Echos Release Official Video For New Single "Shiver"; New Album 'Affirmations' Due Out On July 15th via Seeking Blue

Industrial tinged, alt pop duo, ECHOS have dropped the official music video for their new single, "Shiver" today, stream the track HERE and watch the video below. Combining an ethereal fragility with an astonishing emotional power, 'Shiver' is the fourth single released from the duo's incredible upcoming album, 'Affirmations', due out via Seeking Blue on July 15th, pre-save the album now HERE.

Speaking on the new single and music video, songwriter and vocalist Lexi Norton shares

"Shiver is about my ongoing battle with depression and anxiety — it was written in the depths of quarantine when I was going through a really hard time and felt really alone in all of my thoughts. It’s a letter written to myself from a very lonely place about toying with the idea of “what would happen if I were to let my pain win?” It’s hard to talk about, really.

I want to shine a light on the fact that this is a very real issue that a lot of people struggle with —and that I still sometimes find myself struggling with — I'm so grateful for my support system and for my therapist for helping me find ways to navigate and understand my brain. I think the more we talk about it, the more comfortable and less alone we feel in our experience.

This entire album has been very healing for my inner child (who was played by Quinn in all of the music videos) — seeing myself through the eyes of 'younger me' helped me see that my pain is not what defines me and that I do matter and things will get better. There are people who want to help. "

ECHOS have released 3 previous singles from 'Affirmations' prior to "Shiver", "King Of Disappointment", "New Eyes" and "Sick" which have clocked up nearly 900,000 Spotify streams and 127,000 YouTube views combined since their release.

ABOUT ECHOS

ECHOS has matured from their early roots as electronic dance music darlings, to creating emotionally commanding, and cinematically vivid alternative-pop with eminence.

Having worked with established curator MrSuicideSheep and his label Seeking Blue for the last 5+ years – ECHOS has seen the fortune of millions of streams, impressions, and eyes on their music.Their breakout track "Saints" has had over 1.6 million views on YouTube and 32.7 million streams on Spotify alone.

Finding importance in the physical, ECHOS has not only seen huge gains digitally, but they have also supported large-room sold out tours with electronic acts like Grammy Award winning DJ/Producer Illenium, with whom they collaborated on massive track "Afterlife" which has over 14 million YouTube views and 20.5 million Spotify streams alone and have performed on the festival stages of Electric Forest, Snowglobe and more as well as a US tour with Alternative metallers I See Stars.

With their upcoming album, 'Affirmations' shifting to a deeper emotional focus, ECHOS lyricist, co-songwriter and vocalist, Lexi Norton has used these tracks as an outlet to document the battlefield of her battles with mental health and as an outlet to process the thoughts and feelings that don’t quite make sense.

ECHOS have nearly 750,000 monthly Spotify listeners and have over 500 million cross-platform streams to date, across their catalog.

HEILUNG Premieres New Song + Music Video, Launches Album Pre-Sales

Enigmatic world music collective HEILUNG will be releasing its highly-anticipated third full-length, 'Drif,' on August 19, 2022 via Season of Mist! The band is now unveiling the first single, "Anoana," along with a stunning music video! The song and video can be found below.

Pre-sales are now live for 'Drif!' Pre-order your copy HERE.

'Drif' can be pre-saved across digital streaming services HERE.

In addition, HEILUNG is also now announcing that their upcoming performance in New York City has been upgraded to The King's Theatre in Brooklyn, NY! Tickets purchased for the previous venue will be honored at the new location. Tickets for the new venue will go on sale this Friday, June 24 @ 10:00 A.M. EDT HERE! The full itinerary for their upcoming North American tour can be found below!

The band is currently touring the European festival circuit, with their next performance taking place tomorrow, June 23 in Clisson, FR at Hellfest Open Air! All upcoming live dates are below!

HEILUNG's song "Hakkerskaldyr" has been featured in the latest trailer for the upcoming Robert Eggers film, 'The Northman!' The epic trailer that features the song can been seen at THIS LOCATION!

Following the enormous success of HEILUNG's sold out appearance at the historic Red Rocks venue in Denver, CO in October 2021, the enigmatic world music collective will be returning to North America later this year! The first ceremony will take place on the evening of August 26 in Atlanta, GA and the final curtain will draw on October 1 in Dallas, TX. Tickets are on sale HERE. The full run of dates can be found below. For each ticket purchased, a tree will be planted.

HEILUNG's ritual is neither a performance nor a concert; it is a fully immersive ceremony that connects its listeners with the elements of nature through music, dance, and mysticism. For a glimpse of what to expect at an evening with HEILUNG, watch 'LIFA,' which was recorded live at Castlefest 2017, HERE.

HEILUNG will be supporting their 2019 release, 'Futha,' which debuted at #3 on the Billboard Heatseeker charts and #4 on the Billboard World Music Charts, placing on a total of seven Billboard charts within the first week of its release.

HEILUNG North America 2022:
08/26/22: Atlanta, GA @ Cobb Energy Center [TICKETS]
08/28/22: Asheville, NC @ Thomas Wolfe Auditorium [TICKETS]
08/30/22: Pittsburgh, PA @ Stage AE [TICKETS]
09/01/22: Toronto, ON @ Meridian Hall [TICKETS]
09/03/22: Montréal, QC @ MTELUS [TICKETS]
09/06/22: New York, NY @ The King's Theatre [TICKETS] **New Venue**
09/08/22: Worcester, MA @ The Palladium [TICKETS]
09/10/22: Detroit, MI @ Masonic Temple Theatre [TICKETS]
09/13/22: Chicago, IL @ Radius [TICKETS]
09/15/22: St. Paul, MN @ Myth Live [TICKETS]
09/20/22: Seattle, OR @ The Paramount Theatre [TICKETS]
09/22/22: Portland, OR @ Keller Auditorium [TICKETS]
09/24/22: San Francisco, CA @ The Warfield [TICKETS]
09/27/22: Los Angeles, CA @ Greek Theatre [TICKETS]
09/29/22: Phoenix, AZ @ Orpheum Theatre [TICKETS]
10/01/22: Dallas, TX @ The Factory in Deep Ellum [TICKETS]

Since its inception in 2015, the enigmatic ritual collective HEILUNG has been paving melodic paths to the past with their unique and mystifying sound. Evading all conventional genre tags and the confines of any specific labels, the group aptly self-describes their sound as “amplified history,” emphasizing their ability to connect modern society with the rudiments of humanity’s beginnings through music. HEILUNG once again journeys back in time with its new chapter, ‘Drif;’ however, unlike previous offerings that centered around prehistoric northern Europe, album number three will explore other great rudimentary civilizations outside of Europe.  

“All the songs on ‘Drif’ have their own stories,”  adds HEILUNG throat singer and one of the band’s three composers, Kai Uwe Faust. Each has its place and sense of belonging, with inspiration not only from Northern Europe, but from the ancient great civilizations,” explains the band. “We took the ancient surrounding advanced civilizations in account, because our ancestral Nordic civilizations did not just pop up, exist and disappear in isolation. Already in the Bronze Age, we found silk on German land that was imported already from the far, far East 3000 years ago. From the Viking age, we found beads that were brought there from present-day Syria high up in the Northern mountains. 

“Centrally important concepts, still in extensive use today, like the number Zero and all the mathematical universes deriving from it, the use of iron and the general concept of settling all originate from traditional high civilizations outside the north and still fundamentally changing our ancestor's world. 

“With singing these primordial songs we want to give tribute to these cultures, reconnect to the beginnings and remember that we all, from East to West, from past to present, are connected through the exchange of ideas and inspiring each other.” 

Meaning “gathering,” ‘Drif’ serves as more than merely a gateway that bridges history with modern day society, but is also a statement of the strength in unity and togetherness, which will come as no surprise to those who have experienced HEILUNG’s live ritual, in which every ceremony starts with a reminder that “we are all brothers.” “‘Drif’ means ‘gathering,’' explains HEILUNG. “A throng of people, a horde, a crowd, a pack. In symbiosis with the album title, ‘Drif’ consists of a flock, a collection, a gathering, a collage of songs, that much like little flames were seeking towards each other, to join, to bond, to create, and be greater together.” 

While HEILUNG features authentic and archaic instrumentation that ranges from rattles and ritual bells to human bones and throat singing, their captivating brand of music is far from primitive. Producer and founding member Christopher Juul implements subtle electronic elements that elevates the musical atmosphere and provides a more in-depth and layered soundscape. 

“This album has very clearly dictated its own path. Our attempts to tame it were repeatedly fruitless, and once we came to this realization, the creative flow surged forward with immense force. So much so that sometimes it felt like the songs wrote themselves,” the band adds. 

HEILUNG’s success has been unprecedented, achieving milestones in its few short years of existence that many do not see in a lifetime. The collective already had rapidly been growing a buzz upon the self-release of their first full-length, ‘Ofnir,’ in 2015, but their dizzying upward trajectory really took off from the moment they set foot on the stage at Castlefest in 2017 for the now-legendary debut of their live ritual. Luckily for those who were not fortunate enough to bare witness to this magical event, the full ceremony was captured on film, having since been viewed by tens of millions of fans across the globe. 

As HEILUNG trekked across Europe and brought their mystifying experience to new audiences, talk of this new band and their stunning ceremony made way to Season of Mist label owner Michael Berberian, who quickly offered the band a record contract after seeing their undeniable musical impact for himself. 

