Cathal Coughlan (The Fatima Mansions, Microdisney) releases ’Song Of Co-Aklan’ LP. Watch the 'Unrealtime' video by Locky Morris

“The lyrics are uniformly excellent…Coughlan reminds you again and again just how good he is” ~ The Irish Times

"A brilliant opus... perhaps his best record to date" ~ The Spill Magazine

"Each slice of spiky post-punk/pop is every bit as intriguing as his witty and acerbic lyrics” ~ Sunday Times

"Coughlan’s sixth solo album is a real gem” ~ Hot Press

"Definitively affirms Coughlan's place amid Ireland's poetic pantheon” ~ MOJO (4 stars)

"Song Of Co-Aklan is a more than welcome return from a puckish master of social observation and surreal manifesto” ~ The Wire

“…shows off a rich, Scott Walker-ish voice that’s aging superbly…a welcome return”~ Uncut

Cathal Coughlan, one of Ireland’s most revered and iconic songwriters, has released his acclaimed 'Song of Co-Aklan' LP, his first new music in ten years and sixth album to date. He also presents 'Unrealtime' with an accompanying video created by Locky Morris, an Irish contemporary artist and musician from Derry, Northern Ireland.

Best known as co-founder and vocalist for seminal 80s/90s bands Microdisney and The Fatima Mansions, Coughlan has been described as "the most underrated lyricist in pop today" by The Guardian newspaper. DJ John Peel was also such a fan that he stated he could "listen to Cathal Coughlan sing the phone book".

'Unrealtime' is steeped in Coughlan's Irish past and the landscape that informed it. The album’s closer, it features a guest appearance from his former Microdisney bandmate Sean O'Hagan (also High Llamas, Stereolab) and acclaimed Dublin singer-songwriter Eileen Gogan, who previously appeared with the band on their final reunion shows in 2018.

”Unrealtime, as a song, muses back and forth on what it is to be an exile, revisiting one’s land of birth as not alone a stranger, but possibly as an observer from another dimension. And then, it begins looking on the extent of a person’s whole life from those unrelenting perspectives," says Cathal Coughlan.

"Some of my most dicey chord changes are subordinated to the simple hypnosis of a frame drum and Sean O’Hagan’s flat-wound “West German” bass guitar. The periodic crescendos of realisation are heralded by Nick Allum’s restrained brush drums and a growing plenitude of voices – my own, and those of Eileen Gogan and Sean, each probing in their own way for a reprieve from the certainties of the terse prescriptions heard in the verses. It’s more than fitting that the visuals seen here should have originated in another part of that island, in the masterful minimalism of Locky Morris."

The album also features Luke Haines (The Auteurs, Black Box Recorder),Rhodri Marsden (Scritti Politti), Andrías Ó Grúama (Fatima Mansions), Cory Gray (The Delines) on wurlitzer piano and Coughlan's long-time collaborators from the Grand Necropolitan Quartet - namely Nick Allum (The Fatima Mansions, The Apartments), James Woodrow and Audrey Riley (notable collaborator of Lush, The Sundays, The Smiths, Nick Cave, The Cure and Coldplay).

This album represents the first time that Microdisney/High Llamas bassist Jonathan Fell unites with Nick Allum and Coughlan since the Fatima Mansions 'Against Nature' LP in 1989. Microdisney/ High Llamas alumnus John Bennett also makes an appearance.

Video director Locky Morris notes, "I try to stick to a practice of staring at things and letting myself go. The footage in the film for Unrealtime was shot on an intertidal mudflat, on the edges of a large shallow sea lough on the north coast of Ireland, close to home. Seldom can I get the idea though of the huge capped city dump lying nearby out of my mind. The weather wasn’t good, that black pipe was under the arm one minute and caught by the wind the next. Who knew that this chance happening would be used to accompany this beauty of a song by Cathal Coughlan. ‘...post glacial marine transgression...’ I pulled that line from a geological description of the area. Jesus, that could almost be one of Cathal’s arresting lyrics’.

After a 10-year hiatus as a solo artist, Cathal Coughlan’s ’Song Of Co-Aklan’ album has been widely heralded as one of his finest, drawing unprecedented national media attention in the UK, Ireland, USA, Canada, France, Switzerland and beyond. The singles ‘Song of Co-Aklan', 'The Knockout Artist', 'Owl In The Parlour' and 'Falling Out North Street' show the album’s diversity in tempo and sonic arrangement, corralled by Coughlan's brooding baritone, caustic wit and irresistible choruses.

The 'Song of Co-Aklan' LP is now available across online platforms, such as Apple Music and Spotify, as well as physically. It can be ordered at https://ffm.to/ songofcoaklanalbum.

Cathal Coughlan

Song of Co-Aklan

Dimple Discs

14 June 2021

View Promo 

Cathal Coughlan (The Fatima Mansions, Microdisney) releases ’Song Of Co-Aklan’ LP. Watch the 'Unrealtime' video by Locky Morris

FOR FANS OF: The National, Nick Cave, John Cale, Mark Eitzel, Robert Forster & The Go-Betweens, Scott Walker
FOCUS TRACKS: Song of Co-Aklan, The Knockout Artist, Let's Flood The Fairground, Passed-Out Dog, Owl In The Parlour
FCC clean *except #4 Crow Mother
Photos by Gregory Dunn


FOR SHARING
'Unrealtime' https://youtu.be/ o9qS7RnYuSE
'Falling Out North Street' https://youtu.be/JLeGoL-w7F8
'The Knockout Artist' https://youtu.be/ lPr9f0l96pA
‘Song Of Co-Aklan’ https://youtu.be/e6YL06Za4rc
'Owl In The Parlour' https://youtu.be/ 7KKri0pTmkI
Cathal introduces his album https://youtu.be/f3MsD3NR-6M
Bandcamp https://cathalc.bandcamp.com 
Spotify https://open.spotify.com/album/6wc5DtBd6j4hNvXRPgVoM1
Digital Order https://orcd.co/songofcoaklan
CD / Vinyl order (USA/Canada) https://ffm.to/soca_us 
CD / Vinyl order (UK/Ireland) https://ffm.to/songofcoaklanalbum

FOR REVIEW & AIRPLAY
Soundcloud https://soundcloud.com/cathal-coughlan/sets/song-of-co-aklan-assembly-11/s-PmCxio5dlzg 
Online press kit 
https://shamelesspromotion.haulix.com/Public/View/86359 
Download press kit & full album via Dropbox http://bit.ly/3qje08J

“The lyrics are uniformly excellent…Coughlan reminds you again and again just how good he is” ~ The Irish Times

"A brilliant opus... perhaps his best record to date" The Spill Magazine

"Each slice of spiky post-punk/pop is every bit as intriguing as his witty and acerbic lyrics” ~ Sunday Times

"Coughlan’s sixth solo album is a real gem” ~ Hot Press

"Definitively affirms Coughlan's place amid Ireland's poetic pantheon” ~ MOJO (4 stars)

"Song Of Co-Aklan is a more than welcome return from a puckish master of social observation and surreal manifesto” ~ The Wire

“…shows off a rich, Scott Walker-ish voice that’s aging superbly…a welcome return”~ Uncut


Cathal Coughlan, one of Ireland’s most revered and iconic songwriters, has released his acclaimed 'Song of Co-Aklan' LP, his first new music in ten years and sixth album to date. He also presents 'Unrealtime' with an accompanying video created by Locky Morris, an Irish contemporary artist and musician from Derry, Northern Ireland.

Best known as co-founder and vocalist for seminal 80s/90s bands Microdisney and The Fatima Mansions, Coughlan has been described as "the most underrated lyricist in pop today" by The Guardian newspaper. DJ John Peel was also such a fan that he stated he could "listen to Cathal Coughlan sing the phone book".

'Unrealtime' is steeped in Coughlan's Irish past and the landscape that informed it. The album’s closer, it features a guest appearance from his former Microdisney bandmate Sean O'Hagan (also High Llamas, Stereolab) and acclaimed Dublin singer-songwriter Eileen Gogan, who previously appeared with the band on their final reunion shows in 2018.

”Unrealtime, as a song, muses back and forth on what it is to be an exile, revisiting one’s land of birth as not alone a stranger, but possibly as an observer from another dimension. And then, it begins looking on the extent of a person’s whole life from those unrelenting perspectives," says Cathal Coughlan.

"Some of my most dicey chord changes are subordinated to the simple hypnosis of a frame drum and Sean O’Hagan’s flat-wound “West German” bass guitar. The periodic crescendos of realisation are heralded by Nick Allum’s restrained brush drums and a growing plenitude of voices – my own, and those of Eileen Gogan and Sean, each probing in their own way for a reprieve from the certainties of the terse prescriptions heard in the verses. It’s more than fitting that the visuals seen here should have originated in another part of that island, in the masterful minimalism of Locky Morris."

The album also features  Luke Haines (The Auteurs, Black Box Recorder),Rhodri Marsden (Scritti Politti)Andrías Ó Grúama (Fatima Mansions)Cory Gray (The Delines) on wurlitzer piano and Coughlan's long-time collaborators from the Grand Necropolitan Quartet - namely Nick Allum (The Fatima Mansions, The Apartments)James Woodrow and Audrey Riley (notable collaborator of Lush, The Sundays, The Smiths, Nick Cave, The Cure and Coldplay).

This album represents the first time that Microdisney/High Llamas bassist Jonathan Fell unites with Nick Allum and Coughlan since the Fatima Mansions 'Against Nature' LP in 1989. Microdisney/ High Llamas alumnus John Bennett also makes an appearance.

Video director Locky Morris notes, "I try to stick to a practice of staring at things and letting myself go. The footage in the film for Unrealtime was shot on an intertidal mudflat, on the edges of a large shallow sea lough on the north coast of Ireland, close to home. Seldom can I get the idea though of the huge capped city dump lying nearby out of my mind. The weather wasn’t good, that black pipe was under the arm one minute and caught by the wind the next. Who knew that this chance happening would be used to accompany this beauty of a song by Cathal Coughlan. ‘...post glacial marine transgression...’ I pulled that line from a geological description of the area. Jesus, that could almost be one of Cathal’s arresting lyrics’.

After a 10-year hiatus as a solo artist, Cathal Coughlan’s ’Song Of Co-Aklan’ album has been widely heralded as one of his finest, drawing unprecedented national media attention in the UK, Ireland, USA, Canada, France, Switzerland and beyond. The singles ‘Song of Co-Aklan''The Knockout Artist''Owl In The Parlour' and 'Falling Out North Street' show the album’s diversity in tempo and sonic arrangement, corralled by Coughlan's brooding baritone, caustic wit and irresistible choruses.

The 'Song of Co-Aklan' LP is  now available across online platforms, such as Apple Music and Spotify, as well as physically. It can be ordered at https://ffm.to/ songofcoaklanalbum.

ALBUM CREDITS
Nick Allum – drums and percussion
Audrey Riley – cello
James Woodrow – electric & acoustic guitars
Rhodri Marsden – bass guitar, bassoon
Luke Haines – bass guitar, acoustic guitar, synth
Jonathan Fell – bass guitar
Sean O’Hagan – bass guitar & vocals, synth
Eileen Gogan – vocals
Andrías Ó Grúama – frictive guitar
John Bennett – vocals & slide guitar
Cory Gray – wurlitzer piano
Cathal Coughlan – Co-Aklan
Mastered by George Shilling
Cover by Bruce Brand & Mary Tee at Arthole
Front cover painting by Cristabel Christo, based in part on photos by Gregory Dunn / Stoneybutter
Composed and deranged by Cathal Coughlan


Keep up with Cathal Coughlan
Website | Facebook | Twitter | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Dimple Discs
Bandcamp | Facebook | Twitter | Discogs | Proper Music

Jah Wobble teams up with Telefís (REM/ U2 producer Jacknife Lee & Microdisney frontman Cathal Coughlan) on 'Falun Gong Dancer'

"A shimmering piece of pop. Laced in hypnotic energy, the song is steeped in Irish history" ~ Far Out Magazine

“Blends cultural celebration, satire, the splintered identity of the Irish diaspora and historical introspection to electronic dance music” PostPunk.com

"This is actually a dancepop monster, channelling ‘Stop Making Sense’-era Talking Heads with acute contemporary social commentary" ~ Is This Music?

