On The Brink of HEART LIFE MUSIC Book Tour, Writer Holly Gleason Receives 12 NAEJA Noms

It’s been a long year for Holly Gleason, who embarks on the book tour for Kenny Chesney’s HEART LIFE MUSIC Saturday, Nov. 1 at the Country Music Hall of Fame inductee’s alma mater East Tennessee State University. In between completing Chesney’s first book, the Cleveland, Ohio-raised journalist contributed several key stories and analysis to industry trades HITS and POLLSTAR, as well as elegies for her own website and the release of “The Boar’s Nest: Sue Brewer & The Birth of Outlaw Country,” co-written during the pandemic with playwright Rachel Bonds and producer Dub Cornett.

Gleason, who won the 2024 Independent Journalist of the Year Award, is nominated in that category. Her remembrances of Kris Kristofferson and J.D. Souther received nominations for Obituary/In Appreciation in ALL Platforms for Film Personalities and Music Personalities; Kristofferson was also cited for Entertainment Blog by an Individual Not Tied To An Organization.

A New York Times Megan Moroney profile was nominated for Personality Profile, Music Industry (Under 2500), while Gleason’s POLLSTAR Moroney cover story received a nod for Business, Music/Theater/Other Arts. Additionally, her POLLSTAR conversation on the state of Latin music with executive Bruno Del Grenado received recognition in Business Music/Theater/Other Arts.

A sought after commentator on country and roots music, Gleason’s work at HITS received two nods in Commentary Analysis/Trend Music for columns entitled “Country At A Crossroads” and “Grammy Chew: Country.” Her conversation with breakout Black country artist Shaboozey scored two nominations: Diversity in the Music Industry/Performing Arts/Arts Industry and Music/Performing Arts Industry Feature (Under 1000 Words).

“Country and roots music are at several interesting pivots, with a lot more at stake than just who the next superstar will be,” Gleason says of her work. “It is an honor to apply almost four decades of knowledge to contextualizing artists, analyzing trends not just of the music, but our culture – and trying to create an understanding between industry types of artists who aren’t their day-to-day reality, while also offering informed takes on who the rising stars for anyone who loves music.”

Having won four awards, including her second Criticism of Music in three years, at the Los Angeles Press Club’s Southern California Media Awards in June, Gleason’s focus for the last twelve months has been the book chronicling Chesney’s journey from one more face in the crowd – literally and as an emerging artist – to being what Variety calls “Country music’s only true long-term stadium act.”

“I am so grateful to know the work impacted the judges enough to recognize these stories,” Gleason says. “Entertainment journalism isn’t just your opinion or your take, it’s not about pulling clips and deciding. A lot of time and thinking about what has happened goes into the stories, so in a year when I didn’t write as much, it’s comforting to know the work still measured up to a standard defined by so many of the mentors I’ve been lucky to have.”

Holly Gleason | Photo Credit: Allister Ann

KALEO Return to Music City: Back-to-Back Nights at Ryman Auditorium and The Grand Ole Opry

GRAMMY-Nominated Icelandic Rock Band Make Opry Debut
After Performing to a Sold-Out Mother Church Crowd

Fight Or Flight Tour Continues Tonight in St. Louis, Mo. at The Pageant; Tickets for All Dates Available at
OfficialKALEO.com

Following a series of sold-out shows on the North American leg of their Fight Or Flight Tour, GRAMMY-nominated Elektra/Atlantic band KALEO make their triumphant return to Nashville – where much of their 2021 sophomore release Surface Sounds was recorded – with back-to-back performances at two of Music City’s staples: Ryman Auditorium and The Grand Ole Opry.

With vast influences including rock, blues and folk at the core, KALEO stepped into the circle at the Opry, already creating history by being the first Icelandic artists to take the stage, while making their Opry debut with a stripped-back, slowed-tempo version of their GRAMMY-nominated song “No Good,” featuring Þorleifur Gaukur Davíðsson (Thor) with a spell-binding harmonica solo.

Taking a moment to step back and look out from the stage, front man JJ Julius Son addressed the crowd, sharing “It’s an honor to be here, thank you for having us.

“Actually, yesterday, a little boy came up to me and asked if I was a real cowboy. And I said, ‘No, I’m from Iceland,’” Julius Son said with a smile, drawing a laugh from the audience. “Being the first Icelandic cowboys here is an honor. And I felt it was fitting to premiere this song.”

Julius Son then played the opening chords to “Lonely Cowboy,” marking the track’s world premiere before ending their set with the two-time RIAA-Platinum certified “Way Down We Go.”

Known for their electrifying live performances, KALEO took the stage at Ryman Auditorium Monday night, performing to a sold-out crowd where even industry insiders could not purchase a ticket day-of-show.

KALEO opened their set with “Break My Baby,” one of two lead singles from Surface Sounds, which made an immediate impact at Triple A radio as the No. 1 most-added song after its first week, later climbing to the Top 6.

The band immediately followed with “Alter Ego,” the perfect song to showcase Julius Son’s raspy vocal turned falsetto, effectively gearing up the crowd for the kind of showmanship and musical prowess the band would continue to reveal throughout the night.

Preferring to let the music do the talking, Julius Son addressed the crowd after the third song: “This is the best place for a musician to be. Thank you so much for having us,” before sliding into the balladry of the only song they perform in their native tongue: “Vor í Vaglaskógi” from RIAA Gold-certified major label debut A/B.

Backlit with a golden luminescence, the crowd flew into cheers as Julius Son began whistling the tune to “Automobile” before he began strumming the acoustic intro followed by “Backbone,” with atmospheric background vocals provided by Jessica Jolia and April Rucker on full display before building into its pleading chorus, “Where’s your backbone, brother?”

