn / Stoneybutter
Composed and deranged by Cathal Coughlan


Keep up with Cathal Coughlan
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Chiasm & John Fryer Announce The Release Of Debut Album Missed The Noise

Out March 5 Via Indie Label COP International

Pre-Sales Available Now HERE

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The Industrial-Electronic Project Of Emileigh Rohn

Teams Up With Noted Collaborator John Fryer

(Black Needle Noise & Producer Behind Depeche Mode, NIN)

On LP, Featuring Previous Singles “Away” & “Are You Okay?”

Evocative New Single “Intertwined” Released Today

Hear it HERE

COP International Records is pleased to announce the indie label’s first release of the new year: the anticipated debut album from Chiasm And John Fryer. Called Missed The Noise, the full-length LP will arrive March 5 and includes 11 bold tracks including the previously released singles “Away” and “Are You Okay?”—the latter playing directly into the current landscape amidst COVID-19, racial tensions and economic distress with a poignant “check-in” for listeners, and to let them know they are not alone.

The project of Detroit-based musician Emileigh Rohn, Chiasm has become known for cultivating lush, eclectic, eerily dystopian sonic landscapes with delicately balanced vocals for the past 20-plus years. On this latest release she teams up with collaborator John Fryer, the mastermind behind the project Black Needle Noise and the noted producer who was worked with Depeche Mode, Nine Inch Nails, 4AD, Cocteau Twins and Love and Rockets.

Pre-sales for Missed The Noise are currently available HERE.

Today, Chiasm And John Fryer also release a new taste of the album with the eerily cinematic track “Intertwined,” which can be heard HERE.

Says Rohn of the album, "Working with John [Fryer] was a completely fresh experience for me that reinvigorated my passion for writing. The opportunity arrived, thanks to COP International, at a time I wasn't sure of my next direction in music at all. I had released my solo album Reset in 2019 and I was ready for a new approach. Creating Missed The Noise was unprecedentedly fast-paced and insightful for me. I became capable of trusting my instincts and pushed my creativity forward without over-questioning. The collaboration felt easy. I loved what John did with each track, and we worked delightfully smoothly together in my experience. I thoroughly enjoyed the process, and am certain it has influenced how I will continue my art forever. I am so thankful."

And Fryer adds, "It was extremely exhilarating working with Emileigh. As soon as I heard the vocals for the first song, everything seemed to click like all of a sudden the stars aligned and off we went on this incredible journey and ending with the wonderfully fantastical album Missed The Noise.

Missed The Noise comes on the heels of a busy 2020 for Chiasm, which saw her release the Away EP in June and the “Are You Okay?” single and remix EP in August, which also featured John Fryer and contributions from label mates Stabbing Westwardand Jean-Marc Lederman (Front 242/The Leathermen) as well as Third Realm and Glass Apple Bonzai.

The newest release follows a long line of notable releases from Chiasm (established in 1997), including the 2001 album Disorder with the track “Isolated” that was featured in the television show NCIS as well as in the Vampire: The Masquerade Bloodlinescomputer game. Rohn has also collaborated with genre stars Attrition, Carphax Files, Jean-Marc Lederman, Third Realm, :10:, and Acclimate.

All of Rohn’s previous releases had been self-written, programmed, performed and produced in her Michigan studio known as the MausHaus. The music, and the project name (which refers to the optic chiasm, a crossing of optic neurons in the brain that allow people to have continuous and peripheral vision), are in dedication to her full-time career in the field of science.

Here is what the press has had to say about Chiasm:

“’Away’ is a beautiful song featuring dense, stuttering electronics and Chiasm’s trademark ethereal vocals that shift into an echoing, high-pitched chorus… a massively overlooked talent in the industrial and dark electronic scene.” —Synthpop Fanatic

"Emileigh Rohn's voice is somewhere between Bjork and kaRIN of Collide—soothing in sound and yet jarring in message.” —Outburn Magazine

“The Detroit-based performer has put out some austere material the past 20-something years, industrial-drenched noise explosions and implosions, but ‘Away; is considerably more accessible thanks in part to her collaboration with John Fryer, producer for the likes of Depeche Mode and Nine Inch Nails…. a dramatic, hard-rubbed-synthesizer brand of electro, a Goldfrapp-meets-Grimes instrumental context for the vocals of Rohn, who at times sounds like a dead ringer for the Bangles’ Susannah Hoffs.” —Knoxville News Sentinel

"What Kate Bush is to pop culture, Chiasm is to electronic music." —Zillo

"The often dismal character of the Motor City is known for inspiring a host of instrumental techno artists, but Chiasm (Emileigh Rohn) chooses to express her angst through very intimate and intense audio exorcisms that juxtapose her ethereal, haunting vocals and confrontational snarls with murky, minimalist industrial sounds. … An audio diary full of electro energy and honest emotion that gives the idea of 'girl power' a whole new spin." —CMJ

"Emileigh Rohn's music is one of the often overlooked treasures of the dark electro/industrial genre." —LiarSociety

Modesty Blaise 'Girls Just Wanna Dance' from 'The Modesty Blaise' LP

“A sublime sugar lump of a single; a song that captures what is great about charming English pop. Part C86 part 67 psych pop, a beautifully written slice of nostalgia" ~ Monolith Cocktail

"This will lure you in, the same way that Roger Moore's The Saint and Emma Peel and John Steed's The Avengers did... This is the new Pulp - but with steller retro flair that, both sound and fashion-wise, runs deeper than Jarvis Cocker's own wardrobe" ~ Amplify Music Magazine

"Modesty Blaise makes for cheeky pop perfection... Fantabulous dance-pop, Modesty Blaise will remind you that Brits are the king of wit and groovy retro-laced musical wanderings, not far from the mark set by Pulp back in the 90s" ~
Big Takeover Magazine

Bristol-based avant indiepop outfit Modesty Blaise has announced that the impending release of a new album via German label From Lo-Fi to Disco! A baroque pop collection titled 'The Modesty Blaise', this is the band's third studio album and their first LP in 20 years since releasing their head-turning 'Melancholia' LP (2001), featuring hit single 'Carol Mountain'.