By 2019, HEILUNG launched their second full-length record, ‘Futha,’ which contrasted the masculine and battle-heavy themes of their debut with a feminine counterpart that celebrated fertility and female energy. Upon the first week of the record’s release, it graced the Billboard charts with coveted numbers, debuting at #3 on the Heatseekers Charts and #4 on the Billboard World Music Chart, placing on a total of seven Billboard charts while meeting critical-acclaim from the press on a global scale. 

Having already made its way around Europe, HEILUNG announced its first ever North American tour for the start of 2020, which sold out entirely within 72 hours of ticket on-sale. The band later returned to the United States and performed their live ritual for a sold out audience of 10,000 people at the historic Red Rocks Amphitheater in Denver, CO (USA), further solidifying their early legacy status. 

By this time, the band’s music started to appear in places outside the confines of music venues, videos, and vinyl. From hit television series like ‘Game of Thrones’ and ‘Vikings’ to video game giants like ‘Conqueror's Blade VII: "Wolves of Ragnarök’ and ‘Senua’s Saga: Hellblade II’ to the blockbuster Robert Eggers film ‘The Northman,’ HEILUNG’s music has risen far above the underground and has transcended into a greater world. Even a global pandemic couldn’t slow down HEILUNG’s success; it only strengthened them and gave them the gift of time to complete work on album number three, ‘Drif.’ 

According to Greek philosopher Pythagoras, three is a divine number, signifying harmony, wisdom, and understanding. He also believed it to be the number of time – past, present, future; birth, life, death; beginning, middle, end. Purposefully or not, ‘Drif’ embodies this philosophy, putting forth a divine work of art that ties together the beginning of civilization with the modern world today. Make no mistake, HEILUNG still does not represent any modern political or religious ideology, but rather delivers a humbling reminder of where we came from. “Remember, we are all brothers. All  people, beasts, tree and stone and wind, we all descend from the one great being that was always there, before people lived and named it, before the first seed sprouted.” 

Line-up:
Kai Uwe Faust 
Christopher Juul
Maria Franz

Recording studio: Lava Studios Copenhagen
Producer / sound engineer: Christopher Juul
Mix/Master: Lava Studios Copenhagen, Christopher Juul

Guest musicians:
- Annicke Shireen, Emilie Lorentzen, Mira Ceti, on track: 1, 2, 3 and 8
- Jacob Hee Lund and Nicolas Schipper on track: 1, 2, 3 and 7
- Ruben Terlouw, Pan Bartkowiak, Marijn Sies, Gwydion Zomer, Isabella Streich, Martin Skou, Samiye van Rossum, Nadia Kalamieiets, Edward Boyter, Nina Cornelia Schilp, Mitchell Bosch, Gwydion Zomer and Katalin Papp on track: 2, 4 and 5
- Vilja Christine Agger, Ea Christine Agger and Michael Berberian on track: 3

www.facebook.com/amplifiedhistory
www.instagram.com/amplifiedhistory

Style: Amplified History / Neofolk
Pre-save: https://orcd.co/anoana

Shop SoM: https://redirect.season-of-mist.com/Heilung
Shop Heilung: https://redirect.season-of-mist.com/heilung-tvm-shop

LaMacchia Partners With Metal Injection To Release Track & Video For “Put You Down" Today

LaMacchia

Partners With Metal Injection To Release

Track & Video For “Put You Down,”

The Latest Single From Candiria Guitarist John LaMacchia’s

Debut Solo Album Thunderheads

Out Now Via Brooklyn’s Aqualamb Records

LaMacchia To Perform New Material

At Brooklyn’s Saint Vitus June 23

Plus More Tour Dates Announced For August

Thunderheads Features Guest Contributors Kellii Scott (Failure),

Michael MacIvor (Candiria), Mario Quintero (Spotlights) &

Andrea Horne (Vaureen)

Order Vinyl, CD, Digital Variants HERE

Each Album Comes With Accompanying 100-Page Art Book

LaMacchia offers another taste of his debut solo album today with the release of the latest single and music video for “Put You Down,” a moody confessional with new wave and post punk influences. Metal Injection is exclusively premiering the haunting video, filmed in a cryptic basement where surprises lurk in the shadows. See their take on it here: https://metalinjection.net/video/john-lamacchia-streams-downtrodden-new-single-put-you-down

The single is from Thunderheads, out now via Brooklyn imprint Aqualamb Records. The nine-track stunner is the latest works of the accomplished musician John LaMacchia, known for his work as the guitarist for Brooklyn hardcore/prog-metal group Candiria. On the new material, LaMacchia pushes the envelope further with a fresh experimental indie rock vibe, featuring layered sonic nuances and male-female vocal interplay that presents a dimensional new palette that is comparable to Massive Attack, Doves and Radiohead.

Previous singles from the album have included “Bled Out,” a deep dive through crunchy guitars and free-falling bass, entwined with the candy-sweet vocals blend of LaMacchia and Sabrina Ellie, as well as “Angels Delight,” one of the darker orchestrations on the album, featuring the lush vocals of Candice Freshko and full of pulsating electronics and evocative guitar that show off the versatile talent of LaMacchia.

Composed and recorded over the course of 2020 and 2021 during the pandemic break, Thunderheads plays like a lullaby for the apocalypse. With healthy doses of self-respect and emotional bravery that serve as a salve for our pandemic-weary heart, it allows listeners to escape a world that is falling apart with music and creativity.

In addition to John LaMacchia, who has recorded all of the guitars, vocals, keyboards and programming for Thunderheads, additional guest contributions come courtesy of Kellii Scott (Failure) on drums, Michael MacIvor (Candiria) on bass guitar, Mario Quintero (Spotlights) on keyboards and Andrea Horne (Vaureen), Candice Freshko and Sabrina Ellie on vocals.

LaMacchia will play the new material live this summer with new tour dates announced, including this week at Brooklyn’s hallowed Saint Vitus.

June 23 @ Saint Vitus (Brooklyn, NY)
August 5 @ Mr Beery’s (Bethpage, NY)
August 6 @ Ortlieb’s (Philadelphia, PA)

August 7 @ Lucky 13 (Brooklyn, NY)

Thunderheads is now available at Aqualamb Records’ website with blue and pink vinyl variants, CD and digital options. Each purchase comes with an accompanying 100-page book filled with lush artwork, drawings, lyrics and additional content to get inside the mind of LaMacchia and the creative process.

About LaMacchia
LaMacchia is the new project led by musician and artist John LaMacchia of Brooklyn prog-metal’s legendary Candiria. The result is what we wish post-aughts music would have sounded like; layered with new-wave moodiness, and akin to Autolux, Massive Attack, Doves and Liars, to name a few. And with the musicians he sought out to fulfill that burden, including Kellii Scott on drums (Failure), Michael MacIvor on bass (Candiria), Mario Quintero (Spotlights) and vocalists Sabrina Ellie, Candice Freshko and Andrea Horne (Vaureen).

Facebook: https://www.facebook.com/lamacchiamusic

Twitter: https://twitter.com/LaMacchiamusic

Instagram: https://www.instagram.com/lamacchiamusic/

TikTok: https://www.tiktok.com/@lamacchiamusic

@lamacchiamusic

About Aqualamb Records

Inspired by the lack of album art in the age of invisible music, Brooklyn-based record label AQUALAMB publishes 100+ page printed books of artwork and writings as a tangible accompaniment to its releases. Essentially, each album's art and liner notes (traditionally confined to an LP gatefold, a CD booklet, or the screen of some music-playing device) are reconfigured into book form. Each book includes links to the music and digital content.
www.aqualamb.org

socials: @aqualambrecords

Springer Mountain Farms Bluegrass Nights at the Ryman Returns Tomorrow Night

ANNUAL SPRINGER MOUNTAIN FARMS BLUEGRASS NIGHTS
AT THE RYMAN RETURNS TOMORROW

Lineup Includes Ricky Skaggs & Kentucky Thunder, Dailey & Vincent,
The Steeldrivers and More


Single Show Tickets Available at
Ryman.com

Springer Mountain Farms Bluegrass Nights at the Ryman returns to Nashville’s historic Ryman Auditorium this Thursday, June 23, and continues each Thursday night through July 28. The series kicks off with The Del McCoury Band, followed by Dan Tyminski, Earls of Leicester, Dailey & Vincent and The Steeldrivers, leading up to the final night with a performance from GRAMMY Award-winning Ricky Skaggs & Kentucky Thunder.

All shows begin at 7:30 p.m. CT and will follow a 6 p.m. CT pre-show “Pickin’ on the Plaza” event sponsored by Springer Mountain Farms and Farm Bureau Health Plans on the Ryman’s PNC Plaza, featuring live music from local bluegrass artists and bands presented by 650 AM WSM. Single ticket prices start at $35.

Over 75 years ago in December of 1945, Bluegrass was born on the famed Ryman stage when a young banjo player named Earl Scruggs joined Bill Monroe’s Blue Grass Boys on stage for the first time. As they combined harmonies, upbeat tempos and a new sound referred to as “high lonesome,” the result was a new, energetic sound of country music that lifted crowds from the Ryman’s historic church pews to their feet. “Bluegrass” was born, and the Ryman became forever known as the “Birthplace of Bluegrass.” The venue honors Monroe’s legacy with a life-size statue on site, unveiled in 2017. Learn more about Monroe and his legacy HERE.

After sitting vacant for nearly two decades after the Grand Ole Opry relocated to its new home, the Ryman underwent renovation and reopened its doors on June 3, 1994. That same year, the venue introduced the first of what would become its annual “Bluegrass Nights at the Ryman,” which featured Bill Monroe and Alison Krauss. Now more than 25 years later, the Ryman continues to celebrate bluegrass music’s contribution to music history with artists and fans alike.