"As stunning as the best of Talking Heads and LCD Soundsystem... watch them take the world by storm with this big sound and vision" ~ The Spill Magazine

The third single from the debut Telefís album 'a hAon' sees members Jacknife Lee and Cathal Coughlan collaborate with legendary post-punk bass maestro Jah Wobble (Public Image Limited, Invaders Of The Heart).

Telefís (the Irish Gaelic word for Television, pronounced Tele-feesh) unites two acclaimed Irish iconoclasts - producer Garret "Jacknife" Lee (U2, R.E.M., Modest Mouse, The Killers, Snow Patrol, Crystal Castles, Editors) and Cathal Coughlan (Microdisney, Fatima Mansions and acclaimed solo artist).

With Jacknife now based in LA and Cathal based in London, the two traded ideas and music files over lockdown, hatching plans for a satirical, mischievous examination of Irish history and pop culture in their lifetimes, which they label ..”a corrosive nostalgia”. The result is their debut 'a hAon' (Number One) album.

One of the most innovative bass players of his generation, here Jah Wobble transforms the disarmingly quiet and reflective original version, with its stark vocals and ghostly piano chords, into a deep-dub odyssey, his signature low-end bass runs anchoring crisp percussion and panoramic space-echo effects.

"Even a relatively obscure musical life such as mine can fortunately bring pinch-yourself moments of proximity to greatness, and so it is with Jah Wobble's transformative contribution to this version of 'Falun Gong Dancer'. The song was already a high-point of the first Telefís album, but in this version it goes somewhere else entirely, thanks to JW's signature contribution," says Cathal Coughlan.

Jacknife Lee elucidates: "There are few bass players as iconic as Jah Wobble. I have studied and tried to copy his style for decades but never really got close. Brian from Dimple Discs suggested we ask him to get on 'Falun Gong Dancer', but I didn’t believe it would happen. We are still shocked that he agreed to collaborate with us and are excited for it to be heard”

Jacknife Lee uses his extensive sonic palette to create an irresistible mix of cinematic instrumentals and electro-funk backdrops full of melodic, squelchy synths and thunderous bass-lines, often with a cheeky nod to electro-pop history. He has also created remixes for Radiohead, U2, Blur, Run-DMC, Pink, Future Sound of London, Christina Aguilera, TLC, Missy Elliott, Busta Rhymes, Eminem, The Raveonettes, Kraftwerk, New Order and Kasabian.

Earlier, the duo released the original version of this song with its stark arrangement and stellar video by Matt Mahurin (Peter Gabriel, Tom Waits, U2, Sting, David Byrne, Joni Mitchell), who, as well as the following up the 'Mister Imperator' EPand 'We Need' EP.

As of December 7, the Jah Wobble mix of 'Falun Gong Dancer' can be obtained on Bandcamp and elsewhere digitally at https://orcd.co/telefisfalungongdancer. The 'a hAon' album will be released by London's Dimple Discs on February 11. CD and vinyl are available for pre-order at https://ffm.to/telefisahaon and the digital album at https://orcd.co/telefisahaon.


Keep up with Telefís
Website | Facebook | Bandcamp | Twitter | Instagram | YouTube | Spotify | Apple Music | Press contact

Keep up with Dimple Discs
Bandcamp | Facebook | Twitter | Discogs | Proper Music

Miranda Lambert & Little Big Town Ride 'The Bandwagon Tour' into 2022

15-Date Outing Kicks Off May 6 in Houston, Texas
Tickets On Sale Beginning Friday, Jan. 14 at 10 a.m. Local Time

The Cadillac Three Joins as Support on All Dates

Country music superstars and multi-GRAMMY, CMA and ACM Award-winners Miranda Lambert and Little Big Town join forces to co-headline this spring’s The Bandwagon Tour, a reincarnation of 2018’s co-headlining run of the same name which earned rave reviews from Pollstar, CMT, The Tennessean and more.

The joint tour produced by Live Nation, featuring The Cadillac Three as support on all dates, visits 15 cities beginning Friday, May 6 in Houston, Texas. Tickets to The Bandwagon Tour’s opening night in Houston go on sale Friday, Jan. 21 at 10 a.m. local time, with all other dates of The Bandwagon Tour on sale Friday, Jan. 14 at 10 a.m. local time. Tickets are available at LiveNation.com.

Citi is the official card of The Bandwagon Tour. Citi cardmembers will have access to presale tickets beginning the Tuesday ahead of each on sale date at 12 p.m. local time until Thursday at 10 p.m. local time through the Citi Entertainment program. For complete presale details visit www.citientertainment.com.

Both critically acclaimed artists in their own right, together Lambert and Little Big Town tout a combined 43 ACM Awards, 23 CMA Awards and seven GRAMMYs. Lambert’s latest single, “If I Was A Cowboy,” is currently climbing the charts at Country radio while her recent collaborative project, The Marfa Tapes, is nominated for a GRAMMY at the upcoming awards ceremony and was named among 2021’s best by American Songwriter, Billboard, LA Times, Rolling Stone, TIME, Vulture and more. Little Big Town is currently back in the studio and will release their 10th studio album later this year. This record follows the No. 1 Country album Nightfall (released in 2020) which includes singles “Over Drinking,” GRAMMY-nominated “The Daughters” and “Wine, Beer, Whiskey.” It was also nominated for the GRAMMY Award for Best Country Album and received rave reviews from The Wall Street Journal, Entertainment Weekly and Paste Magazine, among others. Billboard editors describe the band as reaching “substantive emotional richness that few groups can touch” on the album.

In addition to teaming up with Little Big Town on The Bandwagon Tour, Lambert and The Cadillac Three will kick things off a week prior, closing out the month of April with stops in Tuscaloosa, Ala. as well as Johnson City and Franklin, Tenn. On sale details are listed below.

Live Nation is the national tour promoter for The Bandwagon Tour.

Dates on Sale Beginning This Friday, Jan. 14 at 10 a.m. Local Time:
Wednesday, April 27 * Tuscaloosa Amphitheater | Tuscaloosa, Ala.
Thursday, April 28 * FirstBank Amphitheater | Franklin, Tenn.
Friday, April 29 *#. William Green Football Stadium | Johnson City, Tenn.
Friday, May 6 + Cynthia Woods Mitchell Pavilion presented by Huntsman | Houston, Texas
Saturday, May 7 Dos Equis Pavilion | Dallas, Texas
Sunday, May 8 Walmart AMP | Rogers, Ark.
Thursday, May 12 Credit One Stadium | Charleston, S.C.
Friday, May 13 MIDFLORIDA Credit Union Amphitheatre | Tampa, Fla.
Saturday, May 14 iTHINK Financial Amphitheatre | West Palm Beach, Fla.
Friday, May 20 Hollywood Casino Amphitheatre | St. Louis, Mo.
Saturday, May 21 Ruoff Music Center | Noblesville, Ind.
Sunday, May 22 Riverbend Music Center | Cincinnati, Ohio
Thursday, June 2 Budweiser Stage | Toronto, Ont.
Friday, June 3 DTE Energy Music Theatre | Detroit, Mich.
Saturday, June 4 Blossom Music Center | Cuyahoga Falls, Ohio
Thursday, June 9 Northwell Health at Jones Beach Theater | Wantagh, N.Y.
Friday, June 10 PNC Bank Arts Center | Holmdel, N.J.
Saturday, June 11 BB&T Pavilion | Camden, N.J.
* Miranda Lambert & The Cadillac Three only; not part of The Bandwagon Tour
+ on sale Friday, Jan 21. at 10 a.m. local time
# on sale Friday, Feb. 1 at 10 a.m. local time

About Miranda Lambert
Vanner Records/RCA Nashville superstar Miranda Lambert’s storied career has spanned seven No. 1 hit radio singles, seven consecutive No. 1 albums, more than 70 prestigious awards and honors and countless sales certifications, earning the Texan a reputation as “the most riveting country star of her generation” (NPR).

The most decorated artist in the history of the Academy of Country Music, Lambert has earned 35 ACM Awards (including a record-setting nine consecutive Female Vocalist of the Year Awards), 14 CMA Awards, three GRAMMY Awards, the Nashville Symphony Harmony Award, ACM Gene Weed Milestone Award and ACM Song of the Decade Award, plus was named 2019 RIAA’s Artist of the Year. She is the youngest artist ever to serve as the Country Music Hall of Fame & Museum’s Artist in Residence, joining a legendary list of predecessors including Kris Kristofferson, Guy Clark, Tom T. Hall, Jerry Douglas, Cowboy Jack Clement, Earl Scruggs, Connie Smith, Roseanne Cash, and more. Lambert was also inducted into the National Cowgirl Hall of Fame in October 2021.

The celebrated singer/songwriter released her seventh studio album, Wildcard, in 2019, which was declared one of the year’s best albums by GQ, Variety, Billboard, Rolling Stone, Slate and many more. Wildcard features GRAMMY Award-nominated single “It All Comes Out in the Wash,” plus her No. 1 smash hit “Bluebird” and Top 5 “Settling Down.” Lambert’s seventh consecutive No. 1 album, Wildcard joins her lauded discography that includes The Weight of These Wings (2016), Platinum (2014), Four The Record (2011), Revolution (2009), Crazy Ex-Girlfriend (2007) and Kerosene (2005). In addition, she has released four albums with her trio, the Pistol Annies, including Hell Of A Holiday in 2021, as well as The Marfa Tapes, a critically acclaimed, raw and intimate recording with collaborators Jack Ingram and Jon Randall.

For more information, visit www.MirandaLambert.com.

About Little Big Town
GRAMMY, ACM, CMA and AMA Award-winning group Little Big Town – consisting of members Karen Fairchild, Phillip Sweet, Kimberly Schlapman and Jimi Westbrook – first entered the music scene over 23 years ago, making them one of the longest running bands in the history of country music with all original members, no breaks and no hiatus. They have released nine studio albums throughout their career, four of which reached No. 1 on the Country Albums chart (The Reason Why, Tornado, The Breaker and Nightfall).

The superstar band has four No. 1 singles (“Pontoon,” “Tornado,” “Better Man,” “Day Drinking”) and are also known for their history-making single, “Girl Crush,” as well as “Boondocks,” “Little White Church,” “The Daughters” and latest single “Wine, Beer, Whiskey.” To date, “Wine, Beer, Whiskey” has reached global streams of over 280 million, putting Little Big Town’s career lifetime streams at over 3.8 billion.

Little Big Town has earned more than 45 award show nominations and has taken home over 20 awards, including four GRAMMYs, nine CMA Awards, eight ACM Awards, an AMA, a People’s Choice Award and an Emmy Award. The band was inducted into the Grand Ole Opry in 2014, received a star on the Nashville Walk of Fame in 2017, and in 2018 was featured at the Country Music Hall of Fame and Museum in a yearlong exhibit entitled Little Big Town: The Power of Four.

The band will open for The Eagles this summer in Europe.

For more information, visit www.LittleBigTown.com.