Ahead of this, they present the lead single 'Girls Just Wanna Dance', a perfect orchestral pop song and live favourite singalong that is more Music Hall than Dance Hall. A longtime set closer, ‘Blaise fans have been crying out for it to be recorded and here it finally is. You can bounce around your own kitchen to it and rip your own sink out just for fun.

This new release was preceded by a string of singles, including 'Natalie Vendredi' with its endearing nouvelle vague video, which will also be included on the album.

Modesty Blaise have been around for a few decades in various guises. After forming in late 1993, the band quickly recorded their debut single 'Christina Terrace' with the esteemed Edwyn Collins at the helm, garnering them immediate success with a live appearance on ITV and inclusion among many many end-of-year top music rankings. This acclaim however was not enough to quell the kind of internecine warfare that Modesty Blaise have become famous for.

After 'Melancholia', the band faced one delay after another with line-up changes and deteriorating personal circumstances. An all-too-familiar spiral, the years went by slowly but, no matter how bad it got, Jonny still had his guitars in his mum’s attic.

"When everyone else was in their bedrooms working on guitar solos and dreaming of being a rock god, I was reading biographies of Cole Porter and listening to Gershwin and Jerome Kern and Irving Berlin. I try to write concise things, with deliberate moves away from that where necessary," says frontman and songwriter Jonny Collins.

"Melody, arrangement and counter melodies... The 3 minute pop single is, I’d contest, the summit of great art. It is timeless, and we consistently get it wrong confusing art with commerce. If your art (or your pop record) sounds like today, it may sound like yesterday pretty soon. Pop iconoclasm".

Oher career highlights include supporting Robbie Williams at London's O2 Arena, inclusion in a Rough Trade compilation, an ITV company documentary on Jonny Collins, and a BBC Radio session involving seventeen people.

On February 5, 'Girls Just Wanna Dance' will be available digitally everywhere, including Spotify, Apple Music and Bandcamp. 'The Modesty Blaise' album will be released on March 26 by from Lo-Fi to Disco! and distributed by Broken Silence (for Europe), Shellshock (for the UK), and Tedium House - Revolver USA and Midheaven mailorder (for North America).

THE PLAYERS
Jonny Collins – vocals
David W Brown – bass
Gregory Jones – guitars
Mark Bradley – drums
Alastair Jenkins – guitars
Roger MacDuff – violins
Jörn Elling Wuttke - mixing at Klangfabrik Frankfurt


Keep up with Modesty Blaise
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud | YouTube | Spotify | Amazon | Apple Music

Keep up with From Lo-Fi to Disco!
Website | Facebook | Twitter | Discogs

TOMBS Unveils Ticket Link for Upcoming Bandcamp Concert Stream

New York/New Jersey metal formation TOMBS will be performing their very first virtual concert on February 5 @ 3:00 P.M. EST // 21:00 CET via Bandcamp, making the band the first metal artist to premiere a live stream through the platform. The band will be present for a live meet and greet and will be selling some exlcusive merchandise items! Tickets are now available at THIS LOCATION.

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TOMBS is currently supporting their latest full-length, 'Under Sullen Skies,' which was released in November of 2020. The record has been named one of the best metal releases of 2020 by Metal Insider, Decibel Magazine, The Pit, Riff Magazine, Chicago Music Guide's Global Music Podcast, and others while drummer Justin Spaeth has been dubbed one of the best drummers of 2020 by Sick Drummer Magazine.

In addition, TOMBS previously premiered the official music video for their new song, "The Hunger," which pays homage to cinema's most infamous vampires! The song and video, which was created by Jaclyn Sheer, can be found at THIS LOCATION.

'Under Sullen Skies' can be streamed, downloaded, and ordered HERE.
There’s a line from Mike Hill’s audiobook/tour diary of ANODYNE’s 2004 European tour in which the gravel-throated frontman affirms, “I will always outwork you.” In that case, Hill was referring to an incident in Germany early on during a six-week long overseas jaunt with his previous band. In actuality, however, he could have been talking about any instance between when he first picked up a guitar as a teen and the present. Whether it’s his history dating back to previous bands OTIS, ANODYNE, KING GENERATOR or VERSOMA, his ongoing solo work in VASILEK, the more recent SCORPION THRONE project or his thirteen year reign as the driving force and nerve center of post-black metal institution TOMBS, hard work is second nature and nothing will keep the guitarist/vocalist from creative endeavor and expression. And it’s not just music in which his propulsive work ethic has gleaned results: Hill also is the CEO and roast master at Savage Gold Coffee (a labelling nod to TOMBS’ 2014 album of the same name), the host/producer/creator of the Everything Went Black podcast, host and producer of Gimme Radio’s Metal Matters flagship podcast, the creator and co-host of horror podcast Necromaniacs as well as a stalwart in the print and online journalism world covering music and MMA fighting. His is, has been and always will be a life steeped in dedication and with unassailable drive in the cross hairs. And despite the world being put on pause, Hill refuses to curtail his innate determination and ongoing tenacity with the result being TOMBS emerging with the next chapter in its impressive catalog and growing legacy: the band’s fifth full-length, 'Under Sullen Skies'.

