Boston Manor Announce New Album "Sundiver" + Share New Single "HEAT ME UP"

Boston Manor frontman Henry Cox is opening the next chapter of a story that began with 2022 album Datura. That record opened with the lines, "Do me a favour, close that window, keep the heating in, there's a fire in the car park, I see it smouldering." Sundiver, then, is the yin to Datura's yang.  Arriving on September 6 via SharpTone Records, Sundiver is Boston Manor’s fifth album and one that represents a glimmering dawn for the Blackpool five-piece. Grown from a seedbed of optimism and sobriety, the LP celebrates new beginnings, second chances and rebirth. With two members recently stepping into fatherhood, hope is baked into every note.

Like anything worth doing though, that hope has been hard-won. On Sundiver, change doesn't just happen it is willed into existence, forged in the flame of grief and bent into shape with a hammer blow of positivity. Working with long-time producer Larry Hibbitt, alongside engineer Alex O'Donovan, the band switched recording from London to the leafier pastures of the home counties. There's a brightness searching to get out of Sundiver that feels like a purposeful about-turn from the darkness of [2022 album] Datura.

This year's pair of earlier single releases explored second chances ("Container") and "What If?" scenarios ("Sliding Doors"), bringing with them a refreshed mindset, the band clearly ready to create something immersive, embracing the unpredictable, glorious, devastating nature of life as a human being. Lyrics foxtrot from parallel universes to personal growth, vivid dreamscapes to raw grief. Individually they're single strokes full of meaning and magic. Together, they're a landscape.

"'Heat Me Up' ended up being the first track we finished on the album," says Cox. "We'd gone down to Welwyn Garden City where we were going to record the album to write and do some pre-production. It was actually our day off, it was a blistering hot day and we had nothing to do, so we had a barbecue in the garden and wrote a song. Sometimes tunes take months to write but this just flew right out in an afternoon. It's a song about being utterly obsessed with someone and being grateful for what you have."

Continuing about the album as a whole, he says: "Sundiver is the culmination of two years work and four years of planning. Going into the pandemic, we knew our next record would be a double album released in two parts. The first a short shadowy-noiry electronic record set over one night and the second a sprawling rock record that documents the following day. Both albums are products of their environments, we made Datura in the dead of winter in a windowless studio complex that mostly just produced techno, we'd enter before the sun rose and leave long after it set, basically never seeing sunlight. We made Sundiver in Welwyn Garden City over two summers, we barbecued every day and would walk across the road to a meadow and just take naps in the sunshine when we weren't recording."

He continues, "We've essentially been working on this album and building up to it since the pandemic. We were obsessed with trying to make a record that felt like blistering sunshine, or that wavy/hazy horizon you get when the pavement is super hot, but we didn't want it to sound 'happy' or 'major key.' Sundiver is by far Boston Manor's best and most ambitious record to date, and we couldn’t be happier with it, I really hope our fans love it as much as we do."

BOSTON MANOR are today announcing that their new album Sundiver is set for release on September 6 via SharpTone Records. Pre-order the album here.

News of the band's fifth studio album arrives alongside the release of its lead single "HEAT ME UP."

"Could you please open that window, let the new world in." 

The sage simplicity of Sundiver's opening lyrics says it all.

 PHOTO CREDIT:  Megan Doherty 

London electronic indiepop stalwart RODNEY CROMWELL presents 'Madeline Trip', previewing his summer EP

"A magical-realist synthpop collage" ~ Bandcamp Daily

“Rodney Cromwell's music belongs to the future” ~ NME

“His new lo-fi disco laments are joyfully simple & painfully funny”
  ~ The Huffington Post

"Motorik mechanisation within a hypnotic electronic backdrop...Glorious" ~ Electricity Club.co.uk

"Delicious Melodies that are both simple and direct" ~ HI-FI World

"Buoyant" 4/5 ~ Shindig! Magazine

"Glorious pure synthpop... one of the most innovative, enjoyable electronic acts around" ~ XS Noise


London-based indie electronic artist Rodney Cromwell has announced that he will release his new 'Exercise Class' EP on June 14 via Happy Robots Records. This four-track offering follows his 2023 EP 'The Winter Palace Remixes'.

Previewing the new 'Exercise Class' EP, Cromwell drops as a teaser 'Madeline Trip', the shortest track on this EP, being a 55-second electronic hauntological trip inspired by Marcel Proust’s seven-volume novel ‘In Search of Lost Time’. This is also the first song usually introduced to Cromwell's live audience when his band enters onto stage.

Rodney Cromwell is the solo moniker of Adam Cresswell of two John Peel faves - 90s indie folk band Saloon and 2000s electronic duo Arthur and Martha. Since debuting with the 'Age of Anxiety' album, Cromwell has been featured in NME, Electronic Sound, Huffington Post, Paste, Shindig!, Louder Than War, The Big Takeover, Magic RPM, Post-Punk.com and Bandcamp Daily. National radio play includes BBC 6 Music in the UK, RTE in Ireland, airplay in Tokyo, and RNE3 in Spain, for whom he also recorded a live session.

Rodney Cromwell live is a joyful mixed-media extravaganza, incorporating analogue synths, video visuals and live instrumentation, interjected by Rodney’s 'offbeat wit'' (NME). Described 'like a spiritual experience", he has shared the stage with icons such as A Flock of Seagulls, Damo Suzuki, Pram, Death & Vanilla, Rowetta, M!R!M and Steve Davis. In 2022, he recorded a live session for Electronic Sound and supported Blancmange on a number of dates, further cementing his reputation as one of the most exciting live acts on the electronic music scene.

The 'Exercise Class' EP will drop into your inboxes soon, just in time for the summer. With its dead-pan spoken-word lyrics, melodic chorus and Cromwell’s signature classic synth sound,  the title track draws influences from LCD Soundsystem, Metronomy and New Order’s ‘Blue Monday’, as well as the iconic soundtracks of Jane Fonda workouts videos.

As with all output from this retro-futuristic songcrafter, Rodney Cromwell's new releases brings music is as fitting for the indie-disco dancefloor as a sweaty exercise studio.

On May 24, 'Madeline Trip' will be available everywhere digitally, including Spotify, Apple Music and Bandcamp. The full 'Exercise Class' EP, which is already available for pre-order, will be released on June 14.

CREDITS
Written & performed by Adam Cresswell
Recorded, mixed & mastered by Adam Cresswell
Catalogue Number Bot41
Released by Happy Robots Records
Distributed by Cargo Records UK    
Publishing by Songtrust
Publicity by Shameless Promotion PR

Keep up with Rodney Cromwell
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Portland outfit FEDERALE presents 'No Strangers' single with star-studded cast. Forthcoming 'Reverb & Seduction' album marks 20 years

“Equal parts Ennio Morricone, Lee Hazelwood, and Nick Cave with a touch of Chris Isaak’s less romantic side… few if any artists are brave and/or creative enough to channel this ghostly, often ominous vibe into moving, sensual and stirring music” ~ American Songwriter

"Their most immersive and varied album to date, Collin Hegna and his merry band of music-makers take us on a fantastic journey... and on ‘Heaven Forgive Me’, Hegna channels the post-punk vibes of such bands as The Church, Pink Turns Blue and The Mission to our delight" ~ The Spill Magazine


Portland-based outfit Federale presents 'No Strangers', which pays homage to Lee Hazlewood. This is the second single from their 'Reverb & Seduction' album, out this summer via Jealous Butcher Records. Earlier, the band released the lead track 'Heaven Forgive Me', featuring The Black Angels' Alex Maas on backing vocals.

Joining in this Hazlewood tribute are Dave Mudie (drummer for The Dandy Warhols' Courtney Barnett), Andrew Joslyn (Nancy Wilson, Kei$ha, Macklemore, Leslie Odom Jr., Mark Lanegan) on strings, and Hunter Lea (Grammy nominated Nancy Sinatra / Lee Hazlewood re-issue producer) on harpsichord.

In the 20 years of their existence, Federale has carved out a unique niche within the indie music landscape, blending their signature spaghetti-Western instrumental sound with increasing doses of moody vocal arrangements in the spirit of Lee Hazlewood and late-period Leonard Cohen. Through it all, songwriter and lead singer Collin Hegna – who also spent the last 20 years as a dues-paying member of The Brian Jonestown Massacre – maintains a strictly retro vibe. Federale's records have always sounded period-correct for an alternate-universe 1971, where rock and roll never caught on.

Their sixth studio album, 'Reverb & Seduction' marks the band’s twentieth anniversary. The band’s most immersive and varied album to date, with do-it-all frontman Collin Hegna at the height of his powers, this is a tour-de-force road trip from psych rock to country duets, never straying too far from the spaghetti western roots that inspired the band many blood-moons ago.

“'No Strangers' is an ode to the story songs of Lee Hazlewood. But this time our narrator is on a warpath. Like the leader of a biker gang or a band of musical outlaws, our protagonist rolls into town a Stranger and finds the hypocritically self righteous town folks are none too happy to see him. This doesn't worry him though, because our antihero plans to even the scales in any way necessary. Musically the marriage of strings, pedal steel and reverbed-out guitars transports us to a nondescript time and a nondescript place that is definitely in the past and definitely in the desert. It may be a rugged, dangerous place. But it sure sounds cool. Too bad The Stranger had to burn it all down in the end," says Collin Hegna.

"Each Federale release has sought to embrace influences ever farther afield from the band’s original concept as an ode to Spaghetti Western film music. But one aesthetic constant (as far as non-instrumental songs go) has been the dark, narrative driven folk ballad".

Comprising 10 tracks, 'Reverb & Seduction' was recorded at Revolver Studios in Portland and engineered by Collin Hegna, Matt Thomson and Andrew Joslyn, who boasts five 5 Grammy Award winning albums. Mixed by Jeff Stuart Saltzman (The Black Keys, The High Violets), Matt Thomson and Collin Hegna, this album was mastered by Adam Gonsalves at Telegraph Mastering.

These new musical homages are complemented by a new lineup of well-known Portland rock-scene vets, including talents from The Shivas, Roselit Bone, Dandy Warhols, Rogue Wave and Delines. Going forward, Federale expects to fully embrace the role of a working, touring band, starting with a West Coast tour timed to coincide with the new record's July release. A European tour will follow in late fall 2024.

As of May 22, 'No Strangers' is available everywhere digitally, including Apple Music, Spotify, Tidal and Band camp. The full 'Reverb & Seduction' album, which can be pre-ordered now, will be released on July 12 via Jealous Butcher Records, available on CD and vinyl wherever fine records are sold.

SINGLE CREDITS
Written, arranged and produced by Collin Hegna
Mixed by Jeff Stuart Saltzman
Mastered by Adam Gonsalves at Telegraph Mastering
Recording Engineering - Collin Hegna, Matt Thomson, Andrew Joslyn
Recorded at Revolver Studios in Portland, OR
Dave Mudle - drums
Rick Pedrosa - pedal Steel & Guitar
Andrew Joslyn - strings
Hunter Lea - harpsichord
Collin Hegna - all other Instruments, percussion & vocals
Released by Jealous Butcher Records
Management: Andy Ross @ Exit Strategy Productions
Publicity: Shauna McLarnon @ Shameless Promotion PR
Video created by Little Richard’s Almanac, animated by Ron Laboray and Niki Elliott

Keep up with Federale / Collin Hegna
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Keep up with Jealous Butcher Records
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"Drowning" by Don’t Believe In Ghosts: An Anthem for Battling Life’s Overwhelming Noise

Don’t Believe In Ghosts, the New York City-based alternative indie pop rock band, has just dropped their new song, "Drowning," through Imagen Records/Warner ADA.

"Drowning" is available for streaming and download on all major platforms.

Don’t Believe in Ghosts is an alternative indie pop band formed and based in New York City. The ensemble is led by singer, songwriter, and producer Steven Nathan and features Dan DelVecchio on guitar and Ken Yang on drums. Since their inception, they have carved a niche within the vibrant music scene of New York, earning widespread acclaim.

In 2020, the band signed with Imagen Records/Warner ADA. They are widely recognized for their breakthrough track “Put Your Head Back,” which not only featured in the AppleTV+ series “WeCrashed” starring Jared Leto and Anne Hathaway but also graced the show’s soundtrack. The track, mixed by the renowned Mark Needham, known for his work with The Killers and Imagine Dragons, has garnered extensive praise nationwide.

The band’s last album, Solutions, has achieved significant success, surpassing 1 million plays, reflecting their growing influence and reach. Their discography also boasts multiple singles played on alternative radio stations across the country and more than 2 million plays on Retail Radio. They have charted at #2 on All Access and have had their songs featured on various TV shows, including “Ink Master” and “The U.S. Open.”