About The Cadillac Three
Leaving a lasting impression on fans across the globe with their instinctive sonic tendencies, The Cadillac Three prove they are Nashville's most versatile band – spending their formative years playing music together in garages before graduating to sold-out venues and being added to major festival lineups. Singer-guitarist Jaren Johnston, drummer Neil Mason and lap-steel player Kelby Ray have been performing together for over a decade and adding to their following of both Country and Rock loyalists. TC3 boasts chart-topping tracks and album cuts for Keith Urban, Tim McGraw, Miranda Lambert and Steven Tyler, to name a few. Mason wrote “Payback” alongside Aaron Eshuis and Ryan Hurd, whose single version featured TC3 and followed Rascal Flatts’ previous release of the track. Both collectively and individually, they have been nominated for GRAMMY and ACM Awards.

TC3 remained resolute in their creativity in 2020, releasing two albums – February’s Country Fuzz and October’s surprise Tabasco & Sweet Tea – hosting Country Fuzz Radio and serving the music community. The Cadillac Three’s contribution to a year like no other can be measured in albums released, songs released (28), live-streamed shows recorded, donations collected, venues supported, mouths fed and positive messages sent. Landing a spot on the revered list [ACM Awards], among their friends, collaborators, and peers, feels like a victory for the trio who has never stopped putting in the work,” observes American Songwriter. With “Long After Last CallRolling Stone noted TC3 “Sound the Alarm for Clubs in Crisis” while their “Bridges” music video shoot teamed up with Music Venue Alliance Nashville.

TC3’s freewheeling vibe finds fans from all sides of the world relishing in their unpredictable sets, touring on their own and with A-listers Eric Church, Dierks Bentley and Luke Bryan, plus iconic rockers Metallica and Slayer. As a popular international act, TC3 was named Best New Band at the 2014 UK Classic Rock Roll of Honour Awards and received a 2019 CMA International Award nomination for International Artist Achievement.

Visit thecadillacthree.com for TC3’s latest happenings, 10th Anniversary Tour dates, 2022 Hillbilly Hypnotized Tourdetails and tune in to Country Fuzz Radio each week.

New release from High On Fire's Matt Pike - Pike Vs The Automaton

From rewriting the hard rock rulebook with his Grammy award-winning trio High on Fire, to reverse engineering doom metal with his genre-defining trio Sleep, Matt Pike has channeled his natural talents and chiseled a steely path straight to the heart of modern-day metal’s molten core.

On February 18, 2022 Pike will release his debut solo LP, ‘Pike vs. the Automaton’, via MNRK Heavy. Pre-orders are live at PikeVstheAutomaton.com.

Eli Young Band Ring in the New Year with New Single: "Love Talking" Available Now

Multi-Platinum hitmakers Eli Young Band kick off the new year with a brand new single that offers a fresh take on the early stages of a relationship with the romantic offering. Available everywhere now via The Valory Music Co., listen to “Love Talkingbelow.

Written by lead singer Mike Eli together with Jeffrey East and Eric Arjes, who also produced the song alongside Jimmy Robbins, the track chronicles the morning-after emotions of a vulnerable love-drunk conversation:

When I let it slip that I
Wanted you for my whole life
And you and me turned into us
That was just the love talking

The GRAMMY-nominated group’s latest single builds upon recent release “Lucky For Me,” with both songs offering a preview of their forthcoming project planned for later this year.

Since the band’s formation as college classmates 20 years ago, the Associated Press has celebrated EYB as “a smart, relevant antidote” to overdone clichés in Country music. The band has amassed 14 Billboard charting singles, including four No. 1 hits via 3x Platinum “Crazy Girl” and 2x Platinum “Even If It Breaks Your Heart” plus Platinum “Love Ain’t” and “Drunk Last Night,” while also earning an ACM Award for Song of the Year as well as multiple GRAMMY, CMA, CMT, ACA and Teen Choice Award nominations.

The musical band of brothers – Mike Eli, James Young, Jon Jones and Chris Thompson – play their own instruments, write their own songs and cling fast to their Texas roots. While selling out venues from coast-to-coast as strong headliners, EYB has also shared the stage with Kenny Chesney, Rascal Flatts, Tim McGraw, Jason Aldean, Toby Keith, Chris Young, Darius Rucker and Dave Matthews Band.

For more information on new music and upcoming tour dates, visit www.eliyoungband.com and follow on social media @EliYoungBand.

“Love Talking” Lyrics & Credits Available HERE

Upcoming Shows:
Friday, Jan. 14 Joe’s on Weed St. | Chicago, Ill.
Saturday, Jan. 15 Joe’s Live | Rosemont, Ill.
Thursday, Jan. 20 The Paramount | Huntington, N.Y.
Friday, Jan. 21 Brooklyn Bowl | Philadelphia, Pa.
Saturday, Jan. 22 Brooklyn Bowl | Brooklyn, N.Y.
Saturday, Feb. 5 Silver Saloon | Terrell, Texas
Thursday, Feb. 10 The Hub | Monroe, La.
Friday, Feb. 11 The Hall | Little Rock, Ark.
Saturday, Feb. 12 Georges Majestic Lounge | Fayetteville, Ark.
Thursday, Feb. 17 Fox Theatre | Hays, Kan.
Friday, Feb. 18 The Liberty | Roswell, N.M.
Saturday, Feb. 19 Potosi Live | Abilene, Texas
Friday, March 4 Hurricane Harry’s | College Station, Texas
Saturday, March 5 The Railhouse | Kyle, Texas
Tuesday, March 8 Gallo Center for the Ars | Modesto, Calif.
Thursday, March 10 Rialto Theatre | Tucson, Ariz.
Thursday, March 24 Georgia Theatre | Athens, Ga.
Friday, March 25 The National | Richmond, Va.
Friday, April 1 Wildcatter Saloon | Katy, Texas
Wednesday, April 13 Bogart’s | Cincinnati, Ohio
Thursday, April 14 The Bluestone | Columbus, Ohio
Friday, April 15 Bluebird Nightclub | Bloomington, Ill.
Thursday, April 21 The Hangout | Gulf Shores, Ala.
Friday, April 22 Dallas Bull | Tampa, Fla.
Saturday, April 23 The Ranch | Fort Myers, Fla.
Thursday, April 28 Wally’s Pub | Hampton Beach, N.H.
Friday, April 29 The Pub | Manchester, N.H.
Saturday, April 30 Aura | Portland, Maine
Friday, May 20 Floore’s Country Store | Helotes, Texas
Saturday, May 21 Big Texan Starlight Ranch | Amarillo, Texas
Friday, June 17 Whitewater Amphitheater | New Braunfels, Texas

Walker Hayes Releases New Track "Drinking Songs" Today from Forthcoming COUNTRY STUFF THE ALBUM (Out 1/21/22)

After announcing the upcoming release of his highly-anticipated Country Stuff The Album (available 1/21) and simultaneously dropping his latest, rising single “AA,” GRAMMY-nominated Walker Hayes continues to deliver new music with his latest track, “Drinking Songs” on Monument Records.

Joining prior releases including his current single “AA,” “U Gurl” and his first No. 1 song “Fancy Like,” “Drinking Songs” features Hayes’ signature witty lyrics, sticky melodies and autobiographical storylines. Written by Hayes along with Jordan Gray and produced by “Fancy Like” collaborator Joe Thibodeau and Multi-GRAMMY Award Winner Shane McAnally, the new track finds Hayes paradoxically declaring his love of drinking songs while proudly six years sober – he may have quit drinking, yet he can’t quite surrender Country music’s longstanding devotion to songs about them.

“‘Drinking Songs’ is one of my favorites off the new album,” shares Hayes. “I don’t drink anymore but I still connect with how a song can get you through, just like a drink can for some people. We’ve all been in a bar full of people singing together, arms around each other. Plus, the lyrics and the beat just have a relatable quality to them that feels so country to me.”

With a tribute to the traditions the great Hank Williams Jr. has long sang about, “Drinking Songs” calls to Bocephus for guidance:

SO GIVE ME THAT BOURBON AND BOCEPHUS
I CAN’T HELP ME SO HELP ME JESUS
SHE AIN’T COMING BACK LIKE YOU SHE GONE
SO WHAT I NEED IS IN WILLIAM’S VOICE RIGHT NOW
HANK AND EVAN DON’T LET ME DOWN
BRING THEM FAMILY TRADITIONS ON
I’MMA JUST KEEP SITTIN AND SIPPIN’ AND SINGING ALONG
THANK GOD FOR DRINKING AND DRINKING SONGS

Listen to “Drinking Songs” below.

Pre-Order / Pre-Add Country Stuff The Album HERE. Country Stuff The Album was produced by Hayes with Joe Thibodeau and Multi-GRAMMY Award winner Shane McAnally.

Hayes will kick off his headlining tour, The Fancy Like Tour, in Grand Rapids, MI on January 27, 2022.

About Walker Hayes
Monument Records recording artist, Walker Hayes, is a GRAMMY Nominated singer/songwriter originally from Mobile, Alabama. His forthcoming album County Stuff The Album features new single “AA” and smash hit “Fancy Like.” “Fancy Like” has topped every sales and streaming chart since its release, spent over four months at the number one spot on Billboard’s Hot Country Songs, was featured in a national Applebee’s ad campaign, and hit the top 5 on Billboard’s Hot 100 Songs.

The proud father of six has performed his music, including the Double-Platinum RIAA certified hit “You Broke Up With Me,” to national audiences on Good Morning America, Late Night with Seth Meyers, The Tonight Show Starring Jimmy Fallon, and the TODAY Show, and was profiled for CBS Sunday Morning. He will kick off his headlining The Fancy Like Tour in 2022.

INFECTED RAIN Reveals Standout Fourth Single "Longing" + Official Music Video

New Album, Ecdysis, out Today via Napalm Records

Order HERE

Moldovan progressive modern metal unit INFECTED RAIN will finally reveal the highly anticipated next chapter of their metamorphosis – their otherworldly fifth album, Ecdysis – today via Napalm Records!

Garnering more media buzz than ever before, today, the band wraps up their onslaught of new singles with the release of standout track "Longing" and its eerie, thrilling new music video. The track ransacks with instant angst while showcasing some of the most varying guitar work on the album, fluxing between churning grooves, towering leads, technical effects and ominous chords.

Frontwoman Lena Scissorhands says about “Longing”:

"Never happy, never content! We spend our lives craving and longing for things that someone else has or for things that we think will make us happy.

'A picture immaculate, perfectly designed.

A story in which you’re always desired.'

What is happiness really?"

Watch the official music video for “Longing”

INFECTED RAIN have become one of the most exciting new acts in the heavy music world, with charismatic, multi-talented frontwoman Lena Scissorhands emerging as one of the fastest-rising leading ladies of the genre. Now, the band arises from the dark depths once again. Produced once again by Valentin Voluta, Ecdysis successfully demonstrates ultramodern brutality without sacrificing emotion and melody – showcasing a new layer of INFECTED RAIN that longtime followers and new fans alike will embrace.

Frontwoman Lena Scissorhands adds about Ecdysis:

"While the whole world was in a deep depression, Ecdysis was slowly but surely maturing. The time in isolation away from all our plans and goals, away from loved ones and the stage, brought out something so new and different in us. A new chapter starts with this album, a chapter of raw emotions and complete commitment."