Turning things back up to 10, the room erupted with “Hey Gringo,” (easily one of the grooviest songs of the night, mixing soul, blues and even a hint of disco in their live arrangement, bringing fans to their feet to dance along in the pews) followed by “Broken Bones,” with pared-back percussion featuring only kickdrum and tambourine before Thor stepped to the front of the stage to deliver a powerhouse harmonica solo.

Following A/B’s rocking “Hot Blood,” drummer David Antonsson plowed through an extensive drum solo, before Julius Son reappeared behind a piano to perform Surface Sounds opener “Brother Run Fast,” a satisfying ballad with a building sense of urgency and immediately launching into “I Walk on Water,” praised earlier this tour by The Spokesman-Review that it “brings to mind the blue-eyed soul of Michael McDonald of the Doobie Brothers, but offers listeners a triumphant, uplifting conclusion.”

Speaking with contempt to the societal and cultural issues and expectations surrounding women in the public eye, KALEO gave a cathartic performance of “Skinny,” a dynamic and emphatic outcry, with Julius Son underlining the lyrics of the chorus:

You’ve got to stay skinny, don’t you, girl?
You’ve got to stay pretty while you can
You’ve got to stay hungry for the fans
Or they’ll try to burn you all out


Nearing the end of their set, the crowd roared and climbed to their feet as they heard the opening lines to No. 1 hit “Way Down We Go,” which was used in over two dozen television shows from “Grey’s Anatomy” to “Riverdale,” and landing at the top of The Hollywood Reporter’s TV Songs chart.

The sold-out crowd continued their applause, encouraging KALEO to return for one final song, the GRAMMY-nominated “No Good,” its opening riff flooding the Ryman with their signature fast-paced blues-rock that’s gained the Icelandic band notoriety across the globe, proving them to be a worldwide phenomenon.

KALEO’s Fight Or Flight Tour continues tonight, April 6 at The Pageant in St. Louis, with nearly 30 more stops across North America, including a sold-out return to iconic Red Rocks, before embarking on the European leg this summer. Tickets are available for all dates at OfficialKALEO.com.

For more information, visit OfficialKALEO.com, or follow on Facebook.com/OfficialKALEO, Twitter @OfficialKALEO, Instagram @OfficialKALEO and YouTube.com/KALEOOfficial.

KALEO Band Members:
JJ Julius Son – Lead vocals and guitar
Rubin Pollock – Lead guitar
Daniel Kristjansson – Bass
David Antonsson – Drums
Þorleifur Gaukur Davíðsson (Thor) – Harmonica, pedal steel and accessory percussion
Jessica Jolia – Background vocals
April Rucker – Background vocals

KALEO’s North American Fight or Flight Tour 2022

April 6 The Pageant St. Louis, Mo.
April 8 The Louisville Palace Louisville, Ky.
April 9 Murat Theatre Indianapolis, Ind.
April 11 House of Blues Cleveland Cleveland, Ohio
April 13 The Anthem Washington, D.C.
April 15 Terminal 5 New York, N.Y.
April 16 The Met Philadelphia, Pa.
April 18 House of Blues Boston Boston, Mass.
April 19 State Theatre Portland, Maine
April 21 Mtelus Montreal, Quebec
April 22 Mtelus Montreal, Quebec
April 24 History Toronto, Ontario
April 25 History Toronto, Ontario
April 27 The Fillmore Detroit Detroit, Mich.
April 28 GLC Live at 20 Monroe Grand Rapids, Mich.
April 30 Aragon Ballroom Chicago, Ill.
May 1 The Fillmore Minneapolis Minneapolis, Minn.
May 3 Centennial Concert Hall Winnipeg, Manitoba
May 5 Grey Eagle Resort and Casino Calgary, Alberta
May 7 Edmonton Expo Centre Edmonton, Alberta
May 9 Doug Mitchell Thunderbird Sport Centre Vancouver, British Columbia
May 10 McDonald Theatre Eugene, Ore.
May 12 Knitting Factory Concert House Boise, Idaho
May 15 Belly Up Aspen, Colo.
May 16 Red Rocks Amphitheatre Morrison, Colo.

About KALEO
Since the release of their Gold-certified breakthrough album, 2016’s A/B, Icelandic rock band KALEO—led by frontman/songwriter JJ Julius Son—has taken their music around the world. The album spawned three hit singles – the GRAMMY-nominated “No Good,” the Gold-selling “All The Pretty Girls” and the chart-topping, 2x Platinum-certified “Way Down We Go” which was used in over two dozen television shows from “Grey’s Anatomy” to “Riverdale,” leading the No. 1 single to top The Hollywood Reporter’s Top TV Songs chart. After amassing over 1 Billion global streams, 39 international certifications, and countless sold-out headline shows spanning from London to Moscow, KALEO has proven to be a worldwide phenomenon. Known for their electrifying live performances, KALEO completely sold out their first U.S. headline tour and was a standout at Coachella, Lollapalooza and Bonnaroo and were hand-picked to open stadium dates for the Rolling Stones. Since KALEO wrapped a nearly non-stop 3-year touring schedule in support of A/B in October 2018, Julius Son went into the studio to work on the highly anticipated follow-up, Surface Sounds on Elektra/Atlantic, available everywhere now. KALEO’s Fight or Flight Tour 2022 launches Feb. 22 in Seattle, Wash., featuring 50+ dates across North America, including a stop at the iconic Red Rocks Amphitheatre in Morrison, Colo. on May 16. For more information, visit OfficialKALEO.com or follow on Instagram and Twitter @OfficialKALEO and Facebook.com/OfficialKALEO.