Their new single, "Drowning," is a vibrant alt-rock dance track that captures the essence of indie pop dance. This track delves into the overwhelming sensation of struggling to keep up with daily life amidst constant distractions, symbolized through the lyrics 'I see you drowning, in and out of it, Climbing higher just to see around it.' Singer Steven Nathan poignantly reflects, "Sometimes the distractions are louder than the internal message and sometimes our passions are muted by the barrage of noise being thrown at us daily." “Drowning” is a part of their upcoming album that promises a deeper exploration of lyrical content and experimentation with new styles, showcasing their evolution as artists.

Don’t Believe in Ghosts has been featured in major publications like American Songwriter, Kings of A&R, and Alternative Press Magazine, which included them in their “40 Artists You Need to Hear” list. They have toured extensively around the Mid-East and West, shared stages with acts like COIN at the House of Blues, and performed at “The Gathering” Radio Convention in Cleveland.

Steven Nathan encapsulates the band’s philosophy with the phrase, “Don’t give energy to the ghosts of your past,” emphasizing the importance of focusing on the present and moving forward without the weight of external judgments. Through their music, Don’t Believe In Ghosts continues to offer a blend of honesty, creativity, and relatable narratives, making every song not just heard, but felt.

For more information about Don’t Believe In Ghosts and their tour dates, visit:

Official Website

Replacire Release Razor-Sharp New Single

When Replacire started thinking about their third album, they gravitated around a simple idea. Write some caveman riffs to feed the mosh pit the next time they went out on tour. Of course, like any good technical death metal band that’s worth its weight in colored sands, these whiz kids deviated from their initial thought pattern. It wasn’t easy. Heck, they ended up crawling down a seven-year rabbit hole. But on The Center That Cannot Hold, the Boston band flex all their muscles 

"This was a grueling process", says guitarist Eric Alper. "But it was worth it in the end".  

On the surface, Replacire starts and ends with Alper. After all, the band is just his name spelled backward. Alper is a competitive bodybuilder with a mean and lean right rhythm hand, but don't let those beefy credentials fool you. When it comes to the studio, his brain does all the heavy lifting. By day, Alper produces music for other artists, as well as TV and movies. He's a proud alumnus  of Berklee College of Music, which is where he formed Replacire with four classmates back in 2009.   

Using the money that they savvily raised on Kickstarter, Replacire self-released their debut album by the end of 2012. A hybrid of thrash, prog and death metal, The Human Burden punched through the underground like a cyborg's fist. "This is what would have happened if Chuck Schuldiner were still alive today and mixed up with the likes of Obscura and Opeth at the same time", Metal Injection gushed. After tours with Hate Eternal and Beyond Creation and an unintentional private showcase for a certain label rep, Replacire signed with Season of Mist in 2016. The band wasted no time before making a quick first impression. While still head-spinning, their second album landed with the decisive force of a first-round knockout.    

“This group has set the tone for modern, rhythmically-centered death metal”, proclaimed Loudwire, who named them one of the top 5 bands amongst the next generation of death metal. “It’s time to wake up and hop aboard Replacire’s train”.    

Indeed, Replacire were chugging along with a full head of steam. But there's a reason why their new album is called The Center That Cannot Hold. After all, this is extreme metal. Things were bound to go flying off the rails at some point. Before they could even step out on their next headlining tour, the band's lineup completely turned over. While their momentum stalled, Alper went searching for replacements.  

Luckily, he didn't have to go any further than his old stomping grounds. Alper linked up with Zak Baskin, who had filled in on bass for parts of Do Not Deviate. Alper then reconnected with Kee Poh Hock, a guitar whiz who'd lived with Baskin when all three were students at Berklee. Even though he graduated a few classes after them, Joey Feretti was so advanced behind the drum kit that he became Alper's roommate. With mighty vocalist James Dorton joining fresh off Black Crown Initiate's breakout, the new-and-improved Replacire were all set to hit Alper's Ugly Duck Studio come March of 2020.  

No one needs to be reminded of what happened next. Replacire  always grind in the studio, taking their sweet time to fine tune every technical detail down to the last seventh string. "It never ceases to amaze me the way other metal bands just churn stuff out", Alper says. "It doesn't come easy for us. So many hours go into so few seconds of music". But when the pandemic shut the world down, writing slowed to a crawl amidst the endless slog of Zoom sessions. With live music shut down for the foreseeable future, suddenly, their well-laid plan for pumping out an album of crowd killers seemed more and more like a flimsy proposition. To stay afloat, Alper sold the band's van and moved out of their rehearsal space.  

"Everything that I had built to support the band was falling apart", Alper says.  

The mounting stress would've left a lesser band bloody-tongued and screaming. But despite being stuck inside this perfect shit storm, Replacire banged their heads together and pushed through. "Living Hell" was inspired by a nasty spell of sleep paralysis that Dorton suffered after witnessing a traumatic event. "In the wake of suicide", he groans, shrouded by eerie pangs of distortion. Alper was battling his own bouts with anxiety and depression that were brought on by a rather severe case of writer's block, but even when all he could stand to do was lay on the couch while humming through a half-finished riff, Poh Hock would pick up his Strandberg and zip past the finish line. "The Helix Unravels" could twist all of Mensa into a pretzel with its interlocked chugs and squealing fret bends. 

The Center That Cannot Hold is crammed full of mind-bending tech-death workouts. Baskin’s unfettered groove serves as the perfect springboard for another transcendent Hock solo halfway through "Hoard the Trauma Like Wealth", though his reverberated bass echoes like a sea of voices trapped at the bottom of a well on "The Ghost in the Mirror". The title track unspools under Feretti's syncopated snare hits and precision blasting, though Alper was the real drill sergeant. "I wanted the vocals to sound like they do on Slipknot's self-titled album, where Corey is gasping for air". Dorton took the inspiration to heart, running through full takes, with no stops, for hours on end. Heck, his vocal chords were so tattered and torn that he narrowly avoided a trip to the hospital.  

"We poured all of our blood, sweat and tears into this album", Alper says. "It took years off my life. There were plenty of times where I wanted to quit. But I'm glad we didn't, because this is our best album. Everything from the overall production down to the lead guitar parts took a step up. The tone is more serious  The songs are still techy buy they're also a lot heavier. I'm proud of us".  

On The Center That Cannot Hold, Replacire stand stronger than ever.   

Line-up
Eric Alper - Guitars
James Dorton - Vocals
Kee Poh Hock - Guitar
Zak Baskin - Bass
Joey Ferretti - Drums

Recording Studio
Ugly Duck Studios

Production Credits
Eric Alper - Producer & Sound Engineer
Jens Bogren - Mixing & Mastering Studio Engineer (Fascination Street Studios)

Cover Art
Andrew Tremblay (@actremblayart)

Biography
Will Yarbrough

Order & Stream: https://orcd.co/replacirethecenterthatcannotholdpresave

Follow Replacire:
Bandcamp: http://replacire.bandcamp.com/
Facebook: https://www.facebook.com/Replacire
Instagram: https://instagram.com/replacire
Soundcloud: http://soundcloud.com/replacire
Twitter: https://twitter.com/Replacire
YouTube: http://www.youtube.com/user/Replacire/videos
Apple Music: https://music.apple.com/us/artist/replacire/576863051
Deezer: https://deezer.page.link/6prhUUWzLoxLRVhK8
Spotify: https://open.spotify.com/artist/0t8nNth1Y9dRxGoiHHSSoa

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black

"A band on their way to the top" - Angry Metal Guy 
"
Leave you with a smile on your face and the horns in the air" - Metal Injection
"Mixes the pummeling intensity of Dying Fetus with the proggy eccentricity of Leprous" - No Clean Singing
"Engrossing brutality and neck-breaking charm. Truly the best of both worlds" - Dead Rhetoric

There's no box that Replacire can't break. The Boston tech-death band boasts multiple Berklee  graduates, one hell of a voice actor and a competitive bodybuilder. But while writing and recording their upcoming third album, all too often, they felt trapped inside their own personal torture chamber. Hence why it's called The Center That Cannot Hold. Still, these guys banged their heads together and pushed way beyond the finish line. On new single "The Helix Unravels", they sound tighter than ever.

Listen to "The Helix Unravels" below.

The Center That Cannot Hold comes out June 21, 2024 on Season of Mist. 

Pre-order & Stream: https://orcd.co/replacirethecenterthatcannotholdpresave

Replacire are always thinking up ways to break metalhead brains. "The Helix Unravels" stems all the way back to 2017. The song's opening frenzy was already drilled into Eric Alper's skull when the band was still hot off their first headlining tour. But just as they were all set to enter Alper's Ugly Duck Studio come March of 2020, the music industry hit a brick wall. 

"The pandemic was hard on us", says Alper. "To stay afloat financially, we had to sell our tour van and move out of our practice space. It felt like everything that we had built up to support the band was falling apart". 

As if that wasn't enough weight on his shoulders, the mounting stress knocked Alper into a nasty bout of writer's block. "There were days when all I could do was lay on the couch and hum a half-finished riff", he says. Luckily, Poh Hock was right beside him to help pick up the slack. Hock twists and turns "The Helix Unravels" into a tight, three-minute burst that works all of tech-death's core muscles: glitching fret bends, jazzy interludes and downpicked chugs that could break even the thickest of necks.

Still, it's the band who tie "The Helix Unravels" together. Joey Feretti never takes his foot off the bass drum pedal while Zak Baskin holds down a stomach-churning groove. "Say that we will see this through", James Dorton screams through clenched teeth before unleashing his mighty death growl. 

"We poured all of our blood, sweat and tears into this album", Alper says. "There were plenty of times where we felt like quitting. But I'm glad we didn't. The Center That Cannot Hold is the album that Replacire has been striving for since the very beginning".

With "The Helix Unravels", Replacire prove their one of the tightest bands in tech-death.

Poolside At The Flamingo Unleash 'Accabadora' EP & Brand Explosive New Single 'The Deceiver'

Colorado's grindcore 4-piece, Poolside At The Flamingo have officially released their new EP "Accabadora" via Blood Blast Distribution. This release marks a significant milestone in the band’s career, showcasing their evolution as musicians and their relentless commitment to redefining the limits of extreme music.

Speaking on today's EP release, Poolside At The Flamingo share

"The Accabadora EP is the first release that we're truly proud of and feel embodies the sound that we're looking to achieve. The songs on this EP were written with more care and attention than any other album/ep we've released. To us, it's the perfect blend of spastic grindcore and soul crushing breakdowns.”

Alongside the brand new EP, the band has unveiled their latest single, "The Deceiver," which exemplifies their brutal and innovative sound. The single is accompanied by a special compilation of their recent EP release shows, capturing the raw energy and intensity of their stage presence. Shedding light on "The Deceiver", the band adds:

"This song starts off with some chunk that will keep you guessing. Elements of hardcore may slightly peak their heads out as we express our rage for fake, two faced people.”

Following the success of their previous singles "Hell On Earth" and the EP's title track "Accabadora," which featured an epic music video with special appearances by the band members' kids, the excitement surrounding 'Accabadora' has been palpable. Their latest singles "Seething," and "The Deceiver" further build on this momentum, delivering the band's signature blend of brutal intensity and genre-defying soundscapes.

The 'Accabadora' EP, is a bold statement from Poolside At The Flamingo, showcasing their growth as musicians and their commitment to pushing the boundaries of extreme music by blending genres to produce the most brutal and unrelenting tracks possible with a strong focus on having fun and not taking themselves too seriously.

Stay tuned for more from Poolside At The Flamingo soon and don't miss the sheer, unbridled brutality with the release of their brand new EP 'Accabadora'.

To celebrate the release of their brand new EP, Poolside At The Flamingo will continue to dominate stages as they play a string of shows this spring.

Tickets are available from poolsideattheflamingo.com

5/16 - Oklahoma City, OK - TBA

5/17 - Corpus Christi, TX - Boozers

5/18 - Houston, TX - The Compound

5/19 - Fayetteville, AR - Arkansas Event Center

6/10 - Grand Junction, CO - Mesa Theater

6/28 - Denver, CO - The Roxy Theatre

Accabadora EP Release Shows Artwork | Download HERE

About Poolside At The Flamingo

Poolside at the Flamingo is a 4 piece deathcore/grindcore band based in Colorado, USA. Formed in 2005, Poolside At The Flamingotoured extensively in the "Myspace" days playing with the likes of Through The Eyes of the Dead, The Tony Danza Tap Dance Extravaganza, See You Next Tuesday and MANY more. 

Their debut album "This Will End Badly..." (2006) was recorded live in a residential basement. Their next official album, "The Sound Below" (2017), was produced by Dave Otero at Flatline Audio and more recently they released "Self Titled" (2023).