First single “Postmortem Pt. 1” dispenses the patented INFECTED RAIN formula instantly, with eerie synth-laden soundscapes seamlessly cascading into countless layers of otherworldly atmosphere backed by thick, grooving riffs, barreling drums and skyscraper growls. Tracks like “Fighter” bring out the ruthlessness of the band in full force with hardcore levels of aggression, inciting a tornado of rhythms and provoking lyricism beckoning the listener to stay focused in the here-and-now and fight! Featuring tough-as-nails Butcher Babies vocalist Heidi Shepherd, sonically slaughtering single “The Realm Of Chaos” pummels and bends as it decimates with a mosh-attack unlike any other on Ecdysis. Noteworthy standouts like “Longing” and “These Walls” ransack with instant angst, while selections such as “Everlasting Lethargy”, “November” and “Never The Same” boast some of Lena Scissorhands’ most eclectic vocal performances amid ripping pit-worthy metalcore and dazzling electronic passages. Examples of stunning, dynamic songwriting manifest with honest offerings like the impressive “Goodbye”, haunting “Showers” and threatening album closer “Postmortem Pt. 2” (shortly advanced by sneaking electro-interlude “Nine, Ten”). The finisher encapsulates the album’s ethereal, immense quality while connecting back to its start like a sonic ouroboros. Produced once again by Voluta Valentin, Ecdysis successfully demonstrates ultramodern brutality without sacrificing emotion and melody – showcasing a new layer of INFECTED RAIN that longtime followers and new fans alike will embrace.

Order Ecdysis HERE:

Ecdysis is available in the following formats:

-CD Digipak

-1 LP Gatefold Black

-CD Digipak + Shirt (Napalm RoW Mailorder only)

-Digital Album

INFECTED RAIN is:

Lena Scissorhands - Vocals

Vadim Ojog "Vidick" - Guitar

Sergey Babici - Guitar

Vladimir Babici - Bass

Eugene Voluta – Drums

ETERNAL FREQUENCY Release Cinematic, Sci-Fi Official Music Video for “Step Up”!

Harrisburg, PA based Heavy Rock band ETERNAL FREQUENCY has released a dark, cinematic, sci-fi imbued official music video for their newest single, "Step Up." Produced by Carson Slovak and Grant McFarland of Atrium Audio, the music video for "Step Up" was directed and edited by Tom Flynn.

"’Step Up’ is our hardest hitting, heaviest material to date and sure to be a game changer. The song screams female empowerment and refusing to be pigeonholed in the industry. The video concept was created from the minds of Emelle (Lead Vox) and Justin (Lead Guitar) and inspired by Michael Jackson's Smooth Criminal, Blade Runner, and CyberPunk. Emelle and the other members of Eternal Frequency are prisoners of conscience on the run from a yet unknown organization trying to pick them off one by one. The reasons on why they are wanted fugitives is a mystery until the story begins to unfold throughout the video. ‘Step Up’ is Chapter 1 of a fictional three part series that the band envisioned as a short film while the songs were being written. Emelle and the band must find out who is hunting them and why. Or maybe...just maybe...are the hunted actually the hunters?” - ETERNAL FREQUENCY

Established in the early spring of 2018, Eternal Frequency is a five piece female fronted all original hard rock band hailing from Central Pennsylvania (alongside hometown heroes PoisonFrom Ashes to NewFuelLIVEAugust Burns Red). They follow in the footsteps of acts such as SpriritboxHalestormEvanescence, and others. Blending influences of Metalcore, Hard rock, and Active Rock, Eternal Frequency brings a new energy that is also dominated by vocalist, songwriter, and frontwoman Emelle. In just under three years as a band they have released several studio singles as well as music videos including "Temptations", "Parasite", "What Are We Waiting For", "Head Like A Hole", and their very popular cover of Queen "The Show Must Go On" (all proceeds going to NIVA - National Independent Venue Association) to the masses and have been reaping nothing but positive energy and reviews from their supporters. They have accrued a massively strong following in the Pennsylvania area and have garnered attention in multiple regional markets.

They currently record with multi Grammy nominated producers Grant McFarland and Carson Slovak of Atrium Audio atriumaudio.com (From Ashes to New, August Burns Red, Erra, LIVE, Galactic EmpirePolaris) and established videographers SquareUp Studios (Lorna ShoreATTILA) and Tom Flynn (All That Remains, Lamb of God10 YearsFire From The GodsMetal Allegiance)

As far as accomplishments go, they've had the pleasure of sharing the stage with established artists such as Of Mice & MenAdelitas Way, FUEL, Smile Empty SoulVixen, and SpongeFor the Fallen DreamsAwake At LastEyes Set to Kill (to name a few). They also took home the award for Best New Artist at the 2019 Central Pennsylvania Music Awards and had the pleasure to honor Halestorm (Inductees) with their rendition of "Familiar Taste of Poison" at the 2020 CPMA's. In addition, EF was nominated for Best Hard Rock Band and Song of the Year.

JACK FROST’S BROTHERS IN ARMS RELEASE LATEST SINGLE AND VIDEO FOR “MAKE YOU MINE”, FEATURING KEITH ST JOHN

JACK FROST’S BROTHERS IN ARMS RELEASE LATEST SINGLE AND VIDEO FOR “MAKE YOU MINE”, FEATURING KEITH ST JOHN (MONTROSE, KINGDOME COME, BURNING RAIN) ON VOCALS. THE DEBUT ALBUM ‘SUNSET AND CLARK’ WAS RELEASED LAST YEAR THROUGH DEKO ENTERTAINMENT.

Brothers In Arms is the brainchild of guitarist/composer Jack Frost (Savatage, Seven Witches, Lizzy Borden, etc…), who along with several recruited iconic rock brothers, has made it his mission to prove rock music will never die. The guys unified to take a stand against the doubters and cynics who have claimed that it's simply not possible to resurrect this celebrated music in which so many lasting and fond memories were built around. Banding together, Jack & the Brothers forged ahead with one main goal: To make quality music that would both represent and immortalize the days of the sold-out legendary rock venues, to show the world that rock is not just a thing of the past.

The Brothers are back with their latest single and video for the track “Make You Mine”. The song was written by Keith St John and Angel keyboardist Charlie Calv, and also features a guest solo by Dave Amato of REO Speedwagon, Keith had this to say about it “Twas a thrill having playboy playmate Katie play the long lost homebound flame in the new Brothers in Arms video for "Make You Mine! At a time when COVID restrictions were at an all time high I think we got lucky and hopefully portrayed the essence of "spouse on the rock n roll road" while happenstance gave us accidental guest stars like Andrew Freeman, Britt Lightning, and many others! The biggest challenge was having only myself on set and Katie for just an hour while shooting on location and trying to keep it feeling fresh! Charlie Calv's keyboard riff performance as well as Dave Amato’s blazing axe were both shot remotely to helping build the stage for this iconic beauty! Pat Benatar’s bassist Mic Mahan 100% slays as the fortress for us all...and I hail Jack Frost for masterminding this song, this record, and including me as part of an amazing new refreshing collection of real deal killer rock music that digs way down!” Charlie continues, “Jack had asked me to contribute some songs to the album and I just happened to have this musical idea I was working on so I sent over a demo of it and was really thrilled with the way it came out, the guys did a great job and Keith really just nailed the vibe and wrote some great melodies and lyrics to it”.

View video below.
Brothers In Arms also features Karl Wilcox (Diamond Head), Alex Jansen (Hardline), Andrew Freeman (Last In Line, Lynch Mob), Paul Shortino (Rough Cutt, Quiet Riot), Steve Overland (FM, Overland), Nick Walsh (Moxy, Slik Toxik), Jesse Damon (Silent Rage), Todd Poole (Roxy Blue, Saliva), plus special guest Mick Mahan (Pat Benatar).
You can order the album now and there are still a few limited edition bundles available, which can be ordered via: https://bit.ly/3jDgH36

UK/European orders: https://bit.ly/3iwNaZ2

Product Includes:

BATTLE BEAST RELEASE MUSIC VIDEO FOR NEW SINGLE "WHERE ANGELS FEAR TO FLY"

BATTLE BEAST RELEASE MUSIC VIDEO FOR NEW SINGLE "WHERE ANGELS FEAR TO FLY" AS TRIBUTE TO THE BUILDERS OF A BETTER WORLD!

NEW ALBUM, "CIRCUS OF DOOM," OUT JAN 21ST; PRE-ORDER NOW!

After re-signing to Nuclear Blast in early 2021, the Finnish heavy metal sextet BATTLE BEAST are once again getting ready to unleash their force upon the world in the shape of their brand new masterpiece "Circus of Doom." The album is set to be released on January 21st 2022 via Nuclear Blast and in true BATTLE BEAST fashion, the 10 tracks blend true heavy metal with pop and rock-vibes, paired with Noora Louhimo’s unique voice.

Today, the band release their inspiring and powerful third single "Where Angels Fear to Fly," that also comes with a music video.

Watch the clip below.
Get the single digitally, here: https://battlebeast.bfan.link/where-angels-fear-to-fly

Janne Björkroth comments: "'Where Angels Fear to Fly' was born of gratitude to those who have had the courage to change the world. With the song we want to show our respect for those who have been cracking unequal structures for generations. It was inspired by our grandparents and other brave pioneers who have worked hard for a more equal society.

'Where Angels Fear to Fly' is dedicated to everyone who has encountered discrimination, unfair obstacles, or prejudices in their lives. It is written as an empowerment song for those who have to struggle to be heard and to gain the appreciation that every single one of us deserves."

"Circus of Doom" was recorded at JKB Studios in Helsinki, Finland and produced and mixed by keyboardist Janne Björkroth, while the stunning artwork was created by Jan Yrlund.

Pre-order "Circus of Doom" in the format of you choice here: https://bfan.link/circusofdoom

Recently, BATTLE BEAST also announced their Circus of Doom North American Tour with DRAGONFORCE that will begin March 20th in Denver, CO through April 23rd in Berkeley, CA. Tickets are on sale now at https://battlebeast.fi/tour.

Commenting on the tour, vocal powerhouse Noora Louhimo states:

”Battle Beast is coming to you sounding and looking better than ever before! We are very excited to unite our forces with Dragonforce for a North America tour. I think this will be an epic combination of heavy metal energy and our fans will be getting 300% of explosive entertainment with our new album ”Circus of Doom” let loose on stage. Get ready to be mesmerized with high screams, new horns and new Battle Beast.”

BATTLE BEAST "CIRCUS OF DOOM NORTH AMERICAN TOUR" DATES:
Mar 20 - Denver, CO - Oriental Theater
Mar 22 - Lawrence, KS - Granada Theater
Mar 23 - St. Louis, MO - Red Flag
Mar 24 - Milwaukee, WI - Rave II
Mar 25 - Minneapolis, MN - First Avenue
Mar 26 - Chicago, IL - Metro
Mar 27 - Detroit, MI - St. Andrews Hall
Mar 29 - Ft. Wayne, IN - Piere's
Mar 30 - Toronto,ON - Opera House
Mar 31 - Montreal, QC - Corona Theatre
Apr 1 - Quebec City, QC - Imperial Bell
Apr 2 - Worcester, MA - The Palladium
Apr 3 - New York, NY - Irving Plaza
Apr 5 - Reading, PA - Reverb
Apr 6 - Cleveland, OH - Agora Theater
Apr 7 - Baltimore, MD - Sounstage
Apr 8 - Pittsburgh, PA - Roxian Theater
Apr 9 - Greensboro, NC - Arizona Petes
Apr 10 - Atlanta, GA - The Masquerade
Apr 12 - Tampa, FL - Orpheum
Apr 13 - Ft. Lauderdale, FL - Revolution
Apr 15 - Dallas, TX - Amplified Live
Apr 16 - Houston, TX - Warehouse Live
Apr 17 - Austin, TX - Come and Take It Live
Apr 19 - Mesa, AZ - Nile Theater
Apr 20 - Las Vegas, NV - House of Blues
Apr 22 - Los Angeles, CA - Belasco Theater
Apr 23 - Berkeley, CA - UC Theater

Since their 2011's debut album "Steel," BATTLE BEAST have achieved over 200 million digital streams. Alongside the huge #1 success of their last three albums in the album charts of their home country, Finland, their last album "No More Hollywood Endings" (2019) reached a remarkable #11 in German album charts.