“The week VERSOMA broke up in 2007, I started TOMBS,” he says, recalling how, characteristically, the band started before any dust was permitted to settle. “The initial rehearsals ended up being the bulk of material that showed up on the first [self-titled] EP. The intent from the beginning was to get back to playing music I wanted to hear and to not be so concerned with genre or satisfying anyone else’s desires. It was to do music on a personal level and be a reflection of the darkness I’ve felt throughout my life.”

Formed in the gritty corners of pre-gentrified Brooklyn, NY, TOMBS’ early mandate was steeped in the harshness and atonality of black metal but dosed with trace amounts of the varied influences and inspirations ingrained in Hill’s musical muscle memory by previous bands. “The canon of music TOMBS has created has spanned several different genres, but I’ve always had it my intent for there to always be a certain amount of violence and hardness lurking the background.”

Those early years delivered splits and singles, the highly revered 'Winter Hours' debut in 2009 and Decibel’s 2011 Album of the Year, 'Path of Totality'. Never one to sit still, 'Path of Totality' was followed by appreciable and impressive amounts of touring in accordance with the lauding afforded by critics and fans and the braying of foes, which only served as fuel for Hill’s perseverance. Savage Gold came three years later after which a restless Hill began nudging TOMBS’ black metal base into territories populated by gothic and death rock artists like FIELDS OF THE NEPHILIM and SISTERS OF MERCY as well as avant-garde purveyors Caspar Brotzmann and Live Skull while never forgetting – or being able to – scrape the grime of NYC from under his fingernails. The addition of a second guitar and live keyboards/samples brought a fuller sound and allowed noise sequences and soundscapes to be brought to the live show. It was around the time of 2016 'All Empires Fall' EP that TOMBS punctuated its iconoclastic spirit and thought process. Despite then-being part of the Relapse Records family, the band struck out with the intent of self-releasing the EP in order to retain as much independence as contractual obligations would allow – retaining the digital and publishing rights while eventually licensing the record back to Relapse. A one album stint in 2017 under the Metal Blade banner birthed 'The Grand Annihilation' into the world where TOMBS took broader and more daring steps into buffering black metal with morose melody, sullen death rock and classic METALLICA chugging. Following a parting from Metal Blade, the band – now completed by drummer Justin Spaeth, guitarist Matt Medeiros and bassist Drew Murphy, who are also 3/4ths of New Jersey death metal crew KALOPSIA - quickly found a home on Season of Mist and issued the 'Monarchy of Shadows' EP literally a week before the world went into Coronavirus lockdown.

“The original strategy assumed we would be on the road for most of 2020,” says Hill with a lamenting laugh. “We had a sick tour with Napalm Death planned right after the EP’s release. We were going to record the new full-length before the tour and have it come out in the fall. There was all kinds of tour talk and plans and 2020 would have been a tour-de-force of TOMBSactivity in the United States and Europe. Obviously, none of that is happening, but we’re still going ahead with the record.”

Of course they are. Throw a hurdle in front of Mike Hill and he’ll never shy at rolling up his sleeves and taking on the challenge. Even with the world in shutdown mode, Hill is still brimming with enthusiasm about the input and work ethic of the current TOMBS lineup and how Spaeth, Mederios and Murphy stepped up to the plate in the creation of 'Under Sullen Skies'.

“Everyone contributes on this record and the door has always been open for others to do so. There has always been this misconception that I’m some sort of tyrant always telling people what to do and play. The fact of the matter is that most of the time I outwork people; that’s just the way I am. No one is ever going to outwork me on any level in any area of my life and I was always coming up with material. Now, I have these maniacs in the band who are equally motivated and there’s a whole new life injected into TOMBS. That’s awesome and I love it. These days we’ll try anything and we actually write stuff and throw it out because it’s not perfect. It’s more like a writing committee, which I really appreciate. It’s not just me writing everything. It’s a big difference from 'The Grand Annihilation' which was basically a solo record.”

'Under Sullen Skies' is this lineup’s second kick at twisting black metal’s DNA around dank emotional corners, psychological turmoil and the urban underbelly all of which is unavoidably coloured and touched by the present-day status of life on this here Earth.

“The album’s title came during all this and the sort of post-apocalyptic world we’re living in,” Hill explains. “It encapsulates an overall feeling of gloom and depression which is pretty much how we’ve been living for most of this year. The title was the last piece to fall into place. I remember standing on the roof of the building I was living in at the time on a grey day and it was raining – actually, it wasn’t even raining; it was a half-assed attempt at rain! – and depressing and I just thought, ‘What a sullen sky’ and it just stuck with me.”

The album starts with “Bone Collector,” a furious blast of melodic black metal that shifts gears towards an anthemic fist-pumping slog through the goth rock-thrash metal VENN DIAGRAM. “Void Constellation” takes as many cues from Peaceville Three gloom and doom as it does the death metal stomp of OBITUARY and INCANTATION. “Descensum” mines the various well-worn parts of Ride the Lightning for influence before blasting the doors open with some startlingly spacious chromatic single-note atonality. As the album progresses, further textures and moods are employed via acoustic instrumentation and keyboards as well as sampled soundscapes all butting heads with furious second wave black metal and sly to nods to death rock heroes SISTERS OF MERCY and FIELDS OF THE NEPHILIM, all of the band’s motivations and interests being dropped into the chameleonic pair of tracks closing the album, “Sombre Ruin” and the appropriately titled “Plague Years.”