Poolside At The Flamingo Are:

Scotty Bohnen: Vocals

Danny Bohnen: Guitar

Rudy Garcia: Drums

David French: Bass

The Devil Wears Prada Drop "Reasons (TDWP Version Feat. LØLØ)"

THE DEVIL WEARS PRADA have shared a new version of "Reasons," the collab track they released with electronic artists Excision and Wooli back in April 2023. The new version features LØLØ.

Listen to "Reasons (TDWP Version Feat. LØLØ)Below

"When we made 'Reasons' with Excision and Wooli, we knew we had to play it live because the energy was just so high," the band explains. "We revamped the song to work in a TDWP set, and it went off so well that we decided to hit the studio and capture this new live version of the song."

They continue, "Bringing in the amazingly talented LØLØ as a feature has breathed even more life into the song, resulting in a song that defies genre and captures the spirit of how the song feels in a full room going absolutely nuts. We know that our fans will enjoy this version of 'Reasons' as much as we love playing it every night."

 LØLØ offers her insight into this unique collaboration, saying, "I was really excited when TDWP asked me to feature on this track. I've always thought they were so awesome but never thought I'd end up collaborating on a track with them. I think I probably just got a lot cooler."

TDWP will appear at major upcoming festivals — So What?! in Texas in June and When We Were Young in Las Vegas in October. They will also be appearing at Sundown Fest and Furnace Fest. 

PHOTO CREDIT: Imani Givertz

A Wake In Providence Announce New Album 'I Write To You, My Darling Decay' Out July 26 (via Unique Leader Records)

Symphonic deathcore titans A Wake In Providence have announced their upcoming new album 'I Write To You, My Darling Decay' set for release on July 26 via Unique Leader Records. In celebration of the news, the band has released the official lyric video for "Mournful Benediction" featuring Ben Duerr from Shadow Of Intent which can be found on the forthcoming full-length. Speaking on today's news, guitarist and clean vocalist D’andre Tyre shares:

It is with great pleasure we present “Mournful Benediction" ft. Ben Duerr. This single is the inciting incident within the full narrative of IWTYMDD. This song is a great mix of what to expect from the album, with clean vocals throughout the record along with an onslaught of aggression. We hope you enjoy "Mournful Benediction". 

 'I Write To You, My Darling Decay' is another step in the progression of A Wake In Providence. I wanted to tell a story that encapsulates emotional pain and the lengths some are willing to go to undo that pain. This is an epic told through the nature of the songs, woven together by the Orchestra and interconnected lyrical narrative. I hope you enjoy listening to the album just as much as I enjoyed creating it. Thank you.

Pre-save 'I Write To You, My Darling Decay' here, stream "Mournful Benediction" featuring Ben Duerr at the link here, and watch the official lyric video  below.

Fans will have their chance to see the band on the road with deathcore titans Oceano and The Last Ten Seconds Of Life kicking off next Wednesday, May 29. For ticket information, please click here.

Upcoming A Wake In Providence Tour Dates with Oceano + The Last Ten Seconds Of Life:

5/29 - Springfield, MO @ The Riff

5/30 - Oklahoma City, OK @ 89th Street

5/31 - New Orleans, LA @ Southport Hall

6/1 - Corpus Christi, TX @ House Of Rock

6/2 - Ft. Worth, TX @ So What!? Music Fest*

6/4 - Little Rock, AR @ The Rev Room

6/5 - Birmingham, AL @ Workplay

6/6 - Nashville, TN @ The End

6/7 - Lexington, KY @ Manchester Music Hall

6/8 - Toledo, OH @ Toledo Death Fest*

NONPOINT Release New Single "Underdog" + Music Video; Announce Tour with Black Stone Cherry this Summer!

Continuing with the success of their new independent label, 361 Degrees Records, Nonpoint proudly unveils their latest single, "Underdog," along with its official music video.

The song embodies the spirit of perseverance, urging listeners to embrace their underdog status and defy expectations. "Being the underdog doesn't mean you're defeated; it means you have more room to surprise everyone with your resilience and determination," says the band's frontman Elias Soriano.

Stream "Underdog" here:

https://lnk.to/Nonpoint_Underdog

Accompanying the release is a visually stunning music video, directed by Drew Johnston, that complements the song's empowering message.

Nonpoint continues to solidify their place as one of rock's most formidable acts, pushing boundaries and inspiring audiences with their uncompromising sound and unwavering passion.

"Underdog" is now available on all major streaming platforms, and the music video can be viewed on Nonpoint's official YouTube channel.

WATCH "Underdog" (Official Music Video) Below.

Exciting news! Nonpoint is set to hit the road this summer alongside Black Stone Cherry for The Kickin' & Screamin' Tour! These two powerhouse bands join forces to deliver an unforgettable concert experience. Get ready to rock out and experience the energy firsthand!

Tickets available at https://nonpointstore.com/pages/tour-dates

VIP packages are available now at

https://nonpoint.com/products/turn-it-up-2024-vip-experience

2024 Nonpoint Tour & Festival Dates:

Festivals
6/7: Soperton, GA - Throwdown at The Campground
7/20: Cumberland, MD - Rock The Mountains
7/27: Syracuse, NY - Knockathon Reboot
8/15: Glen Flora, WI - Northwoods Rock Rally
9/27: Louisville, KY - Louder Than Life Fest *

w/Black Stone Cherry
7/26: Sayreville, NJ - Starland Ballroom
7/27: Baltimore, MD - Rams Head Live
7/28: Norfolk, VA - Norva
7/30: Richmond, VA - The National
7/ 31: Huntington, WV - The Loud
7/1: Greensboro, NC - Hangar 1819
7/3: Birmingham, AL - Zydeco
7/4: New Orleans, LA - Southport Music Hall
7/5: Memphis, TN - Growlers
7/7: Austin, TX - Come and Take It Live
7/8: Waco, TX - The Backyard
7/9: Beaumont, TX - Roxy Music Hall
7/10: Oklahoma City, OK - Beer City Music Hall
7/12: Colorado Springs, CO - Sunshine Studios Live
7/13: Hays, KS - Fox Theatre
7/14: Lincoln, NE - Bourbon Theatre

w/SOiL, Hed PE and Union Underground
11/5: Bristol, UK - O2 Academy
11/6: London, UK - Electric Ballroom
11/8: Wolverhampton, UK - KK's Steelmill
11/9: Manchester, UK - Academy 2
11/10: Nottingham, UK - Rock Ciy
11/12: Glasgow, UK - SWG3
11/13: Newcastle, UK - Riverside
11/15: Swansea, UK - Patti Pavillion
11/16: Southhampton, UK - The 1865

South Florida-based rock band Nonpoint, has been captivating audiences with their energetic sound and passionate performances for over two decades. Formed in 1997, the band has consistently pushed the boundaries of what modern rock can be, combining heavy metal, nu-metal, and hard rock into a unique and powerful musical force. Over the course of their 20-year career, Nonpoint has released several critically acclaimed albums and garnered a reputation as one of the most exciting live acts in the industry.

Throughout their career, Nonpoint has been celebrated for their signature sound and powerful lyrics, which often tackle social and political issues. Their hard-hitting sound and emotional live performances have earned them a dedicated fanbase, as well as recognition from the music industry. Nonpoint has received multiple award nominations and has been praised by publications such as Rolling Stone, Revolver, and Alternative Press.

Nonpoint is:
Elias Soriano (Lead Vocals)
Robb Rivera (Drums)
Rasheed Thomas (Guitar /Backing Vocals)
Adam Woloszyn (Bass)
Jason Zeilstra (Lead Guitar)

For More Information Please visit:

http://nonpoint.com/

https://www.facebook.com/nonpointofficial/

https://twitter.com/nonpoint

https://www.instagram.com/nonpointband/

https://nonpointstore.com/

https://361degreesrecords.com/

https://www.facebook.com/361degreesrecords/

ANCIIENTS Announce New Album

JUNO Award winners latest is a heavy, heady and heartfelt offering of progressive metal.

"Big, melodic and fun" - New Noise

"It's exciting stuff, really - often complicated without seeming excessive, skillful but soulful, approachable but not pedestrian" - Pitchfork

"Heady stuff...arch-synthesists, cleverly appropriating a number of familiar, inter-related genres to fuse into a seamless ethos" - Metal Injection

"Proggy, sludgy and downright rocking" - Angry Metal Guy

"When the riffs rumble out of the speakers, you're moving" - No Clean Singing

"Combining powerful drumming with Thin Lizzy inspired riffs, while sounding like the musical equivalent of Game of Thrones" - Echoes and Dust      

"Parts progressive finesse, classic rock grandstanding and grass-roots bludgeon" - PopMatters 

Many moons ago, Anciients were crowned the guiding lights of progressive metal. The Canadians were already firing on all cylinders during a headlining tour of Europe when they won a JUNO Award for Metal/Hard Music Album of the Year in 2016.

Unfortunately, keeping their avalanche of momentum rocking and rolling proved to be no easy feat. For too long, Anciients seemed to lie dormant, hidden amongst the shadows. But now, after eight years of hermetic silence, the band have returned from the wilderness with a new lineup and their highly-anticipated third album, which now stands as their heaviest, headiest and most heartfelt offering.     

"The hiatus is over", says Anciients' frontman Kenny Cook. "We missed out on a huge block after the last record. But with the new album and new members, we're ready to hit it hard".

Beyond the Reach of the Sun comes out August 30, 2024 on Season of Mist. 

Listen to the mind-blowing lead single "Melt the Crown" Below.


Pre-order & Stream

https://orcd.co/anciientsbeyondthereachofthesun

For those foolish enough to forget, Beyond the Reach of the Sun will serve as a reminder that Anciients can still rule with an iron fist. The album tells the story of a society that's enslaved by forces from another dimension. "Melt the Crown" is plenty punishing in its own right. Mike Hannay drums with the crushing speed of a meteor. Only now he's backed by the titanic grooves of new bassist Rory O'Brien, who comes courtesy of fellow Canadian progressives Bushwhacker.         

"We lost our bass player literally a month before we were going in to record and were kind of up shit's creek", says Kenny Cook, Anciient's vocalist and lead axe man. "We got lucky and Rory saved our asses at the last minute". 

An unexpected lineup shuffle was far from the only obstacle that stood in Anciient's path toward album number three. Of course, the global pandemic didn't help, but Beyond the Reach of the Sun had turned into a Herculean climb well before COVID-19 kept the band from performing outside Canada for two-plus years. Cook's wife nearly passed away from heart complications after giving birth to their first child.

"She's happy and healthy now", he assures, "but I wasn't at the stage where I could be out on tour for half a year, especially with a new child. Dealing with family issues was the main priority. It was a bit of a road". 

Such a serious amount of pressure would weigh on anyone. But Cook fell into deeper doubts when trying to carry the bulk of the songwriting and lyric duties in relative isolation after he and his family left Vancouver for small-town Columbia-Shuswap. You can hear those phantom pains bleeding into "Melt the Crown". "Feel the weight of the world",  Cook growls amidst sludgy distortion. But at its core, Beyond the Reach of the Sun is about perseverance. "Melt the Crown" marks the point in the tracklist where a cosmic entity guides society to a source of ancient knowledge that frees them from their oppressors.

"The overall theme of this record is about overcoming adversity in order to seek enlightenment", Cook says.  

Beyond the Reach of the Sun also led Anciients to discover fresh springs of inspiration. The band concentrated on making these songs more dynamic while also allowing them more room to breath. "Melt the Crown" opens with plaintive acoustic fingerpicking. Justin Hagberg, who plays in Ritual Dictates as well as the recently reunited 3 Inches of Blood, soon accompanies with a keyboard melody that shines as crisp as light off a summer lake before shimmering into stardust. "Spirits awakening to cast you out", Cook sings, clean and booming with reverb, like dawn rising above a snow-capped mountain range.  

One thing has always been crystal clear though: Anciients can shred. Fans who've waited on bended knee for more guitar heroics will not be disappointed, either. New member Brock MacInnes brings the same rhythmic crunch that he's given to Dead Quiet. Just listen to the way his riffs on "Melt the Crown" chip and chisel before laying down the hammer with a headbanging chug. "Beyond the Reach of the Sun has a lot more of our rock side", Cook says. "We tried to add more dynamics to the music and give the songs more room to breathe". 

Of course, Cook knows his own way around the neck of a Gibson Les Paul. On "Melt the Crown", Anciients fire up not one, not two, but threeguitar solos. Each one comes with its own special flavor. They start off by leading us through a field of filigreed folk, then turn back toward Allman Brothers' blues, before leaping into a psychedelic reverie that's like opening the door to your mind's eye.    

"'Melt the Crown' was the first song completed during the pre-production sessions for Beyond the Reach of the Sun", Anciients says. "It was the only song we kept from a batch of ideas that we had accumulated over the years, and it served as a formative building block that we used to base the direction of the new material moving forward. It covers almost all of the basis of the sounds we enjoy creating. We hope everyone who listens can find something in there to connect with".