Springer Mountain Farms Bluegrass Nights at the Ryman 2022 Lineup:
June 23 – The Del McCoury Band
June 30 – Dan Tyminski with Hawktail
July 7 – Earls of Leicester with East Nash Grass
July 14 – Dailey & Vincent
July 21 – The Steeldrivers with Troubadour Blue
July 28 – Ricky Skaggs & Kentucky Thunder

About Ryman Auditorium
A National Historic Landmark, Ryman Auditorium was built by Captain Thomas G. Ryman in 1892 as the Union Gospel Tabernacle. A 13-time winner of the prestigious Pollstar Theatre of the Year award, the historic venue is well-known as the Mother Church of Country Music and is the most famous former home of the Grand Ole Opry (1943-1974). The Ryman’s thriving concert schedule hosts more than 200 shows per year, and the venue is open for daytime tours year-round. The Ryman has also been featured in numerous film and television projects including Coal Miner’s Daughter, The Johnny Cash Show, American Idol, Nashville and more. Ryman Auditorium is owned by Ryman Hospitality Properties, Inc. (NYSE: RHP), a Nashville-based REIT that also owns and operates the Grand Ole Opry, 650 AM WSM and Ole Red. For more information, visit ryman.com.

SICK N' BEAUTIFUL RELEASE NEW VIDEO FOR "DROP IT TO THE B"

Sick N' Beautiful will release their new album "Starstruck" on July 15, 2022. Sick N' Beautiful is the ultimate rock n' roll sideshow from outer space: a unique concoction of hard rock and modern metal infused with industrial, punk, and electro-pop overtones, blending in varying influences from across the musical spectrum to create a sound all their own. Today they release their video for the song "Drop it to the B." Watch it below.

Fans can get their first taste of the new album with the release of the single and music video, 'This Is Not The End', which is out today. Watch the video HEREhttps://youtu.be/rjDuH8GHE68

Pre-order/save "Starstruck" HEREhttps://orcd.co/starstruck Sick N' Beautiful has also launched a Kickstarter campaign for a feature film they are working on. Fans can order special bundles for 'Starstruck' to participate. Full details HEREhttps://www.kickstarter.com/projects/sicknbeautiful/sick-n-beautiful-starstruck-album-movie-preorder

LINE-UP:

Herma - Vocals

Nemes - Guitar

L0r1 - Guitar

Big Daddy Ray - Bass

Evey - Drums

Power Metal Warriors VICTORIUS Reveal Fourth Single “Night Of The Nuclear Ninja” + Lyric Video

New Album, Dinosaur Warfare Pt. 2 – The Great Ninja War, out June 24, 2022 via Napalm Records | Pre Order NOW!

German power metal space warriors VICTORIUS enter the last round with their new single, “Night of the Nuclear Ninja”! The track comes just a few days before this Friday’s release of their new album, Dinosaur Warfare Pt. 2 – The Great Ninja War – the final showdown in their fight to protect mankind against the Sunbladers! “Night of the Nuclear Ninja” features strong vocals, epic tunes and powerful instruments building up a commanding metal anthem. The track comes along with a gloomy and captivating lyric video illustrating the song with nuclear aesthetics. 

Dirk (vocals) on “Night Of The Nuclear Ninja”:

“A new foe appears on the horizon! A warrior, glowing in the dark, fueled by atomic hatred and nuclear fury! Enter the night of the nuclear ninja! Enjoy our latest and last single before our brand new album will be released!”

Watch the music video for “Night Of The Nuclear Ninja”

Two adventurous worlds of VICTORIUS collide on power metal apex Dinosaur Warfare Pt. 2 – The Great Ninja War!

Dinosaur Warfare Pt. 2 – The Great Ninja War sets off with a monumental introduction as it flows into “Victorious Dinogods”. The track initiates battle with relentless power metal as the mighty dinogods resurrect to protect mankind against the space ninja attack. Luckily, the dinogods don’t stand alone, as they are proudly joined in battle by the “Mighty Magic Mammoth”, awakened by a fiery comet. But wait, there are more brothers-in-arms (and songs) on their way – like “Jurassic Jetfighters”“Triceps Ceratops” and “Tyrannosaurus Steel”. The three join forces to fight the ninjas and their fearsome dragon, as fabled on smashing track “Dinos and Dragons”, spiced with an intense guitar solo praising the tradition of speed metal with a remarkable virtuosity. A foreshadowing of what’s to come when the ninjas take command is described with “Katana Kingdom Rising”, setting off with stomping drums that lead to an anthemic chorus. Strong symphonic elements are witnessed on “God of Roar” as well as on the powerful track “Night of the Nuclear Ninja”, which tells the story of the space ninjas transforming into even deadlier, nuclear versions of themselves. This is when another grand figure joins the fold: the giant “Powerzord”, a mighty robot lord, who comes to the aid of the dinosaurs in battle with the aim of finally freeing mankind from the space ninja threat. Will the dinos and their brave supporters manage to prevent the nuclear ninja kingdom from rising? Find out on Dinosaur Warfare Pt. 2 – The Great Ninja War – a roaring good time for all!

VICTORIUS on Dinosaur Warfare Pt. 2 – The Great Ninja War:

“Mighty Dinosaurriors! Get ready for the next chapter of our epic quest! Dinosaur Warfare Pt. 2 – The Great Ninja War is nothing more than the most ambitious album we´ve ever made. 12 songs full of speed, melodies, hooks and epic-ness! Together with producer Lars Rettkowitz we’ve created the soundtrack for an intergalactic Power Metal adventure you can´t escape from. The war rages on! Choose your side!”

Pre-Order Dinosaur Warfare Pt. 2 – The Great Ninja War NOW:

Dinosaur Warfare Pt. 2 – The Great Ninja War is available in the following formats:

- Digi Sleevepack

- Digi Sleevepack + Shirt

- 1 LP Gatefold gold (limited to 300 copies, band shop exclusive)

- digital

VICTORIUS is:

David Baßin – Vocals

Dirk Scharsich – Guitar

Florian Zack – Guitar

Andreas Dockhorn – Bass

Frank Koppe – Drums

VICTORIUS online:

Website

Facebook

Instagram

Napalm Records

IMMERSER Releases Official Music Video for "Blame"

Hard Rock solo project IMMERSER (John Logan Parsons III*) has released the official music video for his newest single, "Blame." Blending heavy guitar rhythms with a driving percussion, "Blame" showcases the multitalented artist's heavy rock and alternative influences while spotlighting gothic-punk instrumentation and vocal performance.

“'Blame' is the product of channeling all the angst and grunge of the 90s. It’s a reminder of a time when we could say what we wanted, do what we wanted, think what we wanted. An era when authentic art and music were at the forefront. Be whatever you are as long as it’s real. With this song I’m calling for a resurgence of authenticity!“ - John Logan Parsons III

“Immerser has a refreshing way of building layers of mystery and meaning into rock songs that feel uniquely their own. You’d be hard pressed to listen to one of their songs and not have it change you somehow.” - Kane Churko (Producer)

“Immerser is a unique artist with a worthy message and creative vision”. - Aaron Nordstrom (Gemini Syndrome)

Immerser is a dynamic, hard rock, solo project featuring the powerful music of John Logan Parsons III. The goal of the Immerser project is to bring meaning to a melody. As an artist John L Parsons III isn’t afraid to explore the deepest parts of the subconscious. Immerser songs deal with some of life’s darkest places, yet there is always an energetic undercurrent of optimism, spirituality, and love running throughout. The result is a passionate mix of alternative, pop, grunge, and metal. Immerser is music that a listener can connect with and find deeper meaning in. With the recent enlistment of world renowned producer Kane Churko who has worked with some of today’s biggest artists including - In This Moment, Gemini Syndrome and Violent Idols, Immerser is certainly a musical force to be reckoned with. Immerse yourself and transmute!

Rain City Drive Release New Single + Visualizer "Dying For" Taken From Forthcoming Self-Titled New Album Out July 15

See Rain City Drive Starting This Week On The

SiriusXM Octane's Remade In Misery Tour

With Memphis May Fire, From Ashes To New, + Wolves At The Gate

Ticket Info HERE

Hailing from Palm Coast, FL, post-hardcore mainstays Rain City Drive have today released their new single and accompanying visualizer for "Dying For". The track is taken from the band's upcoming new album 'Rain City Drive'out on Friday, July 15 (via Thriller Records). Speaking on the track, the band commented:

“'Dying For' is about living a purpose-driven life so you can face your mortality bravely. In short, it’s about living a life that’s worth dying for.”

Rain City Drive has previously released "Cutting It Close", "Dreams", and most recently, "Waiting On You" which altogether have been played over a whopping 1,220 times on SiriusXM. Watch the visualizer for "Dying For" below, stream the track here, and pre-order the 'Rain City Drive' album here.

Starting this week, fans will also have the chance to see Rain City Drive hit the stage on SiriusXM Octane's Remade In Misery Tour alongside Memphis May Fire, From Ashes To New, and Wolves At The Gate. For ticket information, please click here.