“‘Barren’ stands out as the song that’s most collaborative,” notes Hill. “Justin wrote the bulk of the riffs on that one, that sort of NWOBHM/SCORPIONS ending part is something I came up with, Matt added a bunch of guitar harmonies over it and Drew’s bass is laid thick underneath. That one is one of the biggest group efforts and one of the strongest songs on the record.

“I explore a lot of the archetypes that are used in folklore on this record, like werewolves and vampires which I’ve always been interested in, and on a song like ‘Secrets of the Black Sun’ I talk about the finite nature of our time on this planet, that nothing is really permanent and being aware of that whether as an individual or as a civilization, which I guess fits in with the pandemic and the changes that are going on. There are all kinds of other people, civilizations and creatures that have come and gone long before us and if you think about it over a long enough time span, everyone’s life expectancy goes down to zero.”

The new album not only sees Hill expanding his creative and collaborative comfort zone by wholly embracing the offerings of his band mates, but he’s also let down the drawbridge to allow folks from beyond the immediate TOMBSfamily to include what he describes as “mad guest spots.”
“There’s Cat Cabral, who does the spoken word piece on ‘Angel of Darkness.’ She’s not a musician per se; she’s more from the occult and witchcraft world. I’ve been friends with her for a really long time and she’s a great resource for esoteric knowledge. She’s also an actress who has done plays and commercials and been in films, so I figured she’d be the perfect person to deliver dialogue in an emotionally deep way, and be good at taking direction. Ray Suhy from SIX FEET UNDER rips the guitar solo in ‘Barren’ and that solo is its own masterpiece, in my opinion. BLACK CROWN INITIATE and former TOMBS live guitarist Andy Thomas contributed a guitar solo in ‘Void Constellation.’ Todd Stern from PSYCROPTIC plays the solo in ‘Mortem.’ Sera Timms from IDES OF GEMINI and BLACK MATH HORSEMAN does guest vocals on ‘Secrets of the Black Sun.’ We’ve got INTEGRITY’s Dwid Hellion singing the chorus on ‘The Hunger’ and BLACK ANVIL’s Paul Delaney also doing a couple of verses on ‘Angel of Darkness.’ So, yeah, there are a bunch of people on there and it’s like a community effort which I enjoy. I like involving people I respect and having them be a part of the whole thing.”

After spending his entire adult life navigating the pitfalls and pratfalls of the industry for expressive and creative opportunity, Hill has amassed an impressive legacy, one that 'Under Sullen Skies' contributes to admirably and irreverently. Like most, the extreme music underground lifer and veteran is probably justified in approaching the future with very muted optimism, but while the world works at screwing its head back on straight, Hill is going to do what he wants to do as well as he possibly can. Uncertainty may reign at the moment, but Hill and TOMBS are still going to do their thing and will be content to please themselves in the process. If anyone else happens to be along for the ride, then welcome aboard.

“'Under Sullen Skies' is a dark and introspective album,” he asserts. “It’s not a happy record that anyone is going to use to get pumped up on a Friday night. We wanted to pull out the stops, go full-on and make a nice body of work. I could care less if anyone likes the band or not because I’ve been through so many ups and downs with this thing that I don’t give a fuck if people enjoy the music. I know I like it, I know the guys in the band like it and we’re just rocking and rolling. This record and the EP came out about as close as I could imagine to what I have in my brain about how this band should sound. The whole trajectory of the band has had each record never quite hitting, but 'Monarchy of Shadows' and 'Under Sullen Skies' have both really come out how I envisioned the songs to be.”

Line-up:
Mike Hill – guitars, vocals, electronics, synth
Matt Medeiros – guitars
Drew Murphy – bass, vocals
Justin Spaeth – drums, guitars, electronics, synth

Guest Musicians:
Cat Cabral – Spoken Word Dialog on “Angel of Darkness”
Paul Delaney (BLACK ANVIL) – additional vocals on “Angel of Darkness”
Dwid Hellion (INTEGRITY) – additional vocals on “The Hunger”
Todd Stern (PSYCROPTIC) – guitar solo on “Mordum”
Ray Suhy (SIX FEET UNDER) – guitar solo on “Barren”
Andy Thomas (BLACK CROWN INITIATE) – guitar solo on “Void Constellation”
Sera Timms (IDES OF GEMINI, BLACK MATH HORSEMAN) – additional vocals on “Secrets of the Black Sun”

Recording and Mixing: Fright Box Studios, Clifton, NJ, USA

Mastering/Producer/Sound Engineer: Bobby Torres

Cover Art: Valnoir

Bio: Kevin Stewart-Panko

Links
https://www.facebook.com/TombsBklyn/
https://www.instagram.com/tombscult/
https://twitter.com/TOMBS666
https://tombscult.bandcamp.com/
EverythingWentBlack.podbean.com

Shop: https://redirect.season-of-mist.com/tombs-skies

For more on TOMBS, visit their official FACEBOOK, TWITTER, INSTAGRAM, and BANDCAMP.

THE RETURN OF DANCE PUNK: DEATH FROM ABOVE 1979 ARE BACK

Death From Above 1979 (DFA), the boundary-pushing musical alliance of Sebastien Grainger and Jesse F. Keeler, have released their new single, "One + One."