At long last, Anciients have returned for their crown.

It’s been a rough handful of years for British Columbia-based extremity-laced progressive rockers, Anciients. When the quartet unleashed their Voice of the Void album in 2016, the world appeared to be their oyster and things seemed ripe for the picking. They were coming off the success of their Heart of Oak debut from 2013, its ascendancy due in large part to a collective uptick in interest for involved, forward-thinking music. The public had moved beyond toe-dipping and tire-kicking, and were instead doing headfirst dives into exploring the likes of Opeth, Mastodon, Baroness, The Ocean, Intronaut and others who originally hailed from the extreme music underground, but had since grown, matured and scrubbed behind their ears to include heaping and healthy chunks from the outskirts of their record collections and influence pools.  

The Band That Auto-Correct Loves to Fuck With™ shared stages with everyone from High on Fire and Goatwhore to Boris and Lamb of God, were in the midst of a European tour when they discovered they were JUNO Award (Canadian Grammy equivalent) winners in the heavy metal/hard rock category. The world was ready to accept Anciients into its welcoming arms. Anciients was gearing up to employ takeover methods, specifically their brand of thunderous rhythms and labyrinthine riffing bolstered by a road warrior mentality. And then, the momentum petered out and the band seemingly fell off the face of the earth.  

Today, Anciients are ready and poised to resume their spirited quest for heavy metal paramountcy. There’s no doubt the band is back and with a stunning and beautiful collection of ten songs on offer in the form of new and third album, Beyond the Reach of the Sun, they are positioning to reestablish themselves as a dominant force for those who love windmilling their tresses around thoughtful tempo changes, complex harmonic layers and driving power chord shifting. But what the hell happened and where did they disappear to?

“Basically,” explains guitarist/vocalist Kenny Cook, “right before Voice of the Void was recorded, my wife had our first kid. She ended up having heart complications and almost passed away from it. We recorded the last record and once it came out, I was kind of just focusing on her, dealing with her health issues and keeping that in check. I wasn’t at the stage where I could be gone for half a year, especially with a new kid. Long story short, she’s happy and healthy now, but dealing with family issues was the main priority. It was a bit of a road.”

Adding to that bit of Anciients camp turmoil, guitarist/co-vocalist/co-founding member, Chris Dyck and the band parted ways in January of 2017. This left a gaping lineup hole at an inopportune juncture in the band’s timeline. Not only did Cook have to deal with the absence of his long-term song and lyric writing partner, but Dyck was also someone he had been splitting vocal duties with since the pair formed the band in 2009. And then, while helping his wife with her recovery, raising their new born and “because we wanted to raise our son in a small town environment,” the Cook family uprooted to Columbia-Shuswap four hours east of the Vancouver area, where drummer Mike Hannay, Brock MacInnes (Dyck’s replacement) and brand spanking new bassist Rory O’Brien still reside.

“We knew Brock from other bands he’d been in and we knew he’d be a great fit,” explains Cook. “He actually filled in for Chris on a tour we did back in 2015. As far as the vocals, I just found myself picking up the slack on both ends. It felt somewhat natural, it was definitely different. Doing the lyrics myself for the first time was somewhat daunting, but it was also something done out of necessity. But even when Chris was in the band I handled 80-90% of the vocals anyway, so it didn’t change all that much.”  

Then, that whole COVID-19 thing you probably heard about once or twice hit in 2020 and put another restraining bolt on Anciients' activity, especially touring as the Canadians found themselves dealing with stricter travel restrictions and mandates than many other countries; most notably, not being able to cross the border for almost two years. Once the dust settled, Cook had to adjust to being the lone vocalist and how that impacted the material he was writing while navigating being creative with distance between Anciients’ members for the first time. Not a biggie, as in-person writing sessions are more of a rarity these days, but because of the time elapsed since Voices of the Void, things/interests/influences changed and the band ended up scrapping half of an album’s worth of material and starting fresh. When they put their heads down at the end of 2021 with the focus being Beyond the Reach of the Sun, what was revealed a year later was more streamlined and slithery, more chest-thumpingly direct, more epic and triumphant sounding. Riffs come in explosive layered packets. Leads, harmonies and melodies are more on par with wind-tussled mountain tops instead of sweaty bar shows and the band moves with finely honed, martial accuracy as conducted by Hannay’s rocket-in-the-pocket staccato swing and accents.  

Songs like “The Torch” blaze with the shirtless glisten of ‘70s stadium rock power. “Cloak of the Vast and Black” swirls and whirls with a combination of hardcore intensity, grunge groove and expansive six-string parries. “In the Absence of Wisdom” is a hurricane-sized maelstrom of classic and prog rock elevated to grandiosity by a return to their growling sludge/death early years as the song/album concludes. The album’s first single, “Melt the Crown” mixes cues from legendary fellow hosers Rush and Harlequin, turn-of-the-millennium post-metal and the most psychedelic corners of the Rise Above Records roster.

“The new record has a lot more of our rock side,” Cook offers, “and leans towards those elements of our sound and personalities, whereas Voice of the Void was pretty crushing all the way through. With the new material we’ve tried to add more dynamics to the music and give the songs more room to breathe."  

Album opener “Forbidden Sanctuary” is the soundtrack to exploration, of new worlds and sonic arrangement as sine-wave guitars pull from vintage Mercyful Fate covens and Krautrock communes with synths opening up novel textural avenues, as they do on the ethereal wispiness and space rock/sci-fi soundscapes of the instrumental “Candescence.” Beyond the Reach of the Sun sees synths and keyboards making their first appearance on an Anciients record and were played by producer/mixer Jesse Gander and Justin Hagberg at the former’s Rain City Recorders studio. In addition to augmenting the album with his skill on the black and whites, Hagberg — a member of the recently reunited 3 Inches of Blood —  also helped Anciients navigate a significant last-minute hurdle, one that threatened to pull the reins back on their comeback roar.

“We lost our bass player literally a month before we were going in to record and were kind of up shit’s creek. Justin also plays in a band called Ritual Dictates with Rory and is the one who brought his name up.”

O’Brien, a former member of Vancouver’s Bushwhacker, was absolutely interested when approached by Anciients.  

“We got lucky and he saved our asses at the last minute.”  

Cook stepped up to the challenge of being the sole lyricist to drape Beyond the Reach of the Sun in deeply personal expressions of the inner turmoil, fear and isolation he’d experienced in himself and saw in others over the past few years. There were moments where he didn’t know whether loved ones were going to pull through and what life was going to look like were tragedy come to pass. Mental health and people living life without being able to see any light at the end of the tunnel became a very prevalent theme to tracks like “Despoiled” and “Beyond Our Minds.” And while the line that became the album’s title is taken from a David Attenborough-narrated Planet Earth documentary, it speaks more to the coming and going of despondency when one doesn’t know how dark the darkness is going to get, as in “Is It Your God,” which pulls from the manifestation of grief and how it can shatter belief systems.  

“That one is a little more personal to me and my situation,” Cook says somberly. "I had a good friend of mine from when I was younger pass away from cancer. His mother was super-religious and there were ideas taken from her questioning how could something like that happen to her when she had such a strong faith.”  

The title and themes of stripped away hope and piled on anguish and tumult were parlayed into the album’s spectacular cover art. Created by Adam Burke (Nightjar Illustrations), the drawing is part-pulp novel cover, part-Franzetta landscape, part-sci-fi movie poster and all a vast illustration one can easily lose themselves in while the record spins in the background.

“We gave him the concept and basic outline of how we wanted the cover to look and he took it to a whole new dimension. It turned out pretty wild!”

With all being said and done, Anciients have returned! They stand ready to ascend the prog metal ladder and get back to doing what they do best with a weighty and dense, but wholly accessible, album. It’s a collection of ten songs that possesses the ability to have those furiously banging heads also tapping into their power of self-reflection and contemplation to ponder the finality of existence, the value of life and their place in the universe.  

“Totally! We’re going to take as many of the opportunities that come to us. The hiatus is over and I think with the new members and everyone being on the same page we’re ready to get out there as soon as possible. We missed out on a huge block after the last record, so we’ve got to make up for lost time. Now that everyone is happy and healthy, we plan to hit it hard.”


Lineup
Kenny Cook (vocals, guitar)
Mike Hannay (drums) 
Brock MacInnes (rhythm guitar)
Rory O'Brien (bass)

Guest musicians
Justin Hagberg plays keyboard on "Forbidden Sanctuary", "Is It Your God", "Melt the Crown", "Candescence", "In the Absence of Wisdom".

Jess Gander plays synths on "Candescence" and "Cloak of the Vast and Black".

Recording studio
Rain City Recorders

Producer / sound engineer
Jesse Gander
Assisted by Szymon Wojciech

Mastering studio and engineer
Stu McKillop @ Rain City Mastering

Mixing studio and engineer
Jesse Gander Rain City Recorders

Cover artwork artist 
Adam Burke @ Nightjar Illustrations

Bio
Kevin Stewart-Panko

Pre-order & Stream: https://orcd.co/anciientsbeyondthereachofthesun

Follow Anciients
https://www.facebook.com/ANCIIENTSRIFFS
https://www.instagram.com/anciients/
https://twitter.com/ANCIIENTS
https://www.youtube.com/user/ANCIIENTS
https://music.apple.com/us/artist/anciients/603538280
https://open.spotify.com/artist/3YQOcYukzO6U1MjFcavDUE?si=4QWahfZxQjOmAI7nYrav6g&nd=1&dlsi=0142e5e62ae54105

Return to Dust Unveil Brand New Video For "Face Down" & Join Sevendust As Support For "Seasons" Anniversary Tour This Fall!

Boundary-pushing grunge quartet, Return to Dust, have today released a brand new video for their latest single, "Face Down" taken off their long-awaited debut self-titled album via Jim Kaufman Productions. Directed by Matt Akana, the "Face Down" video delves deep into the realms of emotion and introspection, its grunge-infused aesthetic adding a raw and gritty layer to the evocative visuals. Fans can listen to the new album HERE, and watch the brand new video below.

"Face Down," a standout track on the band's debut album, serves as a poignant reminder of Return to Dust's sonic evolution. With its explosive instrumentation and poignant lyricism, the track captures the essence of smash hit "Belly Up," while ushering in a matured sound that emphasizes the band's rapid growth and their fearless embrace of musical experimentation. Shedding light on the brand new video, the band shares:

"We wanted to convey a sense of the surreal with the Face Down music video that our other videos hadn’t captured yet. So we created a red world and a dark void. Places where you’re not quite alive and not quite dead that shows the duality of beauty and chaos. Comfort and unease. Themes and feelings that permeate throughout the rest of this album."

Excitement continues to build for Return to Dust, as they gear up to join heavyweights Sevendust on their "Seasons" Anniversary Tour this fall. Pre-sale tickets are available today at 11AM ET, with the general on-sale beginning on Thursday, May 23 at 10AM local. All ticket information can be found HERE. With their first national tour on the horizon, the band adds:

"We grew up listening to songs like Terminator on our brothers’ CD collections so this tour feels like a full circle back to that time. We think it’s really cool that Sevendust is taking us out and supporting younger bands and couldn’t be more grateful / excited. It’ll be an incredible experience for both ours and Sevendust’s fans."

Returning to the roots of grunge with a modern twist, Return to Dust's self-titled debut album is a visceral exploration of angst, rebellion, and introspection. From infectious riffs to haunting dual-melodies, each track is a testament to the band's dedication to pushing musical boundaries while staying true to their distinctive sound. Their recent appearances at Welcome to Rockville and Sonic Temple only amplified the band's undeniable allure, solidifying their status as a must-see live act this year.

Earning a phenomenal 2 million TikTok views over the course of a weekend, see HERE, Return to Dust have soared to new heights. The TIkTok featuring the band's single, "Belly Up" swiftly impacted the band's trajectory - landing them over 3.5 million streams across DSPs, 73K Spotify Monthly Listeners, and 5.4 million total TikTok views. With the release of their debut record under their belt,Return to Dust have truly cemented their position as a rising force in the industry.

Return to Dust, who are heavily inspired by the legendary Alice In Chains, continue to gain traction and acclaim, solidifying themselves as mavericks in the current rock resurgence. Collaborating alongside renowned producer Jim Kaufman (Everclear, Danny Worsnop, Night Riots, Helmet) and earning accolades from rock impresario, Allison Hagendorf, the band's momentum remains unwavering. With their dynamic presence on TikTok, a rapidly growing streaming audience, and a loyal fan base, the band is gearing up for an exciting and promising future.

Stay tuned for what Return to Dust has in store, as they continue to make waves in the music scene and connect with their ever-expanding audience.

Return to Dust's self titled debut album is available for purchase HERE. The bundle, pictured to the right, features a 12" Vinyl for the audiophiles, a special LP inspired T-Shirt, an 11x17 poster of the album artwork, and an exclusive Snake Pendant Necklace for fans who seek a piece of the band's story to wear close to their hearts.