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Order their previous album "No More Hollywood Endings" now: http://nblast.de/BattleBeastNMHE

More on "No More Hollywood Endings":
'The Golden Horde' OFFICIAL LYRIC VIDEO: https://www.youtube.com/watch?v=ndSXNhF9g7E
'Endless Summer' OFFICIAL MUSIC VIDEO: https://www.youtube.com/watch?v=Dud63tz5JPU
'Eden' OFFICIAL MUSIC VIDEO: https://www.youtube.com/watch?v=_hzssKb9940
'No More Hollywood Endings' OFFICIAL MUSIC VIDEO: https://www.youtube.com/watch?v=SZzhUPe-Bck

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BATTLE BEAST is:
Noora Louhimo | vocals
Eero Sipilä | bass
Joona Björkroth | guitars
Juuso Soinio | guitars
Janne Björkroth | keyboards
Pyry Vikki | drums

Bad Omens Drops New Music Video For "ARTIFICIAL SUICIDE" From Upcoming Album 'The Death Of Peace Of Mind' Out February 2

Taken From Their Upcoming Album

'THE DEATH OF PEACE OF MIND'

Out Friday, February 25 via Sumerian Records

Pre-Order Here

Los Angeles-based rock sensation Bad Omens have unleashed the official music video for their crushing track "ARTIFICIAL SUICIDE". The song is taken from the band's upcoming new album, 'THE DEATH OF PEACE OF MIND', out on Friday, February 25, 2022, via Sumerian Records. Prior to today's release, Bad Omens have shared the music video for album title track "THE DEATH OF PEACE OF MIND" which has totaled a staggering 1.2 million views and countingon YouTube as well as the "What do you want from me?" and "ARTIFICIAL SUICIDE" double single. Watch the music video for "ARTIFICIAL SUICIDE" below and pre-order 'THE DEATH OF PEACE OF MIND' here.

Bad Omens slither through boundaries, only to ultimately choke convention in the process. The quartet—Noah Sebastian (vocals), Joakim “Jolly” Karlsson (guitar), Nick Ruffilo (bass), and Nick Folio (drums)—materialize with ghostly atmospherics, striking hooks, and the tingles of sensual high-register harmonies uplifted by cinematic production. Racking up over 250M worldwide streams to date and earning acclaim, the band presents an uncompromising and undeniable vision on their third full-length album, 'THE DEATH OF PEACE OF MIND' (Sumerian Records).

“Making the record changed us as songwriters and musicians. In many ways, I feel like it set me free as an artist because every decision made in the writing process was for myself, with no fear for anyone else’s expectations of what our third album should sound like. Be it our fans or our record label.”

They’ve always wielded this level of magic though…

The group’s 2016 self-titled debut, 'Bad Omens', yielded fan favorites such as “Glass Houses” and “The Worst In Me” which eclipsed 21.9 million Spotify streams. On its heels, 2019’s 'Finding God Before God Finds Me' spawned “Dethrone” (10.6 million Spotify streams) and “Careful What You Wish For” (9.5 million Spotify streams). Along the way, they toured with numerous marquee acts and received tastemaker praise.

After their first headline tour was canceled mid-way at the top of the global pandemic, the band found themselves at home in Los Angeles with plenty of time. Where they absorbed and imparted a different palette of unexpected inspirations. Channeling what the frontman describes at times as a “cursive sound” they embraced newfound confidence and boundlessly loose creativity. Anything went in the studio, and all “rules” were broken. Noah and Jolly wrote, produced, and engineered the music themselves while GRAMMY® Award-nominated producer and songwriter Zakk Cervini (Halsey, Grimes, Poppy, blink-182) lent his talents with the mix and master. Challenging himself, Noah decided to “make a track sampling items around the house, none of which were musical instruments”.

This ultimately became the framework for the first single “THE DEATH OF PEACE OF MIND”. Claps puncture the icy soundscape as his voice stretches from a breathy moan into an evocative and entrancing hook, breaking from a whisper into the seductive chant, “It wasn’t hard to realize. Love’s the death of peace of mind.” It culminates on a climactic scream uplifted by a distorted crunch.

“The whole record really details the loss of peace of mind,” he explains. “The lyrics in the title track are a little more specific in terms of the conflict at the heart of something more intimate and personal.”

By speaking it aloud, Bad Omens offer a level of comfort and empathy, with a sinister shroud. At the same time, they also give rock music a sexy new shape on 'THE DEATH OF PEACE OF MIND'.

“Sonically, we want to do something you can’t arrive late or early too,” he leaves off. “You can’t cheat your way to the final act. You have to get on the ride and process it until the end. The songs are meant to be heard from start to finish. We want you to take the whole trip with us.”

Find Bad Omens Online

badomensofficial.com

AMARANTHE – Start The Party With "PvP (Remix)"

Seven days into the new year, the party isn't over yet: Today, the Swedish metal heroes AMARANTHE release a remix of their new single "PvP" - a catchy, energetic piece built to break the dancefloors all over the world!

Check out this fresh anthem for the club season 2022 here: https://amaranthe.bfan.link/pvp-remix

Olof Mörck comments: "Let's start this year with a bang! If you're still horizontal from the holiday's indulgences, here's what we ordinate to get you picked up in style: a danceable yet crushing remix of 'PvP', that works as well with your gaming session as it does in the club! Remixed by Elias Holmlid, who has previously lent his talents to 'Amaranthine' and 'Crystalline', this interpretation will hit harder than any new year fireworks!"

"PvP" was the official anthem for the Swedish team at the international e-sports world championship. The video was directed by Poland's Grupa13, who previously worked with the band on 'Archangel' or 'Boom!'.

Check out the official video for "PvP" below.
Stream or download the song: https://amaranthe.bfan.link/pvp

AMARANTHE have spent the last decade establishing themselves as a formidable, positive, and fervently melodic force for metallic good. From their explosive self-titled debut in 2011 to the more sophisticated, streamlined likes of 2014’s "Massive Addictive" and its immaculate follow-up "Maximalism" (2016), AMARANTHE has masterfully blurred the lines between melodic metal, crushing brutality, cinematic sweep, and futuristic sparkle. Led by the endlessly ingenious songwriting of guitarist Olof Mörck and powerhouse vocalist Elize Ryd, their rise to prominence has been a joy to behold.

Widely acclaimed as a dazzling live act, the Swedes reached a new peak of creativity on 2018’s hugely successful "Helix": an album that pushed the band’s vision to new heights, breadths, and depths, while showcasing the brilliance of Elize and her co-vocalists, Henrik Englund Wilhelmsson and recent recruit Nils Molin.

Not just a glorious return but a wholesale upgrade for their exuberant sound, "Manifest" is simply the most daring, dynamic, and unforgettable album that AMARANTHE has released to date. The perfect antidote to the nagging anxieties plaguing us all in these troubled times, it’s a Technicolor celebration of metal’s ageless power, blazing with all of life’s colors and chaos, but delivered with utmost artistry and skill.

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AMARANTHE is:
Elize Ryd | vocals
Olof Mörck | guitars, keyboards
Henrik "GG6" Englund Wilhelmsson | vocals
Johan Andreassen | bass
Morten Løwe Sørensen | drums
Nils Molin | vocals

Order "Manifest" here: http://nblast.de/Amaranthe-Manifest

DIAMANTE Releases New Single "Difícil De Amar", Spanish Version Of "Unlovable"

Undeniable rock chanteuse DIAMANTE has today dropped her latest single "Difícil De Amar" (out via Anti-Heroine). The track is the Spanish version of her heartbreaking single "Unlovable" which has already clocked up a staggering 763,000 views and counting on YouTube. Speaking on today's release, DIAMANTE shares:

"'Difícil De Amar' is the Spanish version of my latest single "Unlovable". Not only was this version the most requested version I have ever received for a song, but it was also important for me to do this because I am proud of my Mexican heritage, and I wanted to give this gift to all my Latin American fans!"

Fans also have their chance to see DIAMANTE hit the stage on her headlining American Dream Tour across the US starting on Monday, January 31, in San Diego, CA, as well as on The Revolution's Live Tour with Shinedown and The Pretty Reckless later this spring. Watch the visual stream for "Difícil De Amar" here or at the link below, click here for American Dream Tourtickets, and click here for more info on The Revolution's Live Tour.

American Dream Tour Dates

January 31 - San Diego, CA - Casbah

February 1 - Las Vegas, NV - The Space

February 2 - Tucson, AZ - 191 Toole

February 3 - Phoenix, AZ - The Rebel Lounge

February 4 - Albuquerque, NM - Launchpad

February 7 - Colorado Springs, CO - Black Sheep

February 8 - Denver, CO - Marquis Theater

February 10 - Salt Lake City, UT - Kilby Court

February 12 - Seattle, WA - Clock-Out Lounge

February 13 - East Portland, OR - Mano Oculta

February 15 - Sacramento, CA - The Starlet Room

February 16 - San Francisco, CA - The Chapel

February 17 - West Hollywood, CA - The Viper Room

February 18 - Anaheim, CA - Chain Reaction

Welcome To Rockville Festival

May 20 - Daytona Beach, FL - Daytona International Speedway

The Revolution's Live Tour Dates

April 1 - Spokane, WA - Spokane Arena

April 2 - Boise, ID - Extramile Arena

April 4 - Billings, MT - First Interstate Arena

April 6 - Fargo, ND - Fargodome

April 8 - Green Bay, WI - Resch Center

April 9 - Peoria, IL - Peoria Civic Center

April 11 - Sioux Falls, SD - Denny Sanford Premier Center

April 12 - Des Moines, IA - Wells Fargo Arena

April 14 - Toledo, OH - Huntington Center

April 15 - Hershey, PA - Giant Center

April 16 - Uncasville, CT - Mohegan Sun

April 18 - Portland, ME - Cross Insurance Arena

April 20 - Baltimore, MD - Chesapeake Employers Insurance Arena

April 22 - Charleston, WV - Charleston Coliseum

April 23 - Columbus, OH - Schottenstein Center

April 24 - Grand Rapids, MI - Van Andel Arena

April 26 - Evansville, IN - Ford Center

April 28 - Wichita, KS - Intrust Bank Arena

April 29 - Little Rock, AR - Simmons Banks Arena

April 30 - Birmingham, AL - Legacy Arena

May 3 - Greensboro, NC - Greensboro Coliseum

May 4 - Nashville, TN - Bridgestone Arena

May 6 - Greenville, SC - Bon Secours Wellness Arena

May 7 - Knoxville, TN - Thompson-Boling Arena

With a show-stopping voice, runway-ready fashion swagger, and an empowering message, the Boston-raised and Los Angeles-based Mexican-Italian-American siren brings new fire to rock and alternative music.

Diamante spent her teenage years cutting her teeth at local gigs on the Sunset Strip to become the powerhouse performer she is today. A disciple of both P!nk and Guns N’ Roses who doesn’t fall into rockstar excess or even sport tattoos, she devoted every waking minute to honing a signature “hard rock sound with a modern alternative edge.” This unique and undeniable approach caught the attention of Better Noise Music who signed her in 2015. She hit the studio with super producer Howard Benson [My Chemical Romance, Halestorm, Kelly Clarkson] to record what would become her full-length debut, 'Coming In Hot'.