"One + One" arrives as an unmistakably DFA-esque track and is the first taste of new music since their 2017 release Outrage! Is Now.

"'One + One' is a love song," says Grainger. "It's the karmic sequel to 'Romantic Rights.' My wife, Eva, became pregnant not long after we started working on the song, and after hearing an early version she said, 'I wish this song was dancier.' So I went back into the studio and re-worked the drums. As the record was taking shape, every time I would come home from the studio, the baby would start dancing in Eva's belly. Even before I walked in the room, the party would start. One plus one is three — that's magic!"

The music video, created as a collage of disparate frames and moments inspired by the photography of artist David Hockney, was shot in Marmora, Ontario, and directed by Eva Michon, who also helmed the band's documentary Life After Death from Above 1979 (2014).

"Since we started playing, people would come up to the stage and after and say, 'I can't believe there's just two of you,'" explains Grainger. "The video for 'One + One' is Eva's way of showing that our band is greater than the sum of its parts. It's Death From Above 1979 in multitudes."

Along with the first single, the band dropped a surprise announcement of their fourth LP, Is 4 Lovers, out March 26. It is available for pre-order here.


The new album, which Grainger and Keeler wrote, produced, mastered, and recorded entirely by themselves, captures the creation of a totally new sound and a reimagining of the format they created more than 20 years ago.

With the band leaving subtle hints at what was to come across social platforms over the past few months, fan response at launch, and in anticipation of new music, has been ferocious. Adding to the hype, on January 18, fans were invited to call a hotline, where the lyrics of "One + One" were recited in a dramatic reading by Keeler. With calls flooding in leading up to the single's official announcement on January 25, the news of a forthcoming album leaves fans, fondly referred to as "Lovers," counting down the days to the album's release.

An exclusive line of DFA merch, including a limited edition autographed vinyl that is exclusively available only on the DFA store launched today, is available here.

DFA has never sounded more assuredly like itself than it does on Is 4 Lovers.

ABOUT DEATH FROM ABOVE 1979 (DFA):

Death From Above 1979 (DFA), the boundary-pushing musical alliance created by Sebastien Grainger and Jesse F. Keeler, roared out of Toronto with the uncompromising one-two punch of 2002[s fuzz-bomb EP Heads Up and 2004's epochal debut album You're a Woman, I'm a Machine, complete with a North American arena tour with Nine Inch Nails and Queens of the Stone Age, before deciding mid-tour to part ways due to the strain of constantly touring.

Almost a decade later, the rekindled DFA fireworks lit stages around the world ablaze — amassing a posse of fans so passionate they incited a genuine, barricade-smashing riot at Austin's Beauty Bar at the 2011 SXSW festival. Playing Lollapalooza, Coachella, Glastonbury, Reading/Leeds, Osheaga, Lowlands, and more, DFA continued to take the world by storm. Their second album, The Physical World (2014), took a No. 3 spot on the Canadian Billboard album chart and peaked at No. 28 on the U.S. Hot 200 — not to mention No. 3 and No. 7 shots on Billboard's Top Alternative and Top Rock registries, respectively. TV appearances around their first two albums on iconic late-night shows including David Letterman, Conan O'Brien, and Jimmy Fallon showed a whole new audience the DFA live goods.

Arriving at No. 20 on the Canadian Billboard album chart, DFA's scorching 2017 outing, Outrage! Is Now prompted Pitchfork to remark that "Death From Above now sounds more vital than ever." With three smashing albums to their name, the duo drummed up an easy 10 million views before going silent once more, to the dismay of fans.

Now, DFA is back with the return of their new album, Is 4 Lovers — once again creating a new sound and reimagining the format they created more than 20 years ago.





BAND SHARES VIDEO FOR NEW SINGLE "ONE + ONE"

NEW ALBUM IS 4 LOVERS SET FOR RELEASE ON MARCH 26

PRE-ORDER HERE

Midwestern power trio The Party After has released their newest single, aptly named “Groundhogs”, now available on all digital outlets.

With an accompanying animated video, featuring psychedelic, over-the-top visuals created by Ellefson Films and Johnny's Bros Creative Studios.

The video, directed by Thom Hazaert for Ellefson Films and Ismar Rodriguez for Johnny’s Bros, Animated by Ismar Rodriguez, and Produced by Ewar Acosta and Thom Hazaert, documents the transformation of a single groundhog's normal day, into a mind-bending trip through a wild evening in the deep, dark woods.

Says Hazaert, “The band came to me with the idea of doing an animated video, and wanting me to direct, and put together an animation and creative team to make it happen. I had previously had some discussions with my friends at Johnny’s Bros Creative Studios, an amazing animation house, about working on some projects together, so we figured this would be a great opportunity to do so. We came up with a rough concept, and they set Ismar loose on the animation, who tweaked the concept as he went, and really brought it to life.”

He adds, “As we were completing it, David and I had just launched Ellefson Films, and announced Dwellers, so I thought it would be fun to park it under that banner, and expand the scope of what we were doing over there. Even though it’s a pretty dark video, it really has nothing to do with Metal, or horror, or any of the kinda typical things I think people would expect, but it’s definitely, at times, a pretty disturbing and dark visual, that aligns perfectly with the mood of the song. Either way, the reaction has been amazing, and I’m so excited to finally release it, after sitting on it for months, waiting for, you guessed it, Groundhog Day.”