Catch Return to Dust Live This Year!

Dates In Support Of Sevendust

On Their "Seasons" Anniversary Tour

Fri, 9/13 - Hampton Beach, MA - Hampton Beach Casino

Sat, 9/14 - Hampton Beach, MA - Hampton Beach Casino

Sun, 9/15 - Albany, NY - Empire

Tues, 9/17 - Rochester, NY - Water Street Music Hall

Thurs, 9/19 - New York, NY - The Palladium

Fri, 9/20 - Harrisburg, PA - HMAC

Sat, 9/21 - Silver Spring, MD - The Fillmore

Sun, 9/22 - Raleigh, NC - The Ritz

Tues, 9/24 - Knoxville, TN - The Mill & Mine

Wed, 9/25 - Atlanta, GA - The Eastern

Thurs, 9/26 - Chattanooga, TN - The Signal

Wed, 10/2 - Dallas, TX - The Factory

Thurs, 10/3 - Wichita, KS - The Cotilion

Fri, 10/4 - Tulsa, OK - Cain's Ballroom

Sat, 10/5 - Lincoln, NE- The Bourbon Theatre

Mon, 10/7 - Denver, CO - The Summit

Tues, 10/8 - Salt Lake City, UT - The Depot

ABOUT RETURN TO DUST

Los Angeles based alternative/grunge rock quartet Return to Dust (Matthew Bielawski, Graham Stanush, Sebastian Gonzalez, London Hudson) has already scripted a karmic saga that traverses decades, pays homage to the past, and plants its roots firmly in the future. Listening within their sonic universe is like time-traveling to the halcyon days of the '90s grunge era. Their sound, influenced by heavyweights of the time, reverberates with the echoes of Deftones, Alice In Chains, and the soul of Nirvana — but, their brilliance doesn't stop there. The band draws inspiration from a diverse palette, blending in bits from bands like The Cure, Metallica, and Cage The Elephant, molding them into their own unique musical tapestry. 

Return to Dust breathes life into a sound that feels both genuine and tailor-made to encapsulate the essence of a bygone era, leaving fans awash in nostalgia. Yet, it's not merely a mimicry of the past; instead, it's a fusion of the old and the new — an alchemy that conjures a sound distinctly their own. At the core are alluring bass lines (Stanush), gritty guitar riffs (Gonzalez, Bielawski), dynamic drumming (Hudson) and dual lead vocals (Bielawski, Stanush) that harmonize and intertwine, weaving an ethereal soundscape that resonates with raw emotion and unyielding energy. It's a moody concoction that pays homage to an iconic era while fearlessly exploring uncharted territories. Return to Dust beckons audiences into their world, where the past and present converge, igniting a fervor that keeps the flames of grunge alive. 

Return to Dust found its meteoric rise propelled by a chance encounter with none other than the illustrious producer Jim Kaufman(Helmet, Everclear, Night Riots). Under Kaufman's mentorship, the band's raw talent began to soar. During the darkest days of the pandemic, when the world stood still, Return to Dust seized the opportunity to channel their collective energy into crafting something profound. The result was their debut LP, a mesmerizing self-titled creation. It was a labor of love and dedication that not only transcended the barriers of personal growth, but also etched the band's name into the future of rock.


Return to Dust

Matthew Bielawski - Vocals & Guitar

Graham Stanush - Vocals & Bass

Sebastian Gonzalez - Guitar

London Hudson - Drums

NIGHTWISH - Start The Pre-Order For Yesterwynde + Announce First Single 'Perfume Of The Timeless'

Still, Finnish Symphonic metal legends NIGHTWISH filled this word with life when they announced their tenth studio album at the end of last month. Today, NIGHTWISH have officially launched the pre-order for Yesterwynde.

Order the album here:
https://nightwish.bfan.link/yesterwynde.a01

Yesterwynde will be available in a number of different vinyl variants, as a jewelcase, digipak, earbook, and as part of a deluxe vinyl boxset.

To celebrate the news, NIGHTWISH have opened the door to their newly-built universe a tiny bit and allowed their fans a first glimpse of Yesterwynde. The band shares their first single 'Perfume Of The Timeless' today, a beautiful song that provides a taste of the grandeur, drama, and heaviness the new album has to offer.
 

Tuomas Holopainen shares his thoughts about 'Perfume Of The Timeless':
”You are the result of an unbroken chain of millions of ancestors and their loves. ’Perfume Of The Timeless’ reminds us all of this amazing fact.  And if you’re not amazed, listen to it again, because it’s important.”

Stream the single here:
https://nightwish.bfan.link/perfumeofthetimeless.a01

'Perfume Of The Timeless' comes with an outstanding music video that can be watched Below.

About NIGHTWISH
Working with NUCLEAR BLAST since the release of their highly lauded 2004 album Once, NIGHTWISH have gained international fame and success selling more than ten million records and receiving more than 60 gold and platinum awards, having released six No #1 albums and thirteen No #1 singles. In October 2018, NIGHTWISH was inducted into the Tähtikatu – Walk of Fame Finland, becoming the honorary gallery's eleventh member. 2020 saw the release of the band's last studio record, Human. :II: Nature. that crowned the band's discography with another No #1 success in Finland and Germany as well several other impressive chart entries worldwide. 


Line-Up:
Floor Jansen | Vocals
Tuomas Holopainen | Keys
Emppu Vuorinen | Guitars
Jukka Koskinen | Basses
Troy Donockley | Uilleann Pipes, Low Whistles, Acoustic & Electric Guitars, Bouzouki, Bodhrán, Aerophone, Vocals
Kai Hahto | Drums & Percussion


More info:

www.nightwish.com  
www.facebook.com/nightwish
www.nuclearblast.de/nightwish  
www.instagram.com/nightwish/ 
www.twitter.com/NightwishBand

Annie Bosko Reveals Collaboration with Dwight Yoakam on "Heart Burn" Set for 5/31

On the heels of her performance last week at ACM’s Country Kickoff at the Star, singer/songwriter Annie Bosko announces “Heart Burn” featuring Dwight Yoakam, set for release Friday, May 31. Pre-save/pre-add “Heart Burn” HERE.
 
“Dwight is not only my musical hero but an icon, from his music to his sense of style, and we both share Bakersfield roots,” shares Bosko. “I love that he effortlessly crosses genres, blending everything from country, americana, rock and latin influences, and it feels like we were able to capture that in this song.”
 
Penned by Bosko and Chuck Cannon, with Yoakam in mind, and produced by Butch Walker (Taylor Swift, Fall Out Boy, Katy Perry), “Heart Burn” is a steamy duet punctuated by baritone guitars that harken back to their Bakersfield roots, as the neo-traditionalists croon.

“When we wrote the second verse, I asked, ‘What would Dwight Yoakam say?’ I wanted it to sound dreamy and poetic, but with a western edge,” Bosko explains.
 
“Heart Burn” comes on the heels of Bosko’s recently released duet with Vince Gill, “Higher Ground,” and follows the release of her self-titled EP earlier this year, featuring five songs including current single “Neon Baby,” which saw her make her late night debut on “Jimmy Kimmel Live!”

Bosko performed in Frisco at the ACM Country Kickoff at the Star on Tuesday, May 14, with Morning Hangover praising, “Annie has it all - she has the voice, the charm, the heart, the grit, the work ethic - everything about her screams future Superstar.”
 
She recently made her debut at Stagecoach and will perform on additional festival stages across the U.S. this spring and summer, including CMA Fest, Country Jam, Faster Horses and Watershed Festival.
 
For more information, visit AnnieBosko.com or follow along on socials Instagram, TikTok, Twitter/X @AnnieBosko and Facebook.com/AnnieBoskoMusic.

About Annie Bosko
With a voice that beams like a ray of California sunshine, Stone Country Records/Brown Sellers Brown Management singer-songwriter Annie Bosko will release “Heart Burn” featuring Dwight Yoakam on May 31, a steamy duet produced by Butch Walker punctuated by baritone guitars that harken back to their Bakersfield roots. A student of legendary crooners like Patsy Cline with added inspiration from Shania Twain, George Strait, Dwight Yoakam, The Beatles and more, the Golden State native pairs a sound anchored deep in the organic twang of ‘90s country with simple songs told from the heart, preaching equal parts healing and honky-tonk hope. Bosko broke out in 2014 with the SiriusXM/CMT hit “Crooked Halo,” bucking the bro-country trend for a traditionally flavored anthem that has now amassed more than 3 million streams. She went on to write songs recorded by Willie Nelson and Jessica Simpson, tour alongside Tim McGraw, Dierks Bentley and Blake Shelton, sell out the famed Troubadour and perform on the Grand Ole Opry and at Ryman Auditorium–the fabled Mother Church of Country Music–while also becoming an in-demand studio vocalist and earning the title Artist to Watch from rolling Stone Country. After years of hard knocks and creative shapeshifting, Bosko is now embracing her true nature for creative rejuvenation. Working with producers Derek George and Mickey Jack Cones, a new batch of music pairs unapologetic twang, clever wordplay, and deep compassion with her long standing downhome-diva vocal, capturing the full range of timeless American art in its purest form. In 2023, Bosko released the powerful-yet-tender ballad “Dandelions” in memory of the victims of Nashville’s Covenant School shooting–a track written alongside Danny Myrick which has now become a beacon of community remembrance and faith. Lost in grief and capturing the reverberating shock of that day’s unfathomable loss, the track has been embraced by the Covenant School families themselves, with all proceeds being donated for their benefit through ACM Lifting Lives. Her five-song EP Annie Bosko is available now, featuring sharp-yet-simple, pure-country songs written or co-written with hitmakers like Jeffrey Steele, Bridgette Tatum and more, all aimed at uplifting, inspiring or just singing along with women and country-music lovers everywhere.

DYLAN SCHNEIDER SETS HEADLINING 2024 “BAD DECISIONS” TOUR, FOLLOWING DATES ON KANE BROWN’S “IN THE AIR” TOUR

“Proving to be all gas, no brakes in 2024” (Taste of Country), “Country Music’s Next Rising Star” (Billboard) - Dylan Schneider readies his 2024 headlining “Bad Decisions” Tour for this fall, bringing his dynamically electric live show across the country, hitting major markets such as Los Angeles, Nashville, Dallas, Chicago, Seattle and more. Bringing along MaRynn Taylor as opener, public on-sale goes live this Friday, May 24 at 10:00 AM local time HERE.

“I’m so excited to announce my ‘Bad Decisions’ Tour and that MaRynn Taylor will be joining me,” says Schneider. “I’ve been hitting the road harder than ever this year. Starting the year off with Nate Smith, making my Stagecoach debut then going out with Kane Brown, I can’t wait to keep it going. I’m working on even more new music, and I can’t wait to see what you think!”

“Schneider has firmly established himself as a force to be reckoned with in the country music scene, leaving listeners eagerly anticipating what he'll bring to the table next" (All Country News), and “with a fanbase with a voracious appetite, Schneider’s star will only continue to rise in 2024” (Music Row). Named by MusicRow as the “Next Big Thing” and by Pandora, Amazon Music and Taste of Country as an “Artist to Watch,” “newcomer Dylan Schneider is well on his way to breaking out” (Women’s Wear Daily). 

At only 24-years-old, Schneider has amassed a social-media following of 1.8M + fans, banked over 350M on-demand streams, and has toured alongside superstars like Florida Georgia Line, Morgan Wallen, Scotty McCreery, Nate Smith and more. Most recently, he released his Bad Decisions EP on April 26 to critical acclaim from Joel Madden’s “Artist Friendly” podcast, Entertainment Tonight, PopCulture, Women’s Wear Daily and more. Naming the tour after his viral hit song “Bad Decisions” that PopCulture demanded to “PLAY IT LOUD,” the sultry track has already amassed over 4.2M TikTok views, 28,000 filter creates, 5,200 user-generated TikTok videos and 10M streams. 

2024 “Bad Decisions” Tour Dates

9/30/24 - Vancouver, BC - The Fox Cabaret

10/1/24 - Seattle, WA - Tractor Tavern

10/4/24 - Portland, OR - Ponderosa Lounge & Grill

10/5/24 - Sacramento, CA - Goldfield Trading Post

10/8/24 - Los Angeles, CA - Troubadour

10/10/24 - Phoenix, AZ - Valley Bar

10/11/24 - Las Vegas, NV - Stoney's Rockin' Country

10/12/24 - San Diego, CA - House of Blues – Voodoo Room

10/15/24 - Denver, CO - Globe Hall

10/17/24 - Kansas City, MO - PBR Big Sky Bar  

10/18/24 - Omaha, NE - Barnato

10/19/24 - St. Louis, MO - The Old Rockhouse

10/22/24 - Nashville, TN - Exit In

10/27/24 - Columbus, OH - A&R Music Bar*

11/8/24 - Houston, TX - House of Blues - Bronze Peacock

11/10/24 - Dallas, TX - House of Blues - Cambridge Room

11/22/24 - Cambridge, MA - The Sinclair

11/23/24 - Philadelphia, PA - Milkboy 

11/24/24 - Washington, DC - Union Stage

11/26/24 - Toronto, ON - Horseshoe Tavern

12/5/24 - Chicago, IL - Joe's on Weed St.