SiriusXM Octane's Remade In Misery Tour Dates:

June 24 - Charlotte, NC @ The Underground

June 25 - Pittsburgh, PA @ Enclave

June 26 - Philadelphia, PA @ Union Transfer

June 28 - New York City, NY @ Gramercy Theatre

June 29 - Boston, MA @ Paradise Rock Club

June 30 - Montreal, QC @ Fairmount Theatre

July 2 - Toronto, ON @ Velvet Underground

July 3 - Pontiac, MI @ Crofoot

July 5 - Columbus, OH @ King of Clubs

July 6 - Chicago, IL @ Bottom Lounge

July 8 - St. Louis, MO @ Red Flag

July 9 - Kansas City, MO @ Truman

July 11 - Denver, CO @ Oriental Theater

July 12 - Grand Junction, CO @ Mesa Theater

July 13 - Salt Lake City, UT @ Grand at the Complex*

July 15 - Seattle, WA @ The Croc*

July 16 - Portland, OR @ Bossanova Ballroom*

July 17 - Berkeley, CA @ UC Theatre*

July 19 - Ventura, CA @ Ventura Music Hall

July 20 - Pomona, CA @ Glasshouse

July 22 - San Diego, CA @ Soma - Sidestage

July 23 - Las Vegas, NV @ 24 Oxford at Virgin

July 24 - Phoenix, AZ @ The Crescent Ballroom

July 26 - Lubbock, TX @ Jake's Backroom

July 27 - Austin, TX @ Emo's

July 28 - Houston, TX @ Warehouse Live

July 30 - Pensacola, FL @ Vinyl Music Hall

July 31 - Orlando, FL @ The Beacham

August 2 - Atlanta, GA @ Masquerade

August 3 - Nashville, TN @ Basement East

*No From Ashes To New

ABOUT RAIN CITY DRIVE

Rain City Drive (formerly Slaves) are embracing their next chapter with a powerful combination of authenticity and fervor, true to themselves, their fans, and the legacy they now want to create for the next generation of the band. Their forthcoming album 'Rain City Drive' is their second with frontman Matt McAndrew (NBC’s The Voice Season 7, coached by Adam Levine), bringing a refreshing pop-melodic swagger to the heavy riffs and songsmanship that has helped them amass a staggering 278 million streams equivalent to 263K album sales across their catalog.

Rain City Drive Are:

Matt McAndrew - Lead Vocals

Colin Vieira - Bass

Weston Richmond - Guitar

Felipe Sanchez - Guitar

Zachary Baker - Drums

Find Rain City Drive Online

raincitydrive.com

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GREYLOTUS Drop Lyric Video for New Single "Shadow Archetype"

Baltimore progressive tech-death metal quintet GREYLOTUS have released the third and final single from their upcoming debut album. Fans can check out the lyric video for "Shadow Archetype" via the link below. The debut full-length from Greylotus, titled 'Dawnfall', will see a July 8, 2022 release via The Artisan Era.

Speaking about their new album, the band comments:

‘Dawnfall’ serves as a follow-up statement to the ‘Savior’ EP, which dealt with thrusting inner demons borne of trauma and mental health struggles out into the open, and accepting the reality of existing with them.

In the metaphor of the lotus’ life-cycle, ‘Savior’ represented the stage in which the seed is buried under the mud - shelled in, unaware, and unable to budge from what it has known. ‘Dawnfall’ embodies the process of breaking out of the shell and traveling toward the sun’s light, reaching through murky waters and currents, struggling to separate True North from tricks of the refracted light. 

‘Dawnfall’ explores the self-doubt that accompanies the realization that healing is a non-linear process. It wanders through the pits of self-judgment and confronts what follows when an individual accepts that the best version of themselves is not constrained by perfection.

About GREYLOTUS:

Greylotus is a progressive technical death metal band from Baltimore, Maryland.

Combining influences from all edges of the modern metal frontier, Greylotus crafts various dynamic walls of sound, ranging from passages of blisteringly technical riffs and artillery-esque blast beats, to emotional and melodic harmonies and choruses, to soundscapes brimming with ambient, orchestral, acoustic, and synth elements. After establishing the foundation of their sound in the 2018 EP, ‘Savior’, they went to work writing for their debut full-length ‘Dawnfall,’ a genre-defying experience highlighting the wide array of influences each member brings to the table.

Greylotus serves to provide a narrative for self-development through metaphor following the lotus flower’s life cycle in their lyrics. They seek to leave memorable emotional postcards that listeners can connect with and reflect upon.

After getting their first taste of the road in 2019 alongside Abiotic, Cognitive, and God of Nothing, and playing the virtual Techabilitation Festival in 2020 amid the pandemic, Greylotus are raring to perform again at United Kingdom Tech-Fest 2022 and tours TBA.

GREYLOTUS is:

Lee Mintz - Vocals

Ben Towles - Guitar

Sanjay Kumar - Guitar

Drewsif Reynolds - Bass

Matt Tillett - Drums

GREYLOTUS Online:

https://www.facebook.com/greylotusmetal

https://www.instagram.com/greylotusmetal

FRONTIERS MUSIC SRL ANNOUNCES SIGNING OF THE ERINYES

Frontiers Music Srl is proud to announce the signing of an exciting new musical force, fronted by not one, not two, but three incredible vocalists, The Erinyes. The band name is derived from Greek mythology, where The Erinyes, also known as the Furies, are a trio of chthonic deities of vengeance. Vocalists Justine Daaé, Mizuho Lin, and Nicoletta Rosellini share lead vocal duties in The Erinyes. Their debut single and video, 'Drown The Flame' is out today. Watch the video below.

Stream and/or download 'Drown The Flame' HEREhttps://orcd.co/drowntheflame

'Drown The Flame' serves as a preview of what fans can expect from their upcoming full-length, details of which will be revealed in the coming weeks. 

The Erinyes’ singers come from exciting, up-and-coming bands on the metal scene. Justine Daaé fronts her own gothic-industrial metal solo act Elyose out of France, Mizuho Lin is co-lead vocalist in Brazilian symphonic/dark metal band Semblant, and Nicoletta Rosellini sings for the Italian bands Walk In Darkness and Kalidia.

Follow the band on social media to keep up to date on the release of more new music and news about their forthcoming debut album. 

The Erinyes

Facebook: https://www.facebook.com/erinyesmetal

Instagram: https://www.instagram.com/erinyesmetal

Justine Daaé

https://www.facebook.com/justine.elyose

https://www.instagram.com/justinedaae/

Mizuho Lin

https://www.facebook.com/officialmizuholin

https://www.instagram.com/mizuholin

Nicoletta Rosellini

https://www.facebook.com/NicolettaRoselliniOfficial

https://www.instagram.com/jalhia17

Line-up:

Justine Daaé - Vocals

Nicoletta Rosellini- Vocals

Mizuho Lin- Vocals

Aldo Lonobile – Guitars

Andrea Buratto – Bass

Michele Sanna – Drums

Antonio Agate – Keyboards

Produced by: Aldo Lonobile

Executive Producer/A&R: Serafino Perugino

About Frontiers Music Srl:

Originally founded in Naples, Italy in 1996 by Serafino Perugino and his father Fernando as a distribution company, Frontiers has developed into one of the premiere independent rock labels in the world. Synonymous with quality music from across a broad spectrum of rock genres, the label has worked with multiple genre heavyweights and fan favorites. Aside from providing a home for classic artists from the '70s and '80s, the label has also become home to a wealth of young, up and coming talent that, with a savvy and forward thinking A&R and marketing approach, will be developed into the future of rock and metal. With a deep commitment to and passion for THE MUSIC and the artists who create it and massive global distribution, sales, marketing, and publicity channels, Frontiers is the premiere home for established and emerging rock artists. Head Office: Naples, IT | U.S. Office: Philadelphia, PA

JUDAS PRIEST ANNOUNCE 50 HEAVY METAL YEARS TOUR DATES

One of heavy metal’s all-time greats, Judas Priest, will get the opportunity to celebrate their 50th anniversary again this year with the launch of a new North American fall tour. The 50 Heavy Metal Years Tour will also feature Queensryche as openers and is being fueled by the highest charting album of Priest’s career, ‘Firepower,’ which peaked at #5 on the Billboard 200.

Additionally in 2022, Priest band members Rob Halford, Glenn Tipton, Ian Hill and Scott Travis will be inducted into the Rock and Roll Hall of Fame.

“Defending the heavy metal faith for fifty years, the Priest is back!” - Rob Halford

“Time to don the leather and studs and roll out the Priest Machine - celebrating our 50 Heavy Metal Years!!” - Glenn Tipton

“After the horrific last few years of restrictions we’ve all had to endure, what better place to break free, than the land of the free - the USA!” - Ian Hill

Judas Priest originally formed in 1970 in Birmingham, England (an area that many feel birthed heavy metal). The original nucleus of musicians would go on to change the face of heavy metal. Throughout the 70's Priest were responsible for helping trail blaze metal with such classic offerings as ‘Sad Wings of Destiny’ (1976) ‘Sin After Sin’ (1977) and ‘Hell Bent for Leather’ (1978) as well as one of the genre’s top live recordings ‘Unleashed in the East’ (1979) among others.

It was during the 80's that Priest conquered the world, becoming a global arena headliner on the strength of such all-time classics as ‘British Steel’ (1980) and ‘Screaming for Vengeance’ (1982), as well as being one of the first metal bands to be embraced by the then-burgeoning MTV, plus performing at some of the decades biggest concerts (1980’s Monsters of Rock, 1983’s US Festival, and 1985’s Live Aid) and being the first to exclusively wear leather and studs – a look that began during this era and would eventually be embraced by metal heads throughout the world. Priest’s success continued throughout the 90's and beyond with the addition of drummer Scott Travis, as evidenced by such additional stellar offerings as ‘Painkiller’ (1990) ‘Angel of Retribution’ (2005) and ‘A Touch of Evil: Live’ (2009) the latter of which saw Priest win a Grammy Award for a killer rendition of the classic 'Dissident Aggressor'.