“Groundhogs” on Apple Music: http://itunes.apple.com/album/id1550416869?ls=1&app=itunes

Spotify: https://open.spotify.com/album/4jQBjLkeaJGSlMqjQhxs3t?si=DFvSWrteSOS_LHO6XdOUDQ

The Party After is composed of Jared Gottberg, Derek Talburt, and Tony Bates, who had, ironically, previously played together in a now defunct group known as A Wasted Effort. When that group disbanded, the trio started releasing music under the new moniker, with their debut single “Philophobic” in February 2019, going on to release a handful of additional singles, leading up to the current release of “Groundhogs”.

Ellefson Films is a film production studio formed by Megadeth bassist David Ellefson, and partner Thom Hazaert, currently producing the upcoming found-footage horror film Dwellers, directed by Drew Fortier, making the 2021 film festival rounds. Hazaert, under his THC Films banner, has produced multiple independent features including the music business documentary Long Way To The Top, featuring members of Def Leppard, Weezer, Limp Bizkit, Nine Inch Nails, and more, as well as producing and directing special features for Shout Factory/Scream Factory, and more, with credits on special editions of ShockerThe People Under The StairsReturn of the Living DeadArmy of Darkness, and Exorcist 3.

Johnny’s Bros Creative Studio is a Miami based Animation and Multimedia studio with several projects currently in development.

For More Information Please Visit:

ellefsonfilmco.com

johnnysbros.com

VREID Unveils Trailer for Upcoming Album and Movie, 'Wild North West'

Norwegian Sognametal veterans VREID will be releasing their ninth full-length, 'Wild North West,' on April 30 via Season of Mist! The conceptual record will also feature a movie companion piece. Throughout eight chapters, the listener will be taken on a journey deep into the mountains, to a dark place where the borders between reality and fantasy fade and where death is only one step behind you: The Wild North West.

VREID songwriter and bass player Jarle Hváll Kvåle comments: "Ever since February 2020, we have been working like hell on this new project. The only short break was when we hosted the livestream from my mountain farm last summer. This project has become all-consuming, and the hours we put into it is just insane. Most of the music was written during winter/early spring least year, and lyrically I started to work on this concept story. Then, me and movie producer Håvard Nesbø who did the lyric videos for 'Lifehunger' and produced our livestream started talking about taking things further. I brought up this wild idea of doing a series of music videos, one for each song and then build these together as a movie. A movie that is the actual album. Håvard who has no limits on his lunacy jumped on board, and we never looked back.

"This became the most creative adventure I have ever worked on. The whole process of writing music, recording and mixing it, writing lyrics, making the script for the movie, the actual filming and editing it and working on the design all got tangled up in one twisted world, where all these elements influenced and colored each other. It’s given a whole new dimension to our art. The result is 'Wild North West'. This as DIY as it gets, and it’s OUR story.

"With 'Wild North West' we have the whole legacy in our backpack, but with new adventures and visions fulfilled. From the most extreme and intense we have ever done to a heavy and melodic world where we open new doors.
VREID's origin is rooted in the blend of the aggressive 80ies metal, the grooving 70ies heavy rock and the northern black metal of the 90ies. This is our DNA and this is the spirit of Sognametal.

"Welcome to the Wild North West."

The cover for 'Wild North West,' which was created by Remi Juliebø (Deformat Design)

From its tumultuous inception, the Norwegian metal scene has always been about pioneering. While embracing the illustrious black metal history as part of their musical heritage, the many iconic bands have now evolved in various directions. Leading the black ‘n roll movement in Norway, VREID are the perfect example of that. The band arose in 2004 from the ashes of WINDIR after the tragic perishing of Terje ‘Valfar’ Bakken. The Sognametal legends declared the mission of exploring new musical paths, which they have pushed to even greater heights on their new record ‘Wild North West’.

The ninth record is not just a collection of songs, but a concept album that developed alongside an entire movie. Throughout eight chapters you will be taken on a journey deep into the mountains, to a dark place where the borders between reality and fantasy fade and where death is only one step behind you: The Wild North West. Not just in sheer size of the project but also in terms of music videography, creativity, and determination, VREID have done something truly unique and lifted their art to a new dimension.

On the concept, founder and bass player Jarle Hváll Kvåle states: "Wild North West is a concept story about life itself and its eternal shadow: death. It is built around the world of our fictional character E, but it is surely inspired by my own life, my band’s life, historical events and many tales that have inspired me over the years. Is it a true story or fictional? I would have to say both, and sometimes is hard tell the difference.”

‘Wild North West’ features the most extreme and intense work of the band to date, as well as heavy and melodic rock songs. These influences have always been a part of VREID’s DNA, and it is this combination that makes up the spirit of Sognametal. A remarkable homage to that same musical spirit is the song “Into the Mountains”. The ideas for that track were written in 2002 by Jarle ‘Hváll’ Kvåle and Terje ‘Valfar’ Bakken (WINDIR). Inspired by these ideas, Hváll wrote the song and included the original demo keyboard tracks from 2002, recorded back then by Valfar.

VREID have always chosen a course of constant evolution that is marked by thematically denoted phases regarding their often historically inspired lyrics. This became particularly clear with albums ‘I Krig’ (2007) and ‘Milorg’ (2009), which both revolved around concepts dealing with resistance and liberation of Norway during World War II. With their following three records, the pitch black brigade returned to their Norse roots on ‘Sólverv’ which received high critical acclaim in 2015.