Now three years later, and after extensive touring with bands like Breaking Benjamin, Three Days Grace, Chevelle, and Shinedown… Diamante is in full force shining brighter than ever before. In 2019, Diamante reunited with Howard Benson along with Neil Sanderson of Judge & Jury as an independent artist to make her sophomore album, 'American Dream'. Diamante capitalized on her newfound ultimate creative freedom and independence by being her own CEO throughout every facet of the album process. On working with Benson and Sanderson, Diamante praises that they were instrumental in “bringing my stories to life and pushing me to embrace my vulnerabilities”. With her most recent music video for "Unlovable", she has also previously shared smash hits such as fan-favorites "Ghost Myself", "Serves You Right", the beautiful reimagination of Goo Goo Dolls classic "Iris" (featuring Breaking Benjamin), and "I Love Myself For Hating You".

'American Dream' shows exponential growth from 'Coming In Hot' sonically and in its raw authenticity, proving now more than ever that Diamante’s fearlessness to bare her soul in her music is what truly sets her apart.

Find DIAMANTE Online

thisisdiamante.com

XTC's Colin Moulding releases 'The Hardest Battle' CD via Burning Shed.

Music legend and XTC co-frontman Colin Moulding is back with new music, this time as a solo artist, presenting his new single 'The Hardest Battle', released as a CD single in 4-panel digisleeve via Burning Shed.

Containing two songs - 'The Hardest Battle', 'Say It (original version)', and an exploratory demo of the title track, The Hardest Battle represents XTC founding member Colin Moulding's first-ever fully solo release.

In celebration of this release, Colin Moulding also presents the video for the title track, directed and filmed by Henry Meredith at St Mary’s Uffington (interior) and Salisbury Cathedral (exterior). Featuring Tomas Silberberg as George IV, the costume was provided courtesy of the Royal Shakespeare Company.

This mini-EP offers a tantalizing glimpse into the creative process of one of the UK's finest songwriters, showcasing Colin’s English pop vision with XTC's trademark qualities of melody, rhythm, variety, and idiosyncratic subject matter, mixed in with nostalgia and a degree of pensiveness.

Following two releases with original XTC drummer Terry Chambers under the TC&Imoniker - the 'Great Aspirations' EP and the album 'Naked Flames: Live at Swindon Arts Centre', 'The Hardest Battle' is the first new material from Moulding in many years.

“To be nobody but yourself - in a world which is doing its best, night and day, to make you like everybody else - means to fight the hardest battle any human being can fight”... I saw these lines in a book I picked up in a secondhand bookshop and thought…maybe there’s a song there …I think it’s by the poet EE Cummins," says Colin Moulding.

"And there it was. All I had to do was come up with some music to marry to this notion. I do think most people aren’t themselves really, or become themselves eventually. And that struggle isn’t easy. I recorded this pretty much in isolation as most people have been this past year or so. One crazy year for all of us. Perhaps ‘The Hardest Battle’ we humans have faced externally, as well as the one we fight internally everyday,"

Founded in 1972, XTC only had their first UK charting single in 1979. Moulding wrote the first three charting singles ('Life Begins at the Hop', 'Making Plans for Nigel' and 'Generals and Majors'). Moulding continued with frontman Andy Partridge through the group's dissolution in 2006. In 1984, they also, along with XTC bandmate Dave Gregory and Ian Gregory, formed The Dukes of Stratosphear, anticipating and celebrated by retro-minded movements such as the Paisley Underground.

"About 'Say It', I just felt this track deserved a better fate than it got really. I wrote it for the XTC album that never was . But it ended up on a promo disk amongst XTC’s ‘Last Days of Rome’ This version feels much more akin to my original song mindset compared to the expedient I agreed to at the time," says Colin Moulding.

Regarding 'The Hardest Battle (First Exploratory Demo)', Moulding adds, "I think demos are much more of a demonstration to ones self than for other people. You have to find out what works and what doesn’t. Therefore, you shoot from the hip and just fire it out, and see what sticks. Larkin always said that he didn’t know what his poems were about initially until he got some way into them ;- that’s what this is;- I’m just ‘Larkin' around until it presents itself. Then the crossword puzzle can begin."

Released on July 2, 'The Hardest Battle' is available on CD single exclusively via Burning Shed at https://burningshed.com/store/ colin-moulding_store/colin- moulding_the-hardest-battle_cd

CREDITS
Produced by Colin Moulding and Stuart Rowe
Mixed by Stuart Rowe
All instrumentation by Colin Moulding except on ‘Say It’, where Jon Buckett plays piano
All songs written by Colin Moulding
Mastered by Jason Mitchell at Loud Mastering
Manufactured by Noisebox Digital
Media Artwork by Andrew Swainson from a concept by Colin Moulding
Recorded within the Sound of Christ Church Bells
Released by Burning Shed. Cat No: CMCD001

Keep up with Colin Moulding
Store | YouTube | Facebook group | Press contact

Keep up with Burning Shed
Website | Facebook | Twitter | Instagram

UK electro duo SPRAY will a more ethical 2022 in 'The Big Idea' single. New 'Ambiguous Poems About Death' LP is out now via Analogue Trash.

"'Fantastically catchy and grooving witty club anthem... this music has sprung from two brilliant minds" ~ Big Takeover Magazine

"The perfect blend of wit and wisdom, back street philosophies and lyrical gems... bubbling synth-pop groover running on digital waves and smooth electronic ebbs and flows" ~ The Swindonian

"What could be the long-lost track from Trainspotting or Human Traffic, pulsates with a youthful energy, likened to the chemical generation of the late 90s" ~ The Manc Review

"Sense of humour along with a talent for sharp, polished electronic pop. While the competition is quite fierce, Spray may have delivered one of the year’s finest albums" ~ The Electricity Club

"This is leftfield indie disco synthpop – with a big stick!" ~ RGM Magazine

"Smart, quirky and downright memorable" ~ The Spill Magazine

British dance-pop duo Spray present their clever and concept-packed single 'The Big Idea' from their new 12-track album 'Ambiguous Poems About Death', newly released via Manchester's Analogue Trash label. Packed full of acerbic wit with tongue firmly in cheek when needed for maximum effect, this album will delight fans new and old. Earlier, the duo previewed the singles 'Hammered in An Airport', 'Félicette (Space Cat)' and 'Blurred in the Background'.

Spray is music-addict siblings Jenny McLaren (vocals, guitars) and Ricardo Autobahn (synths), who have managed to build an enviable following for their brand of danceable and subversive indie disco pop since their 2002 debut ‘Living In Neon’ LP. Also responsible for a smash cover of Lisa Lougheed’s 'Run With Us' ('The Raccoons' theme song), their unique brand of oblique synth-pop is catchy as hell, bringing them mainstream pop success in an alternate universe.

"The Big Idea is our tribute to creatives, idealists and visionaries who pioneer concepts and ideas against backlash and resistance. The people who are then lauded and celebrated but only up until the point where big business works out how to monetize the idea. The line in the song "everybody loves you when they don't understand what you're doing - then you're expendable" is our nod to those corporations who will mine the well of talent, but only until the alchemy from art to commerce is completed," says Ricardo Autobahn.

"Spray have begun touring and playing live in recent years for the first time - and our songwriting style has slightly shifted to accommodate that. Having previously written albums purely from a studio perspective, this time we wanted to write a live anthem, a huge feelgood song with wide chords and melodies. No gimmicks. Like Coldplay but without all the unpleasantness," says Jenny McLaren.

Spray's musical DNA trace back to 90s band The Cuban Boys, who recorded one of the best Peel Sessions ever and went head-to-head with Sir Cliff Richard in a Christmas Chart Battle. Their hit single 'Cognoscenti Vs Intelligentsia' (a.k.a. The Hamster Dance Song) sold a million copies, reached number 4 in the UK single charts, landed them on Top of the Pops and, according to John Peel, was “the most requested song I’ve had since God Save The Queen”. They topped the John Peel Festive 50 Charts twice.

Spray was the secret weapon behind the UK’s 2006 Eurovision hit 'Teenage Life', written and produced with Daz Sampson, with their treated vocals used on the track. Ricardo Autobahn and Sampson's dance version of 'Rhinestone Cowboy' (as Rikki and Daz) with the legendary Glen Campbell went Top-10. More recently Spray recorded music with anarchic BBC star Hacker T. Dog and Ricardo also plays keyboards with Welsh punk pop icons Helen Love.

This is their second Analogue Trash release, following 2019's 'Failure Is Inevitable'. They've used the intervening time wisely; writing, terrorising social media, and a number of live shows.

'Ambiguous Poems About Death' is out now, available digitally and on CD with blue cover artwork via Bandcamp and everywhere online at http://snd.click/poems.

ALBUM CREDITS
Composed, performed and produced by Spray
Performed by Jenny McLaren and Ricardo Autobahn
Music engineered at Spray Studio 1 (Lancashire)
Vocals engineered at Spray Studio 2 (Liverpool)
Additional vocals by Terri McDonald and Phil Fletcher
Mixed by Morgan Lorentz
Published by Copyright Control/23rd Precinct Music Ltd


Keep up with Spray
Website | Facebook | Bandcamp | Twitter | Instagram | Soundcloud | YouTube | Spotify | Apple Music

Keep up with Analogue Trash
Website | Bandcamp | Facebook | Twitter | Soundcloud | Instagram | YouTube

NOCTURNAL GRAVES Streams Entire New Album Ahead of Release

Australian blackened death outfit NOCTURNAL GRAVES will be releasing their new full-length, 'An Outlaws Stand,' tomorrow, January 7, via Season of Mist Underground Activists! The band is now streaming the new record in its entirety ahead of its release! Listen at THIS LOCATION.

'An Outlaw's Stand' is now available for pre-orders HERE.

NOCTURNAL GRAVES sound the charge with their venomous new offering, ‘An Outlaw's Stand.’ Coalescing the nastiest and rawest elements of death, thrash, and black metal, the Australian outlaws’ brand of apocalyptic metal explodes like an atom bomb, leaving utter devastation in its path. The relentless onslaught of pure brutality makes one thing clear – Long live death!

NOCTURNAL GRAVES were originally formed in Victoria, Australia in 2004. Two well received demos, ‘Profanation of Innocence’ and ‘Deathstorm,’ followed in the same year. Quickly securing a deal, the band officially released the ‘Necromancer’ 7″ vinyl in 2006 before unleashing their cult debut full-length, ‘Satan’s Cross,’ the following year. The iconic album was later re-issued with the stunning cover art by renowned painter Paolo Girardi (INQUISITION, MANILLA ROAD, HIEROPHANT) in 2017.

When the Australians first hit Europe in 2009, they celebrated the event with ‘The Gravespirit Sessions’ split. Former DESTRÖYER 666 and RAZOR OF OCCAM guitarist Shrapnel, as well as drummer L.W., joined in 2012.

NOCTURNAL GRAVES widely extended their international fanbase with the release of sophomore album ‘…From the Bloodline of Cain’ (2014), which resulted in an invitation to the 2016 edition of Maryland Deathfest and more shows in the United States. The band supported the tour with a limited 7″ EP ‘Sharpen the Knives / Lead us to the Endless Fire.’

Upon a line-up change in 2018 in which L.W. departed from the band and J. took his place back behind the drums, the band saw their third album, “Titan,” released through Season of Mist. An Australian/New Zealand tour with WATAIN followed in support of the album’s release.

In 2019, NOCTURNAL GRAVES joined forces alongside DESTRÖYER 666, DEAD CONGREGATION, and INCONCESSUS LUX LUCIS and embarked upon the Sons of Rebellion tour throughout Europe.