In 2011 new guitarist Richie Faulkner came in to replace the previous guitarist who had left in 2010 - the move seemed to have reinvigorated the band, as evidenced by a show-stealing performance on the 'American Idol' TV program that also served as Faulkner's debut performance with the band (also in 2011 was the release of a new compilation 'The Chosen Few' which included Priest classics selected by some of metal's biggest names) and the 'Epitaph' concert DVD in 2013.

Priest’s next studio effort would arrive in 2014 ‘Redeemer of Souls’ which was supported by another strong tour. In 2018, Priest unleashed their latest studio album ‘Firepower’ (produced by Andy Sneap and Tom Allom) which received global success and critical acclaim. In 2020, a fully official and authorized photographic book, ‘Judas Priest: 50 Heavy Metal Years,’ was issued, followed in 2021 by the 42-CD box set, ‘Judas Priest: 50 Heavy Metal Years of Music.’

Few rock or metal acts remain as much of a must-see live attraction as Judas Priest.

FALL 2022 U.S Tour dates:

October 13 in Wallingford, CT @ Toyota Oakdale
October 15th in Albany, NY @ MVP Arena
October 16 in Boston, MA @ MGM Music Hall Fenway
October 18 in Uniondale, NY at Nassau Veterans
October 19 in Wilkes-Barre, PA @ Mohegan Sun Arena at Casey Plaza
October 21 in Kalamazoo, MI at Wings Event Center
October 22 in Detroit, MI at Masonic Temple Theatre
October 24 in Cincinnati, OH @ The Andrew J Brady Music Center
October 25 in Waukegan, IL @ Genesee Theatre
October 27 in Green Bay, WI @ Resch Center Theater
October 29 in Moline, IL @ TaxSlayer Center Moline
October 30 in Mankato, MN @ Mayo Clinic Event Center

November 1 in Sioux City, IA @ Tyson Events Center
November 2 in Rapid City, SD @ The Monument
November 7 in Ontario, CA @ Toyota Center
November 8 in Tucson, AZ @ TCC Arena
November 10 in Loveland, CO @ Budweiser Events Center
November 12 in Park City (Wichita), KS @Hartman Arena
November 13 in St. Charles, MO @ The Family Arena
November 15 in Corbin, KY @ The Corbin Arena
November 17 in Southaven, MS @ Landers Center
November 18 in Baton Rouge, LA @ Raising Canes River Center
November 20 in Oklahoma City, OK @ Paycom Center
November 22 & 23 in San Antonio, TX @ Tech Port Center & Arena
November 25 in Dallas, TX @ The Factory in Deep Ellum
November 26 in Corpus Christi, TX @ Concrete Street
November 28 in Edinburg, TX @ Burt Ogden Arena
November 29 in Houston, TX @ 713 Music Hall

FOR MORE INFORMATION:
www.judaspriest.com

Ryman Auditorium Announces Jason Isbell and The 400 Unit Eight-Night Residency This October

Nashville’s historic Ryman Auditorium has announced an eight-night residency featuring GRAMMY Award-winning Jason Isbell and The 400 Unit as part of the Ryman’s 130th anniversary celebration. The shows mark the group’s sixth residency at the Mother Church and will take place on October 14, 15, 16, 18, 19, 21, 22 and 23. Tickets go on sale this Friday, June 24 at 10 a.m. CST at ryman.com.

Since the first concert held on May 4, 1892, the Ryman has welcomed an array of artists, entertainers and speakers on its hallowed stage – from magician Harry Houdini to comic actor Charlie Chaplin and former president Theodore Roosevelt to civil rights leader Martin Luther King Jr., plus music icons from all genres including Garth Brooks, Johnny Cash, Sheryl Crow, Bob Dylan, Elvis, B.B. King, Lizzo and Harry Styles.

For more on the Ryman’s 130th, visit https://ryman.com/ryman-130-celebration/.

Jason Isbell and The 400 Unit 2022 Ryman Residency
Friday, October 14 with Peter One
Saturday, October 15 with Grace Group Gospel Choir
Sunday, October 16 with Vagabon
Tuesday, October 18 Kevin Kaarl
Wednesday, October 19 with Leyla McCalla
Friday, October 21 with Amanda Shires
Saturday, October 22, with Hermanos Gutierrez
Sunday, October 23 with Cimafunk

About Ryman Auditorium
A National Historic Landmark, Ryman Auditorium was built by Captain Thomas G. Ryman in 1892 as the Union Gospel Tabernacle. A 13-time winner of the prestigious Pollstar Theatre of the Year award, the historic venue is well-known as the Mother Church of Country Music and is the most famous former home of the Grand Ole Opry (1943-1974). The Ryman’s thriving concert schedule hosts more than 200 shows per year, and the venue is open for daytime tours year-round. The Ryman has also been featured in numerous film and television projects including Coal Miner’s Daughter, The Johnny Cash Show, American Idol, Nashville and more. Ryman Auditorium is owned by Ryman Hospitality Properties, Inc. (NYSE: RHP), a Nashville-based REIT that also owns and operates the Grand Ole Opry, 650 AM WSM and Ole Red. For more information, visit ryman.com.

About Jason Isbell and The 400 Unit
Jason Isbell has established himself as one of the most respected and celebrated songwriters of his generation. The North Alabama native possesses an incredible penchant for identifying and articulating some of the deepest, yet simplest, human emotions, and turning them into beautiful poetry through song. Isbell sings of the everyday human condition with thoughtful, heartfelt, and sometimes brutal honesty. Isbell broke through in 2013 with the release of Southeastern. His next two albums, Something More Than Free (2015) and The Nashville Sound (2017), won Grammy Awards for Best Americana Album & Best American Roots Song. Isbell's song "Maybe It's Time" was featured in the 2019 reboot of A Star Is Born. His most recent full-length album, Reunions (2020), is a critically-acclaimed collection of ten new songs that showcases an artist at the height of his powers and a band fully charged with creativity and confidence. In April of 2021, it was announced that Isbell would appear in the upcoming Martin Scorsese film, Killers of the Flower Moon. In October 2021, Jason Isbell and the 400 Unit released a special new covers album, Georgia Blue. Created to celebrate Georgia’s role in the 2020 election, the record consists of new versions of thirteen songs with ties to the state, including tracks originally recorded by Georgia natives R.E.M., Drivn’ N’ Cryin’, James Brown, Cat Power, Precious Bryant, Otis Redding, The Black Crowes, Indigo Girls, Now It’s Overhead, Gladys Knight & The Pips, The Allman Brothers Band and Vic Chesnutt. All proceeds will benefit three non-profit organizations: Black Voters Matter, Fair Fight and Georgia STAND-UP.

About Outback Presents
Outback Presents is the leading independent, full-service promoter of live entertainment. Based in Nashville, Outback Presents produces thousands of music and comedy shows, tours, and festivals annually across North America and connects its diverse roster of artists with their fans.

MASSACRE Kicks Off "California Resurgence Tour" on July 1st

Floridian death metal juggernauts, MASSACRE will head West next week to kick off their 3-date "California Resurgence '22" Tour, just in time for the release of their new EP, "Mythos," that's due on July 1st from Nuclear Blast. Tickets are available now at https://bnds.us/i9j3nq

California Resurgence Tour
July 1 - Santa Ana, CA - The Constellation Room
July 2 - Palmdale, CA - Transplants Brewing Company
July 3 - Los Angeles, CA - Don Quixote

In celebration of the tour and new EP, MASSACRE will be doing a Meet & Greet with fans at Grill 'Em Allin Alhambra, CA on June 30th.

In case it was missed, MASSACRE recently revealed a new single from "Mythos" titled "Behind The Serpent's Curse," which features Anders Odden (CADAVER).

Pre-Save/Pre-Order "Mythos": https://bfan.link/Massacre-Mythos

Stream "Behind The Serpent's Curse":
https://bfan.link/Massacre-BehindTheSerpentsCurse

MASSACRE rose from the swamps of Southern Florida in the early 80's during a heatwave of groundbreaking death metal that produced some of the genre's most revered forefathers, DEATH, OBITUARY and SIX FEET UNDER. Their legacy was founded with a string of classic demos, "Aggressive Tyrant" (1986), "Chamber of Ages" (1986) and "The Second Coming" (1990), before unleashing their critically praised classic debut album "From Beyond" (1991). In 2021, the band made their long-awaited return with "Resurgence." Invigorated with the same youthful rage that brought them together at inception, long-time members, vocalist Kam Lee (MANTAS, BONE GNAWER, THE GROTESQUERY) and bassist Mike Borders, were joined in the studio by some of death's most prolific and malignant songwriters, guitarist Rogga Johansson (PAGANIZER, MEGASCAVENGER, RIB SPREADER), guitarist Jonny Pettersson (WOMBBATH, NATTRAVNEN, HENRY KANE), guitarist Scott Fairfax (MEMORIAM, AS THE WORLD DIES) and drummer Brynjar Helgetun (CRYPTICUS, THE GROTESQUERY) with additional guest performances by Marc Grewe (INSIDIOUS DISEASE), Dave Ingram (BENEDICTION), Anders Odden (CADAVER), and Pete Slate (DRUID LORD) The record was recorded with producer and death metal icon Dan Swanö (ex-Edge of Sanity, ex-Bloodbath) and Pettersson as engineer/mixer.

Now only a year later, MASSACRE emerges from the swamps again for the brutally devastating EP, "Mythos." Picking up where they left off on "Resurgence," the band lays waste with Lovecraftian inspired lyrics and searing death metal riffs.

