Behemoth Premiere Video For "Sowing Salt" + Album "The Shit Ov God" Out NOW

To celebrate the release of their critically acclaimed new studio album, The Shit Ov God, which is out now, Poland's kings of extreme metal, BEHEMOTH, have unleashed a stunning music video for their latest single "Sowing Salt."

NERGAL says, "'Sowing Salt' is arguably one of the most brutal compositions in Behemoth's catalogue to date. Unrelenting. Unapologetic. Absolute.
The video was directed by Zev Deans, with whom we've had the pleasure to collaborate before. He's crafted a visual that powerfully completes the song — musically and lyrically. And the lyrics? Just as radical and confrontational as music itself."

With the post-apocalyptic and retro-futuristic imagery that dominates the clip, BEHEMOTH enter new territory without sacrificing the visual leitmotif and thematic virulence they have established over the course of their more than three-decade-long career. Scroll down to watch the video for "Sowing Salt".

And don't forget to check out The Shit Ov God — BEHEMOTH's most inflammatory and extreme record to date!

NERGAL comments, "Nearly 35 years in, thirteen albums deep — that's a hell of a journey. And now, with full honesty and open veins, we give you this:
The Shit Ov God is upon you. The new era begins as we bled for this monumental labor! Take this, all of you, eat and drink from it for this is our body given up for you! Rejoice!"

Levels Share Video for "Strange Things"

SharpTone Records welcomed Central Arkansas-based quartet Levels — Kolby Carignan [vocals], Jager Felice [guitar], Jacob Hubbard [bass], and Dalton Kennerly [drums] — to its global roster back in 2023. The band dropped  Pulse EP last year. Get it here.

Levels are back with their first taste of new music in a year in the form of the video for "Strange Things."

Watch it below

"'Strange Things' captures the chaos, irony, and dark humor of a world spiraling out of control," explains the band. "It's a raw reflection societal and personal collapse; blending apocalyptic imagery with a rebellious spirit and a grim sense of liberation. It's about facing the end with your eyes open, a drink in hand, and no apologies."


Raise a pint, then! The song's industrial crunch and thick and hefty grooves will push it to the top of any workout playlist! 

LEVELS are a cyber/industrial metal boy band from Arkansas known for fusing heavy music with elements of pop, electronic, and drum and bass. Since forming in 2016, they have independently amassed millions of streams, drawing influence from artists as diverse as Billie Eilish, The Prodigy, Static-X, and The Weeknd.

Following the success of their 2023 EP Pulse on SharpTone Records, which surpassed 1 million streams, LEVELS aren't adding to the noise; they're building something new, sharp, and unapologetically their own. Their sound fuses digital grit with raw emotion: Fark, distorted, and built to break through the static. LEVELS have built their rise on a fierce DIY ethic, steadily growing from small rooms to bigger stages, playing alongside bands such as Kittie, ERRA, Beartooth, The Devil Wears Prada, and more. LEVELS are more than a band. Their ever evolving world is built from cinematic visuals, visceral performances, and immersive storytelling, standing out in a hyper-connected yet emotionally disconnected era. With each track, they seek to reignite authentic connection. As they continue to carve their path through the metal landscape, their mission remains clear: don’t bury emotion – embrace it, channel it, and turn it into something that makes you feel again.

CANDLEMASS Cover Black Sabbath's "Sabbath Bloody Sabbath"

To celebrate 40 years of doom metal mastery and the release of their brand new four track EP, Black Star, Swedish epic doom metal pioneers Candlemass have unveiled a cover of Black Sabbath's legendary hymn "Sabbath Bloody Sabbath." Originally cut from the classic 1973 Sabbath album, Candlemass present their own version alongside an official music video.

With solemn intensity and seismic presence, Candlemass transform the track into a funeral march worthy of doom's highest pantheon. A majestic tribute that honors the past while shaking the crypt walls of the present.

Candlemass mastermind Leif Edling comments, "'Sabbath Bloody Sabbath' needs no introduction, one of the best songs ever recorded if you ask me. Maybe not the obvious choice, but it's been a dream for me to do it one day and here it is! Our rendition of 'S.B.S.' (Mass Bloody Mass?)"

Watch the official music video for "Sabbath Bloody Sabbath" below:

Swedish godfathers of epic doom Candlemass present their four-track EP, Black Star. Packed with cavernous riffs, the genre-defying band unveils two brand-new songs alongside two cover versions of timeless classics.

Following the title track, the second original song, "Corridors Of Chaos," marks a true old school instrumental containing both classic metal riffing and stunning guitar playing by Lars Johansson, showcasing the band’s mastery of dynamics. Adding to this tribute, Candlemass deliver their rendition of Pentagram's classic "Forever My Queen," further cementing the bands remarkable contribution to shaping the genre into what it is today.

CANDLEMASS ARE:
Johan Länquist — Vocals
Lars Johansson — Lead Guitar
Mappe Björkman — Rhythm Guitar
Leif Edling — Bass
Janne Lind — Drums

Billy Morrison Unveils Lyric Video for "We Are the Dead" through TLG|ZOID ​    

Billy Morrison has just released the lyric video for "We Are The Dead," a standout track from his deluxe edition solo album, The Morrison Project. The album was released through TLG|ZOID / Virgin Music Group.

 

Morrison commented, "This album was a particularly cathartic one for me and I wanted to find a way to write a love song in a less than traditional way. My life changed in the last few years for the better and I wrote these lyrics in one session like a stream of consciousness - the concept of a love that is so strong, it transcends our human existence appealed to me greatly. I started imagining being dead and being with the person I love for eternity and that seemed to illustrate the strength I was feeling."

 

He continued, "'With your understanding, my world’s expanding'….. it speaks perfectly to gradually feeling like I can shed the defenses and walls that I’ve built up over decades. I am a far from perfect man, but with the kind of love and support I have, my world IS expanding and this song is me screaming that sentiment from the rooftops. The “Dia De Los Muertos” imagery reflects celebration as opposed to mourning, which seemed a perfect visual to accompany such positive and meaningful lyrics."

 

WATCH Billy Morrison - "We Are the Dead" (Official Lyric Video) Bellow:

Billy Morrison, the British guitarist, singer, and songwriter, has spent the past 15 years as the driving rhythm guitarist alongside Steve Stevens in Billy Idol’s powerhouse lineup. Beyond his long-standing role in Idol’s band, Morrison has carved out a formidable identity of his own in the rock world. His recent collaboration with Ozzy Osbourne and Steve Stevens, “Crack Cocaine,” soared to #1 on the Mediabase Active Rock Chart, while the smash radio hit Gods of Rock N Roll further solidified his place as a powerhouse in the rock world. His latest endeavor, The Morrison Project, is a testament to his collaborative spirit and fearless commitment to creating boundary-breaking music that unites artists and genres in bold, unexpected ways.

THE MORRISON PROJECT was produced by Billy Morrison, mixed by Barry Pointer, and mastered by Dave Donnelly. The songs on the album were recorded in Los Angeles at various studios and were written by Billy Morrison in collaboration with his guests.

The Deluxe Edition album is available

HERE

For More Information Please Visit:

Official Website

Facebook

Instagram

X

https://www.tlgent.com/

BraveWords Records Announces the Signing of ALCATRAZZ for a New Studio Album to be Released in 2026

BraveWords Records is excited to announce the signing of Alcatrazz, for a new studio album, their 7th, to be released in 2026. Alcatrazz is also working on another top secret studio project. The new album will build on the obvious strength of their recent three releases “Born Innocent” “V” and “Take No Prisoners”

Jimmy Waldo of Alcatrazz proposes the band perform at reopening of Alcatraz Prison, "U.S. President Donald Trump has recently made a claim that he wishes to “re-open” the high security prison, the legendary Alcatraz Island. Regardless of anyones thoughts on this, and make of it what you will … we really are the only logical choice… should this re-opening actually happen, we expect the invite from the Donald!. Alcatrazz would be the perfect and only band that should launch the “New Alcatraz Prison” as we have actually all spent time in cells in the joint (check out our video for “Island In The Sun”) climbed the famous prison tower, spent the whole day in every place on the rock … even inside the walls of the cells, where the famous escapes were attempted — so to play at the new opening celebration would be like coming home."

Members of Alcatrazz talk about signing with BraveWords Records,

Gary Shea: “Alcatrazz looks forward to merging forces with BraveWords Records, benefiting from the very impressive backgrounds of partners Tim Henderson, Michael Brandvold and Brian Adams. With their combined years of experience we will take on the Music Business and the Business of Music together. Let’s Rock!"

 

Jimmy Waldo: “It’s very exciting to be on BraveWords Records — great people that really get what Alcatrazz is all about, and are excited about taking the band to the next level. The combined background of the BraveWords brand already puts us at the forefront from Rock and Metal press, and the creative and innovative PR skills of Michael Brandvold gives this label an edge like no other… they are a one-stop shop for anything a band like us could ask for."

 

Joe Stump: "For multiple decades now BraveWords has always been my source for all things metal, dating back to when I used to buy their print mag at specialty record shops and news stands ... I'm thrilled to be working with their label and extremely excited for what's to come. As for the album: pay attention, we are ready to do some damage"

 

Giles Lavery: "To be singing for one of my favorite bands, and to also be close friends with these guys is something that might come along once in a lifetime… I now have that three-fold! as a member of Warlord, my recent work with Jack Starr on his new album and now with Alcatrazz! ...none of this I take for granted. My partners at BraveWords Records are also dear friends, so we have a great team all the way around. Lets just make a great record!"

About ALCATRAZZ:
Alcatrazz, formed in 1983 in Los Angeles, has been as well known for the legendary players and singers who have passed throughout the bands ranks as much as they have for their music.

 

Formed originally by the trio of Jimmy Waldo, Gary Shea (both fresh from late 70’s hitmakers New England and the short lived band Warrior featuring a pre-Kiss Vinnie Vincent) along with vocalist Graham Bonnet (himself with impressive credentials having been a then recent member of Rainbow and the Michael Schenker Group) the band set about completing the line up with drummer Jan Uvena (formerly of Alice Cooper) and a then very young Yngwie Malmsteen, a guitarist who had quickly made a name for himself upon arriving in the USA in the early 80s. The band issued their now classic debut “No Parole From Rock N Roll” album (1983) which was met with universal critical acclaim. Yngwie was soon to depart in favor of Steve Vai just in time for the bands second album “Disturbing The Peace” (1985).

 

The bands mission has always been a not necessarily stable line-up, but of an evolving union of established performers all forming a “supergroup” of sorts, one with perhaps more guitar fire-power than many, but definitely also with the songs to back it up.

 

Vocalist Doogie White (himself also formerly of Rainbow and Michael Schenker) served a successful two album stint with the band, while the “shred-lord” himself…the acclaimed Joe Stump (also a very established solo artist and a Berklee college professor) has now been the bands longest serving guitarist, with this year now making his 6th continuing year as a member of the band.

 

Longtime Graham Bonnet and Alcatrazz collaborator, producer, songwriter and vocalist Giles Lavery is now the man behind the microphone, having proved he was an inspired choice on two recent U.S. tours — having worked with the band in numerous other creative capacities since 2017 the band feel it was a logical move, but also one chosen on merit. Giles can be heard on the recent BraveWords Records release, Jack Starr's "Out Of The Darkness Part II" as well as his studio and live work with U.S. metal legends Warlord, a band who feature non-other than Mark Zonder on drums...himself a former member of the Graham Bonnet Band, Fates Warning, and worth noting here... as he is also currently leading the band A-Z who feature none other than Alcatrazz main man keyboardist Jimmy Waldo! confused yet? don't be, as all of this proves that there is a firm but perhaps overlooked consistency and lineage to what on the surface may seem like an ever evolving band personnel.

 

Indeed Jimmy Waldo continues to be the heart and soul of Alcatrazz… as aside from being the bands talented keyboardist, he has been the one who would, over the bands career find himself at the centre of all band affairs and decision making, from booking the band in the early days, working closely with the bands various record labels, to making sure other members, at the height of 1980s rock n roll decadence were present and accounted for when it came time to get the work done..."i think i even drove the tour bus once or twice back then" says Waldo... in fact it was Jimmy himself who personally selected Steve Vai out of a number of other contenders for the guitarist position in 1984 when Yngwie Malmsteen chose to move on to his own distinguished solo career.. "alot of people have come and gone over the years" says Jimmy... "It's kept it fresh and we are hardly the only band like that, we still have myself and Gary still holding down the frontline from that early era" Chris Impellitteri historically was one such player in line for the job, who may not have made it into the bands ranks back in 1984, but who in 2020 finally recorded with the band as a special guest on the successful “Born Innocent” album (co-produced by Giles and Jimmy).

 

Bassist Gary Shea, he who named the band and designed the bands logo no less… came up with the above-mentioned iconic album titles (lets also not forget “Live Sentence”) as noted above, has been flying the Alcatrazz flag with Jimmy for over 4 decades now and is looking forward to this next phase. Gary's recently published book "No Bass, No Party" is also an essential read for those wanting to delve deeper into the Alcatrazz story! 

Bear Mace - Slaves Of The Wolf

In the heart of Chicago, amidst the city's vibrant cacophony, a ferocious new chapter is being written by BEAR MACE with their latest release, Slaves Of The Wolf. This third studio album, set to be unveiled on June 6, 2025, is a testament to the band's evolution and their unwavering commitment to the raw energy of death metal. For BEAR MACE, composed of Chris Scearce on vocals, Mark Sugar and Tommy Bellino on guitars, Garry Naples behind the drums, and John Porada on bass, this album is not just another collection of tracks—it's a narrative deeply rooted in the themes of warfare, survival, and the echoes of historical battles.

The journey of Slaves Of The Wolf begins with its opening track, an eponymous piece that channels the spirit of soldiers lost to the annals of history, their lives swallowed by the vast, cold embrace of war. This sets the stage for an album where each song weaves part of a larger, darker tapestry. From "Worthless Lives," which reflects on our dystopian reality with poignant lyrics and relentless riffs, to "Drown Them In Their Blood," a slower, heavier homage to the brutal necessities of war, the album crafts a compelling saga.

One of the standout tracks, "The Iceman Cometh," explores the chilling life of Richard Kuklinski with an intensity that matches the cold-blooded tales of his crimes. Meanwhile, "Captured And Consumed" features guest vocals by death metal pioneer Kam Lee from Massacre, adding a visceral layer to the haunting recount of WWII atrocities.

The production of the album, managed by the band and captured in the diverse acoustics of Hypercube Studios and Miracle On Mace Street Studios, showcases the meticulous care of engineer Sanford Parker and mixing and mastering by Damian Herring. This technical expertise ensures that each note and nuance is sharply delivered, from the guttural depths of Chris's vocals to the dual assault of Mark's and Tommy's guitars.

The visual representation of the album, crafted by artist Dedy Badic, mirrors the music's raw ferocity and historical depth, encapsulating the essence of BEAR MACE's narrative in a striking image that promises to resonate as powerfully as the music itself.

As Slaves Of The Wolf prepares for release, BEAR MACE is also gearing up to bring this new material to life on stages across the country. Known for their explosive live performances, the band promises to deliver shows that not only showcase their latest work but also highlight their growth as musicians and storytellers.

For fans old and new, Slaves Of The Wolf is more than just an album. It's an invitation to explore the depths of human history and emotion through the lens of BEAR MACE’s distinctive, relentless sound. As June approaches, the anticipation builds not just for a series of tracks, but for a powerful narrative set to be unleashed in the most explosive way possible.

About BEAR MACE:

Hailing from the robust metal scene of Chicago, Illinois, BEAR MACE has carved a formidable niche within the death metal genre since their inception in 2012. The band’s name, a nod to both ferocity and defense, perfectly encapsulates their sound: relentless, powerful, and unyielding. Comprised of vocalist Chris Scearce, guitarists Mark Sugar and Tommy Bellino, drummer Garry Naples, and bassist John Porada, BEAR MACE is a force to be reckoned with, known for their brutal riffs, historical and darkly imaginative lyrical content, and explosive live performances.

BEAR MACE's music is a deliberate throwback to the death metal of the late '80s and early '90s, drawing significant inspiration from the genre's pioneers like MASSACRE and BOLT THROWER. Their sound is characterized by a blend of raw aggression and meticulous craftsmanship, with themes that delve into historical wars, mythical narratives, and modern dystopias. This thematic depth sets BEAR MACE apart, as they weave intricate stories with each track, engaging listeners not just with sound, but with storytelling that invites reflection on the past and present.

Since releasing their first demo, Kodiak Killers, in 2014, BEAR MACE has consistently upped the ante with each subsequent release. Their debut album, Butchering The Colossus (2017), was a breakout success, establishing them as serious contenders in the metal community. This was followed by Charred Field Of Slaughter in 2020, an album that received acclaim for its intensity and complexity, further solidifying the band’s reputation.

Beyond their studio recordings, BEAR MACE is known for their dynamic live shows, which capture the band’s energy and technical prowess. They have shared stages with notable bands and played at major festivals, strengthening their presence in the metal scene. Their tour with death metal legends MACABRE in the summer of 2022, including a co-headlining spot at Into The Darkness Fest in Ohio, highlights their standing among contemporaries and legends alike.

The release of their third album, Slaves Of The Wolf, in 2025 marks another milestone for BEAR MACE. This album not only showcases their growth as musicians but also highlights a stable lineup that has been together for over five years. With Slaves Of The Wolf, BEAR MACE continues to push the boundaries of their sound while paying homage to the roots of death metal, crafting tracks that are both aggressive and deeply narrative.

As BEAR MACE continues to evolve and expand their auditory assault, their dedication to the craft and their fans remains unwavering. With a solid foundation and a clear vision, they are poised to remain a staple in the playlists of metal enthusiasts and a commanding presence on the global metal stage.

BEAR MACE is:

  • Chris Scearce - Vocals

  • Mark Sugar - Guitar

  • Garry Naples - Drums

  • John Porada - Bass

  • Tommy Bellino - Guitar

Connect with BEAR MACE:

  • Bandcamp: https://bearmace.bandcamp.com/

  • Facebook: https://www.facebook.com/bearmace1

  • Instagram: https://www.instagram.com/bearmace_metal/

  • YouTube: https://www.youtube.com/@bearmace8259

  • Spotify: https://open.spotify.com/artist/7bpYbAeJkSr4R95J9nVtLm

  • Apple Music: https://music.apple.com/us/artist/bear-mace/1212215294

BASK Cover The Brian Jonestown Massacre

After a smoking hot tour with their labelmates and fellow North Carolinians Weedeater, Bask are now ready to turn over a different kind of leaf. The Asheville natives will release their fourth album later this year. But first, the band are looking back at one of their influences. 

"We've always been inspired by acts like The Brian Jonestown Massacre", says guitarist and vocalist Zeb Wright. "They write songs that feel outside of time and place". 

To celebrate the 20th anniversary of the documentary that thrust The Brian Jonestown Massacre into the spotlight, today, Bask are releasing a cover of "Anemone". The road to get to this point has been much smoother than it was for the shaggy San Franciscan collective, but the heavy dose of Americana that the band bring to this cult classic shows how far they've come. 

Listen to Bask's heavy and heady cover of "Anemone" below:

Stream
https://bask.fanlink.tv/Anemone

Even though they're separated across coastlines and nearly three decades, Bask and The Brian Jonestown Massacre were in a similar headspace heading into their fourth albums. While partially named after the Rolling Stones' guitarist, BJM shifted from spaced-out shoegaze to flower-powered '60s psychedelia on 1996's Their Satanic Majesties' Second Request. Bask's upcoming full-length also ventures into headier pastures, though their cover of that album's sleeper hit "Anemone" is plucked straight from the band's Appalachian roots.

"You should be picking me up / Instead you're dragging me down", Wright repeats in a dazed drawl while twanging on his banjo. 

Bask haven't endured nearly the same amount of lineup turnover as their kindred spirits in The Brian Jonestown Massacre. On "Anemone", Drummer Scott Middleton and bassist Jesse Van Note hold down a bottomless groove that's as sludgy and free-flowing as a riverbed. But this cover is the first release since Jed Willis joined as the band's official fifth member. As his pedal steel ripples against Ray Worth's colorfully swirling leads, the band take cosmic country into a whole new dimension.
 
"'Anemone' is hypnotic in its repetition and perfectly expresses the combination of emotional distress and unbothered cool that to us feels so integral to BJM's sound and songwriting", Bask says. "It's also really fun to play and riff on".

Hailing from Carolina’s storied Blue Ridge Mountains, Bask came together in the fall of 2013. Guitarist Ray Worth, drummer Scott Middleton, bassist Jesse Van Note and guitarist/vocalist Zeb Wright produce sounds that reflect their lush yet rugged Appalachian habitat.

The band's upcoming fourth album is an inter-dimensional Western that digs its heels into their trailblazing Heavy Americana by swirling between raw, metallic energy and country twang.

Line-up:

Jesse Van Note – Bass
Scott Middleton – Drums
Ray Worth – Guitar
Zeb Wright – Guitar/Vocals
Jed Willis - Pedal Steel

Guest musicians
Kenny Harrington - Tambourine

Recording studio
Echo Mountain Spring

Production
Produced, Engineered and Mixed by Kenny Harrington and Zeb Wright.

Mastered by Joe Hutchinson at Garage Masters in Nashville, TN

Order & Stream
https://bask.fanlink.tv/Anemone

Follow Bask
Official website: www.baskband.com
Bandcamp: https://basknc.bandcamp.com/
Facebook: http://www.facebook.com/basknc
Instagram: https://www.instagram.com/baskband/
Twitter: https://twitter.com/thebandbask
Spotify: https://open.spotify.com/artist/44JvnzLiXzAtiMSDJTnFC7
Apple Music: https://music.apple.com/us/artist/bask/209266263

EXILED HOPE Releases Lyric Video For "Behold My Shattered Skies"

Critically acclaimed gothic power metal artist EXILED HOPE, has revealed a lyric video for "Behold My Shattered Skies". The song is taken from Apocrypha, which was released on all streaming platforms on April 11, 2025.  

"Behold My Shattered Skies" is a standout track on Apocrypha, with a sound that blends both folk metal and 70s rock bands like Led Zeppelin and Fleetwood Mac with a cinematic quality. Sofia comments,  “Behold My Shattered Skies” is very different from the rest of the album because it’s a purely acoustic folk song (with extra synth layers for ambience). This song is an outlet for my spooky folk influences, which is a genre that I love almost as much as metal. This song was strongly inspired by the soundtrack to The Witcher 3, drawing from “Ladies Of The Woods” and “Priscilla’s Song”. I took it as another opportunity to add a soundtrack-style feel to the album and to remind listeners that my influences venture beyond even all the various metal subgenres."


Watch the video Below:

Order Apocrypha HERE: https://exiledhope.bandcamp.com/album/apocrypha-2

Listen on all streaming platforms HERE: https://linktr.ee/exiledhope

About EXILED HOPE:

Multi-instrumentalist Sofia Frasz established EXILED HOPE in 2019, and draws musical inspiration from the likes of AVANTASIA, NIGHTWISH, KAMELOT and CRADLE OF FILTH to name a few. EXILED HOPE’s releases all take place in the same fictional universe and combine to form a dark fantasy metal opera. Each album centers on a character dealing with both an internal and external conflict in this world, and the lyrics explore how they navigate those conflicts. This is intended to provide some kind of escapism through the lyrical world building, while still keeping the songs grounded in real, relatable emotions despite their fantastical setup. EXILED HOPE is working towards the next album, Apocrypha, due to be released April 11th, 2025. Through EXILED HOPE, Sofia has composed music for two short films, Hallowed Paths and What Happens After Midnight, and has collaborated with UK melodeath outfit STEEL FORGE.

Canadian pop songstress Linds Sais presents 'Golden Hour’, heralding debut EP

Canadian pop starlet Linds Sais presents the single 'Golden Hour', a slick and grooving sonic delight that heralds her debut 'Glitter Cowgirl' EP. With a voice that floats like vapor and hits like velvet, this a sun-soaked ballad that channels the glow of radiant selfies into a playful, feel-good anthem for your inner hype squad.

This song explores the sunny intersection of self-love, community and social media. While it's true that social media often gets a bad rep for its negative aspects, 'Golden Hour' challenges this notion by highlighting the positive elements of these apps. In the accompanying video, Linds Sais acts as a hype woman, encouraging girls to feel their best and summon their best selves to shine through.

"Golden Hour was inspired by the social media trend, where girls take selfies of themselves during the magical part of the day, when the sun hits just right in a brilliant golden hue," says Linds Sais.

"The song is like being in the comment section of your best friend's selfie - empowering, fun and carefree, tied together with cheeky lyrics!"

Hailing from the heart of Canada—Winnipeg, where prairie skies stretch as wide as her vocal range—Linds Sais is a study in contrasts. Quiet in conversation, bold in expression, she’s the kind of artist who doesn’t need to shout to be heard. The moment she steps behind the mic, her voice—delicate as sugar, yet commanding when called—becomes her loudest truth.

Inspired by Lauryn Hill and Whitney Houston, and rooted in the soul-bearing intentionality of Alicia Keys and vocal fire of TLC, Linds blends classic influence with a fresh sensibility that feels entirely her own. Her sound is silk-wrapped storytelling: smooth, vulnerable, and unexpectedly powerful when the emotion demands it.

The seeds for this debut EP were laid during the hush of the pandemic, when something shifted. The world paused—and Linds hit play on the backlog of emotion and experience she had yet to articulate. What emerged was a flood of songwriting that felt both personal and universal with lyrics and hooks that often hit in the middle of the night.

We have her a glimpse of her forthcoming debut abum 'Glitter Cowgirl' - a mood, a movement and a mirror for those trying to grow up gracefully in this chaotic world. Imagine leafing through your best friend’s diary while the stereo pumps a disco beat. There are slumber party highs, teary-eyed truths, and basslines that feel like heartbeats. From live instrumentation to shimmering synths, it’s part pop confessional and part cosmic dancefloor.

The 'Golden Hour' single is out now from fine music platforms, including Spotify, Apple Music  and Bandcamp. Her self-released 'Glitter Cowgirl' EP will be released digitally on August 1.

CREDITS
Music & Lyrics written by Lindsay Johnston, Tyler John
Performed by Linds Sais
Produced by Tyler John
Mixed by Garrett Ward
Mastered by Joao Carvalho Mastering
Cover artwork by Lindsay Johnston & Bogos Demsas
Artist photos by Devon Gray
Publicity by Shameless Promotion PR

Keep up with Linds Sais
Bandcamp | Instagram | TikTok | Threads | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook Twitter |  Instagram | BlueSky | Threads  Soundcloud | LinkedIn | Ema il

Wolves at the Gate Drop "DEATH CLOCK" Video

Wolves at the Gate will release new album Wasteland on May 30 via Solid State Records. Pre-order it here

The band has shared the video for "DEATH CLOCK."

Watch it below


The track is a moody rage, loaded with arena-sized hooks that keep pace throughout the entirety of the song. Ultimately, "DEATH CLOCK" will have fans bouncing and jumping up and down as if they were at a party celebrating the end of the world. It lyrically looks at the inevitable fate that awaits us all.

"'Death Clock' describes the world inside of your head," the band states. "Everyone undoubtedly thinks about death. The song is just being honest when it comes to the fact we all die and how it makes us feel. We wanted it to sound like you're racing against a clock."

Wolves At The Gate have quietly and naturally evolved since their emergence out of the Midwest in 2008. Their vision unfolded across albums such as Captors [2012], VxV [2014], Types & Shadows [2016], Eclipse [2019], and Eulogies [2022]. Blabbermouth rated the latter "9.0-out-of-10.0," while mxdwn summed it up as "powerfully moving." Along the way, the group tallied tens of millions of streams fueled by the likes of "Counterfeit," "Deadman," "Lowborn," "Peace That Starts The War," and more. Not to mention, they've performed alongside everyone from The Red Jumpsuit Apparatus and Red to Fit For A King, August Burns Red, and Born Of Osiris. In 2024, a core idea screamed out to guitarist Steve Cobucci, shaping the creative direction of the band's next evolution. It slowly, but surely seeped into the DNA of the music and his words.
 
"As I was working on the album and especially the lyrics, I began to realize that the Wasteland was a metaphor for a frame of mind that I don't want to live in, but a world I feel myself drawn back into over and over again," Cobucci reveals. "I hate it. It's a world of empty promises. It's a mirage. A counterfeit."

The musicians carefully pieced together what would become Wasteland. Cobucci co-produced the 13-track body of work with Josh Gilbert of Spiritbox, while the band recorded in New Jersey, San Diego, and Los Angeles. This time around, they added multiple dimensions to their signature sound, layering intriguing interludes and electronic overtures into the framework.

WOLVES AT THE GATE ARE:
Steve Cobucci — Vocals/Guitar
Nick Detty — Vocals
Joey Alarcon — Guitar
Abishai Collingsworth — Drums
Ben Summers — Bass

BLACKLIST UNION Unveil Official Music Video for Single "Mississippi Moonhound" ​    

Blacklist Union return with new single "Mississippi Moonhound"— a swampy, swaggering anthem delivering a powerful blast of wild and untamed rock ‘n’ roll. The new single captures the feeling of being haunted by your past while howling into the night for something more. Blacklist Union’s new album Slay the Dragon is scheduled for September 2025 and will be their sixth full-length release.  

 

In celebration of the release, Blacklist Union unveiled the official music video for "Mississippi Moonhound" which can be seen below:

Blacklist Union have built a reputation on their explosive live shows and unapologetically bold sound. Their previous record, Letters from the Psych Ward, racked up over two million streams, setting the stage for the band’s new album.

Frontman Tony West, known for his larger-than-life presence, took time out to dive deep into several transformative ayahuasca journeys in the heart of the Amazon, preparing for this next era of music.

 

As Tony put it, “Ayahuasca isn’t a drug—it’s powerful spiritual medicine from another realm. It helped me heal in ways I never thought possible, releasing layers of trauma, heartache, and sorrow. I’m not perfect—not Gandhi or anything—but it changed everything. My entire view of myself, love, the world, people, and my children changed because of those experiences.”

 

"Mississippi Moonhound" was written by Tony West / Christopher Johnson, produced by Christopher Johnson, and mixed by Claudio Cueni. It was recorded at East West Studios in Hollywood, CA.

 

STREAM "Mississippi Moonhound"

https://unitedmasters.com/m/mississippi-moonhound

https://linktr.ee/blacklistunion

Blacklist Union frontman Tony West was raised in the Bronx on The Ramones, Bad Brains, and NYHC. Hearing the call of the wild west, he made his way to Los Angeles at 19 years old.

 

Tony took a break from L.A. to try out Memphis in 1998. While he was there, he attended the first Saliva gig with Paul Crosby on drums. This marked the beginning of a lifelong friendship between Paul and Tony, leading to management, song collaborations, and guest appearances in a few videos. Tony collaborated with guitarist Todd Youth (Murphy’s Law /Danzig) and Malfunkshun, which was kept active by Andy Wood’s brother Kevin Wood. Andy Wood is Tony’s muse, and he was honored to sing in his hero’s band.

 

I formed Blacklist Union because I wanted to play music that I wanted to hear, and we put out the first Blacklist Union record, After the Mourning, in 2006. The band’s name comes from getting the best musicians with the worst reputations in town. With a shamanistic blend of Stone Temple Pilots, Guns N’ Roses, Warrior Soul, The Cult, and Mother Love Bone... Blacklist Union was born.

 

Tony West -Lead Vocals
Raf Ransom - Lead Guitar
Dee Hayes - Rhythm Guitar
Larry Harwood - Bass
Justin Perez - Drums

 

Upcoming Shows:

7/12/25 @ Cruefest at The Whisky in West Hollywood

9/13/25 @ Bar Sinister in Hollywood

For More Information Please Visit:

Official Website

Facebook

X

Instagram

TikTok

YouTube

Sodom Release Video for "Witchhunter"

German thrash metal legends SODOM released the video for their new single "Witchhunter." The song is the second single from the upcoming studio album The Arsonist.

"Witchhunter" is Sodom’s homage to their late drummer Chris Witchunter and the video was created by Ex-Sodom guitar player Andy Brings.


Watch the "Witchhunter" music video below:

The Arsonist will be released on June 27 worldwide through SPV/Steamhammer as CD digipak, 2LP version, download, and stream.

Pre-order info is available here.

We all know that good music is always also a question of sound. To this end, the human factor is crucial — along with the right equipment, of course — after all it's about authenticity and individual personality. With that in mind, German thrash metal band Sodom have come to a logical conclusion: To enable the most natural production possible, the drum parts on their latest album The Arsonist were recorded using a 24-track analog tape machine.

No studio tricks, no digital overdubs, or, to quote frontman Tom Angelripper: "No plastic! The difference in sound compared to today's standard drum productions is amazing and has had a positive effect on all the instruments. Naturally, time and effort as well as costs were also higher, but we're happy to fork out for a superior result."

However, it's not only the complex production process that testifies to the band's exceptional creative spirit, but also their diverse songwriting, which saw all four Sodom musicians — the aforementioned Tom Angelripper (vocals, bass), Frank Blackfire (guitar), York Segatz (guitar) and Toni Merkel (drums) — involved in the development of the material on The Arsonist. 

Tom Angelripper continues, "Frank contributed those typical Sodom riffs and hooks again, whereas York favors more epic songwriting. As a perfect complement to both of them, Toni, who is also an excellent guitarist, contributed a number of songs and helped to make the album even more versatile."

Chicago's Push Puppets to release 4th album 'Tethered Together'. Enjoy the video for ‘Similar’

Chicago-based indie pop-rock outfit Push Puppets presents their new dynamic and multifaceted album 'Tethered Together', their fourth to date, out on May 16 via Flowering Tree Music.

The creative outlet for singer-songwriter and guitarist Erich Specht, Push Puppets creates songs with earworm melodies and shiny production that belie often-bittersweet sentiments. Specht (lead vocals, guitar) is joined by a core of Steve Frisbie (backup vocals, guitar), Kyle Magnusson (keyboards), John William Lauler (bass) and Greg Essig (drums). Most of the songs on this album also involve a string quartet, with a horn section on one.

"This album offers a nod to the artistic excesses of the 70s, whether it's a wall of phased vocals or a moment where guitars and strings rip a quick line together between phrases.  The tracks are widely varied yet cohesive - and within a given song, you're likely to be taken elsewhere," says Erich Specht.

‘Tethered Together’ was produced by Doug McBride (Smashing Pumpkins, Veruca Salt, Silversun Pickups, Cheap Trick), via Flowering Tree Music and Erich Specht, this album being mixed and mastered by Doug McBride at Gravity Studios in Chicago.

The video for their latest single ‘Similar’, created by Metamorse Studio, features eye-popping animations of DNA, brain synapses, x-rays, fireworks and other evocative imagery. Scott Thiele and Sebastian Gonzales produced this video, along with 'All Together On 3'joined by a string quartet, comprised of Stephanie “Sly” Young on violin, Katherine Andrick on viola, Molly Rife on cello and Kelly Jozwiak on violin (note: Janis Sakai performs in the audio recording).

This record is graced with impeccable songwriting that shines with lush harmonies, angular guitars, dramatic keyboards and strings backed by a smoking rhythm section. Erich Specht muses on relationships and loss, as well as the weight and joy of life, in a manner that is poetic and seems effortless, his lyrics fitting to the melody like pieces of a puzzle. Wearing his vulnerabilities like a badge of honor, this music takes us on a journey to unexpected places.

Erich Specht shares, “Our music is not about a genre or a particular fashionable sound.  We’re slaves to the song and try to allow it to reach its potential with no regard for how it fits the style of the time.  There are plenty of bands chasing trends, and we’re happiest staying away from them. I think when you set out to make a song complicated, it can sound contrived.  I love it when I chase a part I’m imagining that happens gracefully, and then I discover that there’s something weird about it.”

The album kicks off with the arena-rocking anthem ‘Similar', which explores universal connections. Genre-bending experimentation is showcased on 'Hearts Aren’t Souvenirs' while 'Probably' offers a poignant tribute with a dramatic string-laden conclusion. A standout track, 'All Together On 3' builds progressively to a cathartic blend of live strings and desperate vocals highlighting the strength found in unity.

The album continues its sonic journey with the dramatic and evolving "Launching a Satellite," culminating in a striking interplay between strings and electric guitar. 'This Whole Endeavor' hooks the listener with a memorable piano riff while recounting the ebb and flow of a past relationship. A lighthearted interlude arrives with the retro rocker 'Tell Colleen to Calm Down', followed by the Spanish-tinged and inhibition-shedding 'Shake It Like You Mean It'. The album delves into the pain of lost love in the Americana-tinged 'Hearts Are Fragile' before reaching a powerful and dramatic conclusion with 'The Logical Conclusion', driven by intense strings and piano.

The 'Tethered Together' album, now available for pre-order, will be released on CD on May 16 and digitally on fine digital platforms. Push Puppets will hold their album release show at Robert's Westside in Forest Park, IL on May 30.

ALBUM CREDITS
Lyrics & music by Erich Specht (ASCAP)
Produced by Doug McBride and Erich Specht
Mixed & mastered by Doug McBride at Gravity Studios
Recorded in Chicago at Gravity Studios and Erich Specht's home studio
Erich Specht – lead vocals, guitars, string arrangements
Steve Frisbie – backup vocals
Kyle Magnusson – keyboards
John William Lauler – bass
Greg Essig - drums
Stephanie “Sly” Young – violin
Janis Sakai – violin
Katherine Andrick – viola
Molly Rife – cello
Mitch “The Lip” Goldman – trumpet on ;Hearts Aren't Souvenirs’
Tom Trinka – saxophone on ‘Hearts Aren't Souvenirs"
Norman Friede – trombone on ‘Hearts Aren't Souvenirs’
Tommi Zender – add. vocals, guitar, charango on ‘This Whole Endeavor’ & ‘Hearts Are Fragile’
Cover artwork by Crow Prints
Released & published by Flowering Tree Music (ASCAP)
Videos produced by Scott Thiele and Sebastian Gonzales
Editing and animation for 'Similar' video by Metamorse Studio
Artist studio photos by Gintas Zaranka
Artist live photos by Gabi Bucataru
Publicity by Shameless Promotion PR 


Keep up with Push Puppets
WebsiteBandcampFacebookInstagramBlueSkyYouTubeTikTokSpotifyApple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook Twitter Instagram | BlueSky | Threads Sou

Limberlost Release New Single "Alien"; Full Length Album "Beautiful Scars" Drops 6/13! ​   

The wait is over—Limberlost is back with their powerful and highly anticipated new single, “Alien”, the lead track from their upcoming concept album, Beautiful Scars. Blending soul-stirring vocals, deep rock grooves, heavy guitars, and a touch of industrial metal, “Alien” takes listeners on an emotional and sonic journey like never before.

This anthemic rock masterpiece blurs the lines between dysphoria, self-identity, and the mysteries of the universe. It speaks to those moments of isolation, questioning one’s place in the world, and the deep desire to understand who we are and why we are here. With haunting melodies and a relentless rhythm section, “Alien” delivers a gripping soundscape of raw emotion and intensity, setting the tone for the epic narrative of Beautiful Scars.

 

Taking influence from Evanescence, Linkin Park, and Within Temptation, Limberlostpushes the boundaries of modern rock, crafting a sound that is both cinematic and crushingly powerful. “Alien” is more than just a song—it’s an experience, a rallying cry for those who have ever felt lost, different, or disconnected.

 

Get ready to immerse yourself in the anthem of self-discovery and cosmic wonder“Alien” is here, and it’s only the beginning. Stream it now and join the movement. 

 

STREAM "Alien" :

https://promo.theorchard.com/yVObHnJm3HrWl5lCDjKz  

https://orcd.co/limberlost_alien

 

WATCH the Official Music Video for "Alien" below:

Upcoming Shows:

Aug 23 @ Mainstage of the International Singer-Songwriter Association Awards in Atlanta, GA

Sep 28 @ Rock the Locks Festival in Umatilla, OR w/ Third Eye Blind and Dorothy 

 

Limberlost is a powerhouse American rock band delivering a bold fusion of modern and classic rock with soaring vocals, electrifying guitar riffs, and thunderous rhythms. Known for their anthemic sound, raw energy, and emotionally charged storytelling, they create music that resonates with fans of classic rock legends and contemporary rock revivalists alike. Their songs capture themes of strength, resilience, and empowerment, making them a force in the rock scene. With a commanding stage presence and dynamic compositions, Limberlost is redefining female-fronted rock, bringing authenticity, passion, and rock authority to audiences worldwide.

 

Limberlost’s rise is backed by Paul Crosby Management, led by Paul Crosby, drummer of the multi-platinum rock band Saliva. His industry expertise and strategic vision have positioned the band for massive success in today’s rock landscape.

Limberlost is known for their captivating female led vocals. Leads Brittany Lauren and Sammie Gorham both classically trained and accomplished opera singers that bring their beauty, power and precision to cut through rock’s sometimes predictable expectations.

 

Adding to their momentum is the recent addition of Metal Hall of Fame bass player Steve Unger, known for his work with legendary bands Metal Church and Autograph. His veteran stage presence and technical prowess bring a new depth to Limberlost’s already dynamic sound, elevating their live performances and recording capabilities to the next level.

 

If that’s not enough the addition of Steve’s son Devon Unger on Lead Guitar. Not only can his melodies mesmerize, and his shredding solos make you want to scream “Hell Ya!” but he will have the ladies eating out of his hands.

 

Wrap it up with Anthony Ciarochi on Keys and Mike Burt (Founder) on drums. Two solid industry veterans that anchor the stage presence and the sound.

  

For More Information Please Visit:

Official Website

Instagram

Facebook

TikTok

YouTube

Orbit Culture Tell "The Tales of War" — LISTEN + WATCH

Sweden's Orbit Culture are commencing a new beginning with "The Tales of War." 

Watch the menacing video by Riivata Visuals that finds the band braving a raging storm.

The band comments, "'The Tales of War' marks the beginning of a new chapter for Orbit Culture. While other songs evolved and shifted during the writing process, this one stayed exactly as it was from the very start. It captures everything that defines Orbit Culture — the cinematic elements, the build-up, the verses, and the chorus. From the beginning, we knew this had to be the first song to introduce this new era. On almost every show we've ever played, we've used these long, cinematic intros to set the mood — but this time, we figured: Why not bake that feeling straight into the song itself? Even as we move forward and leave parts of our past behind, we needed a bridge to the future — and this track became that bridge."

Hailing from the small town of Eksjö, Sweden (located between the revered metal cities of Gothenburg and Stockholm), the quartet (guitarist and vocalist Niklas Karlsson, guitarist Richard Hansson, bassist Fredrik Lennartsson, and drummer Christopher Wallerstedt) has grown into a global force, melding together, riffs that are equal parts thrash, death metal and industrial with arresting hooks and a layered atmosphere that invites comparison to Gojira, Metallica and Static-X while carving out something that is uniquely their own.

Orbit Culture's 2023 album, Descent, and its subsequent EP release, The Forgotten, topped many year-end lists in 2023 including Metal Hammer who described the album as "a formidable entwining of modern metal’s most effective and exciting strands into an impressive milestone."

 Exhaustive worldwide touring and a steady stream of crowd-pummeling festival slots across the globe, have set the stage for something much larger.

PALEFACE SWISS Announce Cursed: The Complete Edition; Drop New Video "River Of Sorrows" Unplugged Feat. Ron Deris

Paleface Swiss continue their unstoppable rise with the announcement of Cursed: The Complete Edition, an expanded version of their internationally acclaimed third album, Cursed (released in January of this year). The deluxe edition will be released digitally on June 7, with a range of exclusive vinyl variants available from July 18. Today’s news is punctuated with the release of “River Of Sorrows (Unplugged)” feat. Ron Deris, a stripped down, acoustic version of fan favorite ballad and album closer. 

Watch the video for River Of Sorrows (Unplugged) below and stream the track on DSPs now HERE.

Pre-order Cursed: The Complete Edition on vinyl HERE.

When Cursed dropped earlier this year, it tore through expectations—debuting at #17 worldwide on Spotify, #3 in the US, and #1 in the UK, while drawing critical acclaim and amassing millions of streams. Paleface Swiss further cemented the album’s popularity by following its release with sold out tours across Europe, the UK and North America, selling an impressive 55,000 tickets across both runs. Now, Cursed: The Complete Edition gathers the full spectrum of that creative era, featuring all original tracks, three previously stand-alone singles from 2024 (“Best Before: Death,” “Please End Me,” and “The Gallow”), a brand new bonus track titled I Am A Cursed One,”and today’s new, stripped back acoustic version of their signature ballad “River of Sorrows” featuring special guest Ron Deris.

Written and recorded in isolation in the Canary Islands, Cursed was produced by Ron Deris at Misueno Studios, with final touches from longtime collaborator Florent Salfati (Landmvrks). Each song is tied to a symbolic flower, forming a broader conceptual arc built on themes of betrayal, sorrow, rage and resilience. Standouts like Hatred,” “Love Burns,” and My Blood on Your Hands showcased a band willing to evolve—balancing staggering heaviness with emotional depth. 

The new material featured on Cursed: The Complete Edition finalizes that arc. The brand new, currently unreleased track I Am A Cursed One” delivers a final, furious statement, while River of Sorrows (Unplugged) offers a rare glimpse of the band putting their vulnerability front and center, stripped of the usual chaos that surrounds it. Pre-order your copy on vinyl now HERE.

Known for their incomparable live performances and fearless approach to intense and vulnerable topics, Paleface Swiss has built a reputation as one of the most vital, unfiltered and rapidly rising forces in the world of modern metal today. With ‘Cursed’, Paleface Swisstook listeners into their darkest, most intricate and artistically diverse chapter yet, Combining their trademark Nu-Core heaviness with raw vulnerability, a rare and special combination for a band within their genre.

Now, with Cursed: The Complete Edition, an ever-growing army of devoted fans, critical acclaim, sold-out tours across the globe and multiple stellar festival performances garnering new fans wherever they go, Paleface Swiss continue their unrelenting global takeover.

ABOUT PALEFACE SWISS

Since their debut Chapter 3: The Last Selection in 2020, Paleface Swiss have risen from underground darlings to global heavyweights in the world of metal. With explosive riffs, punishing beatdowns, a brutally heavy rhythm section, and frontman Zelli’s signature vocal savagery, the band quickly gained momentum—landing four breakout tracks on Spotify’s Heavy Beatdown playlist Their 2022 follow-up Fear & Dagger pushed even further, earning praise for its emotional weight and unflinching heaviness, with standout reviews from Metal Injection, New Transcendence, and Wall of Sound. Singles like “The Orphan,” “Dead Man’s Diary” (feat. LANDMVRKS' Florent Salfati), and “My Grave / Lay with Me” solidified their place among the new wave of deathcore’s most innovative acts.

In the years that followed, Paleface Swiss took their chaos on the road—touring with Body Snatcher, Counterparts, and The Ghost Inside, and leveling festival stages from Sick New World to Hellfest. Their live reputation exploded, converting crowds with a show that fuses unrelenting brutality and raw vulnerability. Between headline tours and viral fan demand, they released standalone anthems “Best Before: Death,” “Please End Me,” and “The Gallow—each now included on their latest offering Cursed: The Complete Edition, the most ambitious and complete chapter of their journey so far. To date, the band have amassed over 110 million streams, 21 million YouTube views, with their Spotify Monthly listeners recently peaking at over 1 million. Their recent, sold-out Cursed Tour across Europe, the UK and North America sold over 55,000 tickets.

PALEFACE SWISS Are: 

Vox: Marc “Zelli” Zellweger

Guitar: Yannick Lehmann

Bass: Tommy-Lee Abt

Drums: Cassiano 'Cassi' Toma



Find Paleface Online 

www.palefaceswiss.com

East-West fusion outfit TIAN QIYI presents 'Watch The Sunrise', heralding sophomore album 'Songs For Workers'

Genre-defying UK-based music outfit Tian Qiyi are back this summer with their sophomore album 'Songs For Workers', to be released via Pagoda Records, having already generated plays from Gideon Coe, Mark Riley and Stuart Maconie on BBC 6 Music, and from John Kennedy on Radio X London.

Tian Qiyi presents 'Watch The Sunrise', the stunning lead track to their new 10-track collection and an introduction to their groundbreaking musical journey, which bridges generations and cultures, blending deep dub grooves with Chinese and Celtic traditions.

More than just a band, Tian Qiyi brings together brothers John Tian Qi Wardle and Charlie Tian Yi Wardle with their father, legendary bassist Jah Wobble (John Wardle). The band's unique sound reflects their rich family heritage, blending their father's pioneering work in post-punk and dub with the Chinese cultural influences of their mother, Zilan Liao.

"'Watch the Sunrise' draws from the folk traditions we grew up learning from our grandad. It’s a melody-driven track, grounded by a steady beat throughout. Charlie gets to show off his string skills, layering four different bowed instruments from China and Mongolia, adding a rich, textured sound that pays homage to our East Asian roots," says John Tian Qi Wardle.

Building on the foundation of their acclaimed 2024 debut album 'Red Mist', with standout singles 'Red Mist' and 'Incantation', The Wardle brothers continue to forge a sound that blends dub, post-punk, and experimental production with rich influences from Traditional Chinese, Mongolian, and Irish music.

"With 'Sunrise', we wanted to explore a more structured songwriting approach different to the rest of the album — a song with defined verses and a chorus, without leaning too far into a commercial sound. The idea for the main melody came after I’d been listening to a lot of traditional music from Xinjiang; I was drawn to how expressive and rhythmically rich it was, and how it carried this feeling of movement and openness. When I brought the melody to John back in England, he started playing the rhythm that now drives the track," says Charlie Tian Yi Wardle.

"Lyrically, I wanted to explore spiritual, mainly Buddhist ideas. In ‘watching the sunrise’, with night turning to day and dark to light, we understand there is an interdependence necessary in order for either word to hold any conceptual meaning. Similarly, I wanted to explore the interdependence between life and death, rationality and faith, and the role of the ego, perception and the idea of a self/non self within this."

'Songs for Workers' represents the next evolution in Tian Qiyi's mission to create border-crossing musical experiences that honour their diverse influences while crafting something uniquely their own, further exploring the intersection of traditional Asian and Celtic soundscapes with contemporary dub production techniques.

John Tian Qi handles all drumming and percussion - both Eastern and Western - on the album. Charlie Wardle’s unique vocal style is to the fore, as is his incredible musical dexterity on traditional Chinese and Mongolian instruments, bringing a funky and, at times, psychedelic quality to the music, in addition to that which is expressly traditional.

Jah Wobble plays bass on most of the album’s tracks, while John Tian Qi contributes bass on 'Luoyang' and 'Siege' and synth / Moog bass on 'Watch The Sunrise', highlighting Tian Qiyi's growing creative independence and production chops.  

Fully produced by Tian Qiyi, 'Songs For Workers' marks a bold step forward in their cross-cultural, multi-generational musical journey. Rooted in heritage and driven by experimentation, their sound is shaped by the magnetic tension between ancient tradition and dub futurism, East and West, land and spirit—a musical space that is uniquely their own.


Drawing inspiration from Miles Davis's groundbreaking electric period and the experimental spirit of Krautrock, the band creates expansive, boundary-pushing soundscapes that defy easy categorization. Jah Wobble's involvement adds a deep, distinctive dub foundation to the family's cross-cultural vision, while the brothers' mastery of traditional Chinese instruments reflects their maternal heritage.

The duo's name itself carries deep personal significance, combining elements of the brothers' middle names: "Tian," shared by both siblings, paired with "Qi" (meaning "together") and "Yi" (meaning "one"). This linguistic fusion mirrors their musical approach, where disparate elements unite to create something entirely new—much like their parents' union of Eastern and Western cultural traditions.

On May 9, 'Watch The Sunrise' is available on fine digital platforms, including Apple Music, Spotify and Bandcamp. The full 'Songs for Workers' album will be released on June 28 and is now available for pre-order.

SINGLE CREDITS
Performed by Tian Qiyi
Composed by John Tian Qi Wardle, Charlie Tian Yi Wardle, Jah Wobble
Charlie Tian Yi Wardle - Morin Khuur, Er Hu, Ghijik, Vocals
John Tian Qi Wardle - Drum Kit, Synth Bass, Percussion, Yang Qin
Engineered & Mixed by John Tian Qi Wardle
Recorded at Pagoda Studio
Released by Pagoda Records
Published by Domino Publishing / 30 Hertz
Publicity by Shameless Promotion PR


Keep up with Tian Qiyi
Bandcamp | Instagram | Twitter | TikTok | YouTube | Apple Music | Spotify | Booking contact | Press contact

Keep up with Shameless Promotion PR
Website | Facebook Twitter |  Instagram | BlueSky | Threads  Soundcloud | LinkedIn | Ema il

GINA BIRCH ANNOUNCES NEW ALBUM TROUBLE

Legendary artist, Raincoats co-founder, songwriter, filmmaker, and feminist icon Gina Birch has announced her eagerly awaited second solo album, Trouble, arriving via Third Man Records on Friday, July 11. Pre-orders are available now. Trouble is heralded by the album’s blistering centerpiece, “Causing Trouble Again,” available for streaming now.

Ride-or-Die Love Takes Center Stage in Maya Kuriel’s New Single “Alibi”

Rising pop sensation, Maya Kuriel, has officially dropped her second single of 2025, "Alibi" — a brooding, cinematic anthem that fuses passion with peril. Released today, the track showcases Maya’s signature

ability to turn intense emotion into immersive sonic experiences. "This song is for anyone who's ever chosen love over logic," says Maya.

Produced by Gavin Hudner and co-written by Maya, Julia Joy Thompson, Gavin Hudner, and Peyton Incollingo, "Alibi" plunges listeners into a shadowy world where loyalty and secrecy reign supreme. With moody, atmospheric production and evocative lyrics, the song paints a vivid portrait of two lovers on the run — bound by a vow to protect each other at all costs. Imagine Bonnie and Clyde reimagined for the digital age: late-night getaways, new identities, and a relentless pursuit of freedom and love.

"Alibi" follows Maya’s earlier 2025 release, "Dead Weight," a chilling and emotionally raw track that delves into the heavy toll of toxic relationships. While "Dead Weight" explored emotional entrapment, "Alibi" flips the script, celebrating a reckless yet unwavering devotion. With her genre-blurring storytelling and hauntingly emotional vocal delivery, Maya Kuriel continues to carve out a bold new space in the pop landscape.

MORE INFO:
Born and raised in Seattle and now based in Los Angeles, Maya Kuriel is a first-generation Korean American artist redefining the landscape of pop music. She’s a sonic architect crafting a world where eerie synths, raw emotion, and grungy production collide. Maya embraces the underrepresented, carving out a space for Asian voices in a genre that’s long overdue for a shake-up. Her music drips with moody textures and cinematic tension, luring listeners into a hypnotic haze of haunting melodies and pulsating beats. Since her debut in 2020, Maya has amassed over 2.5 million streams across all platforms, captivating audiences worldwide with her powerful vocal melodies and introspective lyrics. With a voice that floats between ethereal beauty and unfiltered grit, she’s the storm brewing on the edge of pop’s horizon—one that refuses to be ignored.

MAYA KURIEL ON SOCIALS:

YOUTUBE | INSTAGRAM | SPOTIFY | TIKTOK | TWITTER

Alternative Metal Band ODC Unveils New Single “Love, I Tore It Apart” + Music Video

The newly signed French alternative metal band ODC are thrilled to unveil their new single, “Love, I Tore It Apart,” out now via BLKIIBLK. The new single is accompanied by a music video, available to view below.

 

With its polished production, dynamic structure, and vulnerable lyrics, this new single places ODC firmly in the new wave of genre-bending metal acts.

 

Commenting on the track, ODC states:

“The track blends heavy, syncopated guitar riffs with electronic textures and powerful, emotional vocals - a bold and cinematic take on modern metal. It dives deep into themes of toxic love, identity loss, and emotional struggle, capturing the chaos of a relationship that slowly destroys from the inside.” 

Watch the Music Video for "Love, I Tore It Apart" Below:

ODC is the soundtrack of a hybrid generation. A sonic uppercut, balancing raw power and elegance. It’s also the voice of a generation searching for meaning - standing at the crossroads of styles, cultures, and influences.

 

Born in Paris in 2017, ODC is the result of two worlds coming together: the world of Celia Do, a vocalist with a striking identity, and that of a composer driven by the same fire - the desire to create an alternative metal project that breaks free from conventions: bold, modern, and uncompromising. From this spark, a true sonic and visual odyssey emerged.

 

ODC - named after Celia’s stage name acronym - became a totally creative space, where heavy riffs, catchy melodies, and contemporary electronic textures collide in a unique blend of raw energy and polished aesthetic. ODC is a bold blend of metal, modern rock and immersive electronic atmospheres.

Stream / Listen to "Love, I Tore It Apart" HERE