Indie rock/post-punk icons DAVID LONG & SHANE O'NEILL release 'Moll & Zeis' LP

"As even-handed a collaboration as they come, and rooted as much in shared experiences as a continued love (and command) of music... creative synergy that time hasn't had the nerve to erase" ~ The Irish Times

"Long and O’Neill have gone from being the voice of their generation to the voice of 3 generations... true assets to their country and the music community" ~ The Spill Magazine (Toronto)

"Best of all is the New Order/Bunnymen-esque ‘Far From Home’. In another dimension, it’s a huge hit, and its two authors finally get their deserved houses overlooking the bay with the sports cars in the drive, before O’Neill inevitably overdoes it in a Paris bathtub" ~ HotPress

"A rich and mature sound.. melodies and harmonies that soar assuredly, building on solid orchestration, resonating" ~ Big Takeover Magazine (New York)

"'Strips back New Order's 'Crystal' to portray a fragile character... more New Order at sunrise than at sunset" ~ Travellers Tunes (UK)

Irish underground music icons David Long and Shane O'Neill present 'Moll & Zeis', their debut album as a duo, along with videos for the title track and 'Earth Moves'.

The long-player includes 11 gorgeous offerings from these legacy artists. Having fronted successful 1980’s post-punk / indie rock bands Into Paradise and Blue In Heaven, respectively, together they have created some genuinely invigorating new music.

Over the past few months, the duo have built up anticipation for the release internationally by releasing two stunning EPs - 'Dreams Come' and 'Far From Home', both of which has garnered the duo excellent reviews and radio play in dozens of countries.

The 'Moll & Zeis' album was recorded remotely during the lockdown with varied themes, including It has a song based on Hermann Hesse’s book 'The Painter', one about a refugee who prefers to walk the roads alone, some existential musings on life, several instrumentals, and another about the death of an American airman in Afghanistan.

"We wanted to make an album that could and should be listened to all the way through. It was an equal collaboration, Shane and myself have known each other so long that there was never a problem editing each other if something didn't fit with the song. We had no time restrictions, or release dates to go by, so we took our time with this album and thought about every aspect of it," says David Long.

David Long was the face of 1980s band Into Paradise, who released two albums and several EP’s on legendary British independent label Setanta Records and also one major - Ensign. Their most successful album was their major record label debut, the Adrian Borland-produced 'Churchtown'.

Shane O’Neill fronted Blue In Heaven, who released several singles and demos (including one produced by U2's The Edge) before signing to Island Records in 1985. Their debut album 'All The Gods Men' was produced by Martin Hannett (Joy Division, Magazine, New Order, OMD, Happy Mondays). 1986 brought the 'Explicit Material' LP, produced by Island Records head Chris Blackwell and Eric Thorngren. Their popularity grew as they did the live circuit with U2, Echo & The Bunnymen, The Damned and New Order. The band later reformed in 1990 as The Blue Angels.

Growing up in Dublin, Long and O'Neill have known each other since they were 6 or 7, when they knocked over Shane’s TV set, fighting over which channel to watch. Their first band was a trio called amuse with David on bass and vocals, Shane on guitar, and Dave Clarke (Warren Zevon, now Hothouse Flowers) on drums. After splitting and doing their separate thing, around 1996 they recorded an album as Supernaut.

As of September 10, the 'Moll & Zeis' EP will be available across online platforms such as Spotify, Apple Music and Bandcamp, where their two recently-released EPs can also be found.
David Long and Shane O'Neill

Moll & Zeis

Country Pylon Recordings

10 September 2021

View Promo 

Irish music icons David Long & Shane O'Neill release much-anticipated 'Moll & Zeis' album

FOR FANS OF: Echo and The Bunnymen, the Go-Betweens, PIL, early New Order, The Sound, Gillian Welch, Beck, Tom Petty
FOCUS TRACKS: Dreams Come, Moll & Zeis, Far From Home, Earth Moves, For You, Moll & Zeis (Country Mix)
FCC clean
Photos by Noel Farrell and Sabrina Colley

FOR SHARING
'Moll & Zeis' LP https://davidlong4.bandcamp.com/album/moll-zeis 
'Moll & Zeis' single https://youtu.be/mhKqtu4YyCU 
'Earth Moves' https://youtu.be/emFlXb8zgAY 
'Dreams Come' https://youtu.be/FQBxiZj8Ti4 
'Far From Home' https://youtu.be/nGfnDNGS3dE 
Spotify https://open.spotify.com/artist/4KmjCseytapS6gwtWshrDE 
'Dreams Come' EP https://davidlong4.bandcamp.com/album/dreams-come-3-track-single
'Far From Home' EP https://davidlong4.bandcamp.com/album/far-from-home-3-track-single 

FOR REVIEW & AIRPLAY
Soundcloud https://soundcloud.com/shack9/sets/moll-zeis-album-playlist/s-RN0aXmEEnEN 
Online press kit
 https://shamelesspromotion.haulix.com/Public/View/94978 
Download via Dropbox https://bit.ly/2T2r8nL 

"As even-handed a collaboration as they come, and rooted as much in shared experiences as a continued love (and command) of music... creative synergy that time hasn't had the nerve to erase" ~ The Irish Times

"Long and O’Neill have gone from being the voice of their generation to the voice of 3 generations... true assets to their country and the music community" The Spill Magazine (Toronto)

"Best of all is the New Order/Bunnymen-esque ‘Far From Home’. In another dimension, it’s a huge hit, and its two authors finally get their deserved houses overlooking the bay with the sports cars in the drive, before O’Neill inevitably overdoes it in a Paris bathtub" HotPress

"A rich and mature sound.. melodies and harmonies that soar assuredly, building on solid orchestration, resonating" ~ Big Takeover Magazine (New York)

"'Strips back New Order's 'Crystal' to portray a fragile character... more New Order at sunrise than at sunset" ~ Travellers Tunes (UK)


Irish underground music icons David Long and Shane O'Neill present 'Moll & Zeis', their debut album as a duo, along with videos for the title track and 'Earth Moves'.  

The long-player includes 11 gorgeous offerings from these legacy artists. Having fronted successful 1980’s post-punk / indie rock bands Into Paradise and Blue In Heaven, respectively, together they have created some genuinely invigorating new music.

Over the past few months, the duo have built up anticipation for the release internationally by releasing two stunning EPs - 'Dreams Come' and 'Far From Home', both of which has garnered the duo excellent reviews and radio play in dozens of countries. 

The 'Moll & Zeis' album was recorded remotely during the lockdown with varied themes, including It has a song based on Hermann Hesse’s book 'The Painter', one about a refugee who prefers to walk the roads alone, some existential musings on life, several instrumentals, and another about the death of an American airman in Afghanistan.

"We wanted to make an album that could and should be listened to all the way through. It was an equal collaboration, Shane and myself have known each other so long that there was never a problem editing each other if something didn't fit with the song. We had no time restrictions, or release dates to go by, so we took our time with this album and thought about every aspect of it," says David Long.

David Long was the face of 1980s band Into Paradise, who released two albums and several EP’s on legendary British independent label Setanta Records and also one major - Ensign. Their most successful album was their major record label debut, the Adrian Borland-produced 'Churchtown'.

Shane O’Neill fronted Blue In Heaven, who released several singles and demos (including one produced by U2's The Edge) before signing to Island Records in 1985. Their debut album 'All The Gods Men' was produced by Martin Hannett (Joy Division, Magazine, New Order, OMD, Happy Mondays). 1986 brought the 'Explicit Material' LP, produced by Island Records head Chris Blackwell and Eric Thorngren. Their popularity grew as they did the live circuit with U2, Echo & The BunnymenThe Damned and New Order. The band later reformed in 1990 as The Blue Angels.

Growing up in Dublin, Long and O'Neill have known each other since they were 6 or 7, when they knocked over Shane’s TV set, fighting over which channel to watch. Their first band was a trio called amuse with David on bass and vocals, Shane on guitar, and Dave Clarke (Warren Zevon, now Hothouse Flowers) on drums. After splitting and doing their separate thing, around 1996 they recorded an album as Supernaut.

As of September 10, the 'Moll & Zeis' EP will be available across online platforms such as SpotifyApple Music and Bandcamp, where their two recently-released EPs can also be found.

CREDITS
Written, recorded, produced & performed by David Long & Shane O'Neill
Additional singing on Albert The Painter by Bee Bee
Album Cover Art by Noel Farrell
Country Pylon Recordings 2021

Keep up with David Long and Shane O'Neill
Website | Bandcamp | Facebook | Twitter | YouTube | Spotify | Apple Music

THE AGONIST to Release Brand New EP, “Days Before The World Wept”, on October 15

Pre-Order HERE via Napalm Records

Watch the Music Video for New Track “Remnants In Time” below

Canadian extreme melodic death metal juggernaut THE AGONIST took the world by storm with the release of their bludgeoning 2019 full-length, Orphans – garnering fantastic critical acclaim and even a revered Juno nomination. With that undeniable skill in tow, THE AGONIST takes another bold step in their musical and lyrical progression with Days Before The World Wept, a brand new EP out October 15, 2021 via Napalm Records!

Inspired by real life experiences, Days Before The World Wept explores a grim, conceptual tale of greed, gluttony, confusion, pain, redemption and hope enveloped in a new level of aggression and cohesive, technical prowess.

Get a taste of the band’s newest music today by watching the music video for brand new single, “Remnants In Time”! The death metal burner brings non-stop energy throughout, showcasing Psarakis’ multifaceted vocal attack as she nails searing highs, guttural lows and magical clean passages. Just like the track itself, its haunting, conceptual music video’s imagery blends emotive and eerie imagery throughout.