Purchase/Stream "Resurgence" here: https://www.nuclearblast.com/massacre-resurgence
Singles from "Resurgence":
"Return of the Corpse Grinder" Music Video - https://youtu.be/300qlp3RKUY
"Whisperer in Darkness" Music Video - https://youtu.be/3Mo-cY2S4Gs
"The Innsmouth Strain" Visualizer - https://youtu.be/ei3c7aOjVFM
"Ruins of R'lyeh" Visualizer - https://youtu.be/ON10TxN4RBg

SAOR Streams New Album 'Origins' Ahead of Release

Caledonian metal pioneer SAOR is now streaming its upcoming fifth full-length album, 'Origins,' in its entirety ahead of this Friday's release! The album can be heard below.

'Origins' is due on June 24 via Season of Mist, making it SAOR's debut to the label! Inspired by the myths and tales of the Scottish highlands, 'Origins' takes the listener deep into the ancient heartlands while delivering SAOR's signature hybrid of atmospheric black metal and folk.

Pre-orders for 'Origins' are live in the shop HERE. Pre-save the record across all streaming services HERE.

SAOR means free, without obligations, unconstrained. All of these characteristics are intrinsic to the music of SAOR, the musical entity spearheaded by sole member Andy Marshall. As a lone wanderer proudly shouting the tales and myths of his people, his culture and his region from the tops of misty Caledonian mountains for the wind to carry, Andy has carved a solitary, yet strikingly inspiring path with SAOR ever since Roots, his first album laid deep… roots, indeed!, way back in 2013.

A decade about to be completed which is now about to witness the release of a fifth full-length, a decade in which Andy and SAOR have almost single-handedly made us all feel a little bit like Scots at heart, regardless of our own individual origins, such is the passionate and almost visual way that this musician delivers his profoundly atmospheric hybrid of black and folk metal, peculiarly described as Caledonian metal. “I used to play in some local bands, but I never really liked writing music with other people,” Andy recalls of his initial, formative times as a musician, beginnings that already hinted at the future road that would be taken. “There were too many opinions and arguments about the direction of the music. I have always preferred writing music alone.” As such, his musical and conceptual vision could be developed steadily, undiluted and unrestrained. Free, without obligations, unconstrained. “I was really into black metal and folk metal at the time I wrote Roots,” the Scot reveals, somewhat unsurprisingly. The components for his musical edifice are clear – it’s in the personality of their seamless mix, and in the Scottish fog that surrounds it, that the unique magic lies.

“There were plenty of Scandinavian bands singing about their history, culture, roots… but there were no Scottish bands. I thought this was kind of weird because we have such an interesting history, and quite gloomy and epic landscapes, much like the Scandinavians. Since I grew up around traditional Scottish music and was a huge fan of film soundtracks, I used those influences and tried to merge them with atmospheric black metal, folk metal and other sounds. It was quite a natural fit for me. I live very close to mountains, beautiful forests and lochs, and I spend a lot of time on the Isle of Skye, so you can guess where my inspiration comes from. I’ve also been interested in Scottish history from a young age. I’m no expert, but I take inspiration from reading about the past and always feel connected to it.”

Established as a singular voice and presence in the metal and folk underground with Roots (“it might sound corny, but it’s the ‘roots’ of SAOR and the Caledonian metal sound,” Andy jokes. “You can hear some of the typically Scottish melodies on it that would become more prominent in future albums.”), Andy Marshall forged on, and follow-up Aura appeared less than a year later. Though it contains some of the most appreciated hymns in his entire discography, the Scottish musician, ever a perfectionist, has mixed feelings about it. “I was never a huge fan of the production and performances on this one,” he shrugs. “It felt rushed. Funnily enough, it became one of the most popular and well received SAOR albums. People seem to love the somewhat ‘muddied production’ because it gives the album character. We still play songs from this live and they go down really well. ‘Pillars of the Earth’ is one of my favourite SAOR songs.” With apologies to Andy, we do side with the masses on this one – and would even throw the hallowed name of Bathory as an example of how “muddied production” and “character” are two concepts that can indeed go hand in hand, treading a fine but clear line throughout the history of metal.

Perhaps avoiding another rushed effort, Guardians took two years to appear as the third chapter in the ongoing saga that is the SAOR discography. Definitely leaning even more to the side of folk, it’s a work of rare emotional depth within the genres it touches, even if our man is, once more, rather unfazed and focused on the technical aspects of the recording. “I think it’s a natural progression from Aura, but with a slightly improved sound. It focuses more on my folk/Celtic influences. Some would say the folk metal element is more prominent due to the amount of bagpipes, tin whistles and other folk instrumentation used on this album,” he muses. However, not even his author can deny the power of this album’s highest moments. “’Hearth’ is one of the most popular SAOR songs and ‘Tears of a Nation’ always goes down well in a live setting.” Sound considerations aside, it was clear by then, circa 2016, that SAOR was a living, breathing entity, evolving and exploring. Like that recurring metaphor of the lone wanderer that seems so perfect we cannot let go of it. Free, without obligations, unconstrained.

The period between albums ever-lengthening, as if each step into the world of SAOR requires a bigger period of reflection and maturing to take the next one, Forgotten Paths would only appear in 2019. A worthy wait, however, as the evolutionary step was by far the boldest, bravely defying imaginary style constraints and showcasing an atypical and engaging approach to the overall “folk” super-genre. “My most open and accessible album,” Andy admits without hesitation. “There’s definitely a hint of post-metal creeping in on this one and a little less black metal. Neige from Alcest provided guest vocals on the title-track, which was an honour. This is around the time I started using the term Caledonian metal to describe my sound. I think it sums up my music and the themes perfectly.”

As live appearances were beginning to be much more frequent and SAOR a constantly demanded name on more notable events, the world decided to throw us all a pandemic curveball, which halted the victorious march of Andy and his stage cohorts for a while. However, you wouldn’t expect a period of isolation to ever hold back a musician and a project that are, by definition, and even by many of the feelings by them evoked, isolated, would you? And it most certainly did not. “From 2019-early 2020 we had a pretty hectic time touring and playing festivals, so I actually really liked the first few months of lockdown. I got a chance to relax,” Andy says. “But when the government decided to stop us from travelling, even leaving our local area, it was horrible.” Also, the end of 2020 brought an unexpected gift of recognition, as SAOR won the "Best Metal" Category at the Scottish Alternative Music Awards (SAMAs). Humble as ever, Andy thanked the band’s manager Joe, his stage comrades and Season of Mist, and added that “it's been a tough year, so this award means a lot.”

Even better than recognition and accolades, from these difficult times, the new album, Origins, appeared. And for their first album in three years, and their premiere for Season of Mist, we wouldn’t expect anything other than… the unexpected. A counter reaction of sorts to the more meandering and even “accessible” direction of the previous records, perhaps inspired by its main theme of the Picts (a group of peoples who lived in what is now northern and eastern Scotland during Late Antiquity and the Early Middle Ages) and their fierce battles, Origins comes across as a more raging, black metal-infused effort, copiously evocative in its imagery and even melancholic in places, but decisively strong and abrasive at the same time. “This album is a lot more guitar driven,” Andy confirms.

“During the pandemic I listened to a lot of classic heavy metal and I think you’ll hear the influences on the dual lead guitars and solos. I also wanted this to be my heaviest album with emphasis on the riffs. My harsh vocals have changed from deep growls to more of a black metal style. Since the subject of the album is the Picts, I wanted a pagan theme throughout, and so that aspect is a lot more prominent than in the previous albums. I also used instruments such as the Carnyx and tribal drumming to convey that feeling.” One of the strongest songs on offer, the opener in fact, “Call of the Carnyx”, is in fact about the Carnyx itself, the ancient Celtic war horn, and it conveys like never before the feeling that it must have been to hear its resounding bellow, calling the Pictish warriors to battle. A moving homage to the legacy of the Picts, Origins guides us through their gods, their fallen heroes who died protecting their families and land, and what still remains of their identity in the Scottish people of today.

As much as we have food for thought, assured and guaranteed entertainment and inspiration for the months to come as we listen to and explore Origins and its themes, its creator is naturally already moving on. Andy doesn’t need much to create the worlds SAOR albums inhabit, and his most powerful tool is always with him. “I don’t need to be in one particular place to write or be inspired,” he explains. “I do have my own little office/studio in my home where I write music and lyrics, but it’s nothing special. My imagination is the most powerful tool for SAOR.” Not only do we vehemently agree, we would even say that imagination is the most powerful tool, always, for everyone. The one untamed weapon we all possess and can use at all times. Free. Without obligations. Unconstrained.

Genre: Caledonian folk / black metal


Cover art: Anaïs Mulgrew

Line-up: Andy Marshall - Songwriter, Vocals & All Instruments

Recording line-up:
Andy Marshall - Songwriter, Vocals & All Instruments
Dylan Watson - Session Drums
Sophie Marshall - Female Backing Vocals

Vocals, Guitars, Bass, Folk Instruments: recorded by Andy Marshall at Fortriu Studio, Scotland.

Drums: recorded by Vladmir Cochet at Conatus Studios, Switzerland.

Guitars reamped: LSD-Studio, Germany.

Mixed & Mastered: Lasse Lammert at LSD-Studio, Germany.

Biography: José Carlos Santos
Links:
Official Website: https://www.saormusic.com
EU Store: https://saor.travelling-merchant.com/
US Store: https://saor-usa.travelling-merchant.com/
Facebook: https://www.facebook.com/saorofficial
Instagram: https://www.instagram.com/saormusic
Bandcamp: https://saor.bandcamp.com
Youtube: https://www.youtube.com/user/saormusic
Bandsintown: https://www.bandsintown.com/a/4099241-saor

Pre-sales: https://redirect.season-of-mist.com/saor-origins

Available formats: CD digipak, vinyl black and coloured, cassette

THE MOBILE HOMES Release 12" Single 'trigger-HAPPY' - Out Now!