At the onset of the world plunging headfirst into the pandemic, the band locked themselves away to write and record their fourth assault, ‘An Outlaw’s Stand.’ Upon reflection, this new offering encompasses the entire history of NOCTURNAL GRAVES, compiling eight tracks of sheer ferocity and raw, untamed black and death metal.

Style: Death Metal Savagery

Links:
https://www.facebook.com/nocturnalgraves
https://www.instagram.com/nocturnal_graves_official

Lineup:
J.R. : Drums, Rhythm Guitars, Bass, Lead Vocals
Decaylust: Lead Guitars, Vocals
Shrapnel: Lead Guitars
Prain: Vocals

Produced by: Nocturnal Graves, engineered by Jarro Raphael
Recording studio: I-HQ Recordings, Australia
Mixing: Jarro Raphael
Mastering: I-HQ Recordings, Jarro Raphael

Cover art: Simon Turner

The radio single for "Command for Conflict" has been cleared for immediate airplay and can be downloaded (in mp3) HERE.

Pre-sales: https://redirect.season-of-mist.com/NocturnalGravesShop

Album formats:CD Digipak
12” Gatefold vinyl (Black)
12” Gatefold vinyl (Dracula / 250 copies)
12” Gatefold vinyl (Smokey / 400 copies)
Digital

CARNATION Shares Live Stream of 'The Galaxy Sessions' Concert via Death Metal Promotion

Old school death metal revivalists CARNATION will live stream their pre-recorded "The Galaxy Sessions" performance today, January 6, at 2:00 P.M. EST via Death Metal Promotions! Members of the band will be in the live chat during the event. The concert is slated for physical release tomorrow, January 7, and will be available on all digital platforms and a limited edition vinyl version. You can set a reminder and tune into the stream HERE.

Frontman Simon Duson comments on the stream: "The release of our 'The Galaxy Sessions' live album is nigh! We invite you to join us in the Galaxy Studio, where we performed the majority of our most recent album 'Where Death Lies' live for the first time. After a production delay that felt like an eternity, we have finally received word that the physical release is ready for distribution. We can't wait for you all to get your hands on the album! Let it be a reminder of great times to come..."

Pre-orders are now available HERE.

Carnation now has their very own Instagram filter via Instagram stories! Search for the Carnation filter via @Seasonofmistofficial to have some fun!

The band is supporting their 2020 sophomore full-length, 'Where Death Lies,' which can be ordered, streamed, and downloaded HERE.

Embrace the new death metal overlords and their second full length 'Where Death Lies'! CARNATION equals blistering and crushing death metal madness and, with this new chapter, return with relentless destruction and greater punishment than ever before.

Early 2013, guitar player Jonathan Verstrepen created the band to show his appreciation for the old school death metal legends from the ‘80s & early ‘90s. Vocalist Simon Duson, bass player Yarne Heylen, guitar player Bert Vervoort, and drummer Vincent Verstrepen were summoned to complete the band, and it didn’t take long until the chemistry between this quintet hit critical mass.

The Belgian’s first EP offering, entitled 'Cemetery of the Insane', was released upon the masses in 2015 . Tracks such as "Explosive Cadavers" or "The Rituals of Flesh" take you back in time to the better days of shredding riffs, neck-breaking drums, and skull-crushing guttural vocals.

The live rituals that followed were executed with stone cold merciless aggression. CARNATION delivered their bloodbath at select festivals across Europe during 2015 and 2016. Their next journey led them to distant Asia for their first tour across mainland Japan. This resulted in the infamous 'Live at Asakusa Deathfest' album, which saw the light in (2017).

These releases, combined with their reputation as a notoriously impressive live act, drew the attention of fans worldwide and provided CARNATION with the opportunity to perform at several European festivals and saw the band touring alongside PESTILENCE during their special Brazilian tour in April 2018. After signing with Season of Mist in 2018, CARNATION welcomed new and loyal audiences to death’s domain and invited them to witness them rise to their throne!

CARNATION rage on in 2019 with more spectacular live shows at 70.000 Tons of Metal, Alcatraz (BE) and Damnation Festival (UK), as part of their touring rampage throughout Japan and Europe (with PUNGENT STENCH and DESERTED FEAR), before entering the studio for the recordings of a brand new album. The mastering for the new offering was done by the mighty Jens Bogren (SEPULTURA, ENSLAVED, ARCH ENEMY) at the Fascination Street Studios in Örebro (SE).

With ‘Where Death Lies’ a new chapter of abhorrence now begins and opens up a hellish path to resurrection, reincarnation, and immortality. You wanted death? CARNATION is here with a superior appearance performing new rituals in service of ancient deities. All hail the new death metal overlords!

Style: Death Metal

Line-up:
Simon Duson – Vocals
Jonathan Verstrepen – Guitars
Bert Vervoort – Guitars
Yarne Heylen – Bass
Vincent Verstrepen – Drums

Recording Studio & Sound Engineers: Where Death Lies was recorded from January to April 2020. The drums were recorded by Wojtek & Sławek Wieslawski at the Hertz Recording Studio in Białystok, Poland and the guitars, bass & vocals were recorded by Yarne Heylen at Project Zero Studio in Nijlen, Belgium.

Mixing: by Yarne Heylen
Mastering: by Jens Bogren at Fascination Street Studios in Örebro, Sweden.

Cover art: Juan Jose Castellano Rosado

Discography
2015: Semetery of the Insane (EP)
2017: Live at Asakusa Deathfest (Live album)
2018: Chapel of Abhorrence (Full length)
2020: Where Death Lies (Full length)

Sales Link: https://redirect.season-of-mist.com/CarnationWDL

For more on CARNATION, visit the band's official FACEBOOK, INSTAGRAM, WEBSITE, and YOUTUBE.

ABYSMAL DAWN Shares Music Video for Re-recording of "Blacken the Sky"

Los Angeles death metal titans ABYSMAL DAWN will be releasing a new EP, 'Nightmare Frontier,' on February 4, 2022 via Season of Mist! The band is now sharing a brand new version of the song "Blacken the Sky," which was mixed, mastered, and recorded by ABSYMAL DAWN guitarist/vocalist Charles Elliott. The re-recording can be found along with a lyric video below.

Regarding the decision to re-record the track, Elliott explains, "When it came time to record this EP we started discussing re-recording an older track. After a bit of back and forth, we all ended up voting for 'Blacken The Sky.' That was actually the first song I ever wrote for Abysmal Dawn, and it seemed sort of fitting to update it a little for a new era. Enjoy!"

Pre-orders for 'Nightmare Frontier' are now live at the Season of Mist E-Shop, Abysmal Dawn Bandcamp, and Abysmal Dawn Store. The single and EP can be pre-saved across all streaming services HERE.

Moreover, ABYSMAL DAWN will be embarking on an extensive North American tour as direct support for OBSCURA at the start of next year! The trek will kick off in San Diego, CA on February 3 and will conclude on March 23 in Fresno, CA! Tickets are on sale NOW! The full run of dates can be found below!

'Nightmare Frontier' follows up 2020's critically-acclaimed album, 'Phylogenesis.' The album was named one of the best albums of 2020 by Metal Injection, Metal Insider (#7), Teeth of the Divine, Cursed Zine, and more! In addition, drummer James Coppolino is listed as one of Sick Drummer Magazine's favorite drummers of 2020 and the band's song "Soul Sick Nation" was among Loudwire's "66 Best Metal Songs of 2020."

'Nightmare Frontier' was mixed and mastered by Charles Elliott at Tastemaker Audio. Drums were engineered by John Haddad at Trench Studios, while tracking for all instruments was handled by Elliott.

ABYSMAL DAWN Tour Dates
A Valediction North America 2022
(w/ OBSCURA, VALE OF PNATH, + INTERLOPER)

02/03: San Diego, CA @ Brick by Brick [TICKETS]
02/04: Mesa, AZ @ Nile Theater [TICKETS]
02/05: Los Angeles, CA @ 1720 [TICKETS] **Hometown Show**
02/06: Las Vegas, NV @ Backstage Bar [TICKETS]
02/07: Salt Lake City, UT @ Urban Lounge [TICKETS]
02/08: Denver, CO @ The Oriental Theater [TICKETS]
02/10: Oklahoma City, OK @ Whisky Nights [TICKETS]
02/11: Austin, TX @ Come and Take it Live [TICKETS]
02/12: Dallas, TX @ Amplified live [TICKETS]
02/13: Houston, TX @ Warehouse Live [TICKETS]
02/14: New Orleans, LA @ Santos [TICKETS]
02/16: Orlando, FL @ The Haven [TICKETS]
02/17: West Palm Beach, FL @ Respectable Street [TICKETS]
02/18: Tampa, FL @ The Orpheum [TICKETS]
02/19: Atlanta, GA @ Masquerade (Hell) [TICKETS]
02/20: Nashville, TN @ The Basement East [TICKETS]
02/21: Knoxville, TN @ Barley’s Knoxville [TICKETS]
02/22: Virginia Beach, VA @ Elevation 27 [TICKETS]
02/23: Baltimore, MD @ Soundstage [TICKETS]
02/24: Harrisburg, PA @ HMAC [TICKETS]
02/25: Brooklyn, NY @ Knitting Factory [TICKETS]
02/26: Boston, MA @ Sonia [TICKETS]
02/27: Hartford, CT @ Webster Underground [TICKETS]
02/28: Quebec City, QB @ Imperial Bell [TICKETS]
03/01: Montreal, QB @ Les Foufounes Électriques [TICKETS]
03/02: Ottawa, ON @ Maverick’s [TICKETS]
03/03: Toronto, ON @ Lee’s Palace [TICKETS]
03/04: Rochester, NY @ Montage Music Hall [TICKETS]
03/05: Pittsburg, PA @ Preserving Underground [TICKETS]
03/06: Indianapolis, IN @ Emerson Theatre [TICKETS]
03/07: Louisville, LA @ Diamond Concert Hall [TICKETS]
03/08: Detroit, MI @ The Sanctuary [TICKETS]
03/09: Chicago, IL @ Reggies [TICKETS]
03/10: Milwaukee, WI @ X-Ray [TICKETS]
03/11: St. Paul, MN @ Turf Club [TICKETS]
03/12: Winnipeg, MB @ Park Theater [TICKETS]
03/14: Calgary, AB @ Dickens [TICKETS]
03/15: Edmonton, AB @ Starlite Room [TICKETS]
03/17: Vancouver, BC @ Rickshaw Theater [TICKETS]
03/18: Seattle, WA @ El Corazon [TICKETS]
03/19: Portland, OR @ Dante’s [TICKETS]
03/21: Santa Cruz, CA @ The Catalyst
03/22: Petaluma, CA @ Phoenix Theater [TICKETS]
03/23: Fresno, CA @ Full Circle [TICKETS]

American death metal masters Abysmal Dawn are back! After a six-year gap, the Los Angeles-based outfit and Season of Mist hereby present Phylogenesis. Not that Abysmal Dawn have laid low since the release of 2014’s lauded Obsolescence full-length. Far from it. They toured North America four times and hit Europe and South America for the first time. Meanwhile, founding member Charles Elliott opened his studio, Tastemaker Audio, to accelerate Abysmal Dawn's own recording needs, as well to act as a bridge to other bands in need of a knowledgeable and relatable audio technician. But the road to Phylogenesis wasn’t an easy one. Besides work-horsing it throughout the U.S., Canada, Sweden, Germany, the UK, Brazil, Chile, and beyond in support of Obsolescence, Elliott and crew managed through some of the lowest points in Abysmal Dawn’s career. Internal strife, administrative burdens, musical differences, and motivation all had their various ways with the Californians. Yet, from the darkest depths, they prevailed, heralding a new chapter in the group’s storied history. Indeed, Phylogenesis is Abysmal Dawn’s rebirth!