Frontwoman Vicky Psarakis says about “Remnants In Time” and its stunning video:

"‘Remnants in Time’ is the first chapter in this story. It marks the final moments of a person's life and the journey that begins right after.

We wanted the visuals to strongly reflect the lyrics and the concept behind them, and transforming me into a demon was key in that. I'm a huge fan of horror/sci-fi and makeup transformations, so working with a professional makeup artist and the use of prosthetics was the coolest part for me!

This song - and video - is all about extremes. Angelic and demonic, fragile and strong, delicate and aggressive. It embodies a lot of what THE AGONIST is about.”

Watch the official music video for “Remnants In Time”

Produced by Christian Donaldson (Beyond Creation, Cryptopsy, Despised Icon), Days Before The World Wept packs several albums worth of skill, songwriting prowess and melancholic lyrical mastery into just five tracks – leaving no stone unturned!

Opening track “Remnants In Time” begins ominously with ghostly piano lines performed by lead vocalist Vicky Psarakis before slamming into a double bass, one-woman choir explosion rife with needle-precision guitar work by deft guitarists Danny Marino and Pascal Jobin. The death metal burner brings non-stop energy throughout, showcasing Psarakis’ multifaceted vocal attack as she nails searing highs, guttural lows and magical clean passages in one fell swoop. The onslaught continues with the rhythmic soundscapes of cry for salvation “Immaculate Deception”, blending fast paced, aggressive verses with haunting, melodic choruses. “Resurrection” reaches into blackened territory before Psarakis splits it wide open – annihilating with her pinpointed vocal attack calling for rebirth. In addition to Psarakis, Marino and Jobin, dexterous drums from Simon McKay and the bass attack of Chris Kells lead the listener through metallic melodic passages topped with emotive poetry before breaking into the next track, “Feast On The Living”. It stands tall with rollercoaster clean and gritty vocals, rapid fire drums and blazingly precise guitar leads and solos, cementing the track as one of the most technically meticulous of the entire offering. Shifting into fifth gear, title track “Days Before The World Wept” brings it all home, beginning with a beckoning acoustic introduction before roaring in with intense blastbeats, polyrhythms and bellowing screams. THE AGONIST pulls out all the stops, showcasing their chops in all directions with breakneck instrumentation and staggeringly superb vocal approaches. Soaring through a kaleidoscope of blistering metal mastery and hopeful lyrical dramatism, the opus dominates as one of the most impressive works of the band’s catalog.

Psarakis adds about Days Before The World Wept:

“There's a lot I could say about this EP and its importance to the band, but does it matter? Obviously, this is the part where I tell you these are the best songs we've put out to date. Honestly - it's a journey. You're either gonna reach the end and want to relive it or you're not... and that's okay. Let the music speak for itself.”

Pre-Order Days Before The World Wept HERE

Days Before The World Wept will be available in the following formats:

-CD Jewelcase

-1LP Gatefold Black

-Digital Album

THE AGONIST is:

Vicky Psarakis -Vocals / Piano

Danny Marino - Guitar

Pascal Jobin - Guitar

Chris Kells - Bass

Simon McKay - Drums

OUT NOW via OX4 SOUND: THE GORSTEY LEA STREET CHOIR 'Up With the Larks'

"Diverse, talented and melodic, the Gorstey boys ensure that you’ll never experience a dull moment in this 8-track album and will likely be thankful for the experience. Thrills sonic pills and heartfelt delivery" ~ Spill Magazine

"Psychedelic delight that will bring you to a state of bliss or trigger flashbacks to brilliant musical offerings of yesteryear... Superb musical mastery, fascinating dynamics and professionalism in production" ~ Big Takeover Magazine

"Pleading, swirling Powerpop that clearly references the heroic Pop of the 80’s with a contemporary bent' ~ Fresh On The Net

"A ridiculously talented duo... sublime" ~ Egg Box Essentials

"Fantastic, creating a landscape of sonic adrenaline-powered dream-rock bliss... somewhere between Ride’s Carnival of Light, Kula Shaker and Ocean Colour Scene. Somewhere we’re happy to be taken" ~ The Record Stache

The Gorstey Lea Street Choir are Michael Clapham and Russ Phillips, two friends whose musical collaboration is rooted in a friendship that blossomed over 35 years ago. Having met in the mid-'80s, it took until 2016 for them to realize their teenage plans - discussed back when both were involved in aspiring Manchester bands - with the birth of this project.

Their music runs with the moods, widely described as dystopian, electric, hopeful, hopeless and thoughtful... The sort of sounds Henry Spencer would have played if he had a Sony Walkman. The album explores such themes as being isolation, lack of communication, escapism and Carpe Diem frustration.

Recorded at the Gorstey Shack and Magic Garden Studios in Wolverhampton with producer Gavin Monaghan (Robert Plant, Editors, Ocean Colour Scene, Scott Matthews, Squeeze, Goldblade), this album was mastered by RIDE's Mark Gardener at OX4 Sound Studio in Oxford. Tracks 5-8 were mixed by George Shilling and re-imagined by Choque Hosein of Black Star Liner.

'... from Prince's Park to Farsley - Volume I' is a tale of two towns, conceived and mainly recorded in Burntwood with 4 songs re-imagined in Farsley. 'Prince's Park'in Burntwood, Staffordshire (the Gorstey boys' hometown) is the starting point in this journey, registered in the Guinness Book of Records as the UK's smallest park. Farsley, Yorkshire is where Choque Hosein is based... you can hear his genius on 4 tracks here.

‘…from Prince’s Park to Farsley - Volume I’ is the follow up to the duo's ‘extended play one’ album, which was released in December 2020 and received support from BBC 6 Music, BBC Introducing, Amazing Radio, and a whole host of DAB and worldwide radio stations.

In 2018, Russ and Michael entered Wolverhampton's Magic Garden studios to work with old friend and producer legend Gavin Monaghan, resulting in their debut single 'The British Isles' featuring an inspired spoken-word intro from Joe Strummer. Chris Hawkins from BBC Radio 6 Music picked up on the track, kicking things off again after a 35-year hiatus.

'...from Prince's Park to Farsley - Volume I' LP is now available everywhere digitally, including Apple Music, Spotify and Bandcamp.

CREDITS
Written and arranged by Michael Clapham and Russ Phillips
Recorded at the Gorstey Shack and Magic Garden Studios with Gavin Monaghan. 'Bluebird' mixed by Gavin Monaghan
'Up With The Larks' 'One Way Ticket' and 'Chitty' mixed by George Shilling
Mastered by Mark Gardener at his OX4 Sound studio in Oxford
Tracks 5-8 remixed by Choque Hosein (Black Star Liner)
Sebastian Beresford (Leftfield/Rodriguez/Edwin Starr) - electronic percussion
Ash Sheehan (The Twang, Dead Sea Skulls, Glen Hughes) - trumpet, flugelhorn, percussion
Gary Hill - piano, additional guitar
Paul Newton - bass
Woz Szpalek - bass
Craig Glover - drums
George Shilling - cello on 'Up With The Larks'
Paul Cooper (The Great Divide) - piano on 'Up With The Larks'
Gavin Monaghan - Monatronics

Keep up with The Gorstey Lea Street Choir
Facebook | Bandcamp | Instagram | Twitter | Soundcloud | YouTube | Apple Music | Spotify | Booking | Press contact

Keep up with Mark Gardener / OX4 Sound
Website | Facebook | Bandcamp | Soundcloud | OX4Sound Twitter | Mark Gardener Twitter | Instagram | YouTube |

OUT NOW via OX4 SOUND: THE KUNDALINI GENIE 'Half In, Half Out' single

"Wholesome. So I was bound to love them... it’s all a reverie anyway, one you don’t want to wake up from" ~ More Fuzz

"Mesmerizing... hypnotically pushes with fiery guitar cycles, shadowy bass line, muffled drum thumps, and dispassionately droning vocals... The Kundalini Genie deliver solid melody, hooks and tides of effects-pedal-induced mayhem" ~ Big Takeover Magazine

"Some of the best psych rock music currently being made anywhere. The kind whose ripping tunes do a number on your head and afterwards leaves you thanking them" ~ Amplify Music Magazine

"A glowing tangent of slow tripping beats, packed into kaleidoscopic soundscapes of synths, guitars and fuzzy vocals... could be an ode to the lurching ‘stoner blues’ heyday of the 90s, like Craig Nicholls, Richard Ashcroft and John Squire in bed together with fresh sheets on" ~ Urbanista Magazine

"A psychedelic rock‘n’roll band unlike any other. Spaced out drones, druggy melodies, a hammering rhythmic section and an eccentric, high octane frontman leading the charge" ~ It's Psychedelic Baby Magazine

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Scottish psychedelic rock’n’roll outfit The Kundalini Genie has announced they will release their fifth studio album 'Half In, Half Out' by the end of 2021, following up their '11:11' album via Space Ranch Records (Europe) and Little Cloud Records (USA) in 2020. Ahead of this, they present the title track 'Half In, Half Out', a powerful offering to whet our appetites for the long-player.

The Kundalini Genie is focused around singer-songwriter Robbie Wilson (sitar, guitar, vocals) and also involves Jason Houston (guitar, vocals), Melissa Rennie(guitar, keys, vocals), Lloyd Ledingham (bass, vocals), Louis Martin (guitar, vocals) and Grant Robertson (drums).