Two tracks from The Mobile Homes latest album 'Trigger' have gotten remixed by two of the biggest names in the scene. “Once Upon A Time I Was Handsome”, remixed by the mighty Pete Gleadall, and “The Sorrow Stays For Good”, remixed by the mastermind Albin Myers. The end result is the 12” single “trigger-HAPPY”, out now.

 

The opening track is a remix of "Once Upon a Time I Was Handsome" by Pete Gleadall. Pete is a producer, engineer, mix engineer, musician, and synth programmer. He’s worked with George Michael, Pet Shop Boys, Robbie Williams, David Bowie, Boy George, Johnny Marr (The Smiths), Elton John, Trevor Horn, Brandon Flowers (The Killers), Madonna, U2, Lady Gaga, and many more.

Pete loved "Once Upon a Time I Was Handsome" and reworked/remixed it for the band. Mark Refoy (ex-Spiritualized) played extra guitar on his remix.

Listen to ‘trigger-HAPPY’ and buy the vinyl: https://orcd.co/trigger-happy

The Mobile Homes were formed in 1984; since then they have taken on numerous lineups, and are now the founding brothers Andreas Brun, Patrik Brun, and Hans Erkendal, along with Sami Sirviö and Markus Mustonen (Kent).

Legendary vocalist LISA GERRARD and composer MARCELLO DE FRANCISCI release 'Until We Meet Again', first single from ‘Exaudia' LP

Legendary Dead Can Dance vocalist and highly acclaimed film composer Lisa Gerrard has joined forces with Los Angeles-based composer/ record producer Marcello De Francisci for the stunning new album 'Exaudia', presenting a vivid collection of epic and empowering compositions. The first single ‘Until We Meet Again’, will be released on June 17, when the album also becomes available for pre-order.

Ms. Gerrard and Mr. De Francisci met many years ago through soundtrack work, their collaborative efforts including soundtrack scores and their first album ‘Departum‘. This recording follows Gerrard's 2021 collaborative ‘Burn’ album with Dead Can Dance bandmate Jules Maxwell, produced by James Chapman (MAPS),

‘Exaudia’ is the term used when a monarch grants a citizen of his kingdom an audience and, as a result, consents to a wish. A fitting title considering how regal this recording is. Working alongside a team of other musicians including Bahar Shah, Astrid Williamson, Daniela Arbizzi and Farhad Behroozi, ‘Exaudia’ combines the encompassing and euphoric textures of De Francisci’s production with Gerrard's evocative and haunting vocals. A feminine embodiment of poetic expression, the record plays majestically with this narrative, inviting a rich and vivid texture within each offering.

“I met Marcello while I was composing for a film called 'Kings'. He had wonderful engineering skills and I liked him as a person. After a while, we decided to try composing together and went on to compose some film scores. This work was borne out of a desire to write something together during Covid, there is also the artistic desire to embrace the opportunity to unlock our unfulfilled visions. The album is very physical in its construction and sensibility, it is a deeply sensual work that enjoys a sense of empowered subtlety," says Lisa Gerrard.

Lisa Gerrard has established herself as one of the world’s most highly acclaimed film composers, winning a Golden Globe for her work on the score for ‘Gladiator’ with Hans Zimmer. Her film work also includes ‘Whale Rider’, which received an Academy Award nomination, and ‘Balibo’, which won the Screen Music Award for Best Feature Film Score. In 2018, she received a Grammy nomination for ‘Hiraeth’, alongside David Kuckhermann, and went on to become a featured vocalist on the score for ‘Dune’ before returning to Dead Can Dance to release ‘Dionysus’ and tour in 2022. Gerrard also performs as part of the ‘Gladiator Live’ concerts and ‘The World of Hans Zimmer’ tours.

About 'Until We Meet Again', Marcello De Francisci says, "This piece is very much a story that depicts longing, distance between two people, it is an invitation to heal and a message of hope… We collaborated remotely on 'Exaudia' during the holidays between Melbourne and Los Angeles as I recall, importing Lisa Gerrard’s vocals onto my session, which her engineer Simon Bowley had sent over on the night of New Year 2021. Whatever plans I had to celebrate that evening were completely obliterated upon witnessing the emotional impact Lisa’s performance had on me. The overall track in general, as a result, was instantly addictive and therefore, I proceeded to work alone in the studio until dawn".

De Francisci began his career as a visual artist while attending fine arts at an institution founded by the famed Baroque painter Bartolome Esteban Murillo in Seville, Spain. He furthered his education at the Universidad Complutense in Madrid. In 2006, he won the Best Soundtrack of the Year G.A.N.G. Award for his work on Sony Computer Entertainment’s ‘God of War’ game. He soon partnered with Lisa Gerrard, launching their trajectory of collaborating and co-writing motion picture soundtrack scores together.

The full 'Exaudia' album will be released on August 26 via Atlantic Curve, a London-based label subsidiary of Schubert Music Europe GmbH. As of June 17, ‘Until We Meet Again’ will be available everywhere digitally. It can be pre-saved at https://orcd.co/untilwemeetagain

CREDITS
Vocal melody composed and performed by Lisa Gerrard
Music composed, performed, produced, mixed and mastered by Marcello De Francisci
Record Label: Atlantic Curve Records
Vocal recording engineer for Lisa Gerrard: Simon Bowley
Executive Album Producer: Daryl Bamonte
Album mixed and mastered at 10,000 Watts of Iron | A Music Company (Los Angeles)
Video concept, direction, creation and edited by Marcello De Francisci


Keep up with Lisa Gerrard
Website | Facebook | Twitter | Instagram | YouTube | Spotify | Apple Music | Press contact

Keep up with Marcello De Francisci
Website | IMDb | Soundcloud | YouTube | Twitter | Spotify | Apple Music | Press contact

Keep up with Atlantic Curve
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KURT DEIMER PAYS TRIBUTE TO HIS LATE FATHER WITH NEW SINGLE, "MY DAD,"

Kurt Deimer's current single and video, "Hero," was just released last month and is causing a buzz with rock fans as it builds towards a July 4 release at Active Rock radio. Now, to coincide with Father's Day (June 19th), Deimer is unveiling a special song and video to honor his personal hero, "My Dad." The song is a tribute to Kurt's late father and can be heard and viewed – along with “Hero” - via these links:

“MY DAD” - https://ffm.to/mydad

“HERO” - https://ffm.to/kurtdeimerhero

"My father was my hero," explains the singer. "My father taught me to be the kind of human I am now – to have a heart that cares about other people, to always take the high road, always kill people with kindness, and to always give. He was always respected as a person because of the way he treated people. So, all the qualities I have about caring and compassion and peace and kindness and love, they all came from my father.

"My dad passed away on April 6, 2016. He had quit smoking when he was 28, he struggled with his weight and, eventually, it led to congestive heart failure. My sister had passed a few years before in the same hospice my dad passed in, and I was with her when she died - holding her hand. I was able to say my goodbyes. With my father, I said, 'It's okay to go now, dad.’ And I swear to God within two seconds, his heart stopped beating and he died right there. It is crazy - like he knew I was there, and then when I told him it was good, he went… I wrote these lyrics in about 15 minutes on my back porch at two in the morning, talking to my dad. I have not performed it live yet, but I anticipate that it's going to be very emotional."

In addition to his new heartfelt tune and his current single “Hero,” Deimer has been steadily making a name for himself opening for Geoff Tate and Yngwie Malmsteen, working with Bon Jovi guitarist Phil X on his EP ‘Work Hard Rock Hard,’ performing at the Rainbow Bar & Grill 50th Anniversary Party in Los Angeles, and being one of the featured artists on the ShipRocked Cruise, which saw him perform on stage with the likes of Nita Strauss, Bumblefoot, POD’s Sonny Sandoval and Bad Brains’ HR, among others.

His touching video for "My Dad" is sure to connect with a large audience, who may see parallels between the video and their own lives and relationships.

"I said, 'Let's present life and death and his memory.' And then we went to my mother's house and got all the footage - she had saved a bunch of footage from her old cameras, and I just wanted to celebrate his life because if I can celebrate his life and it resonates with others, maybe it'll make them go back and look at their old home videos and not take that stuff for granted. Whether it's a dad or a mom or a sibling that they've lost, go back and revisit the middle and remember the good times and honor their memory. That's where that came from."

SOILWORK Release Second Single "Nous Sommes La Guerre" From Upcoming Album "Övergivenheten"

SOILWORK continue to please their fans by releasing the second single of the upcoming album Övergivenheten. After delivering the title track of their new longplayer already some weeks ago, the Swedes release the next single called 'Nous Sommes La Guerre'. This track represents the next massive piece of their highly anticipated album which is due on August 19th.

SOILWORK about the new single:
"‘Nous Sommes la Guerre’ evolved around a “fight or flight” theme. The song is about internal struggles and confronting your own worst sides. It’s a cry for help in defeating the darkness inside of you and move towards a brighter path."

The extraordinary artwork for the new single is created by Argavilda who has a very own view on the band's latest output. His thoughts about 'Nous Sommes La Guerre' and his interpretation of it:

"The idea is to peel the skin of the narrator to reveal the individual layers and see what makes the individual. All the scarred and murky sides being laid bare the deeper you dig. Crying golden blood because there are no more tears. It is a person soul searching to find answers and exposing themselves to ask for help. My interpretation of the lyrics is intricately connected to being lost and realizing, that you must build yourself up anew and that you cannot do it alone”.