“There was a brief period after doing two months of touring back-to-back in the U.S. and Europe in 2015 that I almost felt like calling it quits,” Abysmal Dawn’s Charles Elliott says. "It was our first time in Europe and I just had a hard time enjoying it. The band had grown, and I was a bit tired of having to handle most of the managerial aspects of what we do. The joy had been ripped from things and people weren't getting along, and some people acted like they didn't want to be there. But we went our separate ways with some of the members and all of a sudden, the band was fun again. They went on to other things and we're probably all happier in the end. Sometimes, I feel it's a miracle this album or band even still exists. I've avoided swearing on our records in the past, but the album's opening line is actually, 'Fuck you all!' Maybe it's primitive by our past lyrical standards but it's genuine and it's the most heartfelt, ‘Fuck you, we’re still here’ I could put on a record. I’m glad we stuck it out because I think this is our proudest moment so far.”

To say Phylogenesis is an extension or continuation of Obsolescence isn’t exactly as straightforward as it should be. On one hand, all the Abysmal Dawn trademarks—technicality, brutality, and melody—remain ingrained in the songwriting fabric. On the other, the band’s fifth full-length is more cohesive, rhythmically sophisticated, and far more adventurous. Elliott calls it “a major evolution.” Certainly, the six years of constant refinement, edge smoothing, and transition adjustments have paid off. What started as jam sessions between Elliott, bassist Eliseo Garcia, and drummer James Coppolino in 2016 eventually turned into one-offs. That there was no time limit to put Phylogenesis together ended up both a blessing and a curse. Total creative freedom at very little expense is a dream scenario, something a band of Abysmal Dawn’s stature took advantage of for their magnum opus. But without a ticking clock and dollars burning, the pressure to focus was far less severe, resulting in delays and feature creep.

“It was basically James, Eliseo and me meeting up at my place, jamming on ideas, seeing what worked and tweaking them from there,” says Elliott. “With the exception of ‘Hedonistic,’ James wrote all his drum parts. Obsolescence was demoed with me programming all the drums since our drummer at the time had moved up north. It was what it was, but it was pretty frustrating at the time. Having someone to bounce ideas off of in real-time, helped in maintaining the joy and momentum of making this album. Once it was time to record bass and leads, Eliseo and Vito [Petroni; guitars] would trickle in when they had ideas. We had no real deadline and seemingly infinite time to do things. Admittedly, I think it was hard for me to focus on the lyrics, not only because of things in my personal life but because I was focused on getting the guys in to complete their parts so I could focus.”

Finish Phylogenesis they did, in fact. Under significant duress, Abysmal Dawn had overcome their roadblocks. The results of the group’s undulating professional and personal schedules aren’t to be trifled with, however. Opening track “Mundane Existence” is a firestorm of labyrinthine yet savage riffs, enraged vocals, and machine-gun drumming. It’s death metal personified, enlightened, and perfected. Elsewhere, tracks such as “The Path of the Totalitarian,” “A Speck in the Fabric of Eternity,” and “Soul-Sick Nation” (feat. Fredrik Folkare of Unleashed, Firespawn, et al.) pose real threats to the status quo. In all three, Elliott’s passion for and dominance of death metal’s tenets are tangible. But there’s more to Abysmal Dawn on Phylogenesis than customary ritual. From the ruthless groove of “Hedonistic” and the staccato stabs of “Coerced Evolution” to the late album gem “The Lament Configuration” and the blistering cover of Death classic “Flattening of Emotion,” the songs are designed to slay in ways we’re just beginning to understand.

“We’re a pretty brutal death metal band, but what I feel like sets us apart is that no matter what we do there’s always some underlying sense of melody and hooks,” Elliott says. “There are lots of bands that are ridiculously brutal. There are lots of bands that are over-the-top technically or are blatantly melodic. We combine all that but we try to write something that sticks with you over time; that you'll keep coming back to, and that works well in the live environment. We love all types of music, whether it's fusion or industrial music, and it shines through here and there. But in the end, though, we're a pure death metal band at heart trying to retain that old-school feel with an updated take for a new generation.”

Conceptually, Phylogenesis deals with the breakdown of social constructs humans have built over time. The album title is defined by the evolution of (or diversification) a species. So, Phylogenesis is an ironic take on Elliott’s observations, particularly how social media has accelerated and exacerbated the de-evolution of humanity’s interactive abilities. The cover art, again by Swedish artist Pär Olofsson, isn’t directly correlated to the lyrical narrative, but it does continue where Obsolescence left off. The Olofsson cover art has envisioned what it’s like on the inside of the Obsolescence tower, and that it’s humans that are being fed back to humans. The cover art continuity is akin to Richard Fleischer’s famed Soylent Green film but ripped through Elliott’s demented death metal lens.

“I think the lyrics deal a lot with things we encounter in our modern society and the effect it has on the individual,” says Elliott. “The dehumanization effect and divisiveness caused by bickering on social media (‘The Path of the Totalitarian’), the decay of legitimate journalism (‘True to the Blind’), struggling to find purpose in the pursuit of happiness (‘Hedonistic’), wishing something was greater than yourself (‘Mundane Existence’), the mental illness epidemic (‘Soul-Sick Nation’), embracing pain over numbness to feel alive (‘The Lament Configuration’), having our consciousnesses uploaded to a grid in order to make life sustainable on Earth (‘Coerced Evolution’), and the common theme throughout the band of wishing life on Earth would just start over (‘A Speck in the Fabric of Eternity’). I had started off wanting it to be a concept record but later scrapped that idea because I didn't like how it was going. In the end though, it just naturally all tied together in some way. Even the Death cover seemed to fit lyrically in hindsight. ‘Coerced Evolution’ is really the only song that in the sci-fi vein this time around. As for Pär, yes, he did the cover art once again. We love working with him and we’ve been creating great covers with him since 2006.”

Abysmal Dawn recorded Phylogenesis over a multi-year timeframe. In fact, Coppolino’s drums were tracked as far back as 2017 with long-time collaborator John Haddad at Trench Studios. The rhythm guitars and vocals, as produced by Mike Bear and Elliott, were also done at Tastemaker Audio the same year. So, some of Phylogenesis goes back, but the parts are no less lethal. Slowly but surely, the group’s newest and greatest materialized, with Elliott finishing the lead guitars, bass, additional vocals, re-amping, and mixing sessions in 2019, again at Tastemaker Audio. Abysmal Dawn then packaged up their fifth for mastering ace Tony Lindgren (Rotting Christ) to handle at Fascination Street Studios in Sweden. Contemporary yet absolutely remorseless, Abysmal Dawn’s Phylogenesis is death metal for a new age.

“We took our time and went to few studios this time around, so it’s a bit of a laundry list,” Elliott says. “John Haddad engineered the drums at Trench Studios. John has been involved with all our records in some form since From Ashes. Mike Bear helped track and produce the vast majority of my vocals and rhythm guitars out of my studio. Mike produced both Leveling the Plane of Existence (2010) and Obsolescence. I tracked and produced all the leads, bass parts, and other odds and ends and mixed the album as well. Tony Lindgren at Fascination Street Studios mastered the record in the end.”

As for Abysmal Dawn’s next steps, the quartet await the release of Phylogenesis. With past support coming from the Village Voice, Decibel, PopMatters, and Pandora, as well as the group's rabidly-devoted fanbase, the future of death metal is in good hands.

Lineup:
Charles Elliott: guitars, vocals
Eliseo Garcia: bass, additional vocals
James Coppolino: drums
Vito Petroni: guitars

Guest Musicians: Orchestral arrangement on “Behind Space” by Craig Peters (Destroying the Devoid, Deeds of Flesh)

Recording Studio:
Tastemaker Audio, Los Angeles, CA (USA) – everything excl. drums
Trench Studios, California (USA) – drums

Production, mixing, mastering, + sound engineer:
Charles Elliott @ Tastemaker Audio
Additional drum engineering by John Haddad @ Trench Studios

Cover Art:
Pär Olofsson

Biography:
Chris Dick

Pre-sales: https://redirect.season-of-mist.com/AbysmalNightmare

Pre-save: https://orcd.co/abysmalnightmare

For more on ABYSMAL DAWN, visit their official FACEBOOK, TWITTER, INSTAGRAM, and BANDCAMP.

NEW HORIZON ANNOUNCES DEBUT ALBUM "GATE OF THE GODS" DUE MARCH 11, 2022

NEW POWER METAL BAND FROM ERIK GRÖNWALL & JONA TEE

SINGLE & VIDEO 'STRONGER THAN STEEL' OUT NOW

Vocalist Erik Grönwall and songwriter/producer/multi-multi-instrumentalist Jona Tee, former bandmates in H.E.A.T., are continuing their musical partnership by unleashing New Horizon, their new power metal brainchild! The duo's debut album, "Gate Of The Gods" will be released on March 11, 2022 via Frontiers Music Srl on CD/LP/Digital. Today, the band has premiered their first music video, 'Stronger Than Steel'. Watch it below.

Pre-order "Gate Of The Gods" on CD/LP/Digital HERE: https://orcd.co/newhorizon

After a few months of secretive work in the studio, the reunion of Grönwall and Tee brings us a true metal record which will leave an unexpected imprint on the power metal scene. The epic and powerful music keeps a solid heavy metal foundation while delivering truly infectious melodies. Fans of Grönwall will delight in hearing his vocals in arguably the finest form of his career, wailing like a metal warrior delivering these anthems from the highest mountain top. And Tee, as usual, delivers an incredible production befitting of these power metal hymns.

Robban Bäck (Mustasch), Sam Totman (DragonForce), Love Magnusson (Dynazty), Dave Dalone (H.E.A.T), Niko Vuorela (Temple Balls), and Laucha Figueroa are all guest musicians/contributors to "Gate Of The Gods".

The seeds of NEW HORIZON were planted in Jona’s youth given that he grew up listening to (and still loves) Iron Maiden, Helloween, Hammerfall, Manowar, Edguy, and the like. Heavy metal is in his blood and New Horizon is something that is flowing through his veins and extremely close to his heart. He always dreamed of releasing his own power metal anthems one day. When asked about the sound of New Horizon, Jona Tee describes it as "a mix between classic power and heavy metal, with a touch of 2021.”

The initial idea for New Horizon, at first, was to have several lead vocalists perform on the album; however, that changed when Erik Gronwall came to the studio to record two songs for the album. Despite Erik having recently departed H.E.A.T, both guys felt the need to continue working together. The songs Jona had written for the debut New Horizon album were 'a match made in hell' for Erik’s voice. Since he is an insanely versatile singer who could give the project a more band-like feel, Jona knew he was the man for the job. Sharing Jona's passions for the genre, Erik gladly joined NEW HORIZON and delivered the vocal beast that lay inside him to bring Jona's power metal vision to life. With the recording of those two initial songs, they started brainstorming and visualizing a future together under the banner of New Horizon...and they liked what they heard and saw.

“It felt so natural to continue working together. We have toured together pretty much all over the world and released music together for a decade. Jona is truly like my brother, by blood, and New Horizon will be the catalyst for us to release great metal together and just have fun,” says Grönwall.

If you like power metal, then this is simply going to be one of the contenders for your album of the year!

LINE-UP:

Erik “Power” Grönwall - Lead Vocals

Jona Tee – Bass, Guitars, Keyboards, Backing Vocals