"This song is about assholes, really. People who aren’t nice. People who think they’re better than you, or too cool for you, or higher and mightier than you, it’s also about when those people inevitably fall short of their own high opinion of themselves and make themselves look a fool, in a nutshell," says Robbie Wilson.

This album was mixed by Jason Shaw (Cambodian Space Project, Frankie Teardrop, Sonic Jesus, Aerofall) and mastered by RIDE's Mark Gardener at OX4 Sound Studio in Oxford,.

"Robbie Wilson (Kundalini Genie) is a total force and a total star in the making . He’s so driven and I loved mastering his record," says Mark Gardener.

Emerging from the nether regions of Glasgow, The Kundalini Genie has been blowing minds globally with music characterised by droning hypnotic fuzz rock, 60’s British Invasion-inspired melodies, transcendental sitar, and dreamy, spaced out soundscapes.

Their sonic journey ranges across the spectrum of their own musical influences - The Brian Jonestown Massacre, Spiritualized, The Dandy Warhols, The Warlocks, The Beatles, The 13th Floor Elevators, The Kinks, The Rolling Stones, The Black Ryder and Black Market Karma.

When not tapping into the intense space-gaze elements of Spiritualized, Black Rebel Motorcycle Club and Swervedriver, sauntering hypnotic guitars stride steadily forward as the sitar floats along, carrying the subconscious into a benevolent flow and inner journey.

With live shows involving eclectic displays of voodoo mojo and sound that ripples through the audience like a sonic tranquilizer, to date the band has performed in support of The Brian Jonestown Massacre, The Warlocks, The Underground Youth, The Myrrors, The Stevenson Ranch Davidians, Triptides, New Candysand Spindrift, in addition to participation in numerous festivals.

As of September 8, the 'Half In, Half Out' single will be available everywhere online, including Apple Music and Spotify. The full album is slated for release on November 12 digitally, on vinyl-style CD, and on aubergine-coloured 12" vinyl with reverse board artwork. It can be pre-ordered via Bandcamp.

CREDITS
Written by Robbie Wilson
Recorded by Jason Shaw and Robbie Wilson
Mixed by Jason Shaw
Mastered by Mark Gardener at OX4 Sound
Robbie Wilson (vocals, guitars, bass, drums, percussion, keys, harmonica)
Jason Houston (guitar, vocals)
Jason Shaw (guitars)
Album artwork by Cyllan Wednesday
Keep up with The Kundalini Genie
Bandcamp | Facebook | Twitter | Instagram | Soundcloud | YouTube | Apple Music | Spotify | Booking contact

TRIUMPH: ROCK & ROLL MACHINE” FEATURE DOC MAKES ITS WORLD PREMIERE AT THE TORONTO INTERNATIONAL FILM FESTIVAL FRIDAY, SEPTEMBER 10TH

“TRIUMPH: ROCK & ROLL MACHINE” FEATURE DOC MAKES ITS WORLD PREMIERE AT THE TORONTO INTERNATIONAL FILM FESTIVAL FRIDAY, SEPTEMBER 10TH

INTERNATIONAL RIGHTS HANDLED BY WAZABI FILMS

Banger Films, in association with Revolver Films, is proud to announce its latest feature, “TRIUMPH: ROCK & ROLL MACHINE,” will make its world premiere at the Toronto International Film Festival (TIFF). Directed by Banger Films’ Sam Dunn and Marc Ricciardelli, the documentary chronicles the career of the multi-gold and platinum-selling power rock band, Triumph, and is produced by Banger Films in association with Revolver Films, Bell Media’s Crave, Live Nation Productions, NBC Universal Canada, Slaight Communications Inc. and the Rogers Documentary Fund. “TRIUMPH: ROCK & ROLL MACHINE” will be released in Canada by Bell Media with international distribution rights represented by WaZabi Films.

Before Drake and The Weekend, there was a different set of Toronto musicians who rule the roost. Known simply as Triumph, this rock trio—which includes drummer/singer Gil Moore, singer/guitarist Rik Emmett, and bassist/keyboardist Mike Levine—dominated North American radio and MTV in the ‘80s with hits such as “Lay It On the Line,” “Hold On,” and “Magic Power.” Despite being one of the world’s biggest rock bands, the group split at the height of their fame and seemingly disappeared without explanation to their fans or media. Set to a mesmerizing visual backdrop of spandex, 80s hair, and explosive pyro, “TRIUMPH: ROCK & ROLL MACHINE” delivers a deeper story about fame and the human condition while chronicling the band’s reunion for what might be the very last time they play music together. (English, 97 minutes)

“The Triumph story was compelling to me, Marc, and the Banger team because it was an opportunity to piece together a broken puzzle,” says Sam Dunn. “We wanted to know how and why the band dissolved at the peak of their powers. We're thrilled to be returning to TIFF for the world premiere of this film!”

“Sam and Marc did an outstanding job documenting what it has been like to have been aboard the Triumph train for the past near-50 years,” raves Triumph bassist Mike Levine. “For fans old, new, and those to come in the future, this is all they’ll need to know about the band.”

“TRIUMPH: ROCK & ROLL MACHINE” premieres at TIFF on Friday, September 10th at 9:00p.m. ET at the RBC Lakeside Drive-In at Ontario Place, Toronto.

For more information and tickets, please visit:

https://www.tiff.net/tickets21
https://tiff.net/events/triumph-rock-amp-roll-machine
https://www.triumphmusic.com

ABOUT BANGER FILMS
Founded in 2004, Banger Films is a global leader in music and documentary storytelling. Banger has an award-winning catalogue of feature documentaries, doc series, live concerts, kids programming, and VR experiences that has featured the biggest names in music and media and been screened across all platforms worldwide.

SALES CONTACT
Festivals@wazabifilms.com

EPICA - Start Pre-Orders For Ωmega Alive + Unveil Video Of First Single "Unchain Utopia"

Start Pre-Orders For New Live Opus Ωmega Alive
+
Unveil Video Of First Single

Pre-Order Available Here:
http://nblast.de/Epica-OmegaAlive

In June this year, symphonic metal titans EPICA unleashed a monument to their music, their career, and their enduring legacy as forebears of a whole genre. The worldwide streaming event "Ωmega Alive" was the EPICA show of your wildest dreams, brought to life by 75 artists and crew members - think Marvel meeting Cirque de Soleil in a Tim Burton universe!

Tailor-made videos and graphic effects, spectacular pyro effects, rain, dancers, choirs and actors, all added to the aura of symbolism and cinematic splendor, that brought fans from over 100 countries to flock to their screens and witness a show that became the biggest concert event in the band's 19-year-long history. Now, you can finally rediscover the entire opus in various audiovisual formats, available on December 3rd, 2021.

'Unchain Utopia - Ωmega Alive -', the spectacular fireplay and first single off the new release can be watched here:
https://youtu.be/c8XdrOhEZl0
Download or stream the song here: https://bfan.link/omega-alive.ema

Coen Janssen, the mastermind behind the show's concept explains: “What we wanted to do was the ultimate EPICA show where we could fulfill every dream we ever had, where there was room for all the ideas, effects and props that are just too big to be taken on tour." Far from your usual streaming concert, the band developed a trademark feature called a "living backdrop". "We built another stage right behind our stage where lots of things were going on the whole time. And we meant that very literally," he laughs. "Every song got something extra, something unique that was fitting its world."

Directed by Jens de Vos (Panda Productions) and graced by a magical artwork by Heilemania, the DVD, BluRay, CD, and vinyl contain 15 EPICA classics, fan-favorites, as well as first-ever live performances from tracks off the band's latest chef-d'oeuvre Ωmega, such as "The Skeleton Key" or the insanely monumental "Kingdom of Heaven Part 3".

The pre-orders have started today and you can get the version of your choice (see list below) via this link:
http://nblast.de/Epica-OmegaAlive

Ωmega Alive formats:

  • BluRay+DVD

  • 2 CD digipak

  • Boxset

    • CD-version of the Earbook

    • 5x 10'' Picture vinyl (Zoetrope vinyl)

  • Earbook

    • DVD+BluRay

    • 3LP (Light Green Vinyl)

  • Earbook

    • DVD+BluRay

    • 2CD

  • Vinyl

    • 3LP in trifold incl 2 lyric sheets:

    • Black in trifold

    • Sun yellow in trifold (NB mailorder and wholesale exclusive)

    • Clear + Green and Black Splatter (NB Mailorder exclusive)

    • Glow in the Dark (Band store exclusive)

    • Clear + White marbled in trifold (EMP exclusive)

    • White with sun yellow + black in trifold (Netherlands + Belgium exclusive)

  • 2 CD/BluRay - USA exclusive

  • 2 CD/DVD - Mexico and Brazil exclusive


Since forming in 2002, the band has amassed an incredible amount of success, their current album Ωmega entered the album Top 10 in Germany, Holland, Belgium, and Switzerland. EPICA has toured the globe, performing at venerable festivals including Wacken, Hellfest, Heaven & Hell Festival, Heavy MTL, and Download, while also staging shows in countries where many metal bands have not played including South Korea, South Africa, and Venezuela.

EPICA is:
Simone Simons | vocals
Isaac Delahaye | guitars
Mark Jansen | guitars, grunts, screams
Coen Janssen | synths, piano
Ariën van Weesenbeek | drums
Rob van der Loo | bass

Order your copy of Ωmega Alive in the format of your choice, here: http://nblast.de/Epica-OmegaAlive

ARTIFAS Sign Endorsement Deal with MONSTER PRO AUDIO PRODUCTS

ARTIFAS have signed an endorsement deal with Vanco International, LLC the exclusive global licensee of MONSTER PRO AUDIO PRODUCTS.