In 2018, the Norwegians teamed up with Season of Mist for their previous full-length ‘Lifehunger’, a record that successfully blended elements of 70’s rock, 80’s classic metal, and Norwegian black metal and which featured a remarkable guest contribution from SÓLSTAFIR’s vocalist Addi Tryggvason on the track “Hello Darkness”.

VREID have hammered out their success partly by being a heavily touring band. The four-piece performed more than 500 shows in 25 countries so far. Their everlasting march to conquer new territories has led the Norwegians to headline tours in Europe, North America, Japan, and India.

The band’s onward march did not come to a halt in 2020, a year that will go down as devastating for the international music scene. VREID launched their own beer, which turned out to be the biggest success of the Balder Brewery as the first batches were sold out immediately. Instead of waiting to be able to tour again, the Norwegians invited the fans to their home region and hosted a massive streaming concert among the beautiful mountainous surroundings of the Sognefjord. The concert, ‘Into the Mountains of Sognametal’ took place in June 2020 was viewed by over 140.000 people from more than 40 countries.

In 2021, VREID will once more invite the fans to their dark, cold, and wild universe but tread carefully as from these haunted mountains, no man can descend.

Welcome to the Wild North West.

Style: Norwegian Black 'n Roll

Cover artwork: Remi Juliebø (Deformat Design)
Photography: Nesbø & Talle, animated pictures by Remi Juliebø (Deformat Design)
Videography: Håvard Nesbø

Recording studio: Studio 1184 & Nabolaget Studio
Producer / sound engineer: Jarle Hváll Kvåle / Anders Nordengen
Mixing studio and engineer: Jarle Hváll Kvåle / Helge Bentsen
Mastering studio and engineer: Fascination Street by Tony Lindgren

Recording line-up:
Jarle Hváll Kvåle: Bass, keys, additional vocal and guitars
Sture Dingsøyr: Vocals & Guitars
Jørn Holen: Drums
Stian Bakketeig: Guitars

Guest musicians:
Terje ‘Valfar’ Bakken - Keys on “Into the Mountains”
Espen Bakketeig - Additional keys on “Wolves at Sea”, “Dazed & Reduced”, “Shadowland”
Eli, Helena, Anna - backing vocals on “Into the Mountains”

Pre-sales: available soon

For more in VREID, visit the band's official BANDCAMP, INSTAGRAM, FACEBOOK, and WEBSITE.

Thrash Metal Giants EVILE Return with Brand New Album!

Hell Unleashed out April 30, 2021 via Napalm Records

Pre-Order HERE

Since their formation in 2004, British thrash titans EVILE have been turning heads and taking names, delivering four pure thrash offerings blended with an uncompromising death metal assault! Their upcoming fifth studio album, entitled Hell Unleashed, will impact the metal masses on April 30, 2021 via Napalm Records, and is the long-awaited successor to their 2013 release, Skull. Featuring the new exciting line-up formation of the talented Ol Drake on vocals/guitars and new member Adam Smith of RipTide as rhythm guitarist, Hell Unleashed is a raucous and masterful thrash metal attack!

Ol Drake comments:

"After a long eight years, EVILE is finally coming back with our fifth studio album, 'Hell Unleashed' in April; a nine-track onslaught of unrelenting Thrash Metal. I have no qualms in saying that this is the best Thrash Metal album in at least the last 20 years. Those who haven't been keeping up with EVILE may notice a change in vocals and vocalist. Matt left the band last year for health and personal reasons, and we decided it would be best to keep the new vocalist a familiar face within the band, so I stepped into the vocalist shoes, while remaining on lead guitar and I'm very happy and excited to do it - one of my heroes is Chuck Schuldiner, so it made sense to me; EVILE needs to sound evil and vile, and we've achieved that more this time with a much more aggressive approach on 'Hell Unleashed.'"

In celebration of their return and the announcement of Hell Unleashed, the band has just revealed a blistering music video for the album’s title track! With double the amount of power, twice the speed, untamed brute and blazing riffs, “Hell Unleashed” will propel old and new fans to the status of eternal mayhem and thrash euphoria.

Ol Drake adds:

"The title track 'Hell Unleashed' is the first single/video we're releasing, directed by James Mansell, who I previously worked with on some short films of his. We spoke for a while about maybe doing a music video for EVILE and I'm so glad we did, as we're so happy with the result. We chose the title track as the first single as we wanted the first track you hear from us in so long to be a straight-to-the-point smack in the face and this definitely delivers. (**WARNING: The video contains flashing**)"

On their forthcoming album, the newly staffed four-piece strikes again on nine explosive tracks, leaving nothing but a hammering world of sound taken apart by thrash. Endangering guitar lines, which quickly build up to a furious thrash manifesto and attack the eardrum at breakneck speed, meet the merciless velocity EVILE are known and loved for.

Hell Unleashed was produced by Chris Clancy at Backstage Studios, UK, and will not only feature some explosive guest backing vocals from American actor, musician and comedian Brian Posehn, who highlights the band’s irrepressible, speeding energy on the track “Gore”, but the album will also include a cover song:

Ol Drake continues:

"This is the first album EVILE have done to include a cover song in the tracklisting. I've been a big fan of death metal for a long time, and seeing as this album is on the more extreme side of Thrash vocally and musically, we thought it was a perfect opportunity to cover Mortician's 'Zombie Apocalypse'. It has one of the greatest riffs in it!