Preorder the album here: https://bfan.link/overgivenheten
Stream the new single 'Nous Sommes La Guerre' here: https://bfan.link/SoilworkNSLG.ema

Along with the new track 'Nous Sommes La Guerre' comes also a brand new music video which can be watched below.

More from "Övergivenheten":
Stream the single 'Övergivenheten' here: https://bfan.link/overgivenheten
Check out the video for 'Övergivenheten' here: https://youtu.be/8lnviIWjliE

About
SOILWORK's steady consistency in creativity, which they have been delivering for years and also inspiring their fans with, is probably the most appropriate virtue that describes the band. Founded at the end of 1995, SOILWORK released their debut album Steelbath Suicide in 1998, which already received a good response. Between their debut album and album number five there were only five years, which means that by 2005 the band already had a lot of material out and since the switch to Nuclear Blast in 2001 at the latest, they had made the breakthrough. After a three-year album break, also caused by pandemic and difficult working conditions, SOILWORK are standing now in the starting blocks with their twelfth album Övergivenheten which is set to release in August 2022.

Additionally, the band announced that Rasmus Ehrborn has officially joined as new permanent bass player in the beginning of this year, which makes the SOILWORK line-up complete and ready again to capture the stages around the world!

SOILWORK is:
Björn "Speed" Strid - vocals
David Andersson - guitars
Sven Karlsson - keyboards
Sylvain Coudret - guitars
Bastian Thusgaard - drums
Rasmus Ehrnborn - bass

Armed for Apocalypse Share "Full of Phlegm"

ARMED FOR APOCALYPSE TO RELEASE RITUAL VIOLENCE ON CANDLELIGHT RECORDS ON OCTOBER 7

BAND SHARES "FULL OF PHLEGM" Listen below.

Uncompromising sludge juggernaut Armed for Apocalypse have announced that their third album, Ritual Violence, is set for release on October 7 via Candlelight Records.

Serving as a punishingly heavy taster for the new album, the band has released first single "Full of Phlegm," a blistering track that embodies the feeling of guilt and shame brought on by the decisions we make when we are in an intoxicated state.

Pre-save the album here.

"Ritual Violence was written in a time where everything seemed to be hopeless," the band says. "A lot of the songs on the album revolve around an overall theme of being stuck in an inescapable self destructive rabbit hole, and the struggle to break free of those habits."

Ritual Violence, which sees the band at its most aggressive and unrelenting, is both a product and expression of their never-die attitude. It's the album Armed for Apocalypse always wanted to make, with the engineer they wanted to make it with — Kurt Ballou of God City (Converge, High On Fire, Every Time I Die) — and the label they wanted to partner with — Candlelight Records. Featuring guest appearances from Andreas Kisser (Sepultura) on track "Foredoomed" and Trevor Phipps (Unearth) on "Suffer for a Living," it is Armed for Apocalypse refined to its purest form: 0 percent frills, 100 percent heavy riffs. 

Forming in California in the aughts, Armed for Apocalypse quickly released 2009's Defeat (Ironclad Recordings). That's where they laid out their mission statement: we are going to tune low, play riffs, and make heavy metal that makes you bang your fucking head. Real amps turned up, real drums hit hard, no bullshit. 2013's The Road Will End (Ironclad) complicated their thesis, the band experimenting with new structures and incorporating a broader sonic palette. But member changes and new life directions led to a challenging five years before their next release, 2018's Palm Reader EP. Now, in 2022, they return more focused than ever with their most potent and unwavering album to date. Ritual Violence is 11 tracks of bludgeoning skullfuckery; a record from a band who are confident in who they are, and what they want to do. And who won’t let anything get in the way of that. Not the years. Not the heartache. Not an industry that devalues its creators. Nothing.

Armed for Apocalypse has never done it the easy way. But on this latest record is a statement and a promise: They will do it their way.

ARMED FOR APOCALYPSE ARE:

Nate Burman — Vocals + Guitar

Cayle Hunter — Guitar

Charlie Fischer — Bass

Nick Harris — Drums

Hank Williams Jr. Releases 'Rich White Honky Blues,' Produced by Dan Auerbach

Larger than life, capable of summoning “all his rowdy friends” with a couple crashing downbeats and a blaring guitar riff, Hank Williams Jr. has been one of country music’s truest outlaws for over half a century. But at his core, the 72-year-old legend is the bluesman, Thunderhead Hawkins. Pure, unqualified and unadulterated, the only son of Hank Williams has the same down low lonesome in his veins as the man Rufus “Tee-Tot” Payne taught to play guitar as a small child growing up in Greenville, Alabama.

With Rich White Honky Blues, available now via Easy Eye Sound, the second-generation Country Music Hall of Famer makes good on his legacy with a turpentine and rough wood take on the hill country blues that informed his father’s raw-boned style of putting his pain out there. GRAMMY-winning Producer of the Year Dan Auerbachrecorded the set live over three days, with a dozen songs, reprising classics from Robert Johnson, Lightnin’ Hopkins, R.L. Burnside, Muddy Waters, Big Joe Turner, and a few from Bocephus himself.

“The blues is where it all comes from,” concedes Williams. “It’s the start of everything musical in my family; everything starts with Tee-Tot and flows from there. I’ve always flirted with this stripped back blues – all the way back to the ‘80s. But I finally made an album that’s just that, and I like it.”

With a wicked core of electric slide guitarist Kenny Brown (claimed as “my adopted son” by Burnside), bassist Eric Deaton (who first toured with Fat Possum’s Juke Joint Caravan, backing up T-Model Ford and Paul “Wine” Jones), plus drummer Kinney Kimbrough (son of North Mississippi blues legend Junior Kimbrough), Williams, Auerbach and the band tapped into the lifeblood of the blues.

“If you wanted to play this kind of music, you couldn’t have better players,” Auerbach explains. “The first time I ever saw Hank Jr. on TV, I was a kid raised on Robert Johnson and Hank Williams, Sr. records, and those things came through so clearly watching him. So, I tried to assemble the right parts to just sit in that piece of who he is.”

From the vocal and gut-string bounce of opening track “.44 Special Blues” (Johnson’s “32-20 Blues”), caught on the fly and viscerally gutting the betrayal and consequence rejoinder to a cheating woman, Williams’ vocals are potent, earthy, brash and lascivious. With Burnside’s “Georgia Women” leaning heavily into Williams’ delta blues influences, featuring an explosive dose of slide guitar magic, along with the high-tempo blues burner “Fireman Ring The Bell,” plus the chicken-scratching burn of Big Joe Turner’s metaphoric “TV Mama,” the delectability is greasy, trenchant, built to slather on a too-hot Saturday night.

And those vintage nuggets set the stage for Williams’ own songs.

“It’s that rawness, and how real it is. I was always searching for the rawness, the darkest stuff,” shares Auerbach. “Once we were in it, as soon as we started playing, Hank was invested. That lifted everybody else up, to really push each other.”

A minor-key tempest with a touch of smoke – recalling The Allman Brothers Band’s debt to the blues, “I Like It When It’s Stormy” faces down the rugged breaks and bad women who show a man his mettle, while the vamping “My Name Is Bocephus” redux “Call Me Thunderhead” throttles poseurs and pretenders to not just his throne but Williams’ famed blues doppelganger Thunderhead Hawkins, slicing into the electric blues that’s as much molten Chicago as North Mississippi’s finest.

“You bring who you are,” Williams says, chuckling. “All that... all... of... that... is where my music comes from. When we got into the studio, the more we played, the deeper we got – and the deeper we got, the harder I wanted to go. Those songs just fit the moment.”

The syncopated title track with its blaring electric guitar and rubber bassline may be the most Bocephus of them all. Making the blues an equal opportunity proposition, not just the outpost for the destitute and downtrodden, “Rich White Honky Blues” twines good sex and being cut off as the howling leveler of men regardless of circumstances, as well as serving as a roll call of the artists who twisted him into the man he is today.

“It is what it is,” Williams adds, still laughing. “You know, that’s the thing. Blues is what it is – and whoever you are, there’s a dose with your name on it. You can let it knock you down, or you can stand up and play the guitar, witness to what happened and throw down hard to get rid of it.”

About Hank Williams Jr.
Hank Williams Jr.’s extremely impressive resume has spawned 70 million albums sold worldwide, six PLATINUM albums, 20 GOLD albums, 13 No. 1 albums and 10 No. 1 singles. Marking 58 years since his first album in 1964, Williams Jr.’s 57th studio album Rich White Honky Blues is available now via Easy Eye Sound, featuring 12 songs recorded over a three-day period by GRAMMY-winning producer Dan Auerbach. 2016’s It’s About Time (Nash Icon Records) included the history-making “Are You Ready for the Country,” as well as tunes “Dress Like an Icon,” “Just Call Me Hank,” “It’s About Time” and “The Party’s On” in addition to re-recorded versions of classics “Mental Revenge” and “Born to Boogie” with Brantley Gilbert, Justin Moore and Brad Paisley on guitar. Following It’s About Time, Williams Jr. has released several compilations, including All My Rowdy Friends Are Coming Over: Great Tailgating Songs, A Country Boy Can Survive (Box Set), Hank Jr. Sings Hank Sr. and 35 Biggest Hits. He continues to add accolades to an extremely impressive resume, which includes ACM Entertainer of the Year, CMA Entertainer of the Year and BMI Icon, in addition to a GRAMMY win and coveted inductions into the Nashville Songwriters Hall of Fame and Country Music Hall of Fame.