"Since we began our journey in the music world, Monster Products has been a leader in the world of instrument/audio cables. Now we’re excited to announce that we’re beginning a new relationship with them as an official Brand Ambassador!!! We’re super grateful for this opportunity and can’t wait to represent the Monster Audio name with pride" says the band.

Monster Products, a 40-year-old brand that is a global leader in manufacturing of high-performance guitar, instrument, speaker cables and more. Monster Cable is an indispensable component for music lovers, audiophiles, recording studios, sound professionals, and musicians. Monster's pro audio cables increase the clarity, dynamics and power of the audio signals so that the artists deliver the best sound possible.

“Vanco is excited to keep the Monster tradition alive by partnering with bands and musicians to showcase the quality of our industry leading Monster Pro Audio products. Monster has a long tradition of supporting artists over its 40 years of business, and as its exclusive global license partner for Pro Audio Products, we are thrilled to continue the tradition by signing Artifas on as an official Monster Brand Ambassador.” says Mike Manske, SVP of Global Sales at Vanco International, LLC.

American Hard Rock band Artifas was formed in 2011 in Jackson, TN by lead guitarist Cody Criswell and lead vocalist Scottie Somerville. In the months following, the two founders of the group would immediately recruit an assortment of hometown musicians and begin looking to record their debut EP. After having a long and ugly encounter that resulted in the theft of all the bands funds and receiving no album in return, the original incarnation of the group would spend 2012-2013 doing several independent tours and writing music. After debuting with their EP Enemy Inside in 2013 and doing numerous regional/national tours in support of it, the band replaced former members with guitarist Mikey Miller, bassist Anthony Mattox, and drummer Jared Wainscott.

With almost two years of touring with the new lineup under their belts, Artifas inked themselves a record deal and hit the studio to make their first full length album. The 2015 release of the title track, “Inhuman,” would bring the band some commercial success, reaching # 32 on Billboard’s Active Rock chart and sending the band on the road in support of their new album. The band landed tours with established artists like Theory of a DeadmanShamans HarvestPop EvilSaint AsoniaAranda, and others. The follow up single from that record, “Blood 4 Blood”, would later get picked up by the World Series of Fighting and subsequently land a feature in the UFC movie “Fight Valley”. The band parted ways with their record label in 2016, and remained on tour throughout the US for most of the following year, also traveling internationally for the first time with the likes of Papa RoachHoobastankP.O.D.Trapt, and Sick Puppies to play for our American Troops.

Multiple tour cycles later, Artifas found themselves back in the studio making new music. The band worked with multiple writers and producers throughout the entirety of 2018, but would ultimately only find themselves frustrated with the recordings that resulted. After a soul search within the group, Artifas elected to embrace their own vision and write/produce their next album independently, free from the creative overreach of outside influence.

After two years of writing, recording, and mixing, Artifas has completed the new album, and plans to unleash it upon the world. With catchy guitar riffs, dizzying drums, and soaring melodies, Reflections will send you on an emotional journey, exploring the band’s semi-prog, radio rock sound while diving deeper into the human complex with lyrics centered around self awareness and the bands own struggles with mental health. The goal for the creation of this album was to make a record that met the band’s expectations and you can rest assured they held nothing back. Mixed and Mastered by Forrester Savell (Twelve Foot Ninja, Karnivool, Dead Letter Circus)Reflections promises to wow you with musical prowess, all the while delivering Artifas’ important message on unity, inspiration, and the sempiternal battle between dark and light.

For More Information Please Visit:

Official Website

Facebook

Instagram

Twitter

YouTube

TikTok

Bands in Town

Artifas Music:

Spotify

Apple Music

Amazon

YouTube Music

Monster/ Vanco International:

Monster

Vanco International

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ROB ZOMBIE Announces THE LUNAR INJECTION KOOL AID ECLIPSE CONSPIRACY Limited Edition 8-Track + Releases New Music

Today, ROB ZOMBIE announces a limited edition 8-track for THE LUNAR INJECTION KOOL AID ECLIPSE CONSPIRACY. The exclusive package is limited to 25 Red and 25 Charcoal, includes a patch, 3 button set and is signed by ROB ZOMBIE. Each bundle includes THE LUNAR INJECTION KOOL AID ECLIPSE CONSPIRACY on CD as well. Order at https://robzombie.com/lunar-injection.

In addition to the 8-track release, ZOMBIE has revealed a new music video for "Shadow Of The Cemetery Man" which can be viewed below.

The Lunar Injection Kool Aid Eclipse Conspiracy is ROB ZOMBIE’s first No. 1 on Billboard’s Top Album Sales chart. The multiplatinum singer and filmmaker’s first album with Nuclear Blast cracked the top 10 in several countries, including Germany, Canada, Scotland, and Australia. In the United States, it’s Rob Zombie’s seventh consecutive Top 10 album since his first solo outing in 1998.

Listen to The Lunar Injection Kool Aid Eclipse Conspiracy here: https://bfan.link/lunar-injection
Order THE LUNAR INJECTION KOOL AID ECLIPSE CONSPIRACY here!

ROB ZOMBIE Live:

09/10/2021 Blue Ridge Rock Festival - Danville, VA
09/12/2021 Inkcarceration Music & Tattoo Festival - Mansfield, OH
09/17/2021 TCU Amphitheater at White River State Park - Indianapolis , IN
09/18/2021 Riff Fest - Clarkston, MI
11/12/2021 Welcome To Rockville Festival 2021 - Daytona Beach, FL
02/16/2022. VORAGOS: Destination Lunasea Beach - Belize

DEVIANT PROCESS Premieres New Song via No Clean Singing

Canadian tech death rising stars DEVIANT PROCESS will be releasing their sophomore full-length, 'Nurture,' on October 15, 2021! The band has partnered up with No Clean Singing for the premiere of their third new single, Homo Homini Deus!"

“‘Homo Homini Deus!’ Probably one of the craziest pieces from 'Nurture,' it’s got hooks and headaches for days! Pre-orders for 'Nurture' are still open for all physical formats and merch items on the SOM store or our own Bandcamp for Canadian residents! Thanks for the support and have a good listening!”

Pre-orders are now live HERE.

Too often in metal, limits and boundaries are pushed at the expense of taste. Bands and fans alike can be found showering bursts of attention onto the latest hotshots redlining along at the fastest BPMs, at whose got the most unintelligibly guttural vocals, at who can generate the most indistinguishably chaotic guitar tone and/or how picture-perfect and sanitized rhythm sections can deliver their click-tracked wares. More often than not, all this comes at the expense of clarity, soul, groove and, most importantly, good songs. For Québec City’s Deviant Process, this sort of thing has been happening too much and for too long. And while the progressive tech-death quartet are tuned in to their surroundings, the band have made a conscious decision to drop out, but not before turning on those obsessed with the likes of classic Death, Cynic and Pestilence as well as contemporaries Obscura, Beyond Creation and Fractal Universe with Nurture, their second full-length and first for Season of Mist.

“We aren’t the kind of band where it’s ‘showing off first, music second,’” exclaims guitarist/vocalist Jean-Daniel Villeneuve. “We want to have great compositions with solid ideas and structures. We want the listener to be able to sing the song, to be able to remember every passage and every riff, not just thinking, ‘Oh my god, I’m surrounded by 11,000 notes a second.’ We didn’t want to check tech-death boxes about what BPM we needed to have blast beats at, using the same amps this big band used or how much shredding we needed to include. We don’t want to be a band that’s only about achievements in technical ability. We want great music and that’s been our goal since the beginning.”

“The container is more important than the contents,” guitarist Stéphane Simard sums up. “We take time to have really good structures first before adding all the harmonies, melodies and musicianship stuff.”

Deviant Process’ history goes back to 2008 with Villeneuve kicking out the one-man symphonic black metal jams under the guise of Psychic Pain. A self-produced demo caught the attention of fellow axe-swinger and musical soul mate, Simard, who together with bassist Pierre-Luc Beaulieu and drummer Olivier Genest, completed the band’s original lineup. In 2011, the foursome recorded two-track debut EP Narcissistic Rage after a common bond led to a shift in musical direction.

"Psychic Pain was a solo project,” remembers Villeneuve, “and when Steph and I came together, more brutal and technical death metal was the common ground between the two of us. So, we decided to go that way because that’s more how we thought about music together and it fit better.”

Following the release of Narcissistic Rage, Deviant Process honed their chops on local stages, opening for the likes of Cryptopsy and Revocation, and in rehearsal rooms, delving deeper into the ways and means of expanding technical death metal beyond jaw-dropping tempos and flashy fretboard finger gymnastics. Replacing Genest with drummer Antoine Baril (who produced and engineered Narcissistic Rage) introduced broader rhythmic elements to the new material, everything from rock-solid four-on-the-floor heavy metal pounding to side-winding jazz and hi-brow classical percussion. In the summer of 2013, the band entered Baril’s Hemisphere Studio with the help of Chris Donaldson (Cryptopsy, Beneath the Massacre, Ingested, Ophidian I) to capture what would become debut album, Paroxysm. To say their first full-length endeavor was a challenge is an understatement. During what ended up being a three-year operation, François Fortin took over both production and drumming duties, production work shifted studio locations from Hemisphere to La Boîte Noire, and the insanely busy Baril (who also plays in Augury, From Dying Suns and Contemplator and owns the studio in which Paroxysm was recorded) made the decision to leave the band during the mixing process. By the production had been completed, bassist/lyricist Philippe Cimon replaced Beaulieu.

Deviant Process may have been bruised and battered by the end of the process, but they emerged stronger, more intent and focused, with a new lease on life, a solid lineup (drummer Francois C. Fortin replaced Michel Bélanger, who had stepped up after Baril left) and Paroxysm which was initially released by recently shuttered Canadian label, PRC Music. Paroxysm was supported by slots opening for the likes of Archspire, First Fragment, Beyond Creation and Gorod. But it was a mini-tour in the band’s home province opening for Gorguts and Dysrhythmia in 2017 that brought them to the attention of Season of Mist. The band and label felt each other out, went into negotiations and finalized a deal in 2018.

“We were a really small band with an album released on a really small label when [SoM label boss] Michael [Berberian] approached us…” begins Simard.

“…He said that some people in the US office told him about the band and the album,” finishes Villeneuve. “He liked it, made a proposal for the next album and then sent a contract. I still don’t know who told him about us, but that’s the story, as dull as it is!”

This brings us to the present and forthcoming second album, Nurture. Its seven songs (and one cover, of Obliveon’s “Cybervoid”) are an expansive marvel of not just technical death metal maturity, but the seamless inclusion of foreign elements like the tribal fusion middle-eight in “In Worship, In Blood,” the almost free-jazz chaos that introduces and drives “Emergence,” the Latin-folk-meets-British-prog acoustic flourishes in “Syrtis Magna” and tinges of ‘90s Rush weaved into the complex firestorm of “Asynchronous.” It’s a record that the guitar-slinging duo said they officially started working on in the autumn of 2017, so as to take advantage of the opportunity afforded to them by their new label, but one in which the material harkens back to 2008 as the band has been unafraid to dip into its extensive riff bank for the meticulously perfect idea that’ll connect this and that, old with new, brutal and delicate, and balls out with brains out.

“We know when it’s too much and are always thinking about what’s best for the song,” Villeneuve explains. “Some people might want to hear a million notes in a song, but sometimes all you need is a riff with two power chords that will stick in your head. But, we’ve also been known to spend a complete week working on a three-second transition…”

“…Or throwing out a couple minutes of music we’ve worked on because it doesn’t fit with the parts before or after it,” says Simard.

Nurture bobs and weaves like the sonic manifestation of a worryingly tall and fantastically ripped mathematics/quantum physics double-major who spends nights crunching noses and ear cartilage after spending days crunching numbers and calculating the size of the universe. Tidal layers of barbarous guitars engage in a baroque convergence/divergence dance and are bounced off prominent, fusion-inspired bass playing. The drumming stops and spins on a dime from ambient sparseness to clogging every artery of space while Villeneuve unleashes an insanely unholy barrage of black metal screams, death metal growls and full-throated, muscular bellowing, everything being put on display throughout dizzying album centerpiece “The Blessings of Annihilation Infinite.”

“On Nurture, we took a different direction during the writing,” the vocalist says, “to make it more articulate and instrumental. Death metal wasn’t our only guideline for writing music or even what we enjoy; we like jazz, old prog from the ‘70s, classical and we want to play the well-crafted music that we want to hear.”

Thematically, Nurture uses veiled lyrical references and far-reaching metaphors in the exploration of human experience commonalities. What’s being referenced may not be blatantly or entirely revealed, but spend enough time parsing and decoding Philippe Cimon’s lyrics and it’s clear that even if the dude is living in a perpetual game of 3-D chess, he empathizes with what we’re all dealing with and understands where we’re all coming from and where we’re all going.

Says the bassist: “There isn’t a central theme for the lyrics on Nurture. The songs were written over a certain period of time and different themes are explored. A common aspect to every song is the use of esoteric or mythological references to express a relation to a certain theme, be it substance abuse, trauma and its consequences, faith, solitude, or man’s lust for power. However, the themes are sometimes brought up in a way that is very unclear and lets the reader make up his own explanation of the text.”

“There’s no gory stuff or anything typically death metal in our lyrics,” adds Villeneuve. “Our goal is to have the listener be able to associate a lyrical idea to a song. We want the listener to create their own feeling and meaning for the songs. It’s an album where people can really feel the vibe throughout the whole thing, not just from listening to one song. There’s an energy you can feel from our effort and there’s a flow that goes from beginning to the end, a journey that’s speaking in the music.”

With Season of Mist having their backs, Deviant Process has quickly been thrust into an unfamiliar world of having to select and settle on variant vinyl colors, conjure up multiple t-shirt designs, tend to contractual and legal matters, PR responsibilities, out-of-province and international communication and all that fun behind-the-scenes business stuff. The band is still adjusting to industry demands and encountering stressful situations they hadn’t thought of, assumed they’d ever have to consider or even know existed. Ironically, what’s brought them to this point is their own boundless and borderless take on extreme metal. They may be “a small band that wants to be not small,” and Nurture has helped them get their collective foot in the door to a world populated by the stable of bands they blasted while growing up and still blast today when time away from rewriting the rules of technical death metal permit.

“All of my favorite bands since I was young seemed to be signed to Season of Mist,” laughs Simard, “so we are very appreciative of having the opportunity to be on the same label as our idols. We’re still getting used to what we have to do when we’re not playing our instruments…”

 “…But we want to go against the grain,” says Villeneuve, again finishing his counterpart’s thought. “We don’t want to just fit in the tech-death box; we want to include anything that opens more possibilities, even if we’re just boring people from a small city in Québec that like and want to play really good music!”
 
www.deviantprocess.com
www.facebook.com/DEVIANTPROCESS
www.deviantprocess.bandcamp.com
www.youtube.com/DeviantprocessOfficial
 
Lineup:
Jean-Daniel Villeneuve: guitars, vocals
Stéphane Simard: guitars, backing vocals
Philippe Cimon: bass
Michel Bélanger: drums

Recording Studio: La Boite Noire, David Lizotte (vocals recordings only)
Mixing, mastering, production, and sound engineer: François C. Fortin
 
Cover art: Sien-Sébastien

Bio: Kevin Stewart-Panko
 
Pre-sales: https://redirect.season-of-mist.com/DeviantNurture

Album formats:
CD Digipak
12" Gatefold vinyl (black)
Digital

ANDREW W.K. Unveils Soaring New Single, "Stay True To Your Heart"

New Album, God Is Partying, out this Friday, September 10 via Napalm Records

Pre-Order HERE

Performing on Select Festival Dates this Autumn

2021 Headline Dates Rescheduled

One of the 51 Most Anticipated Albums of Summer 2021

-Pitchfork-

Named One of September 2021's "25 Albums We Can't Wait to Hear"

-A.V. Club-

One of 20 Bands We’re Most Excited to See Live in 2021

-Revolver Magazine-

The wait is nearly over! Napalm Records and ANDREW W.K. will release the Party God’s fifth full-length studio rock album, God Is Partying, this Friday, September 10, 2021! The long-awaited nine track opus of maximalist grandeur drops nearly 20 years after the release of his chart-topping full-length debut, I Get Wet.

Gifting fans with one last taste of the new album before it drops this Friday, ANDREW W.K. has revealed a follow up to recent new singles "Babalon”, “I’m In Heaven” and "Everybody Sins", entitled "Stay True To Your Heart". The track's mechanical heartbeat builds towards a butterfly drum fill, bursting into an utterly soaring chorus, as the Party God conveys one of God Is Partying’s most addictive hooks. “Stay True To Your Heart” is a standout offering, evoking the uniquely delirious euphoria that ANDREW W.K. delivers so well.

ANDREW W.K. says about "Stay True To Your Heart”:

“What is the most brutal form of positivity? I want to get in there. Being and staying. Being true to yourself isn’t the same as staying true to your heart. They told me all about this when I started forming. Approving the disapproval of others. Happiness. Seriousness. Zones of care - yourself, your family of supervisors, your city of strangers, your bathroom, your basement, your street. What does it mean for me to be not-human? What does it mean for a not-human to possess my party mindset? It's not appropriate for me to analyze this song in that way. The song is meant to analyze me. And the listener is meant to party.”

Listen to “Stay True To Your Heart”

Hovering in the fluorescent spotlight of his legendary party power, God Is Partying sees ANDREW W.K. ransack the corners of the human psyche, reaching a triumphant apex in his catalog. Emotive yet steadfast, ominous yet invigorating, God Is Partying embraces both the break-ups and break-downs of life, and ANDREW W.K. once again provides his audience with the perfect soundtrack to celebrate life in all its perplexing and euphoric intensity. Showcasing his indisputable musicality, God Is Partying features ANDREW W.K. performing all of the album’s instruments, in addition to co-producing the album with his long-time recording partner, Grammy Award-winning engineer, Ted Young.

Pre-Order God Is Partying HERE

Channeling the manic euphoria that has compelled ANDREW W.K.’s auditory insignia for decades, God Is Partying is soaked with a flood of epic energy – often traversing seemingly impenetrable lyrical themes while remaining refreshingly relatable, inspiring, and vital for survival. From sinister metallic bastions like the buzzing single “Babalon”, to the timeless story telling of “Remember Your Oath”, the album will have fans embracing their own party power and reveling in the depths of musical euphoria. God Is Partying opens triumphantly with ANDREW W.K.’s hyper-melodic keyboard stylings introducing the menacing and magical music of “Everybody Sins”, perfectly setting the scene for the dramatic immensity to follow. Tracks like the poetic, “No One To Know”, and the soaring tension of “Stay True To Your Heart”, transport the listener to the precipice of a paradoxically infinite sonic horizon – rising into synthesizer-infused epics of mega-jumbo rock music, each track showcasing another example of ANDREW W.K.’s expanding abilities as a vocalist and songwriter. Only halfway through the album is the listener driven directly into fiery depths with the massive track, “I’m In Heaven”, before ascending back up and into the sonic stratosphere with the tracks “My Tower” and the album’s gargantuan closer, “And Then We Blew Apart”. God Is Partying is a true ode to the quiddity of ANDREW W.K..​

God Is Partying will be available in North America in the following formats:

-1CD Jewelcase

-1LP Gatefold White + Poster

-1LP Gatefold Turquoise Transparent + Poster

-1LP Gatefold Marbled Transparent / Dark Green + Poster (Napalm Worldwide Mailorder only – limited to 800)

-1LP Gatefold Marbled Red Transparent / Black + Poster (ANDREW W.K. store only)

-Digital Album

1LP Gatefold Marbled Transparent / Dark Green + Poster

(Napalm Worldwide Mailorder only – limited to 800)

ANDREW W.K. recently announced the postponement of his 2021 headline dates to 2022, but will still perform at select festival dates this fall, and on the Coheed and Cambria S.S. Neverender Cruise. See below for all confirmed dates and visit https://andrewwk.com/tour for more information.

ANDREW W.K. 2021 US Tour Dates:

** = festival date

9/18 - Chicago, IL @ Riot Fest **

9/26 - Birmingham, AL - Furnace Fest **

10/25-10/29 - Coheed and Cambria S.S. Neverender Cruise

ANDREW W.K. 2022 US Tour Dates:

9/8 - Los Angeles, CA - Teragram Ballroom

9/9 - Los Angeles, CA - Teragram Ballroom - SOLD OUT

9/10 - San Francisco, CA - Bimbo's 365

9/12 - Seattle, WA - Neumos

9/13 - Portland, OR - Revolution Hall

9/16 - Minneapolis, MN @ Amsterdam Bar and Hall

9/18 - Pittsburgh, PA - Spirit Hall - SOLD OUT

9/20 - Washington, DC - 9:30 Club

9/21 - Boston, MA - Paradise Rock Club

9/22 - New York, NY - Bowery Ballroom - SOLD OUT

9/23 - Philadelphia, PA - Theatre Of Living Arts

Sponge Vocalist, Fear Factory Drummer, And Grammy-Award Winning Bassist David Ellefson Join Forces In The Lucid

Vocalist Vinnie Dombroski, guitarist Drew Fortier, bassist David Ellefson and drummer Mike Heller announce brand new self-titled debut album THE LUCID.

THE LUCID's self-titled debut album features nine heavy-hitting and emotionally charged tracks showcasing the eclectic quartet's unique sonic approach.

The group has just released "Maggot Wind", the first single from their upcoming album due out October 15 via SpoilerHead Records.

Listen to the single “Maggot Wind” below.

Pre-order the full length album here: http://lucidofficial.com/

The album was produced by Mike Heller and mixed/mastered by Lasse Lammert.

Bassist David Ellefson states, "It's been a real blast making a record with these guys and I must say that it’s refreshing to explore some new musical avenues….to step out a bit from what each of us have done stylistically in our own careers. There was an effortless synergy that came with creating these songs together which is always amazing when working with new people. I’m looking forward to everyone checking it out!”

Ellefson and Fortier have announced the pre-order for their award winning found footage horror film Dwellers which will be released October 12 on Blu-Ray and Digital streaming services and is available now in various limited edition pre-order bundles at www.dwellersfilm.com.

Ellefson and Fortier will also be appearing at the following events:

Crypticon, Minneapolis, MN - Sept. 10-12 
Dead Conventions, Fort Wayne, IN - Oct 15-17 
Chiller Theater, Parsippany, NJ - Oct 29-31

Vinnie Dombroski is on the heels of the latest Sponge record, Lavatorium and Mike Heller can be heard on the new Fear Factory album Aggression Continuumand most recent Raven album, Metal City.

The Lucid Online:

Instagram

Facebook

Twitter

The Lucid Contact Info:

For booking: Alex Gilbert (TKO) - alexgilbert@tkoco.com

Press: Shauna O'Donnell - sobandpromos@gmail.com

Radio: Jody Best- Bestbetpromo@yahoo.com

General inquiries - maggotwind@gmail.com

Swedish Death Rock Trio THE VICE Premiere New Video Clip For "A Barren State"!

Filthy and powerful yet musical and full of grooves - With their 2020 unleashed album, entitled White Teeth Rebellion (Noble Demon), Swedish death metal band THE VICE have released a hell-ish angst affair between the light and dark. Being well aware of how to invade the darker side of your soul, the band's sophomore opus turned out to be a gloomy, meanasfuck rock and metal album, truly with the band members hearts on its sleeves.

In support of their latest full-length record, THE VICE just shared a brand new music video for the album opening track. Watch the clip for "A Barren State" here:

"'The tremors spread throughout the plains..'

'A Barren State' kickstarts our latest album 'White Teeth Rebellion' in a roaring fashion. A full frontal rockandfuckingroll assault clad in a sinister metal gown. Heads down, horns up and let the second act commence" the band states.

White Teeth Rebellion was released on August 7th 2020 on Noble Demon.

The album is available HERE

THE VICE are:

Rickard - Vocals & Guitars

Charlie - Bass

Petter - Drums

Find THE VICE online:

Facebook

Instagram

BandCamp

Find NOBLE DEMON online:

Official Website

Facebook

BandCamp

Twitter

YouTube

TikTok

Spotify

UFO Announces Farewell Shows!

mail-140.jpeg

Public Rehearsal and Private Open-Air Concert in Hannover, Germany in June 2022

Grand Tour Finale in Athens in October 2022

Following a number of tours around the globe and countless spectacular shows, British rock legend UFO will embark on its final tour featuring a series of exclusive concerts in summer 2022 to bid farewell to its fans in style. At the grand finale of a unprecedented success story, which began in 1969 and has spanned more than five decades, the band has announced a number of real highlights: The first one is scheduled to take place on Monday, 20th June 2022 at the Beatbox in Hannover (www.beatbox-hannover.de), where UFO are planning a public rehearsal, with a strictly limited number of only 80 tickets available.

One day later, on Tuesday, 21st June 2022, the band will perform a private open-air concert in front of an audience of 300, presenting the full set-list of the subsequent tour, and coming into exceptionally close contact with their fans. Tickets for both concerts will be available exclusively from Eventim from 1 October 2021.

UFO will then play the very last concert of their long career on 29th October 2022 in Athens, Greece, where the band performed its first show featuring current guitarist Vinnie Moore in February 2004.

Singer and band founder Phil Mogg is anticipating this very special farewell show with mixed feelings, while also very much looking forward to UFO once again meeting their extensive fan base between summer and autumn 2022. Says Mogg: “After so many years with countless highlights, fantastic experiences and lots of beautiful memories – as well as some difficult moments, naturally – it’ll be a worthy finale to say goodbye to your fans in person. I know that there are bound to be some very emotional moments on both sides.”

UFO Live:

Part 1

20.06. DE-Hannover - Beatbox (indoors)

21.06. DE-Hannover - Beatbox (outdoors)

23.06. FR-Clisson - Hellfest

01.07. ES-Barcelona - Rockfest

03.07. DE-Munich - Backstage

05.07. DE-Memmingen - Kaminwerk

07.07. DE-Bremen - Modernes

08.07. DE-Berlin - Hole 44

09.07. DE-Torgau - Kulturbastion Open Air

11.07. DE-Tübingen - Sudhaus

12.07. DE-Bochum - Zeche

13.07. DE-Cologne - Kantine

15.07. DE-Frankfurt - Batschkapp

16.07. DE-Enderndorf - Lieder am See

Part 2

15.10. BE-Sint Niklaas - De Casino16.10. NL-Tilburg - 013

17.10. DE-Braunschweig - Westand

18.10. DE-Hamburg - Fabrik

20.10. CZ-Prague - Palac Akropolis

21.10. DE-Dresden - Tante Ju

22.10. DE-Erfurt - HsD

24.10. DE-Augsburg - Spectrum

25.10. DE-Speyer - Halle 101

26.10. DE-Nürnberg - Hirsch

28.10. GR-Thessaloniki - Principal Club

29.10. GR-Athens - Fuzz Club

Glassing Release New Single “Burden”

Announce New Album “Twin Dream” Out November 5th via Brutal Panda

Brutal Panda Records have announced a November 5th release date of Twin Dream, the third full-length offering from Austin, TX multidimensional trio GLASSING. The album is a sonic mirror of our era and nothing short of immense, ranging from grim to hopeful to destructive to cathartic, oftentimes all within a single song. Throughout Twin Dream, GLASSING channel multifarious energies that delve deep into the Underland while simultaneously exploring the celestial.

Today the band have released the lead single from the album “Burden,” with RevolverMagazine. Stream the new song alongside the previously released title track HERE: https://smarturl.it/GlassingTwinDreamLP ;

Of the song and album, vocalist/bassist Dustin Coffman says, “This song began when Cory sent Jason and myself a collection of riffs and song ideas during quarantine to work with for when we got back into the studio after finishing up with “Spotted Horse”. Some of them were left as rough ideas but the opening riff of this song in particular stuck out to us as being staggeringly cool in its simplicity. Around this time I was going through some personal changes with people very close to me and the lyrics of this song began strictly as an artistic outlet during a rough period. It was only later, when the poems became lyrics, did I realize my words were all one big projection of my own insecurities at the time. The product of emotional dishonesty, the line “Is your heart not in this” was a message to myself and another hopeless way of making amends. This is the reason I chose to speak the words rather than scream them at the very end of the song, they needed to be crystal clear so the message to myself could be heard.”

Twin Dream is available for pre-order HERE:

Twin Dream was recorded with Andrew Hernandez (This Will Destroy You, Balmorhea, The Sword, Mammoth Grinder) in a remote Texas studio replete with crumbling infrastructure and the ghosts of country troubadours echoing amongst the walls. Elements of post-hardcore, black metal, noise rock, ambient, shoegaze, and doom swirl together to create a rich palette of mood and textures across 11 tracks that ruminate on splintered realities, altered consciousness, and esoteric philosophy. While the world burned on the outside, the music took on an entirely new meaning and those that survived the nightmare were left with a newfound sense of hope amongst the bleak reality. Twin Dream is the archetypal soundtrack to these end of times.

More About Glassing

ATX based Glassing, is a three piece genre blending amalgamation of heavy music saturated sonorously in dejection. Notable elements of Post Rock, Shoegaze, Doom, and American Black Metal, Glassing have been making music that walks the line between all 4 genres seemingly all at once. Fronted by Cory Brim on guitars, Dustin Coffman on bass and vocals, and Jason Camacho on drums, each individual has a mastery of control over each genre, brandishing an outward love and appreciation for all of them simultaneously. This type of coalescence has prompted an estrangement towards traditional fans of metal excluding them from the genre for some almost entirely. Flaunting an unapologetic stance towards moving their style forward in any way they can, Glassing simply creates what they wish to hear for themselves. Using each division as a medium of creativity with no restrictions to genre traditionalism or gatekeeping. Since their conception in 2015 they have come out with one self-titled EP, the two LP's "Light And Death" and "Spotted Horse" and are anticipating the release of their third full length record aptly named "Twin Dream". Since the recording of “Twin Dream”, the band has brought synth and midi noise master Shaun Ringsmuth of Street Sects on board for live show performances and future compositions.

Glassing Tour Dates:

Nov 13th Austin, TX Hotel Vegas (Record Release Show)

Glassing Is:

Cory Brim - Guitars

Dustin Coffman - Bass / Vocals

Jason Camacho - Drums

Shaun Ringsmuth - Synths / Noise

COYOTE MAN Releases Brutal Single & Psychedelic Visualizer for Instrumental "Reaches of the Universe" off of New EP, 'Relics;' FF

Chicago based, Progressive Instrumental Rock band COYOTE MAN has released a psychedelic inspired visualizer for their new single, "Reaches of the Universe." Created by Chuck Clybourne from Sacred Ape Designs utilizing the EP cover art by Craig Horky, "Reaches of the Universe" is the trio's savage, guitar driven first track off of their newly released EP, Relics,

"'Reaches of the Universe'' is our heaviest track to date. We jammed parts of it just for fun but never really sat down and incorporated them into songs. During COVID last year, we had an opportunity to dissect whatever riffs and drum fills we had and decided to go back to our roots with heavier tones." - COYOTE MAN

Click to Stream 'Relics' on Spotify

OPERA DIABOLICUS Reveals New Album Details, Shares First Single

Swedish horror outfit OPERA DIABOLICUS will be releasing a brand new full-length, 'Death on a Pale Horse,' on November 26, 2021 via Season of Mist! The cover art, tracklist, and other details can be found below. The band is now sharing the epic first single, 'Darkest Doom on the Brightest of Days,' along with a music video! The song and accompanying clip can be found below.

OPERA DIABOLICUS comments: "Finally, the cat is out of the bag and we’re ready to unleash the first song of the upcoming album. The song itself, entitled ´Darkest Doom on the Brightest of Days,' gives a good hint of things to come and displays excellent performances from both Mats Levén (Skyblood, Krux, Ex-Candlemass, Ex-Therion etc.) and Snowy Shaw (Notre Dame, Ex-King Diamond, Ex-Mercyful Fate etc) as well as the outstanding job by Mixmaster Jens Bogren (Fascination Street Studios). Accompanied with a fantastic lyric video that really catches the mystique of the song we believe this will entice disciples of epic horror metal in the vein of King Diamond, Mercyful Fate and Candlemass. So, if you’re one of those disciples, please enjoy and mark the date of the forthcoming release in your calendar."

'Darkest Doom on the Brightest of Days' is now available to pre-order HERE.

https://redirect.season-of-mist.com/OperaDiabolicus

Listen everybody, bring out OPERA DIABOLICUS! The Swedish combo have created the perfect horror musical with a little help from their friends Mats Levén (Candlemass, Therion, Skyblood), Snowy Shaw (King Diamond, Mercyful Fate, Therion, Notre Dame), Andy La Rocque (King Diamond) and Michael Denner (King Diamond, Mercyful Fate)! With ‘Death on a Pale Horse’, the Swedes bring you an epic tale of witchcraft, the black death and revenge!


Established by the two antagonists David Grimore and Adrian de Crow in Gothenburg in the mid-2000s, Swedish horror entity OPERA DIABOLICUSseeks to scourge the earth with their music, mischief, and schemes!

Through burning hatred and mutual dislike to one another and with one prior album released under their belt (entitled †1614, released 2012), they’ve now conjured their sophomore offspring with music that could be described as epic horror metal, and thus would greatly appeal to fans of acts like KING DIAMOND, CANDLEMASS, MERCYFUL FATE and so forth.

With a little help from their friends, whom brilliantly have assisted with their tools of their trade, plus the eminent Jens Bogren’s (OPETH, SEPULTURA, ROTTING CHRIST, DIMMU BORGIR) mixing and mastering skill, the result speaks for itself.

www.facebook.com/Opera.Diabolicus
www.operadiabolicus.com

Recording:
Recorded at various institutions/studios during the years of the plague 2019-2020.
Producer: David Grimoire.
Mix & Master: Jens Bogren at Fascination Street Studios, Örebro (SE).

Recording line-up:
Mats Levén: Lead Vocals all tracks except track 6.
Snowy Shaw: Drums and vocals. Lead vocals track 6.
Angelina DelCarmen: Vocals tracks 4, 6, 7, 8 and 9.
Madeleine Liljestam: Vocals tracks 3 and 5.
Andy La Rocque: Lead guitar track 3.
Michael Denner: Lead guitar track 3.
Rich Whelan: Voiceover track 1.
David Grimoire: Rhythm & lead guitars, keyboards and backing vocals.
Adrian de Crow: Bass Guitar.
Ronaldo Rodrigues: Hammond Organ, Moog Organ and Piano (2,4,6,7).
Elias Holmlid: Keyboards on track 3.
Nathaniel Wolkstein: Violin track 2.
Alexey Kochetkov: Violin track 5.
Bettina Jucksch: Violin track 7.
Erik Nickerson: Orchestral arrangements and keyboards (1, 3, 8, 9).
Hangsvart: Throat vox intro track 5.

Guest musicians:
Mats Levén: Skyblood, Prins Svart, Krux, Ex-Candlemass, Ex-Therion, Trans-Siberian Orchestra.
Snowy Shaw: Snowy Shaw, Ex-King Diamond, Ex-Mercyful Fate, Ex-Notre Dame, Ex-Dimmu Borgir, Ex-Therion
Andy La Rocque: King Diamond
Michael Denner: Ex-Mercyful Fate, Ex-King Diamond
Madeleine Liljestam: Eleine
Angelina DelCarmen: Charetta

Line-up:
David Grimoire : guitar, keys
Adrian de Crow : bass

Cover artwork artist: Gyula Havancsák, Hjules Illustration and Design
Photographer: Johan Carlén, Johan Carlén Photography.

The radio single for "Darkest Doom on the Brightest of Days" has been cleared for immediate airplay and can be downloaded (in mp3) HERE.

Pre-sales: https://redirect.season-of-mist.com/OperaDiabolicus

German Hard Rock Veterans PINK CREAM 69 Sign with Steamhammer/SPV - New Studio Album Coming Spring 2022

Band members currently working on new material

Steamhammer/SPV are opening the autumn 2021 season with a real bang, taking advantage of the increasingly upbeat mood after that nerve-wracking lockdown. Pink Cream 69, one of the most renowned and longest-serving hard rock bands on the German music scene, has signed with the Hanover-based label. The quintet – consisting of David Readman (vocals), Alfred Koffler (guitar), Marco Wriedt (guitar), Roman Beselt (bass), and Chris Schmidt (drums) – currently finds itself in the songwriting process for its next studio album.

Alfred Koffler shares: “At the moment we are sifting through and sorting the new material. There are currently about thirty tangible ideas for new tracks, which we are, as always, subjecting to a thorough selection process in order to deliver a homogenous album.”

The production for their as-of-yet untitled new release is scheduled to begin in the coming weeks. Koffler hopes that the record will be ready to be mixed in December 2021, and the release of a single including video is scheduled to precede the arrival of the album. Pink Cream 69 have enlisted their former bassist Dennis Ward (Unisonic, Place Vendome, Gus G.) as sound engineer to mix and master their latest offering. As a little bonus 'thank-you' and taste of the good things to come which everyone is so eagerly hoping for, the band has re-recorded their song, ‘Better Days’, in an acoustic version, which is out now and can be found below.

With this signing, Pink Cream 69 has returned to the Steamhammer/SPV fold almost 18 years after the release of their 2004 album ‘Thunderdome’.

Alfred Koffler is delighted: “Since ‘Thunderdome’, the contact with Steamhammer`s A&R manager Olly Hahn, who did a great job back then, has never ceased. That`s why we have absolute trust in SPV and feel that we are in good hands. We’re confident that our collaboration will be a fruitful one again.”

Olly Hahn is also thrilled with this successful coup: “In Pink Cream 69, one of the strongest and most charismatic German hard rock bands of the past thirty years, is returning to the Steamhammer roster. We’re proud and very happy and look forward to the coming months, which will definitely be very exciting.“

https://www.facebook.com/PinkCream69Official/

https://www.bottomrow.com/

https://www.facebook.com/SPVsteamhammer

Märvel Release ABBA-Inspired New Single + Video for "Slasher with a Broken Heart"

The love story of ABBAs Agnetha Fältskog and her Dutch stalker told by Swedish rockers Märvel

New Single and Music Video ”Slasher with a Broken Heart” Out Now!

Swedish power-trio Märvel have launched their single and music video ”Slasher with a Broken Heart”. The track is the first taste of an upcoming studio album that will be released in 2022 as part of the band’s 20th anniversary. Inspired by the love story between ABBA singer Agnetha Fältskog and her stalker, ”Slasher with a Broken Heart” tells a tale of both love, loneliness, and obsession, all filtered through Märvel’s energetic, powerful, and undoubtedly catchy take on melodic garage rock.

Guitarist/Vocalist The King explains the song:

”This song is about the relationship between ABBA singer Agnetha Fältskog and her stalker, Gert van der Graaf. After falling head over heels in love with Agnetha, Gert bought a house next to the superstar, and the two somehow eventually ended up as a couple. However falling in love with your stalker is not a good way to start a relationship, and when Agnetha eventually broke up with Gert, he turned completely mad. As mad as a Slasher with a Broken heart. It all ended up with ’someone standing in the bushes behind your house….’”

The King continues:

”Even for a creepy stalker, loneliness is a terrible feeling. It’s something affecting all humans. I find that interesting, and it’s something that inspired me to write this song”

”Slasher with a Broken Heart” is out now via The Sign Records. The single was released with a music video. More music from Märvel coming soon.

Connect with Märvel:

https://www.facebook.com/marveltheband

https://www.instagram.com/marveltheband/

https://marveltheband.bandcamp.com/music

Symphonic Power Metal Force TEMPERANCE to release new Album “Diamanti”

New Album Diamanti Out November 19, 2021, via Napalm Records

Pre-Order NOW!

Watch the Music Video for “Pure Life Unfolds” below

Italian modern Symphonic Power Metal maestros TEMPERANCE present the first single cut from their new studio album, Diamanti. Energizing and uplifting “Pure Life Unfolds” embodies the multifaceted sound of the five-piece with its grand melodies and thriving refrain - all topped by the fabulous performance of all three vocalists. With millions of streams across all platforms, TEMPERANCE are shaping up to be amongst the elite of Symphonic Metal!

Michele Guaitoli (vocals, piano) on the new single:

“This song is proof that when we work as a team, we are limitless. I wrote this track 2 years ago, and it was a long suite with over 7 minutes of music. When Marco heard it, he saw a completely different potential in it and we started editing and working together. Basically, the intro and the chorus are the only elements that didn’t change if not for some little adjustments, the verses and the overall structure has been re-arranged during our songwriting sessions and the final result is just magic. This track leaves you breathless and makes your heart beating fast from the beginning to the end.

Check Out The Music Video For “Pure Life Unfolds”

After releasing their vibrant fifth studio album, Viridian, in 2020, TEMPERANCE – maestros of modern melodic/symphonic metal – delight their devotees with the persuasive new offering Diamanti, to be released on November 19, 2021, via Napalm Records. With Diamanti, the exceptionally skilled Italian outfit once again showcases their extraordinary ability to merge brilliant vocal melodies, hefty power metal guitar riffing, and symphonic soundscapes in perfect harmony – all dressed in modern surroundings. This is an offering that fans of bands like Amaranthe will fall in love with immediately!

Diamanti was mixed and mastered by Jacob Hansen (Volbeat, Epica, Amaranthe), with the cover artwork once again created by Yann Souetre (Ayreon).

Marco Pastorino (vocals, guitar) on the new album:

With Diamanti, we managed to combine our best qualities and selected the best TEMPERANCE songs so far. It's not our heaviest album, it's not our fastest work, but surely it's our favourite one so far!

We weren't necessarily supposed to record a new album only one year after Viridian, but luckily we made it! In this album you will find our trademarks: the vocal harmonies, the catchy melodies, but also epic stuff, strong arrangements, and long tracks - I am very proud of Diamanti and I am convinced we have written a bombastic album!

Diamanti will be available in the following formats

● 1 - CD Digipak

● 2 - LP Gatefold BLACK

● 2 - LP Gatefold CURAÇAO SEA

● 2 - LP Gatefold DIAMOND CLEAR

● Digital Album

TEMPERANCE are:

Alessia Scolletti - vocals

Michele Guaitoli - vocals, piano

Marco Pastorino - vocals, guitar

Luca Negro - bass guitar

Alfonso Mocerino – drums

CARCASS DISCUSS EVOLUTION OF BAND'S SOUND IN NEW ALBUM TRAILER

English extreme metal legends and pioneers of goregrind and death metal CARCASS have released a new album trailer today, in which they discuss the evolution of their sound over their celebrated 35 year career. The clip comes less than two weeks from the release of their massively anticipated album, "Torn Arteries," due out September 17th from Nuclear Blast Records.

Watch Album Trailer #4: Evolution of the Carcass Sound below:

More from "Torn Arteries":

"Dance of Ixtab (Psychopomp & Circumstances March No. 1 in B)" - Music Video: https://youtu.be/34uxC0cfQc4
"Kelly's Meat Emporium" - Visualizer: https://youtu.be/hdcfhccjk78
"Kelly's Meat Emporium" - Drum Playthrough: https://youtu.be/bYnJpfL4DW4
"Under the Scalpel Blade" - Audio Track: https://youtu.be/fT24YUVzI5I
"Torn Arteries" Episode 1: "Kelly's Meat Emporium": https://youtu.be/q2WaI-a_Chc
"Torn Arteries" Episode 2: Artwork: https://youtu.be/MeXbHn2UKe0
"Torn Arteries" Episode 3: "Dance of Ixtab": https://youtu.be/ncqqWc2_dd0

"Torn Arteries" is available for pre-order in a variety of bundles and formats, including CD, Box Set and limited edition vinyl pressings. Pre-order here: http://www.nuclearblast.com/carcass-tornarteries

Ferocious and uncompromising in their execution, CARCASS’s ability to intricately dissect the innards of death metal, and display them for us to sonically understand has been their point of excellence for over three decades. In 2019 the band released their first single in over 5 years “Under The Scalpel Blade,” followed by a 4 song EP entitled Despicable (October 2020), setting a potent precedent for the full length album coming in September: "Torn Arteries." With the album title itself referencing an old demo created by original drummer Ken Owen back in the 80’s, "Torn Arteries" sits as a bookend on the modern side of the CARCASS discography, connecting directly back to where everything began over 30 years ago.

The album artwork also rings reminiscent of the grotesque photography that appears on classic CARCASS album covers like "Reek Of Putrefaction" of "Symphonies of Sickness." Artist Zbigniew Bielak traveled outside his normal wheelhouse to bring forth a time lapsed set of photos showing vegetables shaped like a heart, rotting over time upon a white plate. This form of artwork was influenced by Japanese Kusôzu, meaning: ‘painting of the nine stages of a decaying corpse.’

It’s very clean, white, which we’ve never done before,” explains vocalist and bassist Jeff Walker, “it doesn’t look evil, or typically death metal, but I like how clean it is; almost like a coffee table book.” This new album presents images, lyrics, and sounds that so distinctly scream CARCASS, but ferry us into a new era of production, songwriting, and art all together.

I think as our 7th album, it does stand out from the others both sonically and stylistically,” says Walker. “You can definitely tell that it’s CARCASS; when you drop that needle on the vinyl, when you hear that guitar tone, you can tell it’s Bill Steer, but each album is always a product of its time.

With "Torn Arteries," each track stands unique from the rest in its approach to guitar, bass, vocals and drumming, along with all the finer details. Filthy and dominating guitar work creates thick layers of tone and melody, piling on top of each other like the weight of dead flesh in tracks like “Kelly’s Meat Emporium.”

The working title for Kelly’s was originally ‘Stock Carcass,’” laughs Walker.We knew that one was a real meat and potatoes track for the album.” Meanwhile the elevated speed and catchy beat in “Dance of Ixtab” tell a robust and airier story, one that is certain to get a reaction from live crowds. “We built this song around the beat. We had an approach to each song that was a definite idea. It’s all about ‘what haven’t we done before?’”

Recording and Production for "Torn Arteries" wasn’t as simple as sitting down for a few weeks and knocking it all out, but rather spread out over the course of approximately 1 year bouncing back and forth between England and Sweden. Initially, drummer Daniel Wilding did session work in Sweden at Studio Gröndahl with David Castillo while guitars were recorded at The Stationhouse with James Atkinson in Leeds, England. Eventually needing some form of residential location to finalize vocals, bass, and other guitarwork, the band headed back to studio Gröndahl in Sweden to continue work in a very relaxed atmosphere with Castillo. “There was no real big plan to do it this way, the process just organically grew on its own,” says Walker.

Most will find that the only real struggle when indulging in "Torn Arteries" is fighting the desire to start it over the second it finishes. It covers substantial new ground for a band with such a reputation, while still retaining that addictive, time honored CARCASS sound that has come to represent the face of true death metal.

CARCASS is:
Bill Steer - Guitars
Jeff Walker - Bass/Vocals
Daniel Wilding - Drums
Tom Draper - Guitars