We're also very excited about the return of the legendary Michael Whelan (Sepultura, Obituary, Stephen King) as cover artist. He did the art for our second album and he's always a pleasure to work with."

Pre-Order Hell Unleashed NOW:

In North America, Hell Unleashed will be available in LP format in black vinyl, as well as in limited edition red vinyl (limited to 200), CD Jewel Case and digital formats. A special Limited Diehard Edition is also available, including an LP in Red/White Splatter vinyl, as well as an exclusive Artprint and band logo patch (limited to 100)!

Limited Diehard Edition: LP Splatter Red/White + Artprint, Patch - limited to 100


In just 41 minutes, Hell Unleashed unchains the unbridled forces of hell, catches some rousing demons of the past and provides classical thrash metal with a contemporary yet hard-edged touch. EVILE are back – straight from the abyss!

EVILE is:

OL Drake - Vocals & Lead Guitar

Ben Carter - Drums

Joel Graham - Bass

Adam Smith - Rhythm Guitar

MEMORIAM Release First Trailer for New Album 'To The End' Out March 26 on Reaper Entertainment

Onwards into battle, one more time...In the two years since MEMORIAM released 'Requiem For Mankind', the band haven't rested on their laurels. Their fourth studio album, 'To The End', is due for release on March 26 via Reaper Entertainment.

Today, the band presents the first album trailer for this upcoming record. Check it out and get more info about, how Spike did join the band and about the album recordings:

The lyric video of the first digital single "Onwards Into Battle" can be seen here: https://youtu.be/goDKHYj-UFY

Karl Willetts states:

"Onwards into Battle" is the opening track from the new album "To the End". A powerful introduction that sets the tone of the album and gives the listener a taste of what is to come. Lyrically the track provides continuity from the previous album "Requiem for Mankind" and is similar in many ways to the track "Fixed Bayonets". The lyrics focus on the start of battle "Zero Hour" which is appropriate for the start of the album. Within the theme of "War" the lyrics explore the brutally of trench warfare specifically. The war continues. Let battle commence."

You can pre-order 'To The End' here: www.reapermusic.de/memoriam-end

Marking the beginning of a second trilogy of albums, To The End serves as something of a prologue to the first three MEMORIAM albums. Working backwards and narrating the life story of the leader whose demise was depicted in the first trilogy, the lyrics on the album may play out in a fictional realm, but they incorporate inspiration from real life. A central theme of war is coloured with political fulminations and everyday experiences that combine to create a cohesive and enthralling chronicle.

The four-piece returned to producer, Russ Russell, for the recording of To The End. For the first time, the band demoed the songs and entered the studio with a new level of preparedness. Coupled with their close relationship with Russell, this created an environment that allowed for greater experimentation, as demonstrated by the diverse array of textures and sounds present on the nine tracks on the album.

From the earliest days of the band, they had their eye on the art of Dan Seagrave (Benediction, Dismember, Hypocrisy, Suffocation, etc) as an accompaniment to their music. Having created the artwork for the first three MEMORIAM albums, he has also created the cover for To The End.

MEMORIAM are:

Karl Willetts | vocals (ex-BOLT THROWER)

Frank Healy | bass (ex-BENEDICTION)

Spike T Smith | drums (Sacrilege, Conflict, Killing Joke, The Damned)

Scott Fairfax | guitars (AS THE WORLD DIES, ex-BENEDICTION live)

MEMORIAM online:

https://www.facebook.com/Memoriamuk2020

John & Aimee Oates, Drive Entertainment Group and NugsTV are excited to announce more amazing artists who have recently signed on to perform and raise funds for Feeding America®

on March 20, 2021 at 8 PM EST. Sharing duties as John’s co-host will be the mysterious, mystical and musical internet sensation Saxsquatch.

Image 2-2-21 at 6.47 PM.JPG

“We estimate approximately 50 million people could face food insecurity due to the ongoing economic fallout from COVID-19 and recovery will be long,” said Feeding America CEO Claire Babineaux-Fontenot. “We are deeply grateful to John & Aimee Oates and all of the participants of Oates Song Fest 7908 for helping to raise awareness and funds to continue our support for our neighbors in need.”

Newly Announced Artists:

Dan+Shay / Michael McDonald / Darius Rucker / Sara Bareilles / Gavin DeGraw / Jewel / Matt Nathanson, Infinity Song, Louis York , and Quinn Sullivan.


In addition to the all-star line-up of:

Dave Grohl, Daryl Hall, Bob Weir, Sammy Hagar, Jim James, Keb Mo, Shawn Colvin, Michael Franti, Big Kenny, Malina Moye, Sheila E, and Jim Lauderdale.


Plus, celebrity guest appearances by Tichina Arnold, Monica, Angie Harmon, Mike Wolf (American Pickers), The Professor (Basketball Genius), Hayley Orrantia (Goldbergs), and Margo Rey.

Streaming link | Oates Song Fest

Prior to the show, Nug.TV will stream a special, exclusive, one on one, in depth interview with Oates and Grammy winning, super producer Dave Cobb from the historic RCA Studio A in Nashville where he works. John will be talking to Dave about his musical influences and how he works with incredible legendary and award-winning artists to help them realize and record their songs. In addition, over the next few weeks leading up to the show, Oates will be hosting a series of Instagram Live interviews with some of the artists who will be performing.


During the broadcast of “Oates Song Fest 7908” viewers will be able to donate via a unique QR code and at www.feedingamerica.org/oatesfest.


For more information : https://johnoates.com/oates-song-fest-7908/