12/6/24 - Grand Rapids, MI - The Stache  

12/7/24 - Wyandotte, MI - District 142

12/8/24 -  Indianapolis, IN - Deluxe at Old National Centre

All dates with MaRynn Taylor except *.

About Dylan Schneider:

Drawn to the storytelling aspects of country music, Dylan Schneider started performing and writing songs at the age of 14, after meeting Brett Eldredge and singing with him on-stage during a concert. After that, he began posting videos to his Facebook page, where he’d cover popular Country songs, gaining a devoted online following. Since then, Schneider has made a name for himself in the Country music community, forging a sound that merges modern pop sensibilities with a down-home feel. He’s been named a “Breakthrough Artist to Watch” by Amazon Music, an “Artist to Watch” by Pandora, Taste of Country and Sounds Like Nashville and declared “Country Music’s Next Rising Star” by Billboard. He’s toured with Florida Georgia Line, Morgan Wallen, Kane Brown, Scotty McCreery, Dan + Shay and more, co-wrote Dustin Lynch’s Top 5 hit song “Momma’s House,” scored two RIAA-certified Gold records, accumulated over 1.8M social media followers and banked an upwards of 350M on-demand streams (and counting). Signed to BBR Music Group/BMG Nashville, the MusicRow-praised “Next Big Thing” released his latest EP, Bad Decisions, on April 26th, right before making his Stagecoach Festival debut performance. Embracing his irresistible rock-n-roll edge and unrestrained pop-country swagger that gained him over 500,000 social media followers in just a few months, the six-track EP features his viral hits “Ain’t Missin’ You” and “Bad Decisions.” Kicking off 2024 on Nate Smith’s “World On Fire” Tour, Schneider will headline his own 2024 “Bad Decisions” Tour as well as join Kane Brown’s “In The Air” Tour this fall.


About MaRynn Taylor:
MaRynn Taylor moved to Nashville in 2019 to pursue music and entered an almost dreamlike scenario. Caught in the rain during CMA Fest, she was serendipitously handed a flyer for Black River’s 60-Second Spotlight. That evening, she watched Music Fest from Black River’s suite at Nissan Stadium. On the day of the CMA Awards that year (11/13), she signed her Recording and Publishing deals with Black River during an on-air interview with Bill Cody on the legendary 650 AM WSM Coffee, Country and Cody. Now, the rising star's garnered more than 33 million cumulative streams, 12 Telly Awards, was named one of CMT’s “Next Women of Country” (2023), and earned her place as an artist to watch. Her sassy "Make You Mine" "delivers big notes" (Billboard) and marks Taylor's first Top 50 hit on Country radio. MaRynn made her Grand Ole Opry debut in June of 2023 and returned to the coveted stage only weeks later. This Fall, Country Music’s fast-rising "female powerhouse" (Country Now) vocalist MaRynn is slated to hit the road as direct support on Dylan Schnieder's Bad Decisions Tour. Eager to share new songs, her new EP, Get To Know Me, is coming on May 31. “I genuinely care about people and their feelings. I’m a good listener and want to be there for people. There’s not enough of that in the world right now.” Today, MaRynn is no longer the little girl dreaming on the front porch; she is the voice ready to inspire a generation.  

KEEP UP WITH DYLAN SCHNEIDER

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Underground 90s UK industrial outfit History Of Guns presents 'When You Don't Matter' single, an unflinching look at abandonment

“Invisible hooks that will sink further in” ~  Auxiliary Magazine

"As a band, Hertfordshire's History of Guns is something of a musical chameleon. Like Killing Joke and Nine Inch Nails, they’ve taken on new forms whilst remaining easily identifiable in their journey from goth rock to post-punk and darkwave to EDM and wider electro-goth hybrid territory. The tension of opposites that characterises much of their work propels it forth to an electronic beat, the vocals uncoiling, snake-like, atop a steady electronic catchment" ~ Amplify Music Magazine

“Polished, dramatic, full of poise and binding sentiment, and one of awesome sound and feeling” ~ Liverpool Sound and Vision


Underground 90s industrial legends History Of Guns presents their new single 'When You Don't Matter'. This is the second taster of their 'Half Light' album, following the lead track 'No Longer Earthbound', where the band takes a typically unflinching look at abandonment.

Their eighth record to date, it will be released via the Liquid Len Recording Company. Serving up their unique meta-modernist Industrial sound,

On hiatus from 2012 to 2022, they returned with the album 'Forever Dying In Your Eyes' and then set about finishing an electronic project they’d begun in 2008. The result is this 'Half Light' album, produced by Max Rael, mixed by Max Rael and Caden Clarkson, and mastered by Pete Maher (U2, Pixies, Nick Cave, Depeche Mode, Nine Inch Nails).

Formed in Cheshunt, Hertfordshire in 1996, History of Guns became frontrunners of the UK's Wasp Factory / FuturePunk scene of the early 2000s and their 2004 single 'Your Obedient Servant' was ultimately championed by The Quietus and Mick Mercer as one of the “thirty best goth singles of all time”.

On this album, founding members Del Alien (vocals) and Max Rael (keyboards, programming) are joined by guitarist Caden Clarkson, the newest member of History Of Guns. Exploring the human condition through various musical genres

Del Alien - an original punk turned goth - is an anti-authority seeker of truth and the questions behind the questions. Max Rael is in love with the idea of using music to create a separate universe for creating stories and escaping into, was an autistic, music-obsessed child, absorbing a dozen genres before diving into trance after Britpop ruined the alternative scene.

 “I think most people know of either a moment, or something sadly longer, when you're on your own, and no one knows where you are, how you are, or even if you're alive or dead. I think this like a History Of Guns version of a ballad, for abandonment. But whenever we have something we think is beautiful, we always have to smash it up somehow. From an existential point of view it might be true, maybe we don’t matter.  We are meaning-seeking creatures in a world with no objective meaning. Ultimately we have to find a way to make ourselves matter to ourselves,” says multi-instrumentalist Max Rael.

Del Alien adds, "It's like the vain attempt to help people. Maybe they know it, maybe they don't. It's not a personal thing is it? Is this what society has done to us? Is it worth you thinking about? Getting cold in a box just to be burned and scattered to the wind, only to end up in the mouth of a dying junkie… or like sleeping with the sanest lunatic you ever met, but there’s no one there in the morning to make you breakfast. If the product is not good from the start, how can it be in the end?  Losing the place you stand, just to hold another’s hand.”

Influenced by Killing Joke, PWEI, Bauhaus, Coil, Joy Division, Sisters of Mercy and Nine Inch Nails and Swans, History of Guns was a big part of the UK underground industrial scene of the 00s, playing Whitby Gothic Weekend, as well as Futurepunk and Back to the Futurepunk events.

As of May 20, 'When You Don't Matter' is available from fine music platforms, including SpotifyApple Music and Bandcamp, where the 'Half Light' album (out June 20) can be pre-ordered..

ALBUM CREDITS
Produced by Max Rael
Mixed by Max Rael and Caden Clarkson
Recorded at Apollo Audio (Hertford), Soul Studios (Bishops Stortford)
Mastered by Pete Maher
Del Alien - vocals
Max Rael - keyboards, programming, guitars
Caden Clarkson - guitar
Andy Webster & Marnie from SPUCKTUTE  - vocals on 'Never Give it Up'
Amon Ásentir & Mark Eris from Xykogen - vocals on 'Arcadia'
Arcadia Choir (Emma Mills, Priyanka O’Neill, Sohm O’Neill and Ninotschka G.) - vocals on 'Arcadia'
Nykky Spectre - vocals on 'An Invitation'
Cover artwork by Amara O'Neill
Publicity by Shameless Promotion PR

Keep up with History Of Guns
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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Octavian Winters and electronic music icon Mark Pistel (Consolidated, Meat Beat Manifesto) team up for 'Nebula / Velveteen' release

"A dark and lush tapestry of near-classic post-punk, oscillating between shadow and shimmer. Reflecting the troubled times that we live in, sublime dark sonic delight" ~ The Spill Magazine

"Feels like it was recorded in a studio deep beneath the earth, drawing power from subterranean caves and bubbling magma... tectonic thunder... Such power, strong and true, a voice that scales the wall of sound beneath her with ease" ~ Joyzine

"A dark musical weave forged of post-punk and gothic strands. A sonic web of pulsing bass grooves and shaded ethereality, dark and delicious guitar slashes and haunting sound washes" ~ The Big Takeover

"Seriously compelling incitement, which Aursjoen’s tones and the electronically atmospheric mists around her only escalate"
~ Ringmaster Review


San Francisco post-punk outfit Octavian Winters has teamed up with Mark Pistel (Consolidate, Meat Beat Manifesto) on their new two-track single. Out April 30 via Stratis Capta Records, the A-side 'Nebula', which underscores the inevitable impermanence of all that is seen and unseen, known and unknown, is complemented by Pistel's infectious pulsating remix of 'Velveteen'.

Formed in 2022, Octavian Winters is guitarist Stephan Salit (Thrill of The Pull), drummer Randy Gzebb (Thrill of The PullLove Club), bassist Jay Denton and Ria (Amenti) Aursjoen on vocals and keyboards. Together, they weave their visceral and ethereal sound into a texture all its own – of stories once told but half-remembered, under a dusk of shadows and stars, in an abandoned city under the winter moon.

A producer, engineer, programmer, remixer and songwriter active in the electronic music scene since the 80s, Mark Pistel is perhaps best known as a founding member of the band Consolidated and contributing member of Meat Beat Manifesto since 1997. From his own Room 5 studio, he has worked with The Disposable Heroes of Hiphoprisy, Grace Jones, Therapy?, MC 900 Foot Jesus, Machines of Loving Grace, Hector Zazou, Mark Stewart, Lee Scratch Perry, Cabaret Voltaire's Stephen Mallinder and Fishbone's Angelo Moore.

Pistel explains, "Randy Gzebb called me about remixing one of the tracks off 'The Line or the Curve' EP. I was excited to do so, as we'd recorded some of these vocals at my Room 5 Studio in San Francisco. I chose to do 'Velveteen' as I already loved the track with its fantastic vocal melody and Stephan's unstoppable guitar hook! I  took on the track with pulsing analog synths and a slamming dance floor beat for the clubs."

Octavian Winters also present their new video for 'Nebula', created by filmmaker David Kruschke, who also produced the band's most recent video for the original version of 'Velveteen'. Both songs were lifted from the band's debut EP 'The Line or Curve', released in October 2023, following videos for 'Undertow', 'Ondine' and 'Surreal'.

"Nebula began as an experiment. I was trying to pin down the concept of the song in my head lyrically for a while and just knew it felt very “big”, even apocalyptic in a way. I kept envisioning a sort of “last day at the end of the world” — what would the sky look like? Would we know and understand what was happening? There is this broadly Gnostic idea of the universe as unfolding and unfolding through what are called Aeons, essentially levels of manifestation, until we get this world we live in here," says Ria Aursjoen

"I imagined this world reaching the fullness of its life, that whole cycle ending — and then everything reversing, refolding back to the start to make way for the next universe. There is a lot of esoteric symbology referenced in this song for those out there who like that sort of thing. The incredible thing about symbolic language is that it can have so many levels of meaning depending on the viewer/listener. I am sure I will understand my own words to this in new ways, in the future."

Drawing from darkwave and post-punk traditions, Octavian Winters dives into the ethereal, their layered music counterpointing edged grooves alongside lush synth textures and soaring vocal harmonies.

Randy Gzebb explains, "We were discussing what song idea we should work on next during the writing process and Ria brought in the demo of Nebula. We listened once and started playing it at rehearsal and after a couple of takes, everyone had their parts locked down. I started to play with the Tom groove and tried to make it powerful, but still leave some space for the track to breathe. The rhythm and tempo set the overall tone and emotional mood of the song, with guitar and pulsating bass creating a haunting atmosphere with powerful vocal lines".

'The Line or Curve' EP was recorded in San Francisco by Mark Pistel (Meat Beat Manifesto, Consolidated) at OW Studio and Room 5 Recording, the band produced this EP with William Faith (The Bellwether Syndicate, Faith and the Muse, Christian Death, The March Violets), who also mixed and mastered it at 13 Studio in Chicago.

Over the years, members of Octavian Winters have shared the stage with many iconic acts, including Nine Inch Nails, Killing Joke, Lords of the New Church, Savage Republic, Christian Death, The Frozen Autumn, Everything Goes Cold and Black Tape for a Blue Girl.

The 'Nebula / Velveteen (Mark Pistel Remix)' single is out now, available digitally from fine music platforms, including via Apple MusicSpotify and Bandcamp, where 'The Line or Curve' EP is also available. The band's next headlining concert is on Friday, July 26 at San Francisco's DNA Lounge with support from Halou and Sword Tongue as support.

CREDITS 
Ria Aursjoen - Vocals / Keyboards
Stephan Salit - Guitars
Randy Gzebb - Drums
Jay Denton - Bass
'Velveteen' remix by Mark Pistel
'Nebula' written by Ria Aursjoen
'Velveteen' written by Octavian Winters
Recorded at OW studios San Francisco
Vocals recorded by Mark Pistel, Room 5 Recording, San Francisco
'Nebula' mixed & mastered by William Faith at 13 Studio, Chicago
'Nebula' produced by Octavian Winters and William Faith
Cover art Ria Aursjoen
Design by Eric Olson 
Publicity by Shameless Promotion PR
Video by David Kruschke


Keep up with Octavian Winters
Website | Bandcamp | Facebook | Instagram | Twitter | Tiktok | YouTube | Spotify | Apple Music | Press contact

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Brooklyn post-punk outfit CLONE reveals 'Redeemer', a caustic taster of debut 'CL. 1' album

"Loud, aggressive disharmonies flow into a flood of raging and conflicting emotions where droning reverb-injected riffs, angsty and obsessive excruciatingly ringing John McGeoch-esque guitar strains" ~ White, Light White Heat

"Feeding what are now greedy expectations, fuelled by this smashing earworm, Clone ignites a firestorm of sonic pleasure - enthralled and fascinated with its sonic impression, emotional turbulence and convincing delivery" ~ The Spill Magazine

"Highly Urgent Political Rock" ~  Destroy // Exist

"A monument to what seems like a dying art form, CLONE emerges from the streets of Brooklyn—streets that have been fertile ground for underground music for decades—to remind us of what a band can truly be in an age of digitization, pre-fabrication, and superficiality" ~ Idioteq


Brooklyn post-punk outfit Clone presents their invigorating new single 'Redeemer', which is about cult leaders and the “cult” of personality surrounding politics and celebrities. A scathing indictment of the modern obsession with the cult of personality that folks so easily create and bow down to. Hollow trends, manufactured personas, this is a cleverly-constructed sonic commentary on a world obsessed with the superficial and the emptiness that lurks beneath the surface.

'Redeemer' is the third taste of their debut 'CL. 1' album, following 'Immutable' and 'Dividing Line' with its multi-media video created by Preston Spurlock. Through their sharp guitars and penetrating vocals, this is a call to arms to see through the charade and puncture such phenomena as hero worship, hype and propaganda (and to get back to what is real).

This album will be released on vinyl and digitally via Portland-based Little Cloud Records and North Carolina's 5BC Records on June 21.

'Redeemer'  https://clonebk.bandcamp.com/track/redeemer
'CL. 1' album order  https://clonebk.bandcamp.com/album/cl-1
'CL. 1' vinyl order  https://littlecloudrecords.com/products/clone-cl-1-pre-order
'Dividing Line'  https://youtu.be/Wek1uSlQ7Go
Bandcamp  https://clonebk.bandcamp.com/track/dividing-line-single
Spotify  https://open.spotify.com/track/2erYq66VOoe3KCAuhApdNZ
'Immutable'  https://youtu.be/nIzBvX7nt08
Bandcamp  https://clonebk.bandcamp.com/track/immutable
Spotify  https://open.spotify.com/track/0Q5Qlxiq97crgRjsLC24C5
Apple Music  https://music.apple.com/nz/artist/clone/1498878509

Clone is led by LG Galleon, best known as frontman of Dead Leaf Echo.  On this album, he is joined by NYC musicians Gregg Giufree (Pilot to Gunner), Max Idas and Dominick Turi. Live, he is joined by Paul Liziragga (Namesake) and Alex Cox (The Veldt).

“'Redeemer' is about convincing yourself that betrayal can be used a form of trust. Religious groups always need a scapegoat, who has failed them, to rely on to strengthen beliefs within their core," says LG Galleon.

"Like the smiling face on your television, it only takes a viral face to dictate policy to the people. Whether it’s Donald Trump paying homage to Hannibal Lecture or Eric Adams telling immigrants to become lifeguards because he thinks they’re good swimmers. Even the lowest level of intelligence can enthrall and convince the public with ridiculous statements."

Clone started playing shows in summer of 2019, building their fanbase organically, brick by brick, word of their incendiary live shows spreading. Each time they play, more are won over.

Operating in what’s rapidly becoming an antiquated model, they’re a unit of parts. Egalitarian in their writing process, one where songs are built upon inchoate sparks offered freely by any member, letting the jams run free in their rehearsal space until there’s a complete song, guided by the alchemy of intuition. There’s no rule book here, and no one defining member, but there is a palpable chemistry.

As a debut album, 'CL.1' is a damn auspicious opening volley, recorded and mixed by NYC legendary producer Martin Bisi (Sonic Youth, Swans, Brian Eno, John Zorn, Herbie Hancock, Iggy Pop, Helmet, Dresden Dolls, Cop Shoot Cop) at his famed BC Studio, built by Brian Eno. Produced by LG Galleon and Bisi, it was mastered by Fred Kevorkian.

Clone's music is evocative, in ethos and ambition, of a time when music still could change lives. Their lyrics involve the struggles and critiques of the working person's daily life.

Rooted in belief in its galvanizing, redemptive power, the kind which used to be written for the lonely and the scarred and the diffident (before something truly was lost), something deeply enmeshed within the human psyche that could be shared. Clone are fitfully reclaiming this, which at its crux, is the imagination of youth. It’s captured vividly here, and their private universe of sonic exploration is now open to all.

'Redeemer' is out now, available exclusively through Bandcamp, while the previous two singles are also available on Apple Music, Spotify and elsewhere online. On June 21, the 'CL. 1' album will be released everywhere digitally and as a 12" vinyl LP - the Salt Sea Strain Edition entails an impressive black and white mix.

CREDITS
All tracks written by Clone
Lyrics by LG Galleon (onewithwave music ASCAP)
Performed by LG Galleon / Gregg Giufree / Max Idas / Dominick Turi
LG Galleon - guitar, vocals, keys
Gregg Giufree - drums
Max Idas - bass
Dominic Turi - guitar, keys
Recorded and mixed by Martin Bisi (Sonic Youth, Swans) at BC Studios
Co-produced by LG Galleon
Mastered by Fred Kevorkian
'Dividing Line' video by Preston Spurlock
BnW artist photography by Silvia Saponaro
Album cover art designed by Roy Burns iii
Single cover artwork by Jacques Urioste

LIVE SHOWS
August 24th  HUDSON, NY - Porchfest
August 25th  BROOKLYN, NY - Mama Tried (with Live Skull)


Keep up with CLONE
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Apple Music | Spotify | Press contact

Keep up with Little Cloud Records
Website | Facebook | Bandcamp  | Twitter | Instagram | YouTub e

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Necrofier Announce Tour with Goatwhore & Vitriol

Necrofier are keeping the black flame burning well into the fall. Houston's heaviest melodic black metal band are joining their Southern Satanic brethren in Goatwhore this September. They'll saddle up alongside Portland death metal Antichrists Vitriol for a tour that's bound to burn hot and fast from Eastern Canada through the Midwest all the way down the East Coast.

Along the way, all three bands will stop to wreak havoc at Full Terror Assault and Metal Injection Festival.

North American Venomous Evocation Tour
September 5 - Cave In Rock, IL @ Full Terror Assault [TICKETS]
September 6 - Iowa City, IA @ Gabe's [TICKETS]
September 7 - St. Paul, MN @ Turf Club [TICKETS]
September 8  - Cudahy, WI @ X Ray Arcade [TICKETS]
September 10 - Columbus, OH @ Ace of Cups [TICKETS]
September 12 - Toledo, OH @ Frankie's Inner City [TICKETS]
September 13 - Pittsburgh, PA @ Spirit Hall [TICKETS]
September 14 - Grand Rapids, MI @ Pyramid Scheme [TICKETS]
September 15 - Detroit, MI @ The Sanctuary [TICKETS]
September 17 - Toronto, ON @ Lee's Palace [TICKETS]
September 18 - Ottawa, ON @ Brass Monkey [TICKETS]
September 19 - Montreal, QC @ Piranha Bar [TICKETS]
September 20 - Boston, MA @ Middle East Club [TICKETS]
September 22 - Brooklyn, NY @ Metal Injection Festival [TICKETS]
September 24 - Baltimore, MD @ Metro Gallery [TICKETS]
September 25 - Chapel Hill, NC @ Local 506 [TICKETS]
September 27 - Orlando, FL @ Conduit [TICKETS]
September 28 - Miami, FL @ Gramps [TICKETS]
September 29 - Jacksonville, FL @ Jack Rabbits [TICKETS]
September 30 - Pensacola @ Handlebar [TICKETS]

This summer, Necrofier are joining the legendary Obituary for two swampy shows in Dallas and Baton Rouge.

“It’s an honor to play a couple shows with these legends”, says Bakka. “Surely, everyone will be chopped in half!”

Necrofier 2024 US Dates Supporting Obituary
May 31 – Dallas, TX @ Trees [TICKETS]
June 1 – Baton Rouge, LA @ Chelsea’s Live [TICKETS] 

Axe shredders can now conjure the wickedly distorted riffs and eerie, melodic dissonance that Necrofier harnessed on their most recent album, Burning Shadows in the Southern Night. Idiot Box Effects has blessed the band with their very own custom guitar pedal.

"The new Echo Drive is a collaboration between me and the KILLER black metal band Necrofier", says Atarimatt, who's been making effects and noiseboxes full time under the name IdiotBox since 2011. "Plug this sucker in and bring on TOTAL SOUTHERN DARKNESS!!!"  

The Necrofier Echo drive is a tube screamer-style overdrive pedal. It runs into two separate echo circuits. The left switch is for echoes, while the right switch does overdrive. Each knob is named after a different raw ingredient in the band's evil alchemy: Reflection (echo 1), Chaos (echo 2), Alchemy (echo signal mix), Flame (overdrive volume), Strike (overdrive intensity) and Darkness (tone).

A limited run of first-edition, autographed Necrofier Echo Drive pedals are available on Bandcamp while supplies last. The pedal can also be purchased through the IdiotBox Effects webstore.    

Necrofier Bandcamp

https://necrofier.bandcamp.com/merch/necrofier-echo-drive

Idiotbox webstore

https://www.idiotboxeffects.com/product/necrofier-echo-drive

Deep within the scorching cauldron of Texas, the alchemists of Necrofier have brewed another potent dose of American black metal with their sophomore full-length, ‘Burning Shadows in the Southern Night.’ The Houston four-piece honors the time-tested virtues of traditional black and heavy metal, even taking an organic sonic approach, tapping seven-time Grammy-nominated producer and engineer Joel Hamilton (Unsane, Tom Waits, Tyler Bryant & The Shakedown, etc.) to lend his magic touch for a natural sound. 

“The goal going into the new record was to start setting ourselves apart from our contemporaries,” explains Necrofier drummer Dobber Beverly. “One of those ways was changing what the record sounded like. Moving away from the clinical and sterile nature that most productions suffer from and back into a real room with real instruments and performances. Our friend and esteemed producer/engineer Joel Hamilton had expressed interest in venturing back into the metal world and offered to make the record with us at his facility, Studio G Brooklyn. The results will speak for themselves hopefully, as this record breathes and spits fire wherever it’s played.” 

“Dobber and Joel have become good friends since they recorded the last Oceans of Slumber album with him, adds Necrofier guitarist and vocalist Bakka. "After that, Joel wanted to record something heavy, so we made the trip to New York City to record in his legendary studio. It was an amazing experience in a great studio; besides having all the gear, he also created an environment where we challenged ourselves and brought everything up to the next level.” 

‘Burning Shadows in the Southern Night’ doesn’t just simply pick off where Necrofier’s debut album left off, but displays a conscientious effort to double down on the elements that made ‘Prophecies of Eternal Darkness’ successful. The solos are more plentiful and intricate, the hooks are more anthemic, and the overall musicianship is bolder and more daring. Speaking of the band’s evolution, Bakka explains, “I think this collection of songs represents us very well. We have grown together as a band and it shows in the new songs. Also, for this record we flew to NYC and recorded all day long for 10 days straight. I love recording this way because it captures a certain magic. The whole band is immersed in the process and it's all we would think, do, live and breathe during the process.” 

Another core facet of Necrofier’s allure is being a black metal band from Texas. “Where you live always helps shape someone,” says Bakka. “It helps shape our style and tone in ways, it’s hot most of the year, so as we burn, it gives us warmer tones and more of a heavy metal influence than when compared to our brothers from the North."

To that avail, Necrofier isn’t your typical black metal band, and so this isn’t your typical black metal record as there’s a healthy amount of traditional metal influences, particularly within the guitar work. While conceptually, the band doesn’t heavily rely on Satanic themes, exploring deeper human philosophies and the occult like burning for your dreams or spiraling out on a psychedelic trip and exploring the beyond. “While there isn’t overt satanic worship in the lyrics, I would still say that he is a friend of ours,” Bakka cheekily says. “There are Occult themes on this record, but at the same time, it does take a philosophical approach.” 

Further illustrating the influence of their environment, Necrofier also heavily explores one of Southern America’s most fabled myths. “The new record touches on selling your soul at the crossroads,” adds Bakka. “I like to take a different approach and touch on the elements of the esoteric world and dive into the forbidden or hidden that surrounds us in our lives every day.” 

As the Texan black metal outlaws saddle up for record two, they are leading the charge as one of the contemporary purveyors of black metal revivalism. ‘Burning Shadows in the Southern Night’ is certain to elicit a sense of nostalgia for those who dare to lay ears on this vicious new offering.  

Lineup:
Bakka – Vocals, Guitar
Semir Ozerkan – Guitars
Dobber Beverly – Drums
Mat Valentine - Bass

Guest Musicians:
Cammie Beverly (Oceans of Slumber) – Vocals on “The All Seeing Shadows” and “The Fall From Heaven”

Links:
https://www.facebook.com/Necrofier 
https://twitter.com/necrofier 
https://www.instagram.com/necrofier/ 
https://necrofier.bandcamp.com

Producer/Sound Engineer/Mixing: Joel Hamilton at Studio G, Brooklyn, NY, USA

Mastering: Maor Appelbaum at Maor Appelbaum Mastering

Cover Art: Burney

Stream: https://orcd.co/necrofierbsitsn

Order: https://redirect.season-of-mist.com/NecrofierBSitSN

SETH Pierce Through Shadows On New Single

SETH are the harbinger of a sound that's steeped in the clandestine narratives of Parisian lore and rebellion. Today, the French black metal band are releasing "Dans le Cœur un Poignard", from their upcoming album La France des Maudits. Their latest single is a dark ode to those who bear the mark of betrayal and suffering within their hearts.

Watch the music video for "Dans le Cœur un Poignard" Below

La France des Maudits is out July 14, on Bastille Day, through Season of Mist.

Pre-order & pre-save: https://orcd.co/sethlafrancesdesmaudits

The haunting melody of "Dans le Cœur un Poignard" weaves through a labyrinth of Parisian despair, illuminating the darkest corners of a wounded heart. Lyrically, the track is a poignant narrative of anguish and defiance, serving as a siren call to those who navigate the treacherous waters of existence with a dagger sheathed within their soul. Seth, with their meticulous craftsmanship, etch a tale of sorrow and resilience, emboldened by the ethereal whispers of a love lost to the voracious appetite of betrayal.

"Dans mon cœur ce poignard. Toujours souffrir, Jusqu'à la mort!", Saint Vincent echoes. It's a stark reminder of the perpetual battle against the specters of our past, encapsulating the essence of human struggle, a relentless journey punctuated by moments of exquisite pain and sublime liberation.

Alongside the haunting melodies of "Dans le Cœur un Poignard", Seth has commissioned a visually arresting music video, bringing the song's themes of betrayal, anguish, and defiance to life with heart-piercing imagery. Helmed by the visionary Pierre Reynard, the video is a striking piece of art that beautifully accompanies the song's melancholy.

In the solemn shadows of a lyrically resurrected Paris, where the whispers of revolution still haunt the cobblestones and the phantom caress of the guillotine's blade lingers in the air, stands a band – not merely of musicians, but of modern Marats, Robespierres in leather and lace, anointed with the spirit of insurrection. SETH, the harbingers of a dark yet fervidly awaited dawn, are poised once more to unleash a tempest upon the sanctified silence of the contemporary music scene with their newest auditory uprising, La France des Maudits.

The history of black metal formation Seth and Season of Mist spans back to the early days of the French metal scene. The band’s debut Les Blessures de L’Ame (1998) was one of the first releases on the label. This album is now regarded as a cornerstone in French black metal, pioneering the usage of their native tongue on a black metal record.

The release of Les Blessures de L’Ame quickly gained international attention and Seth built a solid fanbase. The French blasphemers signed a two-release deal with Osmose Productions and participated on the MAYHEM cult tribute album Originators of the Northern Darknessalongside IMMORTAL and BEHEMOTH. The second full-length The Excellence came out in 2000 and featured a contribution from none other than Fenriz (DARKTHRONE), who wrote the lyrics for the song Let Me Be The Salt In Your Wound.

Shortly after, the group recorded their third album Divine-X (2002) at the Excess Studios in Rotterdam (EPICA, AFTER FOREVER, SINISTER). This record demonstrated the ability of the band to mix gloomy and violent atmospheres and received extensive coverage from the international metal press at the time.

Returning to the Netherlands to record the fourth album Era-Decay(2004), two new members joined the ranks of Seth: vocalist Black Messiah and guitarist Cyriex. Afterwards, the band was invited to play at the prestigious Inferno festival in Norway in 2005.

A long hiatus followed, until the band returned in 2011 to play an exclusive show in Germany with the German cult act BETHLEHEM. The band re-joined the ranks of Season of Mist, eventually releasing The Howling Spirit (2013) and embarking on a European tour with PESTILENCE. Several appearances at major festivals followed, including Hellfest and Graspop Metal Meeting, concluded by a Canadian headliner tour with new vocalist Saint Vincent (BLACKLODGE).

Celebrating the 20th anniversary of Les Blessures de L’Ame in 2018, Seth exclusively performed the entire album at festivals in Switzerland, Canada (Messe de Morts) and Belgium (Thronefest). The French label Les Acteurs de l’Ombre productions released a live recording of these shows, called 20 ans de Blasphème. The band’s new line-up features members of LOUDBLAST, ARKHON INFAUSTUS and MELTED SPACE.

In the twilight year of 2021, within Paris' shadow-ridden crypt, Studio Sainte Marthe, an album was birthed from Seth's tumultuous revelation, christened, La Morsure du Christ. Earning plaudits of wonder, it was no mere collection of hymns, but a solitary harbinger of deconstruction, a cataclysm of unseen proportions. Inspiration seeped from Notre-Dame de Paris—her skeletal frame ablaze in a 2019's firestorm—an emblem of decaying faith for a godforsaken era. As heavy as the iron heart of a guillotine, La Morsure du Christ echoed through the chambers of 2021, reigning supreme in a multitude of international & French metal charts, as well as its inclusion on premier streaming platform playlists. Bold symphonies interwoven with razor-sharp lyricism and a sophisticated conceptual resonance that dared to envision black metal through a revolutionary lens.

Rooted deeply in the soil that once drank deeply of royal and commoner blood alike during the tumultuous fervour of the French Revolution, Seth presents their latest opus - a black metal gospel according to the damned and the outcast. An intricate tapestry of shadows and defiance emerges from the darkness of history's recesses, swirling with the mists of apocalyptic visions and the ashes of fallen angels. La France des Maudits is a declaration of war, a call to arms for the souls still smouldering beneath the veneer of a world too long gripped in the cold hands of a moribund orthodoxy.

With the fractured bones of dead gods beneath their boots, Seth voyages through the forbidden and the occult, tracing the lines of ancient prophecies and the decadent whispers of La Grande Catin Écarlate, the scarlet woman of the apocalypse. Their songs, from Paris des Maléfices to Insurrection, resonate with the echoes of a Paris besieged not by armies, but by souls clamouring for liberation - a city where each stone tells a tale of defiance, where every shadow harbours the spirit of revolt.

Lyrically, La France des Maudits is dripping with the wine of condemned men and the blood of saints, narrating the epic saga of rebellion from the ashes of a fallen Notre-Dame. This is not the Paris of light, but of enlightening darkness, where the façades of grandeur crumble to reveal the raw flesh of true humanity, writhing in its eternal struggle against divine oppression. Here, in the very heart of darkness, Seth finds its muse among the cacophony of broken chains and shattered dogmas.

Prepare to march beneath the banner unfurled by Seth, in the grand tradition of those unyielding souls who once stormed the Bastille and dared to dream of a world remade.La France des Mauditsbeckons - not to the gallows, but to glory.

Line-up
Saint Vincent - Vocals (Blacklodge)
Heimoth - Guitar (Sinsaenum)
Drakhian - Guitar (ex-Loudblast, Griffar)
Pierre Le Pape - Keys (Melted Space)
EsX - Bass (Arkhon Infaustus, ex-Merrimack)
Alsvid - Drums (ex-Enthroned, ex-Ad Patres)

Recording Studio
Sainte Marthe Studio

Production Credits
Mixed, produced & mastered by Francis Caste

Biography
Sébastien Gamez

Cover Art
Andy Julia (Photography)

Stream & Order: 
https://orcd.co/sethlafrancesdesmaudits

Links/Follow Artist
Official Website:https://www.innomineseth.fr/
Facebook:http://www.facebook.com/innomineseth
Instagram:https://instagram.com/sethblackmetal
Bandcamp:http://innomineseth.bandcamp.com/
Spotify:https://open.spotify.com/artist/0mZohnzbCiVv54VIEA6Wb7
Deezer:https://www.deezer.com/us/artist/56150
Apple Music:https://music.apple.com/us/artist/seth/1643927366
YouTube:http://www.youtube.com/user/InNomineSethOfficial
ReverbNation:https://www.reverbnation.com/innomineseth

Booking Contacts
Laszlo@redback-promotion.com(EU)
philippe@ragetour.fr(FR)

Available Formats
Digital Download
CD Digipak
Limited CD Clamshell Box
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Gold
12" Coloured Vinyl Gatefold - Blue & Black Marbled
12" Coloured Vinyl Gatefold - Red, White & Black Marbled
12" Coloured Vinyl Gatefold - Crystal Clear
12" Liquid-Filled Vinyl Gatefold - Bood Red Liquid
Cassette

Filth Is Eternal to support Baroness this summer!

Seattle’s Filth Is Eternal is confirmed to support metal juggernauts Baroness this summer on their U.S. tour. FIE joins Baroness on June 12 in Lawrence, KS and wraps the tour on June 30 in Stroudsburg, PA (full dates below).

Frontperson Lis Di Angelo says, "We are so excited to be hitting the road with Baroness. We’ve been following them for a long time and have loved everything they’ve ever released. It’s going to be truly special sharing the stage with them every night, and once again getting the opportunity to see all our road family while we are out there!” 

Filth Is Eternal released their new album, Find Out, last fall, and it highlights the band’s deep-rooted attention to songwriting. Exploding with fresh ideas, heavy on hooks, and clandestine melody, Find Out is a clear breakout release for FIE, not to mention a future staple for heavy music fans worldwide. Using the talents of producer Paul Fig (Slipknot, AFI, Alice In Chains) while recording at Dave Grohl’s Studio 606 and Dave’s Room, Find Out adds just enough spit polish in production to conjure the masses but still retains the dirt and grime necessary to remain congruous to the sound and fury within. 

Praise for Find Out:

“With 14 tracks blurring by in well under half an hour with zero fucking around, of course, you’re left wanting more. But that’s the point. Filth Is Eternal, and they’re still just getting started. 4/5.” –Kerrang!

“The album, music, art, and all, feels like an encapsulation of their live show, which is a sight to behold and an absolute event.” –Invisible Oranges

“FILTH IS ETERNAL truly found out exactly what best makes them tick as a band, embracing the relationship they have with fans and with live shows. The end result is 14 songs of crusty, filthy metallic hardcore that are simply too good to ignore. 8/10” –Distorted Sound

Filth Is Eternal Tour Dates:

June 12 - Lawrence, KS - The Bottleneck
June 14 - Memphis, TN - Growlers
June 15 - Oklahoma City, OK - Diamond Ballroom
June 17 - Little Rock, AR - The Hall
June 18 - Nashville, TN - The Basement East
June 19 - Birmingham, AL - Saturn
June 21 - Richmond, VA - The Broadberry
June 22 - Charlottesville, VA - The Jefferson Theater
June 23 -  Silver Spring, MD - The Fillmore
June 25 - Millvale, PA - Mr. Small’s Theatre
June 26 - Patchogue, NY - 89 North
June 27 - Bensalem, PA - Broken Goblet
June 30 - Stroudsburg, PA - Sherman Theatre
 

Get / Stream Find Out at Your Preferred DSP